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Helmut Lachenmann - String Quartet No. 1 "Gran Torso" (1971 rev. 1978) [Score-Video]
An incredible dive into Lachenmann's "musique concrète instrumentale."
A quote from Lachenmann which here serves as a perfect primer for this piece:
"Any sound can form part of an infinite number of scales, each time with a different function and in a different light, a point in which an infinite number of lines meet. It is not about creating sounds that are somehow new or shocking, after all - instead, the point is to create and re-create contexts that will re-illuminate whatever sound there may be. "
มุมมอง: 1 471

วีดีโอ

Smiling Friends Title/Credits Theme Song Transcription (2022) [Score-Video]
มุมมอง 6854 หลายเดือนก่อน
This is a little different from my regular content, but I thought I'd share it anyways. Smiling Friends is a television show created by Zach Hadel and Michael Cusack. After releasing a pilot in 2020, the show premiered on Adult Swim in 2022. A second season was released this year! Smiling Friends is one of my all time favourite shows, so I thought I'd have a go at transcribing the title/credits...
Igor Stravinsky - Trois Histoires Pour Enfants (1915-1917) [Score-Video]
มุมมอง 1494 หลายเดือนก่อน
This short and sweet song cycle by the infamous Stravinsky was inspired by Russian popular stories from his childhood - here set to french by the composer's friend Charles-Ferdinand Ramuz. The first story tells the tale of a goat whose house is burning down. A cat and hen enter and try to warn the goat by ringing a bell (echoes by the piano accompaniment) but the goat is merely annoyed. The tex...
Frederic Rzewski - Requiem (1963-1967) [Score-Video]
มุมมอง 1325 หลายเดือนก่อน
This little-known piece by Rzewski is performed beautifully here, spoken by (I believe, though I could be wrong) his wife, Nicole Abbeloos (here listed as Nicole Rzewski). A stark and dramatic take on the historic Requiem genre, with a hesitant freeness, levity within the structure, and theatrical stillness only Rzewski could compose.
John Cage - Six Melodies (1950) [Score-Video]
มุมมอง 5886 หลายเดือนก่อน
Six Melodies is a collection of six pieces for violin and keyboard instrument by John Cage. It was composed in 1950, shortly after Cage completed his String Quartet in Four Parts. The work uses the same techniques: the gamut technique and the nested rhythmic proportions. First, a fixed number of sonorities (single tones, intervals and aggregates) is prepared, each created independently of the o...
Gyorgy Ligeti - Mysteries of the Macabre (1991) [Score-Video]
มุมมอง 3.2Kปีที่แล้ว
Mysteries of the Macabre is an arrangement of three arias Le Grand Macabre (completed 1977, revised 1996) an absurdist opera by Hungarian composer György Ligeti following a story of the end of the world. The character "Gepopo", Chief of the Secret Political Police, performs these arias in the opera. She is attempting to explain to Prince Gogo, the prince of Breughelland, that the people are pla...
Frederic Rzewski - The Triumph of Death (1988) [Score-Video]
มุมมอง 458ปีที่แล้ว
CONTENT WARNING: This piece deals with atrocities committed during the Holocaust, and may be disturbing to viewers. 0:00:00 - Video Introduction 0:00:54 - Prologue 0:07:19 - The Song of the Platform 0:19:26 - The Song of the Camp 0:29:19 - The Song of the Swing 0:34:31 - The Song of the Possibility of Survival 0:44:25 - The Song of the Death of Lili Tofler 0:53:07 - The Song of S.S. Corporal St...
Aram Khachaturian - Spartacus Suite No.2 (1955) [Score-Video]
มุมมอง 3.3Kปีที่แล้ว
