GV Art London
GV Art London
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Lost in Fathoms
GV Art presents Lost in Fathoms, a solo show by French artist Anaïs Tondeur developed in collaboration with Jean-Marc Chomaz (CNRS, France). This show presents a series of installations, drawings and photographs created around a narrative that challenges our perception of oceanic and geologic time scales and human's impact on the environment.
In 2012, at the very point where two continents collided, the island of Nuuk disappeared without trace. At the same time, in Brisbane, the 34th International Geological Congress advanced a new era - the Anthropocene: an age where mankind has become a global telluric force.
Was the disappearance of Nuuk island a one-off or a direct consequence of the emergence of the Anthropocene? This project sets out to investigate the causes involved in the disappearance of the island.
This project has evolved from an expedition of the emergent part of the Mid-Atlantic ridge and the region of deep oceanic water dives. It was developed in intense collaboration with Jean-Marc Chomaz during a year of research as an artist-in-residence at the Hydrodynamics Laboratory, LadHyX (CNRS, Ecole Polytechnique, France). The residency started during the Cambridge (UK) and Polytechnique’s 2013 summer school on fluid dynamics of sustainability and the environment.
Exhibition : 17 October until 29 November 2014
Private View : Thursday 16 October, 6pm - 9pm
GV Art gallery, London, 49 Chiltern Street, Marylebone, London W1U 6LY
มุมมอง: 160

วีดีโอ

GV Art & Mind Symposium 21 | Emotion Pleasure and pain in the brain by Prof Morten L. Kringelbach
มุมมอง 47910 ปีที่แล้ว
GV Art & Mind Symposium #21 25 March 2014 Presentation by Prof. Morten L. Kringelbach Emotion. Pleasure and pain in the brain Emotions are central to art and an intrinsic part of what makes us human; they underpin how we feel about ourselves, and our interactions with others. Emotion presents the fundamental principles of the neural mechanisms underlying emotional processing as well as reviewin...
I.55 or the girl who swallowed the remnants of a forest ( French, English subtitles)
มุมมอง 6010 ปีที่แล้ว
I.55 or the girl who swallowed the remnants of a forest is an installation, result of an expedition retracing the journey of a specimen from St Bartholomew's Pathology Collection in London. The specimen archived as number I.55, is a fragment of graphite swallowed by a young girl at the beginning of the 20th century. Consisting of six sets of drawings, this project was developed on a journey fro...
GV Art - Taxonomise This! - September 2013
มุมมอง 24110 ปีที่แล้ว
Taxonomise This! Tuesday, 10 September 2013, 7pm Art and science panel discussion about systems of classification and how archives change over time. Speakers include: artist Helen Pynor, whose series The Life Raft documents a decaying 19th century insect collection; artist Liz Orton, discussing her work at the Herbarium at Kew Gardens, examining unmounted plant specimens awaiting classification...
Susan Aldworth Talk 22 March 2012 at GV Art
มุมมอง 8410 ปีที่แล้ว
Susan Aldworth Talk 22 March 2012 at GV Art
Susan Aldworth - Q&A 22 March 2012 at GV Art
มุมมอง 8110 ปีที่แล้ว
Susan Aldworth - Q&A 22 March 2012 at GV Art
Professor Martin Kemp - Art, Neuroscience and Reception
มุมมอง 1.6K10 ปีที่แล้ว
Professor Martin Kemp - Art, Neuroscience and Reception
'Coming of Age, the art & science of ageing' Prof Tom Kirkwood
มุมมอง 12310 ปีที่แล้ว
'Coming of Age, the art & science of ageing' Prof Tom Kirkwood
Art & Alzheimer's an Interview with Patricia Utermohlen
มุมมอง 10K10 ปีที่แล้ว
Video created by Urban Times in conjunction with GV Art, over a series of talks held during GV Art's exhibition 'Trauma' between December 2011 and February 2012. This video recorded the debate with Patricia Utermohlen discussing her late husband William Utermohlen's work. It records his decline through Alzheimer's and how this is recorded though his paintings and drawings.
Presentation by Elastic Theatre at GV Art gallery, London September 2013
มุมมอง 17710 ปีที่แล้ว
Presentation by Elastic Theatre at GV Art gallery, London September 2013
Vibrations from a graphite core Performance 10.10 - Broadband
มุมมอง 7710 ปีที่แล้ว
Graphite is one of the materials most commonly used for its mark making qualities. This specially created performance installation, by Ianis Lallemand and Anaïs Tondeur, re-imagines the properties of graphite as a drawing instrument. Rather than using graphite to produce drawings by putting pencil to paper, this installation explores the possibilities opened to this process by digital technolog...
Coming of Age, the art & science of ageing' with Professor Tom Kirkwood & guests
มุมมอง 6210 ปีที่แล้ว
Coming of Age, the art & science of ageing' with Professor Tom Kirkwood & guests
JULIUS pop-up performance for GV Art gallery, London, September 2012
มุมมอง 3710 ปีที่แล้ว
JULIUS pop-up performance for GV Art gallery, London, September 2012
Graphite and Beyond: The Art and Science of Carbon
มุมมอง 13310 ปีที่แล้ว
GV Art gallery London, presents a panel debate entitled "Graphite and Beyond: The Art and Science of Carbon", that took place on Thursday 8 November 2012. The panellists were; Phillip Ball (chair) - a freelance writer, and previously worked for over 20 years as an editor for the international science journal Nature. Dr Alexandra Porter - is a senior Lecturer at Imperial College in the Departmen...
A Future for Art Science Interactions
มุมมอง 19910 ปีที่แล้ว
Debate Chaired by: Dr Marius Kwint Panellists: Kat Austen, Oron Catts, Robert Devcic, Arthur I. Miller & Anaïs Tondeur This debate explores the relationship between art & science which is the foundation of this now celebrated movement. With contributors from scientific and artistic backgrounds this debate questions the contemporary position of this practice and its place within the current cult...
GV Art & Mind Symposium 15
มุมมอง 1910 ปีที่แล้ว
GV Art & Mind Symposium 15
Susan Aldworth : The Portrait Anatomised
มุมมอง 12510 ปีที่แล้ว
Susan Aldworth : The Portrait Anatomised
In Conversation, The Portrait Anatomised
มุมมอง 1710 ปีที่แล้ว
In Conversation, The Portrait Anatomised
GV Art and Mind Symposium 13
มุมมอง 6710 ปีที่แล้ว
GV Art and Mind Symposium 13
David Heathcote - Beyond Horizons, Paris 2013
มุมมอง 29910 ปีที่แล้ว
David Heathcote - Beyond Horizons, Paris 2013
The Portrait Anatomised A lecture at the National Porttait Gallery
มุมมอง 10310 ปีที่แล้ว
The Portrait Anatomised A lecture at the National Porttait Gallery
Nature Reserves; Group exhibition from 26 July -- 13 September 2013
มุมมอง 6210 ปีที่แล้ว
Nature Reserves; Group exhibition from 26 July 13 September 2013
Public Birth: Private View
มุมมอง 1.4K10 ปีที่แล้ว
Public Birth: Private View
Merging Art & Science to Make a Revolutionary New Art Movement - Panel One
มุมมอง 18411 ปีที่แล้ว
Merging Art & Science to Make a Revolutionary New Art Movement - Panel One
Merging Art & Science to Make a Revolutionary New Art Movement - Q & A One
มุมมอง 8511 ปีที่แล้ว
Merging Art & Science to Make a Revolutionary New Art Movement - Q & A One
Monocle 24 Radio Interview with Tom Jeffreys & Robert Devcic
มุมมอง 16011 ปีที่แล้ว
Monocle 24 Radio Interview with Tom Jeffreys & Robert Devcic
Merging Art & Science to Make a Revolutionary New Art Movement - Q and A Three
มุมมอง 14911 ปีที่แล้ว
Merging Art & Science to Make a Revolutionary New Art Movement - Q and A Three
Merging Art & Science to Make a Revolutionary New Art Movement - Panel Three
มุมมอง 52613 ปีที่แล้ว
Merging Art & Science to Make a Revolutionary New Art Movement - Panel Three
Sense Of Taste
มุมมอง 64413 ปีที่แล้ว
Sense Of Taste

