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National Opera Studio
United Kingdom
เข้าร่วมเมื่อ 6 ก.พ. 2018
The National Opera Studio is the UK's leading opera training organisation. It works in partnership with the six leading British opera companies (English National Opera, Glyndebourne, Opera North, Royal Opera, Scottish Opera and Welsh National Opera) to train 12 singers and four répétiteurs (pianists) each year on an intensive, bespoke course.
On this channel, you will have access to past performances, live-streamed events and in-depth features. Subscribe to keep updated!
On this channel, you will have access to past performances, live-streamed events and in-depth features. Subscribe to keep updated!
My NOS Story: Elli Welsh (Repetiteur)
We catch up with 2021/22 NOS repetiteur Elli Welsh at The Royal Ballet in her current role as Associate Pianist for their 2023/2024 season.
มุมมอง: 337
วีดีโอ
National Opera Studio at Scottish Opera
มุมมอง 2532 หลายเดือนก่อน
Our 2023/24 Young Artists recently visited Scottish Opera, one of our partner companies, for their final residency before their performance at Cadogan Hall. This video follows our Young Artists through a day during the residency. It includes rehearsals with director Emma Jenkins and the Scottish Opera Music Staff, as well as their Sitzprobe with the Scottish Opera Orchestra conducted by Rory Ma...
‘Deh vieni, non tardar’ - Le Nozze di Figaro (Mozart) - National Opera Studio
มุมมอง 2682 หลายเดือนก่อน
2023/24 Young Artist Heming Li performing "Deh vieni, non tardar," during our recent Wandsworth Wednesday recital, accompanied by repetiteur Jacob Swindells.
'Softly, as in a Morning Sunrise' - The New Moon (Romberg) - National Opera Studio
มุมมอง 2113 หลายเดือนก่อน
Here’s Georgia Mae Ellis and Jacob Swindells, dazzling us with their performance of the timeless classic “Softly, as in a Morning Sunrise” during our Wandsworth Wednesday recital.
Il padre adorato - Idomeneo (Mozart) - National Opera Studio
มุมมอง 3654 หลายเดือนก่อน
Mezzo-soprano Camilla Seale performs ‘Il padre adorato’ from Mozart’s Idomeneo, accompanied by Alex Norton 🎶 Idamante is alone after meeting his father Idomeneo, whom he had thought dead. Idomeneo has survived a terrible storm only after promising the gods that he will sacrifice the first person he meets on shore. When that person turns out to be his own son, he forbids him to approach and flee...
'Prendi per me sei libero' - L' Elisir d'amore (Donizetti) - National Opera Studio
มุมมอง 1.5K5 หลายเดือนก่อน
'Prendi per me sei libero' from Donizetti's L' Elisir d'amore performed by Young Artist Sofia Kirwan-Baez, accompanied by Florent Mourier.
'Caro Nome' - Rigoletto (Verdi) - National Opera Studio
มุมมอง 1.7K5 หลายเดือนก่อน
'Caro nome' from Verdi's 'Rigoletto', performed by soprano Kira Kaplan and pianist Florent Mourier.
‘Deh vieni, non tardar’ - Le Nozze di Figaro (Mozart) - National Opera Studio
มุมมอง 6256 หลายเดือนก่อน
‘Deh vieni, non tardar’ performed by National Talent Programme Young Artist Shafali Jalota, accompanied by Johanna Kvam.
