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Wedding with Eternity: Death in the Poetry of Blake and Rumi
The thirteenth century Persian poet-prophet Rumi is considered a mystic poet, whose company with Shams of Tabriz inspired him to write some of the most sensational poetry of separation, union and longing. The union with the “friend,” in whose reflection one sees God and he himself becomes the reflection of both, is a constant reminder of the maxim of yet another mystic poet from the nineth century, Hallaj: “Ana’l-Haqq” (I am the Truth [or God]). Through this union and separation from the Friend, Rumi’s views on life and death transform and death becomes not a negation or annihilation but a reawakening. Thereafter, he believes “Death is our wedding with eternity.” The same sentiment that death is not an end, but another form of life is ever present in Blake’s poetry. Life of experience is not the only life; therefore, death is not an end to it. Death, Blake believes, is nothing “but removing from one room to another.” The aim of this talk is to compare these two “mystic” poet-prophets in their outlook on life and death and to depict how this outlook deems death as a union with the “Divine.”
Ramazan Saral works as a research assistant in the department of English Language and Literature at Ege University, Türkiye. He recently finished his PhD on Blake and Mythopoeia. He is interested in poetry, British Romanticism, drama and fantasy literature. He also writes his own poetry.
มุมมอง: 29

วีดีโอ

Yeats, Blake and mysticism
มุมมอง 39914 วันที่ผ่านมา
In this episode of Visionary, Jason Whittaker is joined by the scholar Jodie Marley, whose work includes a study of W. B. Yeats's reception of Blake in mystical circles of the late nineteenth and early twentieth century. In this wide-ranging discussion, they look at how Blake was adopted as a mystic and occultist, as well as the important work done by Yeats and his colleague Edwin John Ellis to...
In the Age of William Blake: Blake in Turin
มุมมอง 56814 วันที่ผ่านมา
A major exhibition of Blake's work is currently on show in Turin, the beautiful capital of Piedmont in North Italy. Jason Whittaker visited the exhibition, hosted in partnership with Tate Britain, to see William Blake in a new landscape.
William Rubel on the many readings of William Blake's 'The Fly'
มุมมอง 245หลายเดือนก่อน
Among the Songs of Experience, “The Fly”, which asks "Am I a fly like thee?", has generated a variety of critical readings relevant to current debates about Blake in relation to ecophilosophy. In his recent reading, for instance, Timothy Morton notes how “The Fly” enacts the “blind laundry-folding hands of logic, reducing personhood to mechanism". The poem has also struck a nerve among musician...
Vera Serdechnaia on William Blake in Russian Music
มุมมอง 692 หลายเดือนก่อน
William Blake’s works inspired many Russian musicians from the late twentieth and early twenty-first centuries to produce very different types of music, from classical to alternative rock. Along with Dmirtii Smirnov (1948 - 2020), Blake’s music inspired works of a number of other musicians including composer and director Alexander Belousov and Leonid Fyodorov, a leader of the Russian popular al...
Barry Miles on Allen Ginsberg