วีดีโอ

Nice soundproofing between the joists.

Yo Frank! Well stated. You were such a focused young man at NTSU. I'll always treasure those times we player together in the one o'clock! Remember the Florida tour when Mark blew out his chops?

Amazing Performance! Gershwin would've loved it!

Very good! Learned a lot. Great presentation

Pete Bond is such a nice person

Great comments - thanks Morris

Very helpful video, you made improvising simple, thank you Bria, I really enjoy your jazz playing.

John is such a great teacher. Love his stuff!

Increíble, verlo para creerlo, impresionante el maestro, un honor escucharlo.

What an enjoyable and helpful video!!

Super helpful info here! Very impressed with Mr. Bond.

Such an effective demonstration of consciously shaping sounds for effect by determinative valve transitions!

What a great and fun way to show a beginner how easy it is to improvise. I know at about age 10 or 11 seeing your demonstration would have excited and motivated me. I was fortunate to have a wonderful trumpet teacher when I was 13. Ed Lavinsky had played in Doc Severinsen's band in the late 1950's to early 1960's and he helped me so so much. I only had him for 6 months but I learned to double and triple tongue and my range went from high C to G above high C that I could play in tune and clearly. I could hit higher notes but not with control. But in the next 2 years I was hitting the Super C double C with control using the techniques that he shared with me. I really enjoy your music and the way you play the trumpet. Tony St.Louis Missouri.

👑🎺👑

A good example of this can be found listening to the English Brass Bands

Maurice André said that during his inspiration if a fly passed during he swallowed it. I heard a lot that we had to take what we needed for a phrase, how to manage the trip full of air...Maurice André André was he making a joke or was it his way of proceeding during its air intake?Thanks for the video.

Wonderful Judith! I am so looking forward to playing with you at EMMF!

Wow! Frank, I lived a few doors down from you in Clark Hall. It was so awesome to know you then and watch you guys play at the Union. Listening to the end of your Q & A, I can attest to your complete focus on what you wanted. I had never met anyone with the look you had in your eye. Of course, you did it!

I'd like to hear "All is Waiting" with an accompaniment. It sound so haunting, yet encouraging.

amazing!

Vary tempo

As you go faster Du gu.

The goat

Great concepts to maximize the efficiency of the trumpet section, thank you!

Thanks for this treasure

What an amazing story! Unbelievable!! Thanks for sharing your experience and being willing to help others. Everyone can learn from your experience.

Anyone who thinks that scholarship can't be engaging needs to listen to CS-P. What a player; what a teacher.

She's a great singer, great musician, and a great teacher. What a combination! 👍💖🎺😎

Qual book que contém esses exercícios?

Extremely helpful ,thank you!

mouthpiece?

Good 👍🇩🇪 Love

Grande y sinigual!! Magnífica persona y excelente músico. Tuve la suerte de conocerle en 1992 en Sevilla y me dedicó 20 minutos que se los quitó de su descanso durante un concierto en la Catedral. Maestro de maestros.

Great tips and talk. Frank is one of my favorite players and such a wonderful person and professional. The last answer is so good!

🔥🔥🔥

Sorry, I didn't like the piece at all. But I like his playing.

From another planet…….amazing!!👍🏼👍🏼👍🏼👍🏼

Alien

Mr.Vizzutti tone is amazing ! I mean, high, low, middle , accent tenuto, slurred ...... incredibly clean and in tune. Nakariakov is another gem but nobody can touch A.Vizzutti.

When we acoustically arrange our sinuses/ oral cavity/ pharynx around the sound we are about to produce, we set ourselves up just right to resonate that note. Pete nails it, as usual!

💜💜💜💜💜

Thanks for this, Jean. Good stuff!

Great

WOW 😆 He can play literally anything. Not just fast music and high notes. He does it all.

Jay Friedman put together an exercise to develop this skill, outlined in an article called, _Trompete!_ Here is an excerpt: "It is widely thought that rotary valves produce a smoother legato then piston valves. This is a fallacy. The rule is: the longer the throw of a valve the more possibility for legato, because there is more room for sound between notes, which is the essence of legato." The whole article is worth a read, even if you don't do the exercise itself. www.jayfriedman.net/trompete/