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Rare Indian Classical Music Programs
United States
เข้าร่วมเมื่อ 21 มี.ค. 2015
Ustad Salamat Ali Khan (Sham Chaurasi Gharana- Varieties of Kalyan) # 5
sham-chaurasi.punjabonline.in/guide/about-sham-chaurasi
Sham Chaurasi Gharana (from the book "Tradition of Hindustani Music" authored by Dr. Manorama Sharma)
"The name of this Gharana is attributed to a place called Sham Chaurasi in Hoshiarpur of Punjab. Like the artists of Talwandi Gharana, the Sham Chaurasi Gharana also claim their association with the founder of Talwandi Gharana, Ustad Suraj Khan and Chand Khan alias Sudhakar and Diwakar, who were the disciples of Swami Haridas. It is also believed that both the brothers belonged to Brahmin family but due to the Muslim influence, they might have been converted Muslims. This is also contended that may be due to some economic reasons, they might have accepted Islam such as Tansen came to be known instead of Tanna Mishra. Music, those days was not considered a respectable art and to get fame, name, and money, they might have accepted Islam religion in order to get the recognition or patronage from the Muslim rulers." (pages 58-62)
Raga: यमन कल्याण
Aaroh: SRGmP or 'NRGmP,PDNS'
Avaroh: S'NDPmG, MGRGRS
Raga: रुपवती कल्याण
Aaroh: SGmPnS
Avaroh: S'nDM,mGRS
Raga: गोरख कल्याण
Aaroh: SRMDnDS'
Avaroh: S'nDMRS 'n'DS
Raga: नौरोझ कल्याण
Aaroh: SGmDS'
Avaroh: S’DPmGS
Raga : मध कल्याण
Aaroh: SRGP, DnS'
Avaroh: S'nDP, GPRS
Raga: एमा कल्याण
Aaroh: SRmDnS'
Avaroh: S'nDmRS
Addition of m (instead of M) in Gorakh Kalyan
Raga: श्याम कल्याण
Aaroh: 'NSRmPNS'
Avaroh: S'NDP DmP GMPGMR 'NS
Raga: भूप कल्याण (i.e., शुद्ध कल्याण)
Aaroh: S(G)RGPDS'
Avaroh: S'(N)DP(m)GRS
The presence of Teevra Madhyam (m) and Shuddha Nishad (N) can be heard as कणस्वर (grace note) or in मींड (glissando).
*I have added a wrong file of Raag भूप (instead of भूप कल्याण) here.
Raga: हमीर कल्याण
This raga is similar to Raga Hameer. However, phrases 'NRS, GmP, mDND, DNR'S' of Raga Kalyan are introduced sometimes. More emphasis is on Shuddh Madhyam M can also be noticed.
Raga: गावती कल्याण
Aaroh: SGMPnS'
Avaroh: S'DPDMPG MR 'nS
Raga: हेम कल्याण
Chalan: P'D'PS, GMRS, SMGP, DPGMRS, GMPDPS', S', PDPGMPGMRS, 'P'D'PS.
Raga: पूरिया कल्याण
Aaroh: 'NrGmDNS'
Avaroh: S'NDPmGRS
Sham Chaurasi Gharana (from the book "Tradition of Hindustani Music" authored by Dr. Manorama Sharma)
"The name of this Gharana is attributed to a place called Sham Chaurasi in Hoshiarpur of Punjab. Like the artists of Talwandi Gharana, the Sham Chaurasi Gharana also claim their association with the founder of Talwandi Gharana, Ustad Suraj Khan and Chand Khan alias Sudhakar and Diwakar, who were the disciples of Swami Haridas. It is also believed that both the brothers belonged to Brahmin family but due to the Muslim influence, they might have been converted Muslims. This is also contended that may be due to some economic reasons, they might have accepted Islam such as Tansen came to be known instead of Tanna Mishra. Music, those days was not considered a respectable art and to get fame, name, and money, they might have accepted Islam religion in order to get the recognition or patronage from the Muslim rulers." (pages 58-62)
Raga: यमन कल्याण
Aaroh: SRGmP or 'NRGmP,PDNS'
Avaroh: S'NDPmG, MGRGRS
Raga: रुपवती कल्याण
Aaroh: SGmPnS
Avaroh: S'nDM,mGRS
Raga: गोरख कल्याण
Aaroh: SRMDnDS'
Avaroh: S'nDMRS 'n'DS
Raga: नौरोझ कल्याण
Aaroh: SGmDS'
Avaroh: S’DPmGS
Raga : मध कल्याण
Aaroh: SRGP, DnS'
Avaroh: S'nDP, GPRS
Raga: एमा कल्याण
Aaroh: SRmDnS'
Avaroh: S'nDmRS
Addition of m (instead of M) in Gorakh Kalyan
Raga: श्याम कल्याण
Aaroh: 'NSRmPNS'
Avaroh: S'NDP DmP GMPGMR 'NS
Raga: भूप कल्याण (i.e., शुद्ध कल्याण)
Aaroh: S(G)RGPDS'
Avaroh: S'(N)DP(m)GRS
The presence of Teevra Madhyam (m) and Shuddha Nishad (N) can be heard as कणस्वर (grace note) or in मींड (glissando).