ความคิดเห็น

  • @ajmarr5671
    @ajmarr5671 2 ปีที่แล้ว

    How opioid-dopamine interactions can explain common varieties of personal experience, the case of peak experience ‘Being in the moment’ or mindfulness induces relaxation, which increases opioid activity that causes pleasure. If concurrent persistent meaningful ideation occurs (meaning is defined as thinking of or doing actions that have branching novel positive implications, or a variant of positive thinking), this induces a feeling of arousal as mediated by dopamine systems. Dopamine and opioid systems are synergistic, or reciprocally stimulate each other, causing feelings of greater pleasure and arousal, or ecstatic states. This explains why ‘loving kindness’ meditation, savoring, peak, or flow experiences that incorporate relaxation and ‘meaning’ are affectively different from mindfulness, yet nonetheless represent unremarkable and simple neural processes that can be explained and replicated with ease by anyone. My arguments are based on the research of the distinguished affective neuroscientist Kent Berridge of the University of Michigan, who was kind to vet my argument linked below for accuracy and to provide an endorsement in its preface. In an article from the ‘Scientific American’ linked below, Berridge and Kringelbach detail how opioid and dopamine systems act and interact to induce positive affect sites.lsa.umich.edu/berridge-lab/wp-content/uploads/sites/743/2019/10/Kringelbach-Berridge-2012-Joyful-mind-Sci-Am.pdf A more formal explanation for a lay audience from affective neuroscience is provided on pp. 44-51 in a little open-source book on the psychology of rest linked below. Flow and peak experience is explained on pp. 82-87 www.scribd.com/doc/284056765/The-Book-of-Rest-The-Odd-Psychology-of-Doing-Nothing

  • @marceloferreiradacunha1769
    @marceloferreiradacunha1769 6 ปีที่แล้ว

    shit tone

  • @epicepic2147
    @epicepic2147 6 ปีที่แล้ว

    This is cool

  • @SchramRoy
    @SchramRoy 10 ปีที่แล้ว

    Very nice Tri!

  • @JesterJake87
    @JesterJake87 12 ปีที่แล้ว

    Thank you for posting these 2 debates. This really gets at some great points, problems, and questions!

  • @ramiroquesadabastida
    @ramiroquesadabastida 13 ปีที่แล้ว

    fantastic !!!!