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Galleri Nicolai Wallner
Denmark
เข้าร่วมเมื่อ 2 เม.ย. 2019
Galleri Nicolai Wallner opened in the fall of 1993 with the ambition of exhibiting challenging and innovative contemporary art. The inauguration of the gallery not only captured the spirit of that particular time, but set the pace and agenda for what we continue to do today.
Accordingly, many of the artists in our current program have been with the gallery since its inception, and have had their first solo show with the gallery.
The gallery was primarily founded on the ideals of what it means to represent an artist throughout their career, and it is with this in mind that we have built our program and have incorporated new artists. Our representation of more seminal, established artists has provided us a way of contextualising the gallery’s vision, and has also allowed us to introduce the Danish art scene to some of the most important living artists.
We see the responsibility of the gallery as wide reaching; a personal collaboration with each artist, helping with production and acti
Accordingly, many of the artists in our current program have been with the gallery since its inception, and have had their first solo show with the gallery.
The gallery was primarily founded on the ideals of what it means to represent an artist throughout their career, and it is with this in mind that we have built our program and have incorporated new artists. Our representation of more seminal, established artists has provided us a way of contextualising the gallery’s vision, and has also allowed us to introduce the Danish art scene to some of the most important living artists.
We see the responsibility of the gallery as wide reaching; a personal collaboration with each artist, helping with production and acti
David Shrigley talks about his exhibition 'People Reveal Themselves Slowly'
A conversation with David Shrigley about his solo exhibition 'People Reveal Themselves Slowly' at Galleri Nicolai Wallner.
With this exhibition, David Shrigley introduces a collaging technique into his works on paper. Incorporating cutouts of his own painted element into his established drawing practice, he deftly layers them in ways that feel both chaotic yet deeply intimate, enveloping us in a thought or a moment. This is echoed in Shrigley’s bold use of large brushstrokes in pinks, blues, yellows and greens, often covering the majority of the paper, drawing us in and in a way blocking everything else out, allowing us to interact with the works one at a time.
The result is an incredibly immersive experience, and one that is ultimately very human.
David Shrigley OBE (b. 1968, UK) has received international and critical acclaim for his work, with many notable solo and group exhibitions worldwide. He was nominated for the prestigious Turner Prize Award in 2013, following his major mid-career retrospective at the Hayward Gallery (London). In 2016, David Shrigley’s seven meter tall “thumbs up” sculpture was unveiled in Trafalgar Square, for the Fourth Plinth Commission. Shrigley’s works are found in prominent collections around the world, including Museum of Modern Art (New York), Tate Britain (London), Centre Pompidou (Paris), Museum Ludwig (Cologne) and the National Gallery of Denmark (Copenhagen) among many others. In 2020, Shrigley was awarded an OBE Officer of the Order of the British Empire in The Queen’s New Years Honours list for services to Visual Arts.
The gallery has had the pleasure of collaborating with David Shrigley since 1996.
With this exhibition, David Shrigley introduces a collaging technique into his works on paper. Incorporating cutouts of his own painted element into his established drawing practice, he deftly layers them in ways that feel both chaotic yet deeply intimate, enveloping us in a thought or a moment. This is echoed in Shrigley’s bold use of large brushstrokes in pinks, blues, yellows and greens, often covering the majority of the paper, drawing us in and in a way blocking everything else out, allowing us to interact with the works one at a time.
The result is an incredibly immersive experience, and one that is ultimately very human.
David Shrigley OBE (b. 1968, UK) has received international and critical acclaim for his work, with many notable solo and group exhibitions worldwide. He was nominated for the prestigious Turner Prize Award in 2013, following his major mid-career retrospective at the Hayward Gallery (London). In 2016, David Shrigley’s seven meter tall “thumbs up” sculpture was unveiled in Trafalgar Square, for the Fourth Plinth Commission. Shrigley’s works are found in prominent collections around the world, including Museum of Modern Art (New York), Tate Britain (London), Centre Pompidou (Paris), Museum Ludwig (Cologne) and the National Gallery of Denmark (Copenhagen) among many others. In 2020, Shrigley was awarded an OBE Officer of the Order of the British Empire in The Queen’s New Years Honours list for services to Visual Arts.
The gallery has had the pleasure of collaborating with David Shrigley since 1996.
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A conversation with Daniel Buren about exhibiting art in relation to the artists recent solo exhibition ‘CASCADES / KASKADER, Situated Works high-reliefs / Situerede værker høj-relieffer’ at Galleri Nicolai Wallner. Daniel Buren (b. 1938, Boulogne-Billancourt, France) has received international acclaim throughout his career, and continues to inspire generations of artists and those beyond the c...
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A conversation between Jesper Just and Matt Dillon about the creation of 'Interfears' 'Interfears' features a singular film work of the same name. A large-scale projection encompasses an entire section of the gallery, the lights dimmed. Focusing on the emotional topography of an actor’s brain, the film has two primary figures-an fMRI scanner and an actor, the recognisable Matt Dillon.
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Peter Land I New Video Works
มุมมอง 106ปีที่แล้ว
Peter Land (b. 1966, Denmark) walks through his exhibition and tells about his two new video works. Land has been represented by the gallery since its inception in 1993. Working in a variety of medium, Land’s practice explores archetypical representations of masculinity and identity-performative and otherwise. Often using himself and his body as a vehicle for these ideas within the work, Land p...
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มุมมอง 424ปีที่แล้ว
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Jonathan Monk I Car hoods
มุมมอง 186ปีที่แล้ว
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Joachim Koester I Cannabis
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มุมมอง 273ปีที่แล้ว
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มุมมอง 89ปีที่แล้ว
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มุมมอง 418ปีที่แล้ว
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A Kassen - The Making of Bronze Paintings
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