WARNING - THIS VIDEO HAS A LITTLE BIT OF SWEARING SO VIEWER DISCRETION ADVISED. MMTO is a win/win venture to give kids a home for life. If you're watching this but aren't a MMTO member yet, please join for £1 ONCE at - www.mymilliontoone.com/foyer (Scroll down to see what questions Jason answered...)
00:19 - I'm an aspiring actor trying to get into drama school. What's your specific acting process when you get a part? How do you work on the script and your character? Do you use specific methods?
4:04 - I'm an American who came here to train at LAMDA but (in the media industry in the UK) there doesn't seem to be an openness for my accent. When should I call it a day and accept that they won't see me or give me a chance especially when so many casting directors tell me to go back to America?
7:35 - Can I ask you about your representation evolution, in terms of who you started with and when you changed agents and how you decided to change...
11:08 - Do you have separate representation in the US & how did that come about?
13:34 - For someone who's just left drama school & has only just got an agent, how often should I get a call from them?
16:42 - Springboarding off what you've just said, obviously you were really lucky and got a really good agent at the start of your career. Was there much work, especially in the early stages, that you got yourself that was nothing to do with your agent?
19:43 - What's the worst audition you've ever had?
22:33 - If you think you're being treated badly, when you should stand up for yourself and have you ever walked off a job?
27:00 - What's your view on working for free and when you first started out did you work for free?
30:23 - What's the best way to build your skills in acting for camera, how do you practice?
31:33 - What's your view on if your agent is trying to pigeon hole you into a specific character type and only send you up for those roles?
33:55 - Do you have any advice for coping with the quiet times when work isn't coming in?
35:39 - What inspired you to become an actor and where does your passion lie, film or theatre?
36:57 - Would you have any advice for someone who's done a lot of theatre and would like to break into film and TV?
38:30 - I get told my casting directors, "If you're sending a postcard, have your headshot on it." Where's the line between vanity and just trying to introduce yourself to these people?
40:09 - You previously mentioned looking at the monitor, when on set... Do you mean that in between takes you should look at your takes? When is it okay to ask for another take?
42:35 - In terms of America, if you don't have much professional work on your CV is it naive to go over there?
43:51 - What do you think the main differences are between the industry in America and the industry here?
46:09 - What should you do in the periods when you're 'warm/hot' and you've just had a show or something come out?
48:35 - Why is it so bad to work as an extra if you want to be a professional actor?
51:11 - Do you think being an understudy has the same negative attributes as being an extra?