วีดีโอ

😂❤❤🖤🖤

👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻 Bravíssima!!!!! 👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻

Saw that production. Consider myself fortunate. Norman and Gary Lakes (as far as I can remember).

Cup vowels serve a function!!!!

This Met band is playing cantabile with extraordinary ensemble maturity! Damn!

Loved her from the very first time I heard her. A star.

👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾

So, so beautiful.

As I write, the date in Polovtsian happens to be 2 qis ay (“Autumn month”) 2024. This is a fascinating re-interpretation produced by Dmitri Tcherniakov with the New York Metropolitan Opera and using Russian singers. I have a video of it that I bought about two years after its 2014 premiere. As Shakespeare's plays are often reinterpreted with a different time setting, for example, here Prince Igor takes its original 1185 period and moves it up to the early 20th century. In this version, the sleazy Khan Konchak of the Polovtsians is re-visualized as a kind of Leninesque/Stalinesque character who, as in the original, captures Prince Igor in battle and tries to cajole him into joining forces with him. My favorite character in this production has to be the drunken "businessman" who, reveling at Prince Igor's absence, hopes to rally his countrymen and replace him before he gets back. Later, after the Polovtsians gain the upper hand and lay waste to his countryside, we now see him in the dark of night, reduced to having to warm his hands over a fire set in an oil drum. My chief artistic disappointment with the production, though, is that it effectively buries Prince Igor's final triumphant chorus by performing it, halfheartedly and under less-than-joyful circumstances, about 15 minutes before the actual ending. I guess you can't have everything. The video also features interviews with its principals. [Edit: Clarity]

Diese Inszenierung ist eine Augenweide und wagner würdig! Wunderschön!!!

🎉nice

so very historic: leni riefenstahl meets hollywood...

Magnificos, gran heldentenor y Norman increíble!!!

Excelente interpretación ❤bravo!!

👏👏👏👏

This is like that song, Wanna Be Happy? Don't make a pretty woman your wife.

This is my favorite love duet. Not moon, spoon, June, but each one finding happiness through the happiness of the other. And the music is wonderful. Excellent singing here.

Magnificent

I saw this on the cinema with my dear aunt 😍

❤

Бородин в гробу бы перевернулся...😮

If only opera still had these sort of traditional productions......... it's all gone long before 2024, but I'm sure that we will return to opera as it was intended by the composrers, even if it takes more than a few years. What we get today, in most cases, is a pitiful representation of what grand opera should be! Just look at the splendour of this Schenck/Schneider Siemssen production!

pure geniality, Rimsky-Korsakov's and Glazounov's final gift to Borodin.

Tres beau. Enfin un spectacle Wagner qui respecte l'oeuvre et l'auteur

does anyone know who Bitterolf is?

I was a extra in this at Salzburg 40 years ago

au secours ! CINQ interruptions par pubs inclusives pendant la diffusion de cet acte en plein execution des chants/chœrs /orchestre les arrêrant net aleatoire en plein phrasés LA HONTE !!! INADMISSIBLE !!! un affront aux executants comme aux auditeurs comment peut-on en arriver là ? les publicitaires pensent-ils ainsi booster la vente leurs produits le plus souvent anodins ? des pubs deja horripilantes avant/aorès une diffusion on peut encore le concevoir mais ainsi ! ils ont perdu tout sens commun un système qu'il serait opportun de revoir...

parmi les immenses operas tant aimés de Wagner Tannhauser est pour moi celui que j'emporterais sur une île deserte... à mon humble avis il resume à lui seul l'esprit de tous les autres et cet opus là le transcende ...toute l' ampleur l'homogénéité des sublimes talents qui s'y expriment nous font rentrer frissonner dans la legende devenue réelle ...jamais on ne fera mieux que cet opus là qui reste dans les annales "forever" laissant interdit par l'engagement de tous les intervenants... totale beauté... incandescent ❤🎶🎶❤

This is a serious question, was this villain queer-coded in the production?

I will never understand why Botha was so highly ranked

❤❤❤❤❤❤❤

Schenk really new how to stage masses. A lost art.

YES

1:20

Haha

2:01

2:04

Latonia is 🔥🔥🔥🔥🔥

Einfach tolle Musik Herrschafter Auftritt

Goodness gracious. That was powerful.

Une version extraordinaire : quelles voix AMPLES ! Quels beaux legato ! Et quelle belle mise en scène, prise de son, etc ! Ma version préférée sur TH-cam. Après recherche, il s'agit de Angel Blue (soprano), Eric Owens (baryton-basse), et John Wilson (chef d'orchestre) à la tête de l'orchestre du Metropolitan Opera.

0:02

The absolute grief of losing your soulmate 😢

Вообще Класс!!!

This is on fire. She sang that!!!!!!!!!

She is a goddess. This is such a stunning interpretation. ❤❤❤

What an incredible voice Latonia Moore!!!

25:55

0:25

My god…what an outstanding, powerful performance. Brilliant.