*I have added a wrong file of Raag भूप (instead of भूप कल्याण) here.
Raga: हमीर कल्याण
This raga is similar to Raga Hameer. However, phrases 'NRS, GmP, mDND, DNR'S' of Raga Kalyan are introduced sometimes. More emphasis is on Shuddh Madhyam M can also be noticed.
Raga: गावती कल्याण
Aaroh: SGMPnS'
Avaroh: S'DPDMPG MR 'nS
Raga: हेम कल्याण
Chalan: P'D'PS, GMRS, SMGP, DPGMRS, GMPDPS', S', PDPGMPGMRS, 'P'D'PS.
Raga: पूरिया कल्याण
Aaroh: 'NrGmDNS'
Avaroh: S'NDPmGRS
มุมมอง: 211
วีดีโอ
A discussion with Smt. Kishori Amonkar # 2
มุมมอง 3182 หลายเดือนก่อน
*This interesting interview is in Goan Konkani dialect. She had covered a variety of important topics. Please also read the book titled "स्वरार्थरमणी रागरससिद्धांत" authored by her.
A discussion with Smt. Kishori Amonkar
มุมมอง 6623 หลายเดือนก่อน
Please also read the book titled "स्वरार्थरमणी रागरससिद्धांत" authored by her.
Lata Mangeshkar at age 23 (In Color)
มุมมอง 2363 หลายเดือนก่อน
Please watch her at 1.12 and 1.59. Movie: छत्रपती शिवाजी (1952) Writer/Producer/Director: Bhalji Pendharkar Music Director: C. Ramchandra (i.e., Ramchandra Narhar Chitalkar) *We can experience the thrill of witnessing the historic coronation of Chhatrapati Shivaji Maharaj.
Lata Mangeshkar at age 23
มุมมอง 3203 หลายเดือนก่อน
Please watch her at 1.12 and 1.59. Movie: छत्रपती शिवाजी (1952) Writer/Producer/Director: Bhalji Pendharkar Music Director: C. Ramchandra (i.e., Ramchandra Narhar Chitalkar) You can enjoy this full movie here: th-cam.com/video/QhVct0aiUBA/w-d-xo.html th-cam.com/video/81KhTltdG3c/w-d-xo.html
भारत रत्न Lata Mangeshkar (Lesser Known/Heard Songs)
มุมมอง 3473 หลายเดือนก่อน
I have never heard many of these अनवट songs. Therefore, I decided to upload this collection here on her birthday (i.e., September 28). Please listen to these songs on high quality speakers, such as Klipsch.
Ustad Nazakat Ali Khan & Ustad Salamat Ali Khan (Live Programs of Self-Created Raga with Interview)
มุมมอง 4335 หลายเดือนก่อน
*Please listen to these programs on high quality speakers such as Klipsch. राग मिलन गंधार Aaroh: SGPDnS' Avaroh: S'nDPgS I had uploaded these programs, recorded before Ustad Salamat Ali suffered from a stroke at age 44, separately. However, I have combined them in a one file. You can enjoy importance of different Taals (i.e., Teen Taal, Punjabi Dhamar, Jhoomra) and variation of Laya within the ...
Pandit Kumar Gandharv (Rare Ragas # 4)
มุมมอง 3065 หลายเดือนก่อน
I highly recommend this recently published (April 2024) book titled "गंधर्वांचे देणे-पं. कुमारजींशी संवाद." "प्रज्ञावंत गायक प.कुमार गंधर्व यांचा भाषा,साहित्य व संगीताचा गाढा अभ्यास होता. हे जाणणाऱ्या ग्रंथालीने १९८५ साली त्यांची सलग सहा दिवस मुलाखत - मैफल आयोजित केली होती. हा अभिजात ऐवज अतुल देऊळगावकर यांनी संपादित केलेल्या 'गंधर्वांचे देणे -पं कुमारजींशी संवाद' या पुस्तकाच्या रूपात उपलब्ध होत...
Ustad Salamat Ali Khan and Ustad Alla Rakha (Live Program)
มุมมอง 3097 หลายเดือนก่อน
In the past, I had added this outstanding program in the collections uploaded as below: th-cam.com/video/2tBTgRMV3zs/w-d-xo.html th-cam.com/video/6Pug09BCUmA/w-d-xo.html However, it appears that this performance was buried considering very low views of those collections even after almost five years. Therefore, I decided to upload this small part of the live program.