Aram Khachaturian (1903-1978) was an Armenian composer who lived in the Soviet Union. Born and raised in Tbilisi, the multicultural capital of Georgia, Khachaturian moved to Moscow in 1921 following the Sovietization of the Caucasus. Without prior music training, he enrolled in the Gnessin Musical Institute, subsequently studying at the Moscow Conservatory in the class of Nikolai Myaskovsky, am...
Lili Boulanger - Pour les funérailles d'un Soldat (1912) [Score-Video]
มุมมอง 2.8Kปีที่แล้ว
Lili Boulanger (1893-1918) was a composer whose life was spent in an out of hospitals, suffering from chronic illness throughout her brief life. In her time on this planet, she composed a handful of extraordinary pieces that showcase an advanced understanding of musical composition. She was the first female composer to win the prestigious Prix de Rome prize at only nineteen years old with her c...
Louis Andriessen - Trepidus (1983) [Score-Video]
มุมมอง 1.1Kปีที่แล้ว
Two performances of a little known piece by Dutch composer Louis Andriessen. Louis Joseph Andriessen was a Dutch composer, pianist and academic teacher. Considered the most influential Dutch composer of his generation, he was a central proponent of The Hague school of composition. Although his music was initially dominated by neoclassicism and serialism, his style gradually shifted to a synthes...
Eric Whitacre - Godzilla Eats Las Vegas! (1996) [Score-Video]
มุมมอง 28Kปีที่แล้ว
Eric Whitacre like you've never heard him before. This piece was commissioned by Thomas G. Leslie at the University of Nevada Las Vegas, where Whitacre completed his undergrad. He completed this piece in his first year at Juilliard. Campy, over-the-top, and hilarious. Although the music doesn't boast any of the contemporary idioms of its time, it is a masterclass in instrumental humour and narr...
Scott Joplin - Solace (1909) [Score-Video]
มุมมอง 22K2 ปีที่แล้ว
Scott Joplin (c. November 24, 1868 - April 1, 1917) was an American composer and pianist. Joplin is also known as the "King of Ragtime" because of the fame achieved for his ragtime compositions, music that was born out of the African-American community. During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. He wrote "The Maple Leaf Rag" and "The ...
Frederic Rzewski - Dear Diary (2014) [Score-Video]
มุมมอง 9152 ปีที่แล้ว
Five songs for speaking pianist, composed by American composer-pianist Frederic Rzewski in 2014 on a commission by contemporary music festival Ars Musica. The composer wrote the libretto himself and dedicated it to the performer in this recording, Stéphane Ginsburgh. Other popular pieces by this composer include the piano variations "The People United Will Never Be Defeated!", the piece for spe...
Leonard Bernstein - Mass (1971) [Score-Video]
มุมมอง 42K3 ปีที่แล้ว
Leonard Bernstein - Mass (1971) [Score-Video]
Louis Hardin (Moondog) - Round the World of Sound: Moondog Madrigals (1971) [Score-Video]
มุมมอง 1.9K3 ปีที่แล้ว
Louis Hardin (Moondog) - Round the World of Sound: Moondog Madrigals (1971) [Score-Video]
Claude Bolling - Concerto for Classic Guitar and Jazz Piano (1976) [Score-Video]
มุมมอง 16K3 ปีที่แล้ว
Claude Bolling - Concerto for Classic Guitar and Jazz Piano (1976) [Score-Video]
Kurt Weill & Bertolt Brecht - The Seven Deadly Sins (Die sieben Todsünden) (1933) [Score-Video]
มุมมอง 25K3 ปีที่แล้ว
Kurt Weill & Bertolt Brecht - The Seven Deadly Sins (Die sieben Todsünden) (1933) [Score-Video]
Leonard Bernstein - I Hate Music! (1943) [Score-Video]
มุมมอง 27K3 ปีที่แล้ว
Leonard Bernstein - I Hate Music! (1943) [Score-Video]

ความคิดเห็น

  • @dedede5586
    @dedede5586 5 วันที่ผ่านมา

    this is so silly 😭 i love it so much, the little things like "polite applause" had me giggling like an idiot

  • @lindamcdermott2205
    @lindamcdermott2205 17 วันที่ผ่านมา

    How wonderful! You provide the recorded times on this video for us to look up the parts. Outstanding! Thankyou..

