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Wildenstein Plattner Institute
เข้าร่วมเมื่อ 16 ต.ค. 2019
The Wildenstein Plattner Institute, Inc. is non-profit, private foundation dedicated to the compilation of digital catalogue raisonnés and archives that support research in the field of art history.
La Première Exposition Impressionniste 1874 avec Géraldine Lefebvre
En 1874, une exposition hétérogène réunit 165 œuvres de 31 artistes aux parcours très différents - des jeunes artistes en recherche de formules nouvelles tels qu’Edgar Degas, Claude Monet, Camille Pissarro ou Pierre-Auguste Renoir y côtoient d'autres artistes plus installés comme Félix Bracquemont, Eugène Boudin, Stanislas Lépine, Adolphe-Félix Cals ou Edouard Brandon pour n’en citer que quelques-uns.
Géraldine Lefebvre présente les circonstances ayant menées ces artistes - parmi lesquels sept sont aujourd’hui universellement renommés - à se réunir pour exposer ensemble leurs œuvres. Quels ont été leurs soutiens dans cette aventure, artistes, collectionneurs et marchands tels que le Docteur Gachet, Durand-Ruel ou encore Édouard Manet.
Enregistré en direct le 17 juin 2024.
Image: Berthe Morisot, Cache-cache, 1873, Oil on canvas, 45 x 55 cm (17 3/4 x 21 5/8"), courtesy of Bellagio Gallery of Fine Art
Géraldine Lefebvre présente les circonstances ayant menées ces artistes - parmi lesquels sept sont aujourd’hui universellement renommés - à se réunir pour exposer ensemble leurs œuvres. Quels ont été leurs soutiens dans cette aventure, artistes, collectionneurs et marchands tels que le Docteur Gachet, Durand-Ruel ou encore Édouard Manet.
Enregistré en direct le 17 juin 2024.
Image: Berthe Morisot, Cache-cache, 1873, Oil on canvas, 45 x 55 cm (17 3/4 x 21 5/8"), courtesy of Bellagio Gallery of Fine Art
มุมมอง: 262
วีดีโอ
Conceptualizing Black Joy with Kahlil Robert Irving
มุมมอง 274 หลายเดือนก่อน
Kahlil Robert Irving discusses his artistic practice, including the pieces that were included in the recent exhibition, "In Common: New Approaches with Romare Bearden," held at The New School in New York City. The show featured the work of six contemporary artists alongside that of Bearden. Kahlil Robert Irving’s sculptures, paintings, and collages subtly describe how to navigate being Black in...
Situating the Projections with Anne Monahan
มุมมอง 904 หลายเดือนก่อน
Anne Monahan discusses her chapter on Romare Bearden from her manuscript in progress, "'A Usable Past': Race, Figuration, and Politics in the 1960s." Her research on Bearden reconsiders his breakthrough "Projections" exhibition in 1964, exploring his turn to photomontage, how race factored into the works’ reception, and the impact of this work on a rising generation of artists of color. Anne Mo...
Curating Romare Bearden with Charlie Farrell
มุมมอง 944 หลายเดือนก่อน
Current Romare Bearden Fellow Charlie Farrell presents the exhibition "Romare Bearden: Resonances" at the Saint Louis Art Museum. The show features Bearden’s important collage, Summertime (1967), alongside other collage works from the Museum’s collection. Her presentation traces Bearden’s influence and relationships with other artists, and grounds him in a continuum of Black creativity. Image: ...
Le Salon De 1870 : Eva Gonzalès Et Edouard Manet avec Marie-Caroline Sainsaulieu et Sophie Pietri
มุมมอง 1314 หลายเดือนก่อน
L'élégance exceptionnelle du Thé par Eva Gonzalès impressionna Manet, le déterminant sans doute à accepter comme élève une jeune artiste formée dans l'atelier de Charles Chaplin, le "peintre délicat des grâces féminines". D'ailleurs, à l'évidence, le Portrait d'Eva Gonzalès par Manet constitue un discret hommage à ce tableau. En outre, Le Thé manifeste que la jeune femme commence à s'écarter de...
