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Dr. Brian Jude de Lima, PhD
Canada
เข้าร่วมเมื่อ 1 พ.ย. 2011
Traditional jazz and classical pianist/ composer
Indiana/ Rhythm Changes - practice routine on 3/4 over 4/4
Bud Powell, Barry Harris, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Bebop, Connor Jones, Sacha Perry
มุมมอง: 34
วีดีโอ
All God’s Chil’n Got Rhythm- Jan 15/ 2025
มุมมอง 54วันที่ผ่านมา
Bud Powell,, Barry Harris, Thelonious Monk, Charlie Parker, Dizzy Gillespie, Fats Navarro, Stan Getz,miles Davis, John Coltrane, Bill Evans, Keith Jarrett ,Chick Corea, Herbie Hancock, Brad Mehldau, Sache Perry, Connor Jones, Emmet Cohen, Smalls Jazz, Bebop, Mulgrew Miller
The Rhythm Changes -targeting secondary dominants- Jan 15/ 2025
มุมมอง 139วันที่ผ่านมา
Bud Powell, Barry Harris, Charlie Parker, Emmet Cohen, Miles Davis, John Coltrane, Keith Jarrett, Chick Corea, Bill Evans, Brad Mehldau, Herbie Hancock,Sacha Perry, Connor Jones, Smalls Jazz, Bebop,
Polka Dots and Moonbeams
มุมมอง 16428 วันที่ผ่านมา
Bud Powell, Barry Harris, Thelonious Monk, Sacha Perry, Connor Jones, Bebop, Smalls jazz
The “Rhythm” Changes -all 4 related dominants utilized within most improv lines whilst Scatting
มุมมอง 182หลายเดือนก่อน
Bud Powell, Barry Harris, Thelonious Monk, Charlie Parker, Dizzy Gillespie, Sacha Perry, Connor Jones, Smalls Jazz, Bebop,
Rhythm Changes ( played during a bout of Insomnia)
มุมมอง 150หลายเดือนก่อน
Bud Powell , Barry Harris, Thelonious Monk, Charlie Parker, Sache Perry, Connor Jones, bebop I couldn’t sleep because the music kept playing in my head so I recorded this on no sleep. Then I finally fell asleep … Sleep deprivation is dangerous but historically has shown interesting and originality in some artists
Rhythm Changes -targeting tritones
มุมมอง 1082 หลายเดือนก่อน
Bud Powell, Barry Harris, Thelonious Monk, Sacha Perry, Connor Jones, Smalls jazz, Dizzy Gillespie, Bebop
Back Home in Indiana
มุมมอง 1042 หลายเดือนก่อน
Bud Powell, Barry Harris, Thelonious Monk, Art Tatum, Sacha Perry, Connor Jones, Smalls Jazz, Bebop
Rhythm Changes- metronome in 3/4 - felt as 4/4- - Feeling the accent on beat "3" of the 4/4
มุมมอง 1653 หลายเดือนก่อน
Bud Powell, Charlie Parker, Thelonious Monk, Barry Harris, Sacha Perry, Connor Jones, Smalls Jazz
For Heaven’s Sake
มุมมอง 1123 หลายเดือนก่อน
Bud Powell, Barry Harris, Sacha Perry, Chopin, Connor Jones
How I feel the displaced and accented notes - Rhythm Changes
มุมมอง 1014 หลายเดือนก่อน
Bud Powell, Barry Harris, Thelonious Monk, Charlie Parker, Sonny Stitt, Smalls Jazz, Sacha Perry, Connor Jones
Minority (metronome in 3 - feeling it in 4/4 as a pulse on beat 3)
มุมมอง 1054 หลายเดือนก่อน
Bud Powell, Barry Harris, Charlie Parker , Gigi Gryce, Smalls Jazz, Sacha Perry, Connor Jones
The Rule of the Octave, Neapolitan Chords on Cherokee, Classical voice leading and 6th diminished
มุมมอง 1215 หลายเดือนก่อน
Bud Powell, Barry Harris, Classical voice leading, Rule of the octave, Neapolitan second, Thelonious Monk, Willie the Lion Smith, Art Tatum, Sacha Perry, Connor Jones
Rhythm changes - metronome in 3/4 and feeling the emphasis on beat 3 (metronome recorded too loud)
มุมมอง 1316 หลายเดือนก่อน
Bud Powell, Barry Harris, Thelonious Monk, Pasquale Grasso, Sacha Perry, Connor Jones, Smalls Jazz
Out of nowhere ( using Ellington, Monk, Debussy, Chopin, Bach and Barry Harris approaches )
มุมมอง 4626 หลายเดือนก่อน