'Sorge infausta una procella’ - Orlando (Handel) - National Opera Studio
มุมมอง 4697 หลายเดือนก่อน
'Sorge infausta una procella’ - Orlando (Handel) - National Opera Studio
'Quel Guardo, Il Cavaliere' - Don Pasquale (Donizetti) - National Opera Studio
มุมมอง 6657 หลายเดือนก่อน
'Quel Guardo, Il Cavaliere' - Don Pasquale (Donizetti) - National Opera Studio
Wandsworth Wednesday - 24 January 2024 - Lunchtime Recital
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Wandsworth Wednesday - 24 January 2024 - Lunchtime Recital
Katarina Karnéus Masterclass - National Opera Studio
มุมมอง 3.5K8 หลายเดือนก่อน
Katarina Karnéus Masterclass - National Opera Studio
'Voi che sapete' - Le Nozze di Figaro (Mozart) - National Opera Studio
มุมมอง 1K8 หลายเดือนก่อน
'Voi che sapete' - Le Nozze di Figaro (Mozart) - National Opera Studio
Wandsworth Wednesday - 10 January 2024 - Lunchtime Recital
มุมมอง 1958 หลายเดือนก่อน
Wandsworth Wednesday - 10 January 2024 - Lunchtime Recital
National Opera Studio at Glyndebourne
มุมมอง 4879 หลายเดือนก่อน
National Opera Studio at Glyndebourne
Tara Erraught Masterclass - National Opera Studio
มุมมอง 2.3Kปีที่แล้ว
Tara Erraught Masterclass - National Opera Studio
'Ich bin Euer Liebden' - Der Rosenkavalier (Strauss) - National Opera Studio
มุมมอง 702ปีที่แล้ว
'Ich bin Euer Liebden' - Der Rosenkavalier (Strauss) - National Opera Studio
Marie McLaughlin Masterclass - National Opera Studio
มุมมอง 4.2Kปีที่แล้ว
Marie McLaughlin Masterclass - National Opera Studio
'Miles' - The Turn of the Screw (Britten) - National Opera Studio
มุมมอง 1.2Kปีที่แล้ว
'Miles' - The Turn of the Screw (Britten) - National Opera Studio
Un bacio di mano (Mozart) - National Opera Studio
มุมมอง 1.7Kปีที่แล้ว
Un bacio di mano (Mozart) - National Opera Studio
'Queen of the Night' aria - The Magic Flute (Mozart) - National Opera Studio
มุมมอง 1.7Kปีที่แล้ว
'Queen of the Night' aria - The Magic Flute (Mozart) - National Opera Studio
Galop-Marche (Albert Lavignac) - National Opera Studio
มุมมอง 278ปีที่แล้ว
Galop-Marche (Albert Lavignac) - National Opera Studio
'Dalla Sua Pace' - Don Giovanni (Mozart) - National Opera Studio
มุมมอง 1.3Kปีที่แล้ว
'Dalla Sua Pace' - Don Giovanni (Mozart) - National Opera Studio
Neurodiverstiy Celebration Week - National Opera Studio
มุมมอง 213ปีที่แล้ว
Neurodiverstiy Celebration Week - National Opera Studio
Oh do not grieve (Rachmaninov) - National Opera Studio
มุมมอง 511ปีที่แล้ว
Oh do not grieve (Rachmaninov) - National Opera Studio
'Ach ich fühl's' - Die Zauberflöte (Mozart) - National Opera Studio
มุมมอง 642ปีที่แล้ว
'Ach ich fühl's' - Die Zauberflöte (Mozart) - National Opera Studio
Tre giorni son che Nina (Pergolesi) - National Opera Studio
มุมมอง 30Kปีที่แล้ว
Tre giorni son che Nina (Pergolesi) - National Opera Studio
Phidylé (Duparc) - National Opera Studio
มุมมอง 817ปีที่แล้ว
Phidylé (Duparc) - National Opera Studio
Lullaby (Mussorgsky) - National Opera Studio
มุมมอง 874ปีที่แล้ว
Lullaby (Mussorgsky) - National Opera Studio
В целом неплохо, особенно хорошо , когда аккомпаниатор помогает, а не мешает!❤❤❤
I first saw her sing on SoP as she was BBC Chorister of the Year. I figured she'd turn out to be amazing - and was not disappointed.
💕🤍💕
CavalierE E!
AMAY-ZING your ol' great-uncle Stew
The sound is produced entirely from the resonating chambers above the vocal cord horizontal line. For the sake of resonance, vibrato is used in singing, but there is no feeling or emotion in it. This is merely the pursuit of a certain sound effect. This is not singing naturally. With this method, the abdomen and lower chest are almost without breath support, which is essentially just shouting. Learn from Rosa, lie flat on the bed to sing, and correct the bad habits of excessive force in the larynx, oral cavity, nasal cavity, and hard palate.
I feel the same. How can I learn classical singing without loosing my own natural sound? I feel like the current modern style makes me cut off my own body feeling of creating a sound and thus my genuine emotions with are conected this "sound production" so that it sounds like "right classical music". Maybe it's a modern European thing? It's a real struggle to me.
