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MrMMMoto
เข้าร่วมเมื่อ 11 ต.ค. 2009
วีดีโอ
2013.4.20 Liszt transcendental etude No. 10
มุมมอง 12711 ปีที่แล้ว
2013.4.20 Liszt transcendental etude No. 10
Liszt Transcendental Etude No.10
มุมมอง 18211 ปีที่แล้ว
I played this piece at the concert on 2013/3/17
Ballade No.4 Op.52 / Chopin
มุมมอง 21612 ปีที่แล้ว
I took this movie by myself. I think this is one of the most greatist piano pieces. But extremely hard to play...
Liszt_Hangarian Rhapsody No.12.AVI
มุมมอง 11813 ปีที่แล้ว
I played Liszt's Hangarian Rhapsody No.12 at the concert in 10/22/2011.
A. Rosenblatt/Concertino on 2 Russian themes for 4 hands
มุมมอง 1K14 ปีที่แล้ว
Twins play Rosenblatt.
A.Rosenblatt_Carmen Fantasy 2 pianos 4 hands
มุมมอง 33K15 ปีที่แล้ว
A.Rosenblatt_Carmen Fantasy 2 pianos 4 hands
A. Rosenblatt Concertino on 2 Russian themes for 4 hands
มุมมอง 8K15 ปีที่แล้ว
A. Rosenblatt Concertino on 2 Russian themes for 4 hands
Здравствуйте! Концертирующий фортепианный дуэт очень заинтересовало это произведение! Скажите, пожалуйста, где можно ноты приобрести 🙏🏻
Шикарная вещь ❤ мне очень нравится ❤❤❤
Здравствуйте,спасибо за интерес к моей музыке! К сожалению ,я не вижу комментариев-это не мой пост.Эти ноты можно заказать ,или скачать на любом сайте Schott Edition. ,с которым у меня эксклюзивный контракт.
素晴らしい解釈です 日本より
Гениально! Лучшее исполнение.Браво!
I like Horowitzes better but this is nice
Нереально гениально и непривзойденно
Виртуоз и музыкальной мысли, и исполнительского мастерства. Великолепно! Выдающийся талантище!
I almost never like this piece. Unfortunately Pletnev does not change my opinion. I'm somewhat of a Pletnev fan in general --- it's not the pianist
本当に美しい! ワイセンベルクさんのドビュッシーは大好きです! バッハと同じくらい好き!
Браво! Спасибо! Потрясающе! С Новым 2023!
Спасииибо, и Вас! Это не мой пост, поэтому я не вижу комментариев... 🌹❤️
Здравствуйте! это потрясающе! Уважаемый Александр, будьте добры, подскажите, как найти ноты этого потрясающего творения? очень хочется сыграть😍
Absolutely incredible... Weissenberg's dexterity, dynamics and forward momentum were in a class of his own. A most positive, driven performance; also giving just enough space to the lyrical moments. Clear, brilliantly played, the vision is there throughout. As with his version of Petrouchka, when you're listening, you can't help but feel this is the only the definitive way this piece could be played - even if there are others equally stunning.. (You can clearly hear multiple 'cuts' throughout the final edit. If I had the tech, I would do so too, because his aim was to produce the 'ideal' performance). This is certainly one which truly captures the spirit, most important!
3:30
Класс! Шикарно! Браво!
This is crazy. Thank you, Mr Pletnev. Star matter
A delightful, very talented interpretation, filled with incredible energy and inspiration, mesmerizing with its deepest sincerity !
Замечательное исполнение! Браво!
The clarity of those chromatics and running notes amazes me.
Grande Alexis
He is the best! So many people that don't understand nothing of music is ridiculous.
Копец.. для такой игры надо с тройной репетиц механику.. Или двойную вывинчивать до конца именно под эту пьесу, он поэтому доли и выстукивает, чтоб роялю помочь. Короче два рояля надо ему
Wow....dynamic.
Класс! Браво, маэстро!👌🤝💪💖
Fantastic!! Большое спасибо!!
Браво, Маэстро!
Wow
У ЭТОГО УНИКАЛЬНОГО ПИАНИСТА ФАНТАСТИЧЕСКАЯ ТЕХНИКА И С ИНТЕРПРЕТАЦИЕЙ ВСЕ В ПОРЯДКЕ! БРАВО!
th-cam.com/video/UT43p6hUcyQ/w-d-xo.html
wow
I love the jazz elements. Terrific performance from a great composer.
the best islamey probably
Amazing!
He's a wonderful pianist and conductor! He seems to lose a sense of the structure of the piece. He achieves a huge volume of sound with the coda. Horowitz seems to understand the music better and brings all the power possible along with greater clarity.
Not the best Lisista recording. But then again this is merely rehearsal.
Where does it say this is Lisitsa playing? This isn't even her channel and I'm pretty sure this is some man playing.
