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Your mom
เข้าร่วมเมื่อ 18 มิ.ย. 2006
Philippe Lalanne entrevue CKOI Justiciers Masqués
Entrevue par les Justiciers Masqués à CKOI, réalisée le 30 janvier 2006.
มุมมอง: 17 028
วีดีโอ
Zwan - Glorious
มุมมอง 8K14 ปีที่แล้ว
Here are the lyrics, according to spfc.org Although they are mostly correct, I hear "They let me lead as their son" instead of "they let me speak as their son" Can you hear that too? Feel free to leave a message and to rate the song if you like it. when i'm walking with my love the world turns its head i can't hear what they're saying to us there is no escape giving up love for what i've said c...
Zwan - The empty sea
มุมมอง 21K15 ปีที่แล้ว
From the show at the Glass House, Pomona, CA, 16/11/2001. This is the version I like the most. The lyrics are a little different on this one than other live versions. Feel free to leave a message and to rate the song if you like it. i've searched and searched for you in every face i've passed and i've searched through their souls from the coolest springtime until decembers cruel no matter what ...
Les Justiciers Masqués font pitié.
"sois pas trop humble Philippe".
Love this song. One of my favorites
Makes my ears happy/
that effect for 1974 is wild
Phil Collins’ drum magnum opus - very simple 7/8 time hi hat beat that he very slowly opens up into new territory
Genisis, simply the max. Top.
Jimmy going off from 3:45
Mega
This original version is so much better than Remastered. It's so raw.
Wow I was at these shows. Thank you!!! So beautiful
Lucky you! I wasn't there, but this show matters a lot to me.
@@BillyCorgan777 I was at the San Diego show after this and made a recording of it that I lost... and it makes me want to cry that I don’t have that tape. As far as I know there’s no audio of the San Diego show
this is way better than the remix wtf
his voice in this one is absolutely amazing!
it just comes naturally ♡
quebec ♡
has to be up there with THE GREATEST SONGS NEVER RECORDED IN STUDIO
We can hope it's been recorded and will be included in the Zwan remasters
@@BillyCorgan777 omg i would love that
Maudit que c BG
Gimme some 7/8
💗
Why the remix got rid of the base pedal or whatever it is in the last verse I’ll never understand this is the BEST version not even close imho
Classic Peter Gabriel at its best! The lamb lies down on Broadway album should have been picked by the Movie Industry to be filmed as a musical as Tommy was by The Who. I spent nine years in Attica correction facility, the lamb is perfectly depicted there. I’ve been telling Jess Peter Gabriel since 1974. My all-time favorites for sure
One of the best songs ever made. Brings a tear to my eye.
all i've ever thought, since i first heard this in the late 70's was, damn; those who hear it afterwards were gonna close their doors for years to come, should they not get how this band was eons beyond it's time. otherworldly, and i never throw that compliment out loosly,
Interesting. Though this is my all-time favourite album, I've never noticed a difference in this song between my old LPs and my remastered CDs. The remaster seems to get less like the original as we get further through the album. Particularly annoying is the BANGs made on a tambourine which, in the remaster, are feeble, little sounds!
c est triste de rire de lui de même ...
Super,thanks!
Some Genesis fans will find this post sacrilegious, but you probably won't find a bigger Genesis fan than me on the one hand, and on the other, at this point in history the Gabriel/Collins debates are silly. Anyway, after Peter left, Genesis did not play Back in NYC much - it resurfaced a few times in 1980. As an aside, if you've never heard Nad Sylvan singing Genesis in Steve Hackett's band, you should - and definitely see them live. They can almost out-Genesis Genesis. They are that good. Anyway, I've heard the Aylesbury and Madison Square Garden (NYC) renditions of BiNYC from the 1980 tour. I think Phil does a stellar job with it in the NYC performance, even though they cut the song a little short. th-cam.com/video/J9jEyZjYRwQ/w-d-xo.html
Zwan was the shit. So many good songs never released. This makes me sad. Hard to get into this though because of the sound quality but still great to hear. Billy is playing this solo acoustic on his current tour.
WPC is the GOAT I LOVE YOU WPC!!!!
That's a deer.
@@bdog7723 is that sarcasm
Mon modèle québécois ❤️❤️❤️
The only version I'd heard of this til now was the Jeff Buckley version
Let me out of Pontiac when I was just seventeen, I had to get it out of me, if you know what I mean, what I mean. You say I must be crazy, 'cause I don't care who I hit, who I hit. But I know it's me that's hitting out and I'm, I'm not full of shit. I don't care who I hurt, I don't care who I do wrong. This is your mess I'm stuck in, I really don't belong. When I take out my bottle, filled up high with gasoline, you can tell by the night fires where Rael has been, has been.
this is the story of me a working class boy growing up in Liverpool being angry...having been poor and neglected,,,
Much prefer the original mix here, than the re-mastered & remixed version. :o) :o)
This is how Stravinsky would write punk.
