วีดีโอ

Помоемуэтоавторскоепрочтениеэтой"Поэмы" сеенастронниемБравомастеру.

The opera has been performed in the newly opened Residenz Theater in Munich. I by myself took part there as a supernumerary.

Portamentarama - but lovely❤!

Mój Mistrz! nad mistrzami!. Jaki dźwięk, fraza, OMG!

Ann Murray❤ Hildegard Behrens❤❤ Thank you!

ಕೇಳಲು ತುಂಬಾ ತಂಪಾಗಿದೆ ❤

Troppo portamenti e il tempo più lento rispetto l'introduzione... Oggi farebbero inorridire i puristi,io trovo sempre affascinante invece ascoltare queste vecchie edizioni e questo vecchio modo di suonare. È come vedere una vecchia foto dell' 1800 ,ha il suo fascino

Chicago Symphony Orchestra conducted by Desiré Defauw on March 8, 1947

I would like to know when this music was recorded?.... Violin sounds like Del Gesù ? Just because LeDuc 1743 he acquired since 1970. I do not known when he started but he also used French violins....??

at first i thought he was Putin lol

I heard that radio live concert... Missing, Paganini Concerto number 3.

EL BOHM Y EL TAMBIÉN GRANDIOZO THEO ADAM❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤

November 10, 1996

悲痛哀傷的沈鬱旋律⋯⋯ 難以擺脫的情感桎梏⋯⋯

Lorin Maazel's interpretation of Wagner's music as a conductor I find one of the best I have heard. In comparison, Edo de Waart conducting the Sydney Symphony Orchestra made the prelude to this particular work of Wagner sound as corny as ''The Sound of Music''!

Good Viola Nice and Deep The Way i Like it.

Yikes! What caterwalling!

Jon Fredric West is a great Tristan, Salminen a noble Marke. Behrens is passionated but the raspy sounds between the registers are not pleasing to listan at. That was always her problem and not everyones cup of tea. But the she was a very sympathetic woman. I really recommend the interview "Da Capo" with her and August Everding also here on TH-cam.

emozioni. grande Lorin. bei ricordi.

👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻

Never heard of Waldemar Kmentt. What a wonderful Stolzing! And even Gwyneth sings her little phrase beautifully without her ugly wobble that she was to develop soon.

The first movement is at a very slow tempo

Soloist enters a quaver early, both rushed and out of tune! Opening phrase bizarrely clipped. Octaves not good either! May be amazing after page 1 but that is where my interest stopped!! So many amazing performances to be heard of this work but I'm afraid this does not appear to be one of them!

Wonderful Behrens!

Truly transcendent playing. What a rare treasure.

It's as if Piaf sang Isolde. In her acting and reckless, courageous disregard [vocally] for tomorrow. Amazing and not required to be emulated.

Hildegard sounds terrible here...spread out vibrato and screechy at times

Jon Fredric West was the greatest Tristan of his generation and this recording proves it.

What year was this?

PERFECTION ?

'Tenderness and fire' two words that well define Elman's playing style, and Mendelssohn's violin concerto need both requirements for a good performance. No need of artificial fireworks or sentimentalism in this playing just the exact notes. 👏👏👏👏👏

waldemar kmentt war der rollengerechteste, stimmlich passendste, richtige stolzing!

As high as spirit can rise

He may have been complicated and somewhat arrogant in person but his playing is sublime. Still feel he is underestimated amongst the greats.

1st mvt 0:00 2nd mvt 13:05 3rd mvt 22:10

master of masters, monumental, holy, eternal, peak of greatness, human manifest, feast of sensual and intellectual capacity...genius of violin

Bayreuth 1968?

ゆったりとしたテンポで、ひたひたと押し寄せてくるこの寂寥感は　どうだろう？　孤高の作曲家の無言の魂の叫びのような曲は、今　世界中で親しまれている♪

АУЭР Великому педагогу и его гениальным ученикам: Яше Хейфецу, Тоше Зейделю, Мише Эльману и сотням других потрясающих музыкантов, вышедших из еврейских местечек Российской империи, посвящается. К далёким звёздочкам стремясь сквозь тернии, В недетской памяти тая погромы, В ручонках скрипочки сжимали гении: Абрамы, Мендели, Ароны, Шлёмы. Играли Моцарта и Баха мальчики В консерватории Санкт-Петербурга, Пассажи дерзкие рождали пальчики, И под каденции стихала вьюга. Из струн трепещущих являлась аура, Как небо, ясная - под Божьим оком Учитель музыки - профессор Ауэр Творил историю своим уроком. А на окраинах огромной вотчины, В местечках сгорбленных, в Черкассах, Бродах Молились дедушки, прося у Зодчего, Чтоб дал он мальчикам хлебнуть свободы. Взметнули крыльями-смычками истово, Как птицы, мальчики в небесной сини, И грусть еврейская, как слёзы, чистая Вливалась в Моцарта и Паганини. На скорбном мраморе недолгим бременем Лежат опавшие с деревьев листья. Концерт Чайковского застыл во времени Мильштейна, Хейфеца и Цимбалиста. Полны величия Сорбонна, Тауэр, И не имеется на то сомнений. С портрета скромного взирает Ауэр - Учитель гениев и просто гений.

So good. Thank you.

Блестящий скрипач, браво!!!

Lovely! Thanks from Great Britain (Fri 26 Mar 2021 22h22)

20 - 01 - 1961

What a wonderful performance this is! The slow movement especially is so moving. Gordon Jacob told me that Lionel Tertis had a special large viola made, so that he could play the Elgar cello concerto.

This is lovely....not as thrilling as Heifetz, but not as hectic either.

Браво!!!😻👏🏻👏🏻👏🏻

Extraordinary performance!!

Still the best version I've heard of this. Perfect, unhurried tempos, pauses and the lengths of how he sustains those last notes in those phrases from 6:55 to 8:30 in the first movt. Every note played with expressive feeling especially the second movt, not mechanical or just "follow-the-score" by any means. Ending of second movt 20:33 to 21:19 Orchestral part also very expressive of this.

great performance, but when was it recorded?

God, what UNBELIEVABLE tone and phrasing! I have never heard anyone play the cadenza with such masterly touch! The most sensous and sonorous sound ever...