Impressionism and Its Overlooked Women with Dorthe Vangsgaard Nielsen
มุมมอง 1775 หลายเดือนก่อน
This talk presents an overview of the exhibition, Impressionism and Its Overlooked Women, on view at Ordrupgaard through May 20, 2024. The exhibition brings to the fore five women artists whose roles have been given less attention in the popular narrative of Impressionism: Berthe Morisot, Mary Cassatt, Eva Gonzalès, Marie Bracquemond, and Marie Bashkirtseff. Dorthe Vangsgaard Nielsen is Senior ...
"Hiding in Plain Sight: Theodate Pope Riddle’s Hill-Stead Museum" with Dr. Anna Swinbourne
มุมมอง 1515 หลายเดือนก่อน
Theodate Pope Riddle (1867-1946) and the museum she founded are very little known. Designed as a home for her family in 1901, before women were licensed to be architects in Connecticut, Hill-Stead today houses their exceptional collection of masterworks by Monet, Degas, Manet, Cassatt, and Whistler all displayed in situ as originally installed. Learn more about this exceptional woman and her pa...
The Challenges of Automatic Art Captioning
มุมมอง 606 หลายเดือนก่อน
Digital libraries caption their online digital images to improve the accessibility of their resources. Although recent machine learning models do a good job captioning photographs of common objects, they fail to thoroughly describe digitized artworks. Alejandro Sierra Múnera from the Hasso Plattner Institute presents the results of an academic project designed to better understand these challen...
Mary Cassatt: Impressionist Ambassador with Dr. Laura D. Corey
มุมมอง 2806 หลายเดือนก่อน
Mary Cassatt was the only American and one of just three women to participate in the official Impressionist exhibitions. Best known for her contributions as an innovative painter and printmaker, she was also a prolific advisor who worked with more than a dozen collectors to bring Impressionism to America. On the occasion of the 150th anniversary of the first Impressionist exhibition in 1874, th...
Beyond Gauguin: Tracing the Colonial Stereotype of the Exotic Pacific Island Woman
มุมมอง 49310 หลายเดือนก่อน
This webinar delves beyond Gauguin himself, shedding light on the colonial context during his time in Tahiti and the enduring legacy of Western colonization in the South Pacific. In 2020, Ny Carlsberg Glyptotek in Copenhagen presented the exhibition “Paul Gauguin - Why Are You Angry?” This exhibit not only mapped the myth surrounding the artist but also unveiled the transhistorical colonial myt...
Enduring Gauguin: Reflections on Gauguin’s Legacy in the Pacific - with Dr. Caroline Vercoe
มุมมอง 23110 หลายเดือนก่อน
Discussing a wide range of responses by Pacific artists, this webinar unpacks Gauguin’s enduring legacy as what could be described as a ‘pain point,’ platform or provocation. It considers why he seems to remain so central a figure within debates - often ambivalent and polemical - today, even though he died some 120 years ago. Caroline Vercoe (Samoa/New Zealand) teaches Global Art Histories and ...
Grappling with Gauguin: Laura Cosendey and Fernando Oliva
มุมมอง 24910 หลายเดือนก่อน
In the 1890s, Gauguin spent two different periods in Tahiti, where he produced his most emblematic works. Setting himself apart from the typical Parisians, he would claim the identity of a “wild” artist, which also motivated his decision to live in the South Pacific islands. The Museu de Arte de São Paulo (MASP) holds the two most important works by the artist in Latin America: Poor Fisherman a...
RACE MATTERS: Witness: Rauschenberg Reflects the Tumultuous 1960s
มุมมอง 18411 หลายเดือนก่อน
Deploying methods of collage, innovated with solvent transfer and screenprinting techniques, Robert Rauschenberg (1925-2008) explored the ever-proliferating mass media imagescape of the 1960s. Curator Helen Hsu will discuss how Rauschenberg's remaking and reinvention of collective visual sources invites viewers to critically engage with shifting conditions of recognition and obscurity, recastin...
RACE MATTERS: Romare Bearden and Harlem in the 1960s - with Maya Harakawa
มุมมอง 121ปีที่แล้ว
Romare Bearden had an evolving relationship with Harlem in the 1960s, depicting the neighborhood in his art, joining its cultural council, curating local exhibitions, and protesting reductive curatorial approaches to Harlem’s history. Prof. Maya Harakawa will focus on this topic, as well as Harlem's role during the 1960s in defining artistic practice at a moment of profound social and artistic ...