  • @lindamcdermott2205
    @lindamcdermott2205 17 วันที่ผ่านมา

    I love it when you include at least part of the musical score...it helps me "hear" the music better. Wonderful program!

  • @pikachuchujelly4119
    @pikachuchujelly4119 20 วันที่ผ่านมา

    Wow, this is quite different from Whitacre's usual stuff. It's so cheesy and I love it!

  • @mikechad27
    @mikechad27 หลายเดือนก่อน

    1:20:12 the guitarist 🔥🔥🔥

  • @schienenlaufer697
    @schienenlaufer697 หลายเดือนก่อน

    Was für eine wunderbar gespielte Version! Voller Dynamik und elegantem Rhythmus!

  • @margarethevontater
    @margarethevontater หลายเดือนก่อน

    "Envy" destroys me. One of the saddest and most bitter pieces of music from any sung work.

  • @Illillill-tt2rq
    @Illillill-tt2rq หลายเดือนก่อน

    3:00

  • @apollosaspen
    @apollosaspen หลายเดือนก่อน

    This eats so hard

  • @rugbug531
    @rugbug531 หลายเดือนก่อน

    I sung the choir parts in a show of this for my college choir- god this was some of the most fun I’ve had performing in a long time. The music is so good… the choir parts are hard but sooo rewarding once you get them I would give anything to perform this again I miss it so much 😭

  • @davelally8898
    @davelally8898 2 หลายเดือนก่อน

    Biggest load of crap I ever heard!!!!

  • @EggMCMUFFIN-e4l
    @EggMCMUFFIN-e4l 2 หลายเดือนก่อน

    So Beethoven sounding in a way…

  • @UtsyoChakraborty
    @UtsyoChakraborty 2 หลายเดือนก่อน

    Gosh, simply too tacky!

  • @victory27vvv38
    @victory27vvv38 3 หลายเดือนก่อน

    Dude, that was awesome! 😎

  • @YURLOCALELI
    @YURLOCALELI 3 หลายเดือนก่อน

    12:18

  • @mikechad27
    @mikechad27 3 หลายเดือนก่อน

    1:01:30 sounds like vocal snare break

  • @OctopusContrapunctus
    @OctopusContrapunctus 3 หลายเดือนก่อน

    Lovely pieces ❤ thank you for sharing

  • @saofirefah69gaming
    @saofirefah69gaming 4 หลายเดือนก่อน

    I Love The French Horn Roar!

  • @notanotherjamesmurphy5574
    @notanotherjamesmurphy5574 4 หลายเดือนก่อน

    5:17

  • @PhilipDaniel
    @PhilipDaniel 4 หลายเดือนก่อน

    This is so corny and cheesy! Love it!

  • @gabe4565
    @gabe4565 4 หลายเดือนก่อน

    Why? Why? WHY?

  • @kathleenrogers10
    @kathleenrogers10 4 หลายเดือนก่อน

    Marvelous rendition. Thank you.

  • @marcin6245
    @marcin6245 5 หลายเดือนก่อน

    WOW!!!! Brawo!!!

  • @kaye_kang1
    @kaye_kang1 5 หลายเดือนก่อน

    Starts at 0:17

  • @AdorableMeaning
    @AdorableMeaning 5 หลายเดือนก่อน

    What recording is this? (I only know the original one from 1971.)

  • @lightspeed174
    @lightspeed174 5 หลายเดือนก่อน

    I must say, this is fantastic. Just love it. The soloist are just outstanding. A magnificent recording. This is to me is the best rendition I've ever heard. I thank you so much for uploading this most beautiful recording of, The Seven Deadly Sins.

