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MBWoland
เข้าร่วมเมื่อ 20 พ.ย. 2007
Part 2: Vesselina Kasarova 1997 Portrait
Thanks to Smorgy and translator friends, here is part 2 of a German portrait of Vesselina Kasarova, a mezzo-soprano opera singer.
- Recording 'Mozart Arias' CD with Colin Davis.
- Singing Romeo in Bellini's 'I Capuleti e i Montecchi' at Paris Opera in 1996.
Part 2 of 3: Play all at: th-cam.com/users/view_play_list?p=E7E64AD77FA1F262
- Recording 'Mozart Arias' CD with Colin Davis.
- Singing Romeo in Bellini's 'I Capuleti e i Montecchi' at Paris Opera in 1996.
Part 2 of 3: Play all at: th-cam.com/users/view_play_list?p=E7E64AD77FA1F262
มุมมอง: 3 942
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Documentary 2: FroSch (Nilsson as Dyer's Wife)
มุมมอง 4.1K16 ปีที่แล้ว
Part 2 of Swedish tv documentary, 'JAG TÄNKTE TACKA NEJ TILL ROLLEN' Birgit Nilsson as the Dyer's Wife (Die Färberin) in Richard Strauss' opera, Die Frau ohne Schatten, in Stockholm in 1978. Interviewed by Catrin Jacobs in Swedish and interview with Jonny Mair (Regie) in English. PART 1 Singers: Birgit Nilsson (Dyer's Wife), Rolf Jupither (Dyer Barak), Siv Wennberg (Empress), Matti Kastu (Emper...
Documentary: FroSch in Stockholm 1978 - Part 1
มุมมอง 6K16 ปีที่แล้ว
Swedish tv documentary 'JAG TÄNKTE TACKA NEJ TILL ROLLEN' Birgit Nilsson as the Dyer's Wife (Die Färberin) in Richard Strauss' opera, Die Frau ohne Schatten, in Stockholm in 1978. Interviewed by Catrin Jacobs in Swedish and interview with Jonny Mair (Regie) in English. PART 1 Singers: Birgit Nilsson (Dyer's Wife), Rolf Jupither (Dyer Barak), Siv Wennberg (Empress), Matti Kastu (Emperor), Barbro...
FroSch - Act III: B Nilsson as Dyer's Wife
มุมมอง 3.4K16 ปีที่แล้ว
Richard Strauss' opera 'Die Frau ohne Schatten' (The Shadowless Woman) from Stockholm Opera 1978 Act 3, 'Schweigt doch, ihr Stimmen' Birgit Nilsson (Die Färberin - Dyer's Wife) Rolf Jupither (Der Färber - Dyer 'Barak') Barbro Ericson (Die Amme - Nurse) Berislav Klobucar conducts.
Birgit Nilsson as Dyer's Wife (FroSch 1978)
มุมมอง 12K16 ปีที่แล้ว
Richard Strauss' Die Frau ohne Schatten (The Shadowless Woman) Stockholm Opera 1978. Berislav Klobucar conducts: Birgit Nilsson ( Färberin - Dyer's Wife) Rolf Jupither ( Färber Barak - Dyer) Barbro Ericson (Amme - Nurse) Siv Wennberg (Kaiserin - Empress) Matti Kastu (Kaiser - Emperor)
Bizet's Carmen: Marina Domanshenko - Gypsy Song
มุมมอง 49K16 ปีที่แล้ว
With Smorgy's help, this is a clip from Bizet's Carmen at Arena di Verona in 2003. Marina Domashenko sings - Chanson Bohemienne (Gypsy Song)- Les tringles des sistres tintaient
Der Vogelhändler: Weps/Stanislaus duet & Marie's entrance
มุมมอง 37K16 ปีที่แล้ว
With Smorgy's help, this is a clip from Act I of Carl Zeller's operetta, Der Vogelhandler. Mörbisch 1998. Marc Clear (Stanislaus) Helmut Berger-Tuna (Weps) Martina Serafin (Princess Marie) conductor - Rudolf Bibl
Donizetti's Dom Sebastien - Zayda's 1st Act Aria
มุมมอง 1.7K16 ปีที่แล้ว
Zayda's 'O mon Dieu, sur la terre' aria from Donizetti's Dom Sebastien.... in original French. I think this is from Bologna 1998. Sonia Ganassi and Giuseppe Sabbatini.
