วีดีโอ

Dervish dance ❤

Ici on goûte aux contours mélodiques connus et aimés des hindous, mais il y a aussi une matière harmonique absolument nouvelle qui nous apporte des prismes, des grappes d'accords, des carillons légers et des tintements de guirlandes. Ce qui frappe tout d'abord dans cette musique, c'est, d'une part, le charme pénétrant des agrégations harmoniques et, d'autre part, la clarté absolue des intervalles 🔥🦹‍♀🧚‍♀💃

Je commente souvent les vidéos, ce n'est pas une blague. Après avoir écouté cela avec des écouteurs au lit, j'ai eu ma première nuit de sommeil décente depuis des semaines. Tellement de stress s'est accumulé dans mon esprit que j'ai du mal à fonctionner dans les routines quotidiennes. Cette musique m'a évité plusieurs visites chez un psychothérapeute

Le panthéisme naturaliste identifie Dieu avec le monde. Il y a Dieu, il y a le monde, mais Dieu fusionne dans le monde. Le Monde matériel est la seule réalité, Il semblerait, les jours passants que le Très-Haut n'est que la somme abstraite de tout ce qui existe. C’est ce que m’inspirent ces sonorités 🔥🤗🎹

Sức mạnh biểu cảm của kiến trúc âm thanh phá vỡ mọi hình thức phiên âm của thực tế để gắn liền với sự biểu đạt của vũ trụ trong suốt và cổ tích. Màu sắc và nhịp điệu của những sáng tác này là ngôn ngữ mang lại sự sống cho sự tôn vinh 🤗🤠🥳

La potenza espressiva dell'architettura sonora di questo gruppo dimenticato rompe con ogni forma di trascrizione della realtà per concentrarsi sull'espressione di un universo traslucido e magico. I colori e il ritmo di queste composizioni sono un linguaggio che fa vivere l'esaltazione

An interesting aspect of this 12-CD series is that it actually has 13 CDs, but the 13th, for some unknown reason, came out under a different label, in a different series, so that most people don't know about it. I learned of the existence of the 13th CD from the liner notes to vol. 11, which I picked up in a used CD store (I have only a few of the disks). In the liner notes to vol. 11, Kremski writes, "I have recorded 220 pieces in volumes 1 through 12 produced by Naive, and have grouped another 12 in a different CD, called "The Last of the Pythagoreans" [Le Dernier Des Pythagore] in the "Writer/Composer" [Écrivains/Compositeurs] series, edited by OXUS. . . . As of today, January 13th, 2003, I have fifteen pieces more to record in a CD. I will call it "Initiation of a Priestess" [L'initiation de la prêtresse]. I will then have engraved--apart from two pieces of lesser interest--the entire works for piano by Gurdjieff/DeHartmann." Oxus did produce that first CD, but I haven't been able to determine whether the "Initiation of a Priestess" CD ever got around to being recorded or produced. In sum, the published 13 volumes have a total of 232 pieces, and Kremski was preparing to record another 15 (total of 247), and he knew of two more "of "lesser interest" (249).

🌿⚘️"Ne fais pas les mêmes erreurs"⚘️🌿 Psaumes 78:8 Afin qu'ils ne fussent pas, comme leurs pères, Une race indocile et rebelle, Une race dont le coeur n'était pas ferme, Et dont l'esprit n'était pas fidèle à Dieu. Psaumes 78:9 Les fils d'Éphraïm, armés et tirant de l'arc, Tournèrent le dos le jour du combat. Psaumes 78:10 Ils ne gardèrent point l'alliance de Dieu, Et ils refusèrent de marcher selon sa loi. Psaumes 78:11 Ils mirent en oubli ses oeuvres, Ses merveilles qu'il leur avait fait voir. Psaumes 78:12 Devant leurs pères il avait fait des prodiges, Au pays d'Égypte, dans les campagnes de Tsoan. Psaumes 78:13 Il fendit la mer et leur ouvrit un passage, Il fit dresser les eaux comme une muraille. Psaumes 78:14 Il les conduisit le jour par la nuée, Et toute la nuit par un feu éclatant. Psaumes 78:15 Il fendit des rochers dans le désert, Et il donna à boire comme des flots abondants; Psaumes 78:16 Du rocher il fit jaillir des sources, Et couler des eaux comme des fleuves. Psaumes 78:17 Mais ils continuèrent à pécher contre lui, A se révolter contre le Très Haut dans le désert. Psaumes 78:18 Ils tentèrent Dieu dans leur coeur, En demandant de la nourriture selon leur désir. Psaumes 78:19 Ils parlèrent contre Dieu, Ils dirent: Dieu pourrait-il Dresser une table dans le désert? Courte prière:个🙏 🕊🕊⚘️Accorde-moi la capacité de transmettre un bon héritage aux générations futures.⚘️🕊🕊

Musica para salir del cuerpo en meditación, muy poderoso, recomiendo

Dzen ❤

No thanks, only curses, to the turds that insert advertisements in such music

2024

Belíssimo !!! Brasil

I have heard the same songs played in other recordings and it is not the same. These ones by Kremski are sublime and unbeatable.