  • @Scarecrowbear6724
    @Scarecrowbear6724 6 หลายเดือนก่อน

    This was just played at the high school

  • @oogaboogazoogawooga3450
    @oogaboogazoogawooga3450 6 หลายเดือนก่อน

    GODZILLA 🗣️🗣️🗣️🗣️

  • @RobsMiscellania
    @RobsMiscellania 6 หลายเดือนก่อน

    1:10:51 very memorable passage

  • @scobrado
    @scobrado 6 หลายเดือนก่อน

    Spicy! Super tasty.

  • @scobrado
    @scobrado 6 หลายเดือนก่อน

    I love the pauses. Reeal good rendition!

  • @tardis11111
    @tardis11111 7 หลายเดือนก่อน

    I'm preparing for a performance of this, thank you so much for scanning in the score!

  • @generalhuman71
    @generalhuman71 7 หลายเดือนก่อน

    performed this as a part of the Children's ensemble at Lincoln center a few years back... Honestly one of the best performances of my life and I still listen to this mass to this day.

  • @Roxy-tz6yy
    @Roxy-tz6yy 8 หลายเดือนก่อน

    It's perfect

  • @Vovanov18
    @Vovanov18 8 หลายเดือนก่อน

    "Agnus Dei" reminds me so much of Magma, given that their debut album came out in 1970, but Mass possibly influenced Magma as well since the band didn't arrive to this sound until MDK (1973).

  • @rhys8878
    @rhys8878 8 หลายเดือนก่อน

    is there anyway you could upload the sondheim videos elsewhere to avoid youtube copyright?

  • @ashershectman1954
    @ashershectman1954 9 หลายเดือนก่อน

    Were you the one with all the Sondheim score videos? If so, what happened to them?

    • @mpcadence7572
      @mpcadence7572 9 หลายเดือนก่อน

      Unfortunately MTI took down all of the Sondheim videos for copyright reasons :( So many hours of work lost... Maybe one day they can go back up..

  • @judicatus72
    @judicatus72 9 หลายเดือนก่อน

    5:21 malher 5 motif

  • @kevinedmonds6628
    @kevinedmonds6628 10 หลายเดือนก่อน

    This is obviously Bernstein's version of Charles Ives' art songs. As immensely talented as Lenny was, nobody was as talented as a composer than the Yankee from Danbury, CT. Still, a good attempt at capturing the Ives spirit.

  • @tommypotts1838
    @tommypotts1838 10 หลายเดือนก่อน

    October Comments

  • @OctopusContrapunctus
    @OctopusContrapunctus 10 หลายเดือนก่อน

    I love this piece: always so absurd and humorous, I never get tired of it

  • @Snardbafulator
    @Snardbafulator 11 หลายเดือนก่อน

    I have the '71 vinyl recording on cassette tape, this is the digital version I own and I love them both. There's a nasty French horn flub in the instrumental part of De Profundis that's not here. I think I like Alan Titus a shade better but I cast no aspersions on Jubilant Sykes. As a progrocker, this misunderstood piece means the world to me.

    • @artsymargo
      @artsymargo 10 หลายเดือนก่อน

      I prefer the '71 Titus version, too. Listening to this one, though the priest's performance is stellar, I think I've identified why I like Titus' performance better. He's more humble, which I think fits the character better. Titus is less showy and more vulnerable.

    • @Snardbafulator
      @Snardbafulator 10 หลายเดือนก่อน

      @@artsymargo Bernstein's point, deeply informed by Vatican II, is to show the contrast between humble worship and the trappings of the Church, which comes crashing down (literally) in the Fraction theme recaps, where the priest is agonized and exhibits both qualities, humble and invested. You need both.

  • @interex956
    @interex956 11 หลายเดือนก่อน

    Thank you for posting this video. I'm sure that writing the score with transposing instruments parts being written in C might have something to do with avoiding formalism, as this is also seen in Prokofiev's scores. But is writing everything sans a key signature the norm for Khachaturian?

