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Tony Karman
Tony Karman has been active in the civic, business, and cultural communities of Chicago for
nearly 40 years. Working with select institutions, associations, government organizations,
producers of special events, and corporations, he has guided numerous projects from concept to
conclusion. Currently, he is President | Director of EXPO CHICAGO, The International Exposition
of Contemporary & Modern Art at Navy Pier, founded the exposition in 2012.
Originally from Rock Island, Illinois, Karman attended Augustana College and Kansas State
University, where he obtained a Bachelor of Fine Arts degree. He was recently awarded a
Chevalier des Arts et des Lettres from the French Government and an Honorary Doctorate from
Columbia College Chicago.
He has traveled extensively establishing numerous professional alliances and relationships
throughout the world. He is a long-time resident of Chicago, where he lives with his wife Sondra.
Karman currently serves on several civic committees including the Curatorial Advisory Board -
Art on the Mart, Advisory Board - DePaul Art Museum, Board Member - The Magnificent Mile,
National Board for Artadia: The Fund for Art and Dialogue, Board - Chicago Artists Coalition,
Advisory Board - CASE Art Fund and the Chicago Committee of Human Rights Watch Chicago.
มุมมอง: 112

วีดีโอ

Mariane Ibrahim - Gallerist
มุมมอง 1.2Kปีที่แล้ว
French-Somali gallerist, Mariane Ibrahim has established herself as a leading Chicago and international art dealer through her spotlight on artists of the African diaspora. Mariane first opened her flagship space in Seattle in 2012 before relocating to Chicago in 2019 to open a new 5,000-square-foot space in West Town. In 2021, she opened her inaugural European location, a three-floor space on ...
Jessica Morgan - Institutional
มุมมอง 9504 ปีที่แล้ว
.
Esther Schipper - Gallerist
มุมมอง 1.8K5 ปีที่แล้ว
Esther Schipper - Gallerist
Sadie Coles - Gallerist
มุมมอง 4.3K5 ปีที่แล้ว
Sadie Coles - Gallerist
Marc Glimcher - Gallerist
มุมมอง 1.9K5 ปีที่แล้ว
Marc Glimcher - Gallerist
Sylvio Perlstein - Collector
มุมมอง 7835 ปีที่แล้ว
Sylvio Perlstein - Collector
Mark Rappolt - Independent
มุมมอง 4365 ปีที่แล้ว
Mark Rappolt - Independent
Tim Blum - Gallerist
มุมมอง 2.4K5 ปีที่แล้ว
Tim Blum - Gallerist
James Lingwood - Independent
มุมมอง 2516 ปีที่แล้ว
Descrição
Georgiana Rothier e Bernardo Faria - Collector
มุมมอง 7786 ปีที่แล้ว
Descrição
Walter Vanhaerents - Collector
มุมมอง 6496 ปีที่แล้ว
Walter Vanhaerents - Collector
Thomas Struth - Artist
มุมมอง 2.7K6 ปีที่แล้ว
Descrição
Anita Zabludowicz - Collector
มุมมอง 2K6 ปีที่แล้ว
Anita Zabludowicz - Collector
Frances Morris - Institution
มุมมอง 6276 ปีที่แล้ว
Frances Morris - Institution
Jean Claude Freymond Guth - Independent
มุมมอง 5716 ปีที่แล้ว
Jean Claude Freymond Guth - Independent
Frances Reynolds - Collector
มุมมอง 1.9K6 ปีที่แล้ว
Frances Reynolds - Collector
Sam Keller - Institution
มุมมอง 6776 ปีที่แล้ว
Sam Keller - Institution
Mari Spirito - Independent
มุมมอง 5046 ปีที่แล้ว
Mari Spirito - Independent
Jac Leirner - Artist
มุมมอง 2.3K6 ปีที่แล้ว
Jac Leirner - Artist
Happy 2018!
มุมมอง 576 ปีที่แล้ว
Happy 2018!
Stefan Benchoam - Independent
มุมมอง 3136 ปีที่แล้ว
Stefan Benchoam - Independent
Antony Gormley - Artist
มุมมอง 2676 ปีที่แล้ว
Antony Gormley - Artist
Tanya Capriles De Brillembourg - Collector
มุมมอง 5506 ปีที่แล้ว
Tanya Capriles De Brillembourg - Collector
Sean Kelly - Gallerist
มุมมอง 2.5K6 ปีที่แล้ว
Sean Kelly - Gallerist
Mari Shaw - Collector
มุมมอง 5566 ปีที่แล้ว
Mari Shaw - Collector
David Gryn - Independent
มุมมอง 3846 ปีที่แล้ว
David Gryn - Independent
Michelangelo Pistoletto - Artist
มุมมอง 5227 ปีที่แล้ว
Michelangelo Pistoletto - Artist
Ilaria Bonacossa - Independent
มุมมอง 2207 ปีที่แล้ว
Ilaria Bonacossa - Independent
Ai Weiwei - Artist
มุมมอง 8217 ปีที่แล้ว
Ai Weiwei - Artist

ความคิดเห็น

  • @Liam-l3d
    @Liam-l3d หลายเดือนก่อน

    This woman has little clarity for a position of such importance. Galleries and its illumination of history is seriously being destroyed by The Here and Now American Hollywood McChocolate castle fantasy.