Explains my approach to harmony by borrowing from Duke Ellington, Monk, Barry Harris, Bach, Chopin and Debussy methodologies
All the things you are (reharmonized with Beethoven influence on voice leading)
มุมมอง 3196 หลายเดือนก่อน
All the things you are (reharmonized with Beethoven influence on voice leading)
Martino’s Mission (Rhythm Changes Reharmonization)
มุมมอง 777 หลายเดือนก่อน
Martino’s Mission (Rhythm Changes Reharmonization)
Scatting for rhythmic displacement, metronome in 3/4 (felt in 4/4 - accent on beat 3)
มุมมอง 5448 หลายเดือนก่อน
Scatting for rhythmic displacement, metronome in 3/4 (felt in 4/4 - accent on beat 3)
Spontaneous improv ideas - Baroque to Bop to 2 handed improv …
มุมมอง 888 หลายเดือนก่อน
Spontaneous improv ideas - Baroque to Bop to 2 handed improv …
Rhythm Changes and Beethoven’s voice leading
มุมมอง 7119 หลายเดือนก่อน
Rhythm Changes and Beethoven’s voice leading
“On Green Dolphin Street” (Chopin, using “Woody N’ You” changes, 2 handed improvisation )
มุมมอง 31811 หลายเดือนก่อน
“On Green Dolphin Street” (Chopin, using “Woody N’ You” changes, 2 handed improvisation )
Polkadots and Moonbeams- Harmonic suggestions
มุมมอง 192ปีที่แล้ว
Polkadots and Moonbeams- Harmonic suggestions
Improvisation - both hands 2 octaves apart at 340 BPM
มุมมอง 1.2Kปีที่แล้ว
Improvisation - both hands 2 octaves apart at 340 BPM
Practice Routine #2 ( “All God’s Children Got Rhythm “ @ 300 BPM Jazz Brushes backing track)
มุมมอง 173ปีที่แล้ว
Practice Routine #2 ( “All God’s Children Got Rhythm “ @ 300 BPM Jazz Brushes backing track)
Practice routine: Phrasing Bebop with metronome at 300 bpm
มุมมอง 2.5Kปีที่แล้ว
Practice routine: Phrasing Bebop with metronome at 300 bpm
More to come ….
There you go.
Damn.... lines upon lines.
Thanks Bund...
More to come …
More to come …
Amazing!
Thank you
Yes Diz is it
Thank You
Rare
More to come …
More to come …
Do you teach? Your playing is amazing.
Thank you so much.. i appreciate that comment... Yes i teach in person, at the University/ Colleges where I work and online-- you can reach me at brianjudedelima@hotmail.com
@ Ah that’s so awesome. I live in the Netherlands so probably online.. I will send you an email :)
@ all good 👍 I used to study at the Conservatorium Den Hague with BeBop jazz pianist Barry Harris … my observations was there were a lot of talented Dutch musicians at the jazz clubs when I sat in … great, looking forward to hearing from you and more about your electronic Jazz house
@@dr.brianjudedelimaphd743
Too hip for school 🏫
🎉😊
More to come
More to come
ah doc it's been a while, i love this song, wish you well 👍
@@thenewninja4726 thankyou Ninja, always appreciate your blessings
More to come …
Much of it sounds off rhythmically. I would like to hear a new version with a metronome or a jazz drum backing track. Otherwise there is a lot of harmonic knowledge going on here and knowledge of chord melody. I would first do it with a funk beat behind it because that forces you to organize rhythmic form with the bars and it makes it more conducive to adding rests in place to improve the phrasing. After that switching to a jazz swing beat for flow. Phrasing is everything
Keep it coming, we need to learn bebop from the masters like you
@@hayaomiyazaki4899 thank you so much - I feel like TH-cam has shadow band me and no one gets these videos as suggestions
@ forgive them, for they know not what they do
@ Amazing Jesus quote
More to come …
Pretty. Thank you.