Raoul-Valentine Duet from Les Huguenots (Leech-Peacock)
มุมมอง 4.8K16 ปีที่แล้ว
Richard Leech and Lucy Peacock sing the Raoul-Valentine duet in Meyerbeer's Les Huguenots. In German (Deutsche Oper Berlin 2000)
Behrens as Mozart's Elettra!
มุมมอง 27K16 ปีที่แล้ว
Hildegard Behrens singing Elettra's final air from Mozart's Idomeneo (D'Oreste, D'Ajace). This isn't the way to sing Mozart, but, man! Ain't she deliciously mad? I never got to hear her as Strauss' Elektra, so this is some consolation. :p Video is from the Met.
Nilsson OWNED this role: She WAS the Dyer's Wife!
Excellent acting and such strong communication, a great actor and amazingly well sung. Brava in every way.
Lehmann was in her early thirties. She sang Turandot as well.
She was 31 in 1919
Strauss strongly wanted Lehmann for the role despite others calling her a “schwimmer.” He did not want the Farberin to be an angry shrew in the Nilsson mold. The best Farberin in modern times was Inge Borkh.
The most visceral of all!!!
I’ll never understand how Lotte Lehmann sustained the tessitura of this part at the premiere.
Linda representação! Carmen muito bem caracterizada.É assim mesmo que os ciganos espanhóis se vestem. E a tribo calon geralmente se vestem assim. Principalmente malagueños y andalusos.
Ah no, il germano Oreste ne' cupi abissi io vuò seguir, or or compagna m'avrai là dell'inferno, a sempiterni guai, al pianto eterno. D'Oreste, d'Aiace ho in seno i tormento, d'Aletto la face già morte mi dà. Squarciatemi il cuore Ceraste, serpenti, o ferro il dolore in me finirà
magnifico
I have heard and read people saying it is not in Mozart's style. Well, well... I couldn't care less... Behrens was simply amazing! Her rendition is pure drama and pure Mozart
I agree. I like to think that Mozart would be thrilled to death to see what Behrens was able to do with this role.
THIS
@@davidwelch8288, lo sarebbe stato di piu' se lo avesse cantato al suo posto la Callas.
Peccato che Callas non piaceva Mozart, credo che questa sia una grande parte a la sua vocalità
Credo che desiderasse dei ruoli meno spezzettati. In Mozart, come nel Settecento e in alcune cose dei primi Ottocento, in genere erano due arie, un duetto e un finale. Non gli era sufficiente. Certo, l'avrebbe cantata meglio di qualunque altra e con risultati che conosciamo. Behrens non mi piace. Non e' adatta, fatica.
WOW!! Brava!! This is why I go to the opera. A.MA.ZING!
Love love this woman
Per Leech ho una forte ammirazione. Mi piace molto come canta , pero' ripeto la scenografia fa Orrore!!!! Mari
Con questa scenografia sminuiscono anche i cantanti ,e credetemi sono molto bravi , Mari
Ma questi tedesco a furia di bere birra il Luppolo gli ha devastato il cervello,,non posso dire che non mi piace il tutto perche' mi fa ORRORE !!!!!i cantanti sono bravi. Ma tutto il resto da assolutamente abominevole. MARI
Ms. Behrens was perfect for this role. She portrayed Elettra as an unstable presence from the beginning (the frizzy red hair certainly helped!). Pavarotti was a superb actor and it was interesting to see him in a role that was not the romantic lead. Frederica von Stade (not Tatiana Troyanos as I originally wrote) was wonderful and made a convincing appearance as the male lead. Illeana Cotrubas as Illia looked and sounded young and "girlish" in the part.
Agree with everything you say. Note: Frederica von Stade sang Idamante, not Tatiana Troyanos. Perhaps you are thinking of the Ponnelle film of La Clemenza di Tito, in which Troyanos sang Sextus.
@@jasonhurd4379 Thank you for the correction! von Stade and Troyanos are both such excellent artists in their own right. I don't know why I have a tendancy to confuse them.
yes. this truly maddening! the acting is awesome! I would have been on my feet!👏👏👏👏👏👏
It's a beautiful opera, it's Strauss for godsake!! Not just anybody or everybody can sing this opera and Birgit held the title for such a long time next to Turandot!