  • @keki7187
    @keki7187 8 หลายเดือนก่อน

    Gruselig

  • @carlosacosta5798
    @carlosacosta5798 9 หลายเดือนก่อน

    Winibey López. La recomiendo como artista venezolana en el extranjero.

  • @carlosacosta5798
    @carlosacosta5798 9 หลายเดือนก่อน

    Muy espectacular labor, éxitos abundantes. Y gaceta hípica.

  • @pacarolasan
    @pacarolasan 11 หลายเดือนก่อน

    mucho éxito en tus futuros proyectos y gracias por apoyar mujeres artistas

  • @cieloterra7959
    @cieloterra7959 ปีที่แล้ว

    Perilduemilae'blu+++

  • @ubaxiidalkeygow2381
    @ubaxiidalkeygow2381 ปีที่แล้ว

    My beautiful ❤

  • @harveyspecter111
    @harveyspecter111 ปีที่แล้ว

    Eww

  • @Kontorgh_art
    @Kontorgh_art ปีที่แล้ว

    I really love Mariane Ibrahim

  • @mariettestabel275
    @mariettestabel275 ปีที่แล้ว

    Brilliant ! Thanks for sharing this. 🌍

  • @George-yh4vr
    @George-yh4vr ปีที่แล้ว

    'Promo SM' ☝️

  • @tanerkaraaslan6216
    @tanerkaraaslan6216 ปีที่แล้ว

    Very insightful

  • @vrejtamazian524
    @vrejtamazian524 ปีที่แล้ว

    I like Ropack Gallery, it's professional. ❤️🇩🇪✌️

  • @antwortmir4451
    @antwortmir4451 2 ปีที่แล้ว

    apropos art dealers vs. the art making process: Horror Endorsement from a notorious art dealer and her call for exploitation: "One has to be evil, downright evil!" quote Eva Presenhuber; We publish these embarrassing statements because we are not the only ones who have been closely following this worrying development in the art market for some time. Former director of Presenhuber gallery: “She’s the type of person who will finish your sentences for you, she won’t let you finish talking. Is there any clearer proof of hubris? Still, she feels very good about it. Eva Presenhuber is rather a special kind of person. I think the best word to describe her would be sociopath. She has been repeatedly made aware that she treats some artists (who depend on her sales activity) like shit. There's no remorse, she wouldn't even know what you were talking about!" Eva Presenhuber is the Harvey Weinstein of the art world. But male artists don't run to the police, even if a gallery owner maliciously molests them. Eva Presenhuber brutally bullied Hugo Markl. If anyone has information on where to find Hugo Markl, please let us know! Hugo Markl has disappeared, we don't know if he is still alive. The puppet master behind this extermination campaign is Ugo Rondinone. (Ex-husband of Eva Presenhuber) sic! Hugo Markl is definitely one of the most influential artists today. The works of a number of artists are directly or indirectly influenced by Markl's works. One should not look for banal copies of copyists, but for an attitude that made Markl's works irrefutably the foundation of their works of art. Markl's work is uncompromising and addresses the center of issues, and we think that getting rid of Markl's influence, consciously or subconsciously, could be extremely difficult for many artists. His work is powerfull if we like it or not. And at the same time hardly any influence is so fought and controverted (or would it be more honest to say denied) by other artists as the influence of Markl's stand on these days art. The manner in which contemporary artists are exploited can be equated with the most brutal psychological abuse of any other derogatory relationship, certainly one of the bloodiest lines of business there is. Of course, [all] carefully hidden behind the mask of the finest, most human and most sensitive of all motifs, namely art.

  • @robertplautz9722
    @robertplautz9722 2 ปีที่แล้ว

    one wishes for a list of these names he mentions spelled out because difficult if you dont know them and mostly i dont yeah hes totally cool easy to fall in love with him

  • @IndayRuthvlog
    @IndayRuthvlog 2 ปีที่แล้ว

    Hello mam enjoy vlogging and thanks for sharing this video very much appreciated God bless

  • @nicoepstein4083
    @nicoepstein4083 2 ปีที่แล้ว

    David is the man

  • @alexismarquez3674
    @alexismarquez3674 2 ปีที่แล้ว

    WHEN I HAD MY VACATION IN CEBU CITY. I SHARED MY COMIC BOOKS WITH CARLOS. I'M NICE LIKE SERENA VANDERWOODSEN. I'M HONEST ❤️ TIME: 5:10PM

  • @alexismarquez3674
    @alexismarquez3674 2 ปีที่แล้ว

    I'M HUMBLE LIKE CARLOS . I'M HONEST ♥️ TIME: 4:58PM

  • @alexismarquez3674
    @alexismarquez3674 2 ปีที่แล้ว

    I'M A HUMBLE PERSON ♥️ I'M HONEST ❤️ TIME: 4:51PM

  • @alexismarquez3674
    @alexismarquez3674 3 ปีที่แล้ว

    SADIE COLES IS A TRENDY COLLECTOR AND OWNER OF SELF NAMED SADIE COLES GALLERY. SUPPORTER AND SCOUT OF MANY OF THE NEWEST AND COOLEST NAMES IN LONDON ART.