    • @OctopusContrapunctus
      @OctopusContrapunctus 10 หลายเดือนก่อน

      I can only responds that it becomes a norm in most music of that period given the advanced borrowing From other Keyes and the advanced modulations and chord extension, giving a key signature would only confuse. Although in this case it’s not that much confusing, but if he ever wanted to do some sporadic crazy modulations, the keysgnature would only be a annoyance. Hope it’s clear

    • @notarbolz926
      @notarbolz926 4 หลายเดือนก่อน

      It has nothing to do with avoiding formalism. Prokofiev is a different case, he preferred his scores be published in C, i.e. the transposing instruments notated at the sounding pitch. The instrument parts (like the clarinets) however would get their parts transposed with adequate key signatures. Khachaturians scores are transposing, it's just that he rarely uses key signatures. That seems to be a personal choice, as he may have found it frees up his harmonic language. It's not unusual at all. Composers like Stravinsky or Shostakovich's works change between sections with and sections sans a key signature, often in the same work. There is no connection to 'formalism', if anything, not using key signatures would make him suspicious of writing non-diatonic, too dissonant and modern music.

  • @robertwheeler4068
    @robertwheeler4068 11 หลายเดือนก่อน

    I was a high school junior when this opened at The Kennedy Center For The Performing Arts in Washington, DC. Our choir director sang alto in the chorus. We did alot of sight reading and listened to this for hours it seemed! Truly wonderful to hear it again!

  • @palmereldritch7777
    @palmereldritch7777 11 หลายเดือนก่อน

    Wonderful to have all these score on TH-cam........if only for thisyoutube is quite amazin and most of all the wonderful people who do all the wonderful score collecting and posting. Eternal thnx.

  • @finsterbaby1996
    @finsterbaby1996 11 หลายเดือนก่อน

    Thank you (almost) for posting this. It must've been a lot of painstaking and time-consuming work to line up the particular pieces of the score with the recording, which ended up being really cool. I purchased the score when I was around 18 or 19 years old, but through various relocations and storage throughout the past nearly 50 years, it is now gone and just a part of my past. However, I would've enjoyed this video more if you had used the original recording rather than this one. The orchestra is wonderful, as are the choruses. I haven't listened to the entire recording, so I haven't heard any of the soloists, including the boy soloist. But the singer playing the celebrant can't come close to Alan Titus. In fact, his interpretation of "Simple Song" made my ears and head hurt. He really did a truly crappy job on one of the best songs in the entire piece, which I used to perform accompanying myself in various churches in my youth. If it's any consolation, I thought that I would be thrilled to see this performed live at Carnegie Hall a number of years ago, but there again, the performers fell way short of those on the original recording. Especially the horrific celebrant. In fact, he was a tenor rather than a baritone, which is the wrong tone for his pieces. But, thanks for your hard work anyway. Great job.

    • @xkay-six1845
      @xkay-six1845 10 หลายเดือนก่อน

      Prime example of people not being able to just enjoy a recording. If you dont like it then fuck off out of the comment section and listen to what you enjoy rather than shitting on someone who worked their entire life to become a vocalist (a rather fine one i may add)

  • @quissberry
    @quissberry 11 หลายเดือนก่อน

    thanks for posting!

  • @simongross3122
    @simongross3122 11 หลายเดือนก่อน

    Lovely. I'd forgotten how beautiful this piece is.

    • @kathleenrogers10
      @kathleenrogers10 4 หลายเดือนก่อน

      Forgotten, until reminded again.

  • @KeithOtisEdwards
    @KeithOtisEdwards 11 หลายเดือนก่อน

    This was written during the period when Lenny was doing a lot of uncut blow. He'd smoke two cigarets at once. While at the Vatican for a performance of this, he tried to find some of those pederast priests to tell him about their experiences.

  • @xeon2773
    @xeon2773 11 หลายเดือนก่อน

    1:53 8:58 clarinet solo(s)