@@colbykramer9050 Perhaps Kalen1457 was ironic.
Отличная импровизация! Браво!
Dear Carmen, I really appreciate Your veeeery pleasant words!
He likes 5/4 time....me too!
Simply A M A Z I N G ! ! ! ! !
Many thanks!
@@aleksrosenblatt Dear Sir, your talent & effort justifies human presence on this planet! OGROMNOE BAM CPACUBO!!!!!
Portnawak
As often, think he does a gorgeous piece of work sounds, in here. Love this Debussy fantasy, and to hear it with the Weissenberg sound, leads me to some paradise. Weissenberg sound is really addictive to me. He has interpreted the "Jardins sous la Pluie", another of my prefered Debussy, and what to say, you have to have that too. ❤️💎👌
Would say, me too. Simply trying to express it would be to say "I pay for this sound". He produces what I belove in a piano. Somehow, sometimes I think : "want to buy his whole works". And I seriously mean it. And as there is nothing alike, I also feel sorry, very much, for he did not recorded more. Excepting maybe with his Goldberg Variations ( for read too many times he did a real job for sleepless), too often I think in buying his whole. I would like all pianists sounding as him, can't tell why. Think his best recordings may be his Rach Preludes and his Chopin, but love even his Beethoven concerts, though not being fond of pompous and too dominant Karajan trend. Am in the process to acquire all this, and feel happy to already have him in the Nocturnes or the Rach 2 and 3. Recognise the Richter one is the best rendition for the Rach 2, but once again, to hear the beautiful, rich, magnificent "Weissenberg Sound" in such a masterwork as Rach 2 is just to hear the Big Music, for me. Adding to this that his Rach 3 is for me the best rendition I ever heard of this difficult but beautiful Concert. Maybe weird, but truth. Don't ask me why. Love the Weissenberg Sound. Something unique. ❤️💎👌😔
@@ムーンウォーク Couldn't you say it English⁉️ ➖have no way to translate you...
Wow! Вот тот случай - то ли классика использует джазовую гармонию и ритмику, то ли наоборот. Браво маэстро. Спасибо за доставленное удовольствие. Восхитительно... Ноты уже изданы? И где их можно найти? Подскажите пожалуйста.
Спасибо, уважаемый Гиви! Издано Schott music. Подробности напишу в личку.
Замечательная версия! Браво!
Спасибо! Польщен!
спасибо за музыку
Спасибо!
Simply amazing...
Браво, Александр! Бисовая пьеса! Мастерски сделана!
Спасибо, Евгений, за столь высокую оценку!
The most fleet-fingered, gossamer-light, dextrous 'Islamey' ever.
3:42 - 6:31 with the climax at 5:42 has to be one of the single most beautifully colourful and magnificent pieces of two piano music of all time. For me it fills in the missing colours from the Clarinet and Piano version, although that too is brilliant. Just stunning. Something to aspire to.
Конечно же, мастеру всегда дозволено больше, нежели ученику, и в области отклонений от общепринятых рамок исполнения, что и делает интерпретацию уникальной. Но уникальность должна быть уравновешена убедительностью. Здесь, мне кажется, с этим проблемы.
I was amazed when I first hear Weissenberg's playing around 1990. I couldn't believe the sounds this guy got out of the piano. It kinda freaked me out being able to audibly discern his playing as a cut above 99% of most other piano players in this tradition. One of kind unfortunately, as you can hear.
To me, I hear an emotional depth and his playing connects to me in a way that seldom occurs when I hear the same pieces played by other artists. Sure, they are amazing and genius', though Mr Weissenberg's playing seems to connect with my "inner musical ear" so to speak. I just like the sound he gets!
@@cerimccoy Happens exactly the same to me, You couldn't have said it better. Don't know what is it but behind his prodigious technique, or aside or through it, Weissenberg managed to get out of his piano a sound so appealing to me as not to have never found any other alike. There is something vibrant, resonant, powerful and sensitive enough at the same time, that touches don't know what in my brain that makes me jump, somehow, as saying "yes, yes, it is this what I like". Most than any other thing in him, I pay for his sound, to say so. Few times this happens to me. But when it does, it's something very strong. It occurs in cello with the Heinrich Schiff sound or in Holloway or Gatti with their violins. But could not mention many more. In cases as the Weissenberg one, am able to forget about him not being the best one in this or that work : it's all the same, at the end, for I say to myself, "no matter, it's the Weissenberg sound". It's weird, in't it? But it is a fact that tend to forget any other aspect of the music question : something in my brain keeps insisting, "no matter, for THIS is the sound I want to hear in a piano".There is a kind of magic connection this guy awakes in me... ❤️💎👌😔
crystalline, yet sensual approach to Debussy. I remember, the later DG recording got bashed by the rather middle of the road Penguin Record Guide.