Pandit Ravi Shankar (Live Program- Rare Taals) (Re-Uploaded)
มุมมอง 3778 หลายเดือนก่อน
राग-भूपाल तोडी Aaroh: SrgPdS' Avaroh: S'dPgrS Location: San Francisco, CA Year: 1967 Tabla: Ustad Alla Rakha
Pandit Shivkumar Sharma (Live Program of Rare Raga)
มุมมอง 2188 หลายเดือนก่อน
राग रसिकप्रिया Aaroh: SGmPNS' Avaroh: S'nPmG, GgS Tabla: Ustad Zakir Hussain Location: Stuggart, Germany Year: 1991
Ustad Nazakat Ali Khan and Ustad Salamat Ali Khan (old recordings # 6)
มุมมอง 3268 หลายเดือนก่อน
Ustad Nazakat Ali Khan and Ustad Salamat Ali Khan (old recordings # 6)
Pandit Kumar Gandharv (Rare Ragas # 3)
มุมมอง 2658 หลายเดือนก่อน
I highly recommend this recently published (April 2024) book titled "गंधर्वांचे देणे-पं. कुमारजींशी संवाद." "प्रज्ञावंत गायक प.कुमार गंधर्व यांचा भाषा,साहित्य व संगीताचा गाढा अभ्यास होता. हे जाणणाऱ्या ग्रंथालीने १९८५ साली त्यांची सलग सहा दिवस मुलाखत - मैफल आयोजित केली होती. हा अभिजात ऐवज अतुल देऊळगावकर यांनी संपादित केलेल्या 'गंधर्वांचे देणे -पं कुमारजींशी संवाद' या पुस्तकाच्या रूपात उपलब्ध होत...
Acharya Atre, Vasant Desai, and Ustad Salamat Ali Khan (Year 1958 Mumbai)
มุมมอง 3108 หลายเดือนก่อน
In the past, I had uploaded a duet - ragamalika purportedly sung by Ustad Salamat Ali Khan and Lata Mangeshkar. Now we have a clarification regarding this. In a recently released 2-set of LPs, all recordings of classical bandishes, sung by Ustad Salamat Ali Khan alone, are made available. On its sleeve, it is mentioned that "All tracks on this album have been meticulously restored from analogue...
Ustad Salamat Ali Khan Live Program # 16
มุมมอง 3869 หลายเดือนก่อน
Ustad Nazakat Ali and Ustad Salamat Ali Khan had sung Raag Kalavati for more than 2.5 hours in Mumbai during late 1950s. If possible, I will try to upload that exceptional recording.
Bharatiya Civilization: Quotations by Western Scholars
มุมมอง 889 หลายเดือนก่อน
Bharatiya Civilization: Quotations by Western Scholars
Ustad Bade Ghulam Ali Khan- Bhajan in Raag Pahadi
มุมมอง 428ปีที่แล้ว
Ustad Bade Ghulam Ali Khan- Bhajan in Raag Pahadi
Ustad Bade Ghulam Ali Khan- Origins of Ragas
มุมมอง 652ปีที่แล้ว
Ustad Bade Ghulam Ali Khan- Origins of Ragas
Ustad Nazakat Ali Khan and Ustad Salamat Ali Khan (Live Program # 22)
มุมมอง 336ปีที่แล้ว
Ustad Nazakat Ali Khan and Ustad Salamat Ali Khan (Live Program # 22)
Pandit Hridaynath Mangeshkar-A Creative Artistic Genius-Bandish (Live Program-Complete)(re-uploaded)
มุมมอง 1.4Kปีที่แล้ว
Pandit Hridaynath Mangeshkar-A Creative Artistic Genius-Bandish (Live Program-Complete)(re-uploaded)
Raga Nagswaravali (a Pentatonic (i.e., Audav) Raga) # 2
มุมมอง 376ปีที่แล้ว
Raga Nagswaravali (a Pentatonic (i.e., Audav) Raga) # 2
Ustad Nazakat Ali Khan and Ustad Salamat Ali Khan- Raag Chandrakauns
มุมมอง 700ปีที่แล้ว
Ustad Nazakat Ali Khan and Ustad Salamat Ali Khan- Raag Chandrakauns
Dr. Pandit Gokulotsavji Maharaj (Live Program)
มุมมอง 289ปีที่แล้ว
Dr. Pandit Gokulotsavji Maharaj (Live Program)
Ustad Salamat Ali Khan [Rare Pentatonic (i.e., Audav) Raga]
มุมมอง 583ปีที่แล้ว
Ustad Salamat Ali Khan [Rare Pentatonic (i.e., Audav) Raga]
Sexagenarian Pandit Omkarnath Thakur outperformed young Nazakat & Salamat Ali Khan (Calcutta 1956)
มุมมอง 553ปีที่แล้ว
Sexagenarian Pandit Omkarnath Thakur outperformed young Nazakat & Salamat Ali Khan (Calcutta 1956)
Eyes dropping water with the voice ......no words Ustad 🙏❤️
❤❤❤ कोटी कोटी प्रणाम ❤❤❤
Afale Guruji Farach Aprteem Sadrikaran kele.