@@SelbstWert-tw9zu I am very surprised and grateful for your response. You have a very good voice, but your current singing technique seems to be based on incorrect habits, as if trying to produce a specific sound effect, resonance, or vibrato. The breath distribution in your throat, mouth, nasal cavity, hard palate, etc., is excessive, and the middle register is too high and needs to be lowered. The quality of the high notes for a soprano is ultimately determined by abdominal breath support. Similarly, with a good mezzo-soprano or soprano, you might feel their pitch is similar to yours, but their voice truly resonates from the abdomen. Tetrazzini, Ponselle, Farrell, and Cerquetti all had a sense that a mezzo-soprano must sing from the abdomen, or else the abdominal breath support for the high notes will be lost, making the high notes lack penetration. How much does abdominal breath expansion affect the ability to sing high notes? They knew this beforehand, and this sense is very important. Your vocal talent is excellent, and with the right technique, you could surpass any soprano. What you currently lack are the lower chest and abdominal spaces. Without space, breath cannot be stored; advanced technique involves compressing the breath and storing it in the abdomen. High notes should not involve effort in the mouth, nasal cavity, mask, forehead, or other facial areas; the face needs to be completely relaxed. Tebaldi often used facial expressions to control volume, which is incorrect, unstable, and unnatural. Volume control is always about breath quantity and pressure. Miss, you are very intelligent and can sense your issues. Don’t worry, you will never lose your natural voice. Ask yourself daily if you have made progress. Caruso never allowed himself to go two days without improvement. I look forward to your progress. Correct it quickly. I have a friend who watched my channel and regretted realizing his mistakes too late. You are still young, and there’s time. Classical music today is largely incorrect worldwide. You can do it correctly. I hope to communicate with you about singing technique in the future. I recommend listening to my video with four people [link: th-cam.com/video/xvjrvSzeNLQ/w-d-xo.html] and compare their voices to yours to understand why they are different.
From the scene in Windsor Great Park, I think. WHAT an opera to conclude an incredible career! "Falstaff" is one of my favorites; it's romantic and fanciful and supremely comic . . . and interestingly, Sir John inspired several other composers to write operas about the fat knight; among those, Otto Nicolai's "The Merry Wives of Windsor" (in German) is my favorite.
教師の自己満足
Very good job!!! Amazing rendition!!!
Someone knowa where you can find the score of this Lied? I've looked online but couldn't find it anywhere 😔
Hey the score is on IMSLP
Great! Lovely to listen 🎉
wonderful singing ❤️🌸
This is a very good voice - high C is clear and effortless...much better than some of the current established tenors. My only criticism would be for the singer to cover his higher register timbre more to the shape of 'oh' as in orange...try to sound more Italian in color rather than an English gentleman.
Bravissimo!
Excellent emotion, excellent musical expression! One of the most beautiful version of Traume i seen in TH-cam!
Bravissima
What a rich mezzo/alto voice!!
Very good masterclass. Very useful technical tips
Polisch... ROSALIND Z A W S Z E W I E M K O M U MAM N A P I S A Ć.. D Z I Ś T O B I E !! T W O J A O S O B O W O Ś Ć T A L E N T TO S Z M A R A G D ! nie zmarnuj NICZEGO! 🎉 sygnuje CI Andrzej Celmer Zajączkowski 12 05 2024 Gratuluję ❤
tres belle interpretation bravo
😢WOW😢.....
Superb, vocalist and pianist both. Thank you.
I was there. I cried during Bugeilio'r Gwenith Gwyn. Thank you Rhydian for choosing it and Kira - WHAT a beautiful rendition. Da iawn diolch!
Molto brava.mi è piaciuta
Amazing Rhydian as always 🎶
2:49
1:57 2:25 Just some timestamps for me
What at emotional expression. This is professional.
Tebrikler...
Bravissimo
This woman is destined to great performances. OMFG, what a voice! And she was holding back!
You can’t imagine how much this means to me 🫶🏻
Nice Voice, Bad Sound...get your Sound sorted, as say the Brits..mikes in the wrong places...lol
gracias!!!!! que lujo, cuanta calridad para explicar, aunque mi ingles no es tan bueno y me pierdo algunos detalles de las explicaciones.
Posture would transform your voice
Pas mal, mais peu mieux chanter encore. C’est trop retenu dans sa voix.
What incredible talent (all three are exceptional)! And of course Marie McLaughlin is divine-surely one of the very finest lyric sopranos in memory. ❤
Wow 🤩
th-cam.com/video/pL-q52umYkE/w-d-xo.html
Wonderful girl!
Best one better be the beautiful winner
Whose this sexy girl
What a magnificent voice. I hope he goes very far and doesn't get ruined by singing parts he shouldn't sing that aren't lyric.
Her high notes are so beautiful I must say❤❤❤
Beautiful soprano with effortless singing yes the mouth opening was too much also think she should work on the body balance because she sounds much better if she stands upright. Maybe it's the nerves or stage fright.
Thts a good technique for that mezzzo voice once she gets it wish she could really make so much effort on foward focused singing
Thank you for sharing!!!! Very happy to see Katarina Karnéus give a masterclass.
Just be the first whoever you are 😂 This is so genious 😍
Fidan was fantastic.
thank gid a young person with culture and a voice
Beautiful!!