That guy and all his so complicated explanation on how everything should be interpreted is what make this awful music even worse. I thought I was going to listen to Birgit. Instead it is about that boring psychological point of view of the so called stage director. In other words, a lot of crap and NOTHING from Birgit.
All the big Wagner singers sing at least 1 Mozart role. For Birgit and Gweneth it was Donna Anna. Nina Stemme, Jessye Norman, and Deborah Voight sang the Contessa. Anja Silja sang the Queen of the Night. Hildegard chose to sing Elletra. Interesting note, she sang both Elletras, Mozart's and Strauss'.
Birgit also sang Mozart's Elettra, early in her career, at Glydenbourne with Leopold Simoneau and Sena Jurinac. Soon after she sang her first Salome in Stockholm. But it was Donna Anna, which you've mentioned, that was probably her most famous Mozart role.
Behrens also sang Fiordiliggi, if i am not wrong
@@gualtierocofresi Behrens sang Elettra, the Contessa, Fiordiligi and Donna Anna. A superlative artiste.
I also saw the great Brunnhilde, Rita Hunter as Donna Anna.
Nilsson also sang Elettra in Idomeneo. Norman sang Fiordillgi, Contessa and Donna Anna.
like her so much rest in peace diva
I had the absolute pleasure of seeing this particular production at the Met and it was simply amazing. Hildegarde Behrens brought it and had the audience on their feet. Brava Diva!!!! RIP.
vnessie1 I was there too. Magical
Behrens may have been the ideal for Wagner/Strauss than Mozart but if it's like they say: if you can make it at the Met, you can make it anywhere. Five stars
Forse per il pubblico del Met. Alla Scala non credo.
This performance was my introduction to "Elettra"...it's STILL memorable for me! I long for a singer that can affect me in such away.
Schade, dass heute so etwas nicht mehr gesendet wird.
I totally agree with your opinion. Hildegard was not a Mozartean as she did not studied in Vienna to learn Mozart's bravura/coloratura arias which are filled with raging emotions and rapid changes of the keys from low to high.
5 years on and still nada. I really hope they release one of the kazillion Capuletis she's done over the years sometime this century.
OOPS....This is NOT the Raoul/ Valentin Duet.
obviously, the dancers are not andaluces. That's why, as a native, I will always visually prefer the version filmed by Rosi.
..Very beautiful...
OMG It's Bertil!!!!
You should better post the duo Raoul Valentine, it's much more interesting and beautifully sung specially by Rick Leech absolutely fabulous in this part! As for the production it's a trash german way of staging opera, that's enough!
Great post <3 Kasarova :D Thanks to all who helped with the captions ^_^
Everyone has said it already - Behrens had a strange technique that didn't always serve her voice. But she is such a compelling musician and actress that all that nonsense can be forgotten. The important thing is to communicate something to the audience, and Behrens always gave 100% commitment to her portrayals.
I feel like that too. She always enraptures me with her portrayals
Yes wrong tempo.
Yes, you are correct. However, in fact, as this clip proves, this is Angela Denning singing the role of Marguerite de Valois. Lucy Peacock sings the role of Valentine de Saint-Bris in the same production. I own a DVD of this Opera and the oversight is simply obvious. I'm sure MBWoland did not intend to make this mistake. And, I hope it will be corrected soon for the sake of the artists and public.
Such a weird opera. Like, why does it even exist?
So awful slow!
@teddydiva the highest note in the whole aria is the soprano C
I believe its an A flat or high C...I dont have my score on me to check
sweetaztecangel69 Don't bother with the score. Just enjoy the performance.
didn't understand a word, but was mesmerized by that face: the prominent cheek bones and the protruding jaw. an "underbite" so to speak. she couldn't have been anything BUT a singer!
quelle merde cette production ! encore de l'eurotrash
You put it better than anyone. MBWoland, Bless you. Have you the duet from act 3. Don't worry about the Swedish. I'll buy a lebretto.
What a wonderful and sincere singer!
hildegard behrens .1937-2009 I will always love and miss her...
Love Her in this Aria! She Kicks Major Ass! LOVE IT!!!
simplemente la mejor electra que se haya visto en mozart y en strauss tambien claro Brava Hidelgar!!!!
I agree!!
OMG: who cares if there are 8 notes that don't speak and she is stylistically over the top! She's amazing! And the staccatti were not nearly as bad as I have heard from others. Brava!
BIRGIT NILSSON!!!She is amazing!!! Tack så jättemycket !!!