धन्यवाद
छान मस्त
Who's the fabulous Tabla player?
Pranam , my Guruji late Pt. Shashikant Bellare used to play very often with Panditji , sometimes long recitals upto 8 hours , I wonder if you could help me find some of these recordings , Jay Gurudev
🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻
🙏
सुंदर! प्रणाम!
खूप सुंदर!
Wonderful! I love it so much! Thank you very much for uploading it!
अप्रतिम सादरीकरण कौतुक करायला शब्दच अपुरे आफळे बुवा अष्टपैलू व्यक्तिमत्त्व फार छान माहिती सहित गायन धन्यवाद
The presentation and expressing the meaning of the Natyasangeet is second to none. It is heavenly experience. God bless Aphale Maharaj.
Wah kya baat
Very bad sound quality.
Wah wah ❤❤
Aflebywa Farach Aprteem Prgaram Sadar Kela Bhinadan.
Farach Chagle Samjawun Sagitle.Satasha Pranam
Khiop chhan sangeetatil barik barik gosti sopya bhashet samajaun sangitalya aahet. Manapasoon dhanyawad.
या नाटकांना तोड नाही
Excellent concert. But the information in the description is blown out of proportion (according to Dhondutai).
And people unnesasarily talk bad about fusion..The broadminded musical genius will always see good things in each music
काय विश्लेषण! आफळेबुवा👌👌
Rastriya Kirtan Kar Shree Charudatt Aphale yana manacha Muzra Bahumukhi Pratibha aamcha Indore karanche Gourav Charni Namaskar.
Waah
सर्वोत्तम संवाद
Ok ji se❤
Khoob Sundar bahut khoob 🙏🙏🙏👌
Tablyavar sathidar kon ahet?
No idea.
Ok
The great .. million thanks
What an absolute treat!!!
दादा! अप्रतिम.
दादा! अति सुंदर.
Buwa you made us available the finest blending of Natya Sangit and Classical Sangit in this episode Mallesh Kawale
Thank for this recording. I have experienced this honourable singer actor in many Sangit Plays in my early day. His was the Badasha of use of Murchhana while singing. Salute to such a Gandharva.
फारच अप्रतिम....थोर गायक, नट...ह्यांच्या गायन शैली,अगदी बारकाईने उलगडून अप्रतिम सादर केल्या,जणू आम्ही प्रत्यक्ष त्यांनाच ऐकत आहोत,असेच वाटले,सुंदर,रागदारी, तालाचे, लय,भाव सर्वच अप्रतिम...असेच नाटकांचे आणखी काही सादरीकरण आम्हास नक्की आवडेल...आपली कीर्तने ही मी नेहमीच ऐकते,आपल्या अष्टपैलू व्यक्तिमत्त्वाला आमचा सलाम...❤
Bhai raag jaunpuri upload kr dain voice by ustad salamat ali khan & ustad sharafat ali khan
th-cam.com/video/G3CJv_6rILE/w-d-xo.html
Jabardast natak....hi vakya kiti jordar ahet he hi natak karayla lagla ki yeta lakshyat.
हेंच नाटक कन्नड भाषेत आहे का?
Uno numero Chhota Gandharv
फारच छान व धन्यवाद व एक विनंती पण अशी की क्रुपया या नाटका प्रमाणे त्यांचेच मानापमान नाटकही देता येईल का Pl. Do it and oblige
We could not retrieve it from audio spools/reel-to-reel tapes.
@@rareindianclassicalmusicpr8744If you have the spools I can try
खूप खूप सुंदर.आपण थांबुच नये असे वाटते.
Blessed. Aphale Maharaj is really gifted goddess Saraswati.
महान भू - गंधर्व...सादर प्रणाम🙏
खूपच अभ्यास पूर्ण. फारच सुंदर. वेगळेपण छान उकलले आहे. काय गोडवा आहे. शब्द कमी आहेत व्यक्त करायला.
49:40 Ghei Chhand ( Dr Deshpande )
Thank you thank you thank you so muchhhh
@@nikhilingole6042 ur wlc :))
🙏🙏
This was recorded at a Barking Gurdwara, UK in the late 70's. This us why Ustad Ji explains the meaning of the words so the Sangat not familiar with Indian Classical music understand that this is still about God (Hari). Amazing childhood memories for the ones attended this program. Thank you for recording and sharing. ❤🙏🏼🙏🏼🙏🏼
Who is the tabla player
👌