It's not punk though... It has the punk-ish style, but the music itself is as far from punk as possible
To be right you mean Post-Punk, bud.
Cinematic brilliance, theatre art prog rock ,just love it.
I still have this in vinyl. And the Enossificated voice (compliments of Brian Eno) in the "porcupine" part is definitely Gabriel. The singing throughout it is so emotional and the song is so dramatic. This song had been reverberating through my head constantly for the past few days. I am become Rael Electric Razor.
A classical of the XX century, one of the best musical productions of all times.
This was Gabriel's encore when he toured in '77 - totally amazing.
was this song not on the officialzwan album i cant remember
Nope. Only played during the True Poets era.
Never heard the bass line like that in my life...Thank you Mommy
It's my life's inspiration, and I'm back, yet again...
thanks you!
la musique de Phillipe Lalanne est vraiment meilleur que cette radio poubelle.
Einfach nur geil.
I'm pretty sure that's actually Phil Collins doing the wobbly creature-like voice at 2:51. Maybe both of them, but Phil's definitely in there somewhere.
Both of them, actually, but you are right. Some people say they have similar voices, which is very untrue, as anybody who has listened to both eras with attention can attest, yet, the magic was how well their voices blended, complementing each other, so that is not so much Peter as lead vocalist and Phil as backing one, but them harmonising. Similar effect can be found between Richard Wright and David Gilmour on "Us and Them" and "Echoes". This leads to many confounding the two, and you can hear Peter's take on this in the Nursery Cryme reissue documentary when he talks about "Harold The Barrel". As a matter of fact, it is hard to find a PG era song where Collins (when harmonising) is not as audible or even more than Gabriel.
Actually, it's both of them, but Phil's vocals are quite low. You can hear it's Peter better in the 2008 as it has less effects on the vocals.
damn, my mom is cool
MIKE RUTHERFORD MONSTER !!!!!
that punching Point at @3:07 is incredible ! obviusly listening this in vynil!!
loved this song (Jeff Buckley cover) for 2 whole years until I discovered it was Genesis's. mad respect to Jeff Buckley and RIP
Funny enough, I finally made my decision to give Jeff a listen after finding out he covered this. I had been meaning to for a while, given I was already a huge Chris Cornell fan, and all he seemed to do was praise Jeff. Anyway, mad respect indeed.
@@TheNightmare75II I hope you continued your Jeff journey and did not stop at this song that Jeff covered... Chris really did love Jeff, admired the hell out of him... I was already a huge Buckley fan and knowing my main man Chris was too, even better. RIP to both of the greats......
@@mitakuyeoyasin2320 Oh, of course! I got into him probably a little over two years ago. I'd been getting into Genesis and Peter Gabriel, and I found out Jeff covered this song, but I didn't listen to his cover right away. Instead, finding that out reminded me that I wanted to give Grace a listen, so the next time I went to a record store I bought Grace, and after one listen, I was completely hooked. So yes, you could say I continued my Jeff journey, but it's unfortunately not a very long journey. :( RIP Jeff and Chris.
@@TheNightmare75II Ohhhhh wow-- but it IS a really long journey...Grace was/is a great peice, but there is SO much on youtube to discover... for instance, when he was just starting out, check out Live at Sine'.....and from there you will go on a journey to really understand who Buckley was... In fact after he died, Chris helped produce his demo tracks into his ffinal piece Sketches for my sweetheart the drunk... not great quality but they were just demo tracks....SO much Buckley to explore before Grace came out....My palms are sweaty feeling you're getting ripped off lol.
@@mitakuyeoyasin2320 Well, as a matter of fact, I own both Sin-e and Sketches as well as You and I. I also own "Songs for No One" with Gary Lucas and a digital copy of Mystery White Boy. It's all awesome, and Mystery White Boy is worth it just for "What Will You Say?" alone, but when you list out all the original Jeff Buckley songs and exclude covers, how many do you get? Like 30? 40? Obviously, he covered a lot of ground in all those recordings, and his live versions are often like different versions of the song just because of how much versatility he had as a vocalist and performer, but if we're strictly talking studio albums, he only had two if you count the first disc of Sketches (which I do, but I don't know if Jeff would). Anyway, we'd be lucky if all he ever put out was one song. That's how god he was, but it's still a shame his work was cut so short. Chris, too, even though he was much older than Jeff. Sorry for the super long reply. LOL.
Yes! The bass pedal and the wobbly vocal. 2007 remixes were really bad!