Where do you displace them?
@@hayaomiyazaki4899 usually anytime over the bar line that sounds somewhat prolonged
@@dr.brianjudedelimaphd743 do u usually think of that in terms of where you are in chord progression?
@@hayaomiyazaki4899 only as a practice routine, but then it becomes more second nature in a band setting
More to come …
I love when giant steps is played in any form it doesn't have to be correct. I like how this is going.
Loving your stuff!
Thanks for your support and I love your stuff
@@dr.brianjudedelimaphd743 A pleasure to connect! All the best to you.
Unique. Thank you.
More to come …
Well done, brother!
Thanks for the support 👁
Great stuff as always. Mike Lipskin does this to great effect as well.
@@ConnorJazz I’ll have to check it out, thanks brother
Glad to see more people communicating these musical ideas. I agree that much of the 'Rule of the Octave' is audibly based on controlling the weight of the harmony given each scalar bass note. Much of that can be implied and carry the musician all the way to their musical destination without need for explicit historical research and practice. Given that there were multiple Rules of the Octave, it seems there are more important underlying properties behind the ideas. The two most obvious ideas are (1) controlling the weight of the harmony above the bass note through passages/phrases, (2) voice leading between harmonies. Simply caring about these two ideas will get a person so far without any 'formal' training. There are more ideas, like the idea of counterpoint, which have similar properties of being fruitful for the musician just because they care about the concept.
@@joshuasanford wow- that’s one of the best responses I’ve read in a while - excellent points and articulation of the subject !
Deep harmonic movement .. love the b6 of Barry Harris stuff and I’m digging it .. Thx for shedding light on this type of harmony although as a guitarist it’s challenging to play poly chords .. but it’s nice to hear your mention of all these harmonic content being there in the classical vocabulary for centuries ❤
Thank you !
amen brother
Thank you 🙏🏽
More to come …
Crazy time feel !🎼
Very cool!!!!!
More to come….
Sick!
@@ConnorJazz thanks brother
More to come …
I need to practice this...
@@ConnorJazz you’ll get it no problem , given your talent 🔥
@@dr.brianjudedelimaphd743 what other standards do you like to do this on? Maybe Stella or something? Just curious.
@@ConnorJazz yes “Stella” would work well on this, also “ my heart stood still” “ embraceable you” “ Cherokee”
Astounding! 😢 would you blow over these harmonies ?
@@hayaomiyazaki4899that is the trickier part. For the most part, the chords are derived from the original music but in different inversions to accommodate the melody, but then as song progresses, it veers more and more to chords that are only acceptable to one’s ears because I was slowly stretching the original harmonies from the beginning
1:17 hit me some way. real good stuff
More to come….
Ninja,Thanks as always for listening
More to come …
Wow man - this is super beautiful, love what your doing…. super inspiring!!! Look forward to checking out more of your vids 🤜🤛👌
Thanks man Keep up the great work 👍
What do you normally think about for LH while improv?
Hi Hayao, I usually think of either walking tenths like Teddy Wilson or walking 6ths like Tatum but usually ends up being some sort of Bud Powell voicing that is the root and 7
@@dr.brianjudedelimaphd743 wow I didn’t know Tatum walked 6ths. I only thought of him as a 10th LH man.
@@hayaomiyazaki4899 You are correct mostly 10ths.. some tritone substitutions in walking 6ths liike Nat king Cole
Very much next level while still true to the lineage.
Thank you very much
I like your choice of voicing
Thank you 🙏🏽
very cool! Excellent
Ahhhh thanks ol’ boy , we must jam soon
Very cool!!!!
😮💨