  • @amapokua2311
    @amapokua2311 3 ปีที่แล้ว

    To retry

  • @amapokua2311
    @amapokua2311 3 ปีที่แล้ว

    No public comment

  • @amapokua2311
    @amapokua2311 3 ปีที่แล้ว

    Notified about all new videos

  • @juliamargaretcameron
    @juliamargaretcameron 3 ปีที่แล้ว

    His son seems like a savvy business man, at best. His father is one of the last great gallerists. He has refinement , subtle charisma, intelligence and genuinely has cared about the well being of his artists ,possibly because he was a painter himself. Agnes Martin, for example. He looked after her for decades which was a real act of love because she was often very difficult to deal with. His son is merely trying to imitate him and riding on his father's coat tails..I could be wrong but that is my strong impression.

  • @lastdays9163
    @lastdays9163 3 ปีที่แล้ว

    The gallerist interviewed on this channel have been very generous with their knowledge.

  • @lastdays9163
    @lastdays9163 3 ปีที่แล้ว

    Appreciate the realness. Great questions, and great answers. I'm enjoying this channel. 🔥🌮

  • @vervegrande
    @vervegrande 3 ปีที่แล้ว

    Wow, didn't see NFT's coming!

  • @leanderpodnar1443
    @leanderpodnar1443 3 ปีที่แล้ว

    Cool

  • @trannyglitter12
    @trannyglitter12 3 ปีที่แล้ว

    fractional ownership of an Artwork? So going to happen if it hasn't already (2021) don't even need to think twice about it

  • @trannyglitter12
    @trannyglitter12 3 ปีที่แล้ว

    But that seems the situation re institution vs. gallery...

  • @trannyglitter12
    @trannyglitter12 3 ปีที่แล้ว

    I like what she says on drawing: an entry point to a bigger audience.

  • @trannyglitter12
    @trannyglitter12 3 ปีที่แล้ว

    very informative

  • @trannyglitter12
    @trannyglitter12 3 ปีที่แล้ว

    brilliant and insightful

  • @trannyglitter12
    @trannyglitter12 3 ปีที่แล้ว

    multi-viewing is bad for art... too true

  • @jeffreymorris11
    @jeffreymorris11 3 ปีที่แล้ว

    A pioneer who has brought the outstanding gallery the Zabludowicz Collection to Camden, London.

    • @ArtTheoriez
      @ArtTheoriez ปีที่แล้ว

      Yes, a completely wholesome family with nothing shady happening in the background!

  • @valelolo3000
    @valelolo3000 3 ปีที่แล้ว

    Gregor is the Best

  • @leanderpodnar1443
    @leanderpodnar1443 3 ปีที่แล้ว

    Gregor is cool

  • @alexandrebaltazar
    @alexandrebaltazar 4 ปีที่แล้ว

    Incrível!

  • @luizmauricio3745
    @luizmauricio3745 4 ปีที่แล้ว

    parabens

  • @khariturner5518
    @khariturner5518 4 ปีที่แล้ว

    This page is amazing! I’m so glad I found this!

  • @deirdsmelons
    @deirdsmelons 4 ปีที่แล้ว

    Excellent insightful interview

  • @deltacablespakistan
    @deltacablespakistan 4 ปีที่แล้ว

    very nice, i was looking for something similar, would love to share the link and your page and credentials. thx. let me know if there is an issue with the link sharing.

  • @gadaffi1000
    @gadaffi1000 4 ปีที่แล้ว

    A very lucid and erudite introduction. Interesting.

  • @Swissas
    @Swissas 4 ปีที่แล้ว

    One of the best

  • @uchz9796
    @uchz9796 4 ปีที่แล้ว

    Rip

  • @haenhill9277
    @haenhill9277 4 ปีที่แล้ว

    I love this guy 🙌

  • @aaravsaxsena3748
    @aaravsaxsena3748 5 ปีที่แล้ว

    Nice One...!!!

  • @VeryPrivateGallery
    @VeryPrivateGallery 5 ปีที่แล้ว

    Quoted on our IG @veryprivateart from 28:04 about the competition to retain successful artists. I really hesitated with the museum mention 17:53 “the gallery is asked all the time to support museum shows often uncredited because the museum doesn't want to look like they are taking money from the galleries of the artists they're showing but actually I personally think it's a bit disingenuous because they are.” I think that's right but it goes both sides as galleries can and are happy to hide their museum investment in order to boost the artist value. Great interview. Thanks Artload!