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Part 2: Vesselina Kasarova 1997 Portrait
Thanks to Smorgy and translator friends, here is part 2 of a German portrait of Vesselina Kasarova, a mezzo-soprano opera singer.
- Recording 'Mozart Arias' CD with Colin Davis.
- Singing Romeo in Bellini's 'I Capuleti e i Montecchi' at Paris Opera in 1996.
Part 2 of 3: Play all at: th-cam.com/users/view_play_list?p=E7E64AD77FA1F262
มุมมอง: 3 942

วีดีโอ

Documentary 2: FroSch (Nilsson as Dyer's Wife)
มุมมอง 4.1K16 ปีที่แล้ว
Part 2 of Swedish tv documentary, 'JAG TÄNKTE TACKA NEJ TILL ROLLEN' Birgit Nilsson as the Dyer's Wife (Die Färberin) in Richard Strauss' opera, Die Frau ohne Schatten, in Stockholm in 1978. Interviewed by Catrin Jacobs in Swedish and interview with Jonny Mair (Regie) in English. PART 1 Singers: Birgit Nilsson (Dyer's Wife), Rolf Jupither (Dyer Barak), Siv Wennberg (Empress), Matti Kastu (Emper...
Documentary: FroSch in Stockholm 1978 - Part 1
มุมมอง 6K16 ปีที่แล้ว
Swedish tv documentary 'JAG TÄNKTE TACKA NEJ TILL ROLLEN' Birgit Nilsson as the Dyer's Wife (Die Färberin) in Richard Strauss' opera, Die Frau ohne Schatten, in Stockholm in 1978. Interviewed by Catrin Jacobs in Swedish and interview with Jonny Mair (Regie) in English. PART 1 Singers: Birgit Nilsson (Dyer's Wife), Rolf Jupither (Dyer Barak), Siv Wennberg (Empress), Matti Kastu (Emperor), Barbro...
FroSch - Act III: B Nilsson as Dyer's Wife
มุมมอง 3.4K16 ปีที่แล้ว
Richard Strauss' opera 'Die Frau ohne Schatten' (The Shadowless Woman) from Stockholm Opera 1978 Act 3, 'Schweigt doch, ihr Stimmen' Birgit Nilsson (Die Färberin - Dyer's Wife) Rolf Jupither (Der Färber - Dyer 'Barak') Barbro Ericson (Die Amme - Nurse) Berislav Klobucar conducts.
Birgit Nilsson as Dyer's Wife (FroSch 1978)
มุมมอง 12K16 ปีที่แล้ว
Richard Strauss' Die Frau ohne Schatten (The Shadowless Woman) Stockholm Opera 1978. Berislav Klobucar conducts: Birgit Nilsson ( Färberin - Dyer's Wife) Rolf Jupither ( Färber Barak - Dyer) Barbro Ericson (Amme - Nurse) Siv Wennberg (Kaiserin - Empress) Matti Kastu (Kaiser - Emperor)
Bizet's Carmen: Marina Domanshenko - Gypsy Song
มุมมอง 49K16 ปีที่แล้ว
With Smorgy's help, this is a clip from Bizet's Carmen at Arena di Verona in 2003. Marina Domashenko sings - Chanson Bohemienne (Gypsy Song)- Les tringles des sistres tintaient
Der Vogelhändler: Weps/Stanislaus duet & Marie's entrance
มุมมอง 37K16 ปีที่แล้ว
With Smorgy's help, this is a clip from Act I of Carl Zeller's operetta, Der Vogelhandler. Mörbisch 1998. Marc Clear (Stanislaus) Helmut Berger-Tuna (Weps) Martina Serafin (Princess Marie) conductor - Rudolf Bibl
Donizetti's Dom Sebastien - Zayda's 1st Act Aria
มุมมอง 1.7K16 ปีที่แล้ว
Zayda's 'O mon Dieu, sur la terre' aria from Donizetti's Dom Sebastien.... in original French. I think this is from Bologna 1998. Sonia Ganassi and Giuseppe Sabbatini.
Raoul-Valentine Duet from Les Huguenots (Leech-Peacock)
มุมมอง 4.8K16 ปีที่แล้ว
Richard Leech and Lucy Peacock sing the Raoul-Valentine duet in Meyerbeer's Les Huguenots. In German (Deutsche Oper Berlin 2000)
Behrens as Mozart's Elettra!
มุมมอง 27K16 ปีที่แล้ว
Hildegard Behrens singing Elettra's final air from Mozart's Idomeneo (D'Oreste, D'Ajace). This isn't the way to sing Mozart, but, man! Ain't she deliciously mad? I never got to hear her as Strauss' Elektra, so this is some consolation. :p Video is from the Met.

ความคิดเห็น

  • @edwardamosbrandwein3583
    @edwardamosbrandwein3583 3 หลายเดือนก่อน

    Nilsson OWNED this role: She WAS the Dyer's Wife!

  • @roymayh3819
    @roymayh3819 ปีที่แล้ว

    Excellent acting and such strong communication, a great actor and amazingly well sung. Brava in every way.

  • @captainamerica-qw1gl
    @captainamerica-qw1gl ปีที่แล้ว

    Lehmann was in her early thirties. She sang Turandot as well.

    • @edwardamosbrandwein3583
      @edwardamosbrandwein3583 3 หลายเดือนก่อน

      She was 31 in 1919

    • @captainamerica-qw1gl
      @captainamerica-qw1gl 3 หลายเดือนก่อน

      Strauss strongly wanted Lehmann for the role despite others calling her a “schwimmer.” He did not want the Farberin to be an angry shrew in the Nilsson mold. The best Farberin in modern times was Inge Borkh.

  • @1rivia
    @1rivia ปีที่แล้ว

    The most visceral of all!!!

  • @ransomcoates546
    @ransomcoates546 2 ปีที่แล้ว

    I’ll never understand how Lotte Lehmann sustained the tessitura of this part at the premiere.

  • @panteranegra4548
    @panteranegra4548 2 ปีที่แล้ว

    Linda representação! Carmen muito bem caracterizada.É assim mesmo que os ciganos espanhóis se vestem. E a tribo calon geralmente se vestem assim. Principalmente malagueños y andalusos.

  • @spg2526
    @spg2526 2 ปีที่แล้ว

    Ah no, il germano Oreste ne' cupi abissi io vuò seguir, or or compagna m'avrai là dell'inferno, a sempiterni guai, al pianto eterno. D'Oreste, d'Aiace ho in seno i tormento, d'Aletto la face già morte mi dà. Squarciatemi il cuore Ceraste, serpenti, o ferro il dolore in me finirà

  • @almaciganaa_
    @almaciganaa_ 2 ปีที่แล้ว

    magnifico

  • @GilbertoGuarino
    @GilbertoGuarino 5 ปีที่แล้ว

    I have heard and read people saying it is not in Mozart's style. Well, well... I couldn't care less... Behrens was simply amazing! Her rendition is pure drama and pure Mozart

    • @davidwelch8288
      @davidwelch8288 2 ปีที่แล้ว

      I agree. I like to think that Mozart would be thrilled to death to see what Behrens was able to do with this role.

    • @docteurmiracle5899
      @docteurmiracle5899 ปีที่แล้ว

      THIS

    • @fabriziogarzi9892
      @fabriziogarzi9892 ปีที่แล้ว

      ​@@davidwelch8288, lo sarebbe stato di piu' se lo avesse cantato al suo posto la Callas.

  • @buenosairesfist
    @buenosairesfist 7 ปีที่แล้ว

    Peccato che Callas non piaceva Mozart, credo che questa sia una grande parte a la sua vocalità

    • @fabriziogarzi9892
      @fabriziogarzi9892 ปีที่แล้ว

      Credo che desiderasse dei ruoli meno spezzettati. In Mozart, come nel Settecento e in alcune cose dei primi Ottocento, in genere erano due arie, un duetto e un finale. Non gli era sufficiente. Certo, l'avrebbe cantata meglio di qualunque altra e con risultati che conosciamo. Behrens non mi piace. Non e' adatta, fatica.

  • @divaplavalaguna86
    @divaplavalaguna86 7 ปีที่แล้ว

    WOW!! Brava!! This is why I go to the opera. A.MA.ZING!

  • @JasonDavis1969
    @JasonDavis1969 7 ปีที่แล้ว

    Love love this woman

  • @mariarosaesergiomarycib2492
    @mariarosaesergiomarycib2492 7 ปีที่แล้ว

    Per Leech ho una forte ammirazione. Mi piace molto come canta , pero' ripeto la scenografia fa Orrore!!!! Mari

  • @mariarosaesergiomarycib2492
    @mariarosaesergiomarycib2492 7 ปีที่แล้ว

    Con questa scenografia sminuiscono anche i cantanti ,e credetemi sono molto bravi , Mari

  • @mariarosaesergiomarycib2492
    @mariarosaesergiomarycib2492 7 ปีที่แล้ว

    Ma questi tedesco a furia di bere birra il Luppolo gli ha devastato il cervello,,non posso dire che non mi piace il tutto perche' mi fa ORRORE !!!!!i cantanti sono bravi. Ma tutto il resto da assolutamente abominevole. MARI

  • @danawinsor1380
    @danawinsor1380 7 ปีที่แล้ว

    Ms. Behrens was perfect for this role. She portrayed Elettra as an unstable presence from the beginning (the frizzy red hair certainly helped!). Pavarotti was a superb actor and it was interesting to see him in a role that was not the romantic lead. Frederica von Stade (not Tatiana Troyanos as I originally wrote) was wonderful and made a convincing appearance as the male lead. Illeana Cotrubas as Illia looked and sounded young and "girlish" in the part.

    • @jasonhurd4379
      @jasonhurd4379 5 ปีที่แล้ว

      Agree with everything you say. Note: Frederica von Stade sang Idamante, not Tatiana Troyanos. Perhaps you are thinking of the Ponnelle film of La Clemenza di Tito, in which Troyanos sang Sextus.

    • @danawinsor1380
      @danawinsor1380 หลายเดือนก่อน

      @@jasonhurd4379 Thank you for the correction! von Stade and Troyanos are both such excellent artists in their own right. I don't know why I have a tendancy to confuse them.

  • @dabneyrossjonessoprano506
    @dabneyrossjonessoprano506 8 ปีที่แล้ว

    yes. this truly maddening! the acting is awesome! I would have been on my feet!👏👏👏👏👏👏

  • @SingerGeneLeonard
    @SingerGeneLeonard 8 ปีที่แล้ว

    It's a beautiful opera, it's Strauss for godsake!! Not just anybody or everybody can sing this opera and Birgit held the title for such a long time next to Turandot!

  • @Zashorigin
    @Zashorigin 8 ปีที่แล้ว

    That guy and all his so complicated explanation on how everything should be interpreted is what make this awful music even worse. I thought I was going to listen to Birgit. Instead it is about that boring psychological point of view of the so called stage director. In other words, a lot of crap and NOTHING from Birgit.

  • @jjh2456
    @jjh2456 9 ปีที่แล้ว

    All the big Wagner singers sing at least 1 Mozart role. For Birgit and Gweneth it was Donna Anna. Nina Stemme, Jessye Norman, and Deborah Voight sang the Contessa. Anja Silja sang the Queen of the Night. Hildegard chose to sing Elletra. Interesting note, she sang both Elletras, Mozart's and Strauss'.

    • @SeansLipSyncingSock
      @SeansLipSyncingSock 7 ปีที่แล้ว

      Birgit also sang Mozart's Elettra, early in her career, at Glydenbourne with Leopold Simoneau and Sena Jurinac. Soon after she sang her first Salome in Stockholm. But it was Donna Anna, which you've mentioned, that was probably her most famous Mozart role.

    • @gualtierocofresi
      @gualtierocofresi 4 ปีที่แล้ว

      Behrens also sang Fiordiliggi, if i am not wrong

    • @jasonhurd4379
      @jasonhurd4379 3 ปีที่แล้ว

      @@gualtierocofresi Behrens sang Elettra, the Contessa, Fiordiligi and Donna Anna. A superlative artiste.

    • @stevenmathers6661
      @stevenmathers6661 8 หลายเดือนก่อน

      I also saw the great Brunnhilde, Rita Hunter as Donna Anna.

    • @Wotan123456789
      @Wotan123456789 2 หลายเดือนก่อน

      Nilsson also sang Elettra in Idomeneo. Norman sang Fiordillgi, Contessa and Donna Anna.

  • @michaeldowling1571
    @michaeldowling1571 9 ปีที่แล้ว

    like her so much rest in peace diva

  • @vnessie1
    @vnessie1 10 ปีที่แล้ว

    I had the absolute pleasure of seeing this particular production at the Met and it was simply amazing. Hildegarde Behrens brought it and had the audience on their feet. Brava Diva!!!! RIP.

    • @mscott3918
      @mscott3918 6 ปีที่แล้ว

      vnessie1 I was there too. Magical

  • @johnnie543
    @johnnie543 10 ปีที่แล้ว

    Behrens may have been the ideal for Wagner/Strauss than Mozart but if it's like they say: if you can make it at the Met, you can make it anywhere. Five stars

    • @fabriziogarzi9892
      @fabriziogarzi9892 ปีที่แล้ว

      Forse per il pubblico del Met. Alla Scala non credo.

  • @corneliuswhite5139
    @corneliuswhite5139 10 ปีที่แล้ว

    This performance was my introduction to "Elettra"...it's STILL memorable for me! I long for a singer that can affect me in such away.

  • @wolfgangmalter5534
    @wolfgangmalter5534 10 ปีที่แล้ว

    Schade, dass heute so etwas nicht mehr gesendet wird.

  • @MrMamilitas
    @MrMamilitas 11 ปีที่แล้ว

    I totally agree with your opinion. Hildegard was not a Mozartean as she did not studied in Vienna to learn Mozart's bravura/coloratura arias which are filled with raging emotions and rapid changes of the keys from low to high.

  • @bogdiworksV2
    @bogdiworksV2 11 ปีที่แล้ว

    5 years on and still nada. I really hope they release one of the kazillion Capuletis she's done over the years sometime this century.

  • @williamross3717
    @williamross3717 11 ปีที่แล้ว

    OOPS....This is NOT the Raoul/ Valentin Duet.

  • @LinuxLinense
    @LinuxLinense 11 ปีที่แล้ว

    obviously, the dancers are not andaluces. That's why, as a native, I will always visually prefer the version filmed by Rosi.

  • @AngelGiobbi
    @AngelGiobbi 12 ปีที่แล้ว

    ..Very beautiful...

  • @emma41093
    @emma41093 12 ปีที่แล้ว

    OMG It's Bertil!!!!

  • @angalafan
    @angalafan 12 ปีที่แล้ว

    You should better post the duo Raoul Valentine, it's much more interesting and beautifully sung specially by Rick Leech absolutely fabulous in this part! As for the production it's a trash german way of staging opera, that's enough!

  • @magicmonkichi
    @magicmonkichi 13 ปีที่แล้ว

    Great post <3 Kasarova :D Thanks to all who helped with the captions ^_^

  • @wotan10950
    @wotan10950 13 ปีที่แล้ว

    Everyone has said it already - Behrens had a strange technique that didn't always serve her voice. But she is such a compelling musician and actress that all that nonsense can be forgotten. The important thing is to communicate something to the audience, and Behrens always gave 100% commitment to her portrayals.

    • @WelshHomo87
      @WelshHomo87 4 ปีที่แล้ว

      I feel like that too. She always enraptures me with her portrayals

  • @FredricEric
    @FredricEric 13 ปีที่แล้ว

    Yes wrong tempo.

  • @sure8note098
    @sure8note098 13 ปีที่แล้ว

    Yes, you are correct. However, in fact, as this clip proves, this is Angela Denning singing the role of Marguerite de Valois. Lucy Peacock sings the role of Valentine de Saint-Bris in the same production. I own a DVD of this Opera and the oversight is simply obvious. I'm sure MBWoland did not intend to make this mistake. And, I hope it will be corrected soon for the sake of the artists and public.

  • @JeeRant
    @JeeRant 14 ปีที่แล้ว

    Such a weird opera. Like, why does it even exist?

  • @dsmurashev
    @dsmurashev 14 ปีที่แล้ว

    So awful slow!

  • @sweetaztecangel69
    @sweetaztecangel69 14 ปีที่แล้ว

    @teddydiva the highest note in the whole aria is the soprano C

  • @sweetaztecangel69
    @sweetaztecangel69 14 ปีที่แล้ว

    I believe its an A flat or high C...I dont have my score on me to check

    • @mscott3918
      @mscott3918 6 ปีที่แล้ว

      sweetaztecangel69 Don't bother with the score. Just enjoy the performance.

  • @sorobji
    @sorobji 15 ปีที่แล้ว

    didn't understand a word, but was mesmerized by that face: the prominent cheek bones and the protruding jaw. an "underbite" so to speak. she couldn't have been anything BUT a singer!

  • @papoocanada
    @papoocanada 15 ปีที่แล้ว

    quelle merde cette production ! encore de l'eurotrash

  • @ebony1911
    @ebony1911 15 ปีที่แล้ว

    You put it better than anyone. MBWoland, Bless you. Have you the duet from act 3. Don't worry about the Swedish. I'll buy a lebretto.

  • @singmaus45
    @singmaus45 15 ปีที่แล้ว

    What a wonderful and sincere singer!

  • @aylango
    @aylango 15 ปีที่แล้ว

    hildegard behrens .1937-2009 I will always love and miss her...

  • @Dashingdiva73
    @Dashingdiva73 15 ปีที่แล้ว

    Love Her in this Aria! She Kicks Major Ass! LOVE IT!!!

  • @gustavoanmosura
    @gustavoanmosura 15 ปีที่แล้ว

    simplemente la mejor electra que se haya visto en mozart y en strauss tambien claro Brava Hidelgar!!!!

  • @OperaLover84
    @OperaLover84 15 ปีที่แล้ว

    I agree!!

  • @hchristopher1
    @hchristopher1 15 ปีที่แล้ว

    OMG: who cares if there are 8 notes that don't speak and she is stylistically over the top! She's amazing! And the staccatti were not nearly as bad as I have heard from others. Brava!

  • @ManricoV
    @ManricoV 16 ปีที่แล้ว

    BIRGIT NILSSON!!!She is amazing!!! Tack så jättemycket !!!