RACE MATTERS: Romare Bearden, the South, and the Southern Black Arts Movement - with James Smethurst
มุมมอง 51ปีที่แล้ว
Bearden described the South as the “homeland of my imagination”. In this talk, Prof. James Smethurst considers the impact of Bearden and his work on the Black Arts Movement in the South during the 1960s and 1970s. James Smethurst is a Professor of Afro-American Studies at the University of Massachusetts Amherst. He is the author of The New Red Negro: The Literary Left and African American Poetr...
RACE MATTERS: Tomorrow I May Be Far Away - with Bridget R Cooks
มุมมอง 128ปีที่แล้ว
RACE MATTERS: Tomorrow I May Be Far Away - with Bridget R Cooks
Marisol: Destabilizing Doubles and the Erotics of Sameness - with Cathleen Chaffee
มุมมอง 668ปีที่แล้ว
Marisol: Destabilizing Doubles and the Erotics of Sameness - with Cathleen Chaffee
Erotic Art and Feminism in the 1960s - with Rachel Middleman
มุมมอง 959ปีที่แล้ว
Erotic Art and Feminism in the 1960s - with Rachel Middleman
“E.G. [Evening Gown] Orgy”: Jack Smith And Abstract Gender in the 1960s - with Joshua Lubin-Levy
มุมมอง 1Kปีที่แล้ว
“E.G. [Evening Gown] Orgy”: Jack Smith And Abstract Gender in the 1960s - with Joshua Lubin-Levy
Delinquency, Deviancy, and their Queer Refashionings in Art of the 1960s - with David J Getsy
มุมมอง 404ปีที่แล้ว
Delinquency, Deviancy, and their Queer Refashionings in Art of the 1960s - with David J Getsy
Beyond the Block: The Public Art of Romare Bearden
มุมมอง 426ปีที่แล้ว
Beyond the Block: The Public Art of Romare Bearden
Léon Monet, frère de l’artiste et collectionneur
มุมมอง 1.2Kปีที่แล้ว
Léon Monet, frère de l’artiste et collectionneur
Photographers on Bearden: a conversation with Frank Stewart & Chester Higgins, Jr.
มุมมอง 263ปีที่แล้ว
Photographers on Bearden: a conversation with Frank Stewart & Chester Higgins, Jr.
The Role of the Leo Castelli Gallery in the Advent of ‘Pop Art’ with Roberta Bernstein
มุมมอง 1.5Kปีที่แล้ว
The Role of the Leo Castelli Gallery in the Advent of ‘Pop Art’ with Roberta Bernstein
Two Men from Cincinnati: Tom Wesselmann’s 1962 Debut at The Green Gallery with Susan Davidson
มุมมอง 421ปีที่แล้ว
Two Men from Cincinnati: Tom Wesselmann’s 1962 Debut at The Green Gallery with Susan Davidson
Pop Art Goes Viral: From NYC to Europe, Rosenquist’s F-111 Takes Flight with Sarah Bancroft
มุมมอง 385ปีที่แล้ว
Pop Art Goes Viral: From NYC to Europe, Rosenquist’s F-111 Takes Flight with Sarah Bancroft
WPI presents: Pop Art’s Roots: Three Experimental Places with Melissa Rachleff
มุมมอง 2.7K2 ปีที่แล้ว
WPI presents: Pop Art’s Roots: Three Experimental Places with Melissa Rachleff
Cocktails and Conversation - WPI Discussion on Tom Wesselmann with MoCA Westport (Feb 17 2022)
มุมมอง 1032 ปีที่แล้ว
Cocktails and Conversation - WPI Discussion on Tom Wesselmann with MoCA Westport (Feb 17 2022)
Ermmmm are these still going!!
Why this video does not have more views? Such an interesting document for a better understanding of the Pop Art movement through the eye from Roberta Bernstein, who live those days like no one else. Thanks for this video.
🎉🎉🎉🎉🎉🎉🎉
Who taught Gauguin? Paul Gauguin | Biography, Tahiti, Vincent van Gogh, Artworks ... Gauguin met Pissarro about 1874 and began to study under the supportive older artist, at first struggling to master the techniques of painting and drawing.Oct 20, 2023 omg those red glasses have got to go
Magnifique webinaire bien au complet.merci
Promo>SM 😂
I happened to be the proud owner of the "Letters of Gustave Courbet" book ♥️
🄿🅁🄾🄼🄾🅂🄼
Katie is the best