Mr Kremski's interpretation (22.50) of the Counting Obligatory is, for me, perfect,

Bouleversant ! Encore ! Encore ! Encore !

Who's listening to this in 2024 ?

😇💓👹👍🏼

🙏🏼🙏🏼🙏🏼

🙏🏽🙏🏽🙏🏽

Muchas gracias🙏🏽

Волшебство

Огромное спасибо!

⚘️⚘️"La louange résonne dans le ciel"⚘️⚘️ Psaumes 148:1 Louez l'Éternel! Louez l'Éternel du haut des cieux! Louez-le dans les lieux élevés! 🕊🕊⚘️Courte prière: Que je loue le Dieu glorieux qui règne sur l'univers entier.⚘️🕊🕊

Yes for Christmas Day.....

Alain kremski 28/12 2018 Paris 🙏⚘

Gurdjieff imortal

Samarkanda

İlk giriş eser özellikle kesinlikle şuuru arttırıyor. Anlayışı kolaylaştırıyor. 4. Yol çalışması yapanlara tavsiyemdir. Tüm 4. Yol öğrencilerine sevgiler ❤

Thanks

4:35 magnanimus😮

SQWAAAAAAAAAAAAK

Gurdjief etait un bon spirite

🎉the dogs bollocks 🎉

🥲

Can't begin to describe what the Gurdjieff/de Hartmann music means to me, but certainly it transports me to other worlds. I have the scores published by Schott (4 volumes) and play these pieces myself for my own enjoyment. I'm nerdy about such things, but t's interesting to compare the various recordings of the Gurdjieff/de Hartmann corpus against the Schott scores. I can't say whether I'd prefer the Kremski set or the van Veen, since each has its respective strengths. Van Veen has an excellent, warm recorded sound for his piano, includes the small drum (a "daff") for the numerous pieces that have a drum part, and follows the Schott scores closely and sequentially, but Kremski has a much larger selection (notwithstanding the van Veen CD's claim to be "complete"--it's only the complete scores published by Schott), an incredible lightness of touch, uses the pedal more sparingly, and he's a bit freer with things like repeats: if the piece is very short, he'll tend to add a repeat, the better to let the listener "inhabit" the world evoked by the piece. All the pieces on Kremski vol. 1 appear in the Schott scores, but sometimes under different titles, and one of the pieces (Kurd Melody from Isfahan) is somewhat different than what's published--which indicates to me that Kremski may have been following a different manuscript version. Here's a finding list (with the Schott titles if they're different); this would also be useful for trying to compare with their counterparts in van Veen: La Lutte des Mages / The struggle of the Magicians: 1 Extrait / Excerpt n°1 (Schott IV.15 “Fragment No. 4”) 2 Extrait / Excerpt n°2 (Schott IV.13 “Fragment No. 3”) 3 Extrait / Excerpt n°3 (Schott IV.16 “Fragment No. 5”) Voyage vers des lieux inaccessibles I Journey to inaccessible places: 4 Chant et Danse Sayyid / Sayyid Song and Dance (Rubato) (Schott II.30 “Sayyid Song and Dance, in A minor”) 5 Bayaty (Schott II.36) 6 Chant Sayyid / Sayyid Song (1 ere partie / First part) (Schott II.12 “Sayyid Chant and Dance, in D minor,” first part) 7 Piece n°2 (Schott II.3, “Sayyid Chant and Dance,” second part) 8 Danse Sayyid / Sayyid Dance (Schott II.33) 9 Piece n°5 (Moderato) (Schott II.20 “01.I (1926)”) 10 Mélodie Kurde d'Ispahan / Kurd melody from lspahan (Schott I.33 “Kurd Melody from Isfahan”; Kremski seems to be playing a different version) Hymnes d'un Grand Temple / Hymns from a Great Temple: 11 Hymne / Hymn n°1 (Schott, IV.1) 12 Hymne / Hymn n°2 (Schott, IV.2) 13 Hymne / Hymn n°3 (Schott, IV.3) 14 Hymne / Hymn n°4 (Schott, IV.4) 15 Hymne / Hymn n°5 (Schott, IV.5) 16 Hymne / Hymn n°8 (Schott, IV.8) 17 Hymne Essenien / Essenian Hymn (Larghetto misterioso) (Schott IV.10 “Hymn from a Great Temple, No. 10”)

Lindo! Viva o conhecimento.

Etkileyici...Üzgünüm ki Gurdjieff' bu gün tanıdım... Geç tanısam da şanslıyım. Ya hiç tanımasaydım?..

Heavenly

Thank You. @0800h

I love this music.

Can someone remind me of the title of remarkable the piece commencing at 53.30 ? thank you

Always so wonderful - never a time of day that this doesn't uplift my spirit.

Bellisima en su profundidad y misterio.

Благодарю!!! Умиротворение, созерцание того,что есть.

Cette musique qui tombe si bien a notre ame... vraiment attendrissant. Belleza total!!! Gracias!!!.

Beautiful! Soul-wakening!!! Soul calling and caressing!!!

Thanks!

Gracias

Состояние его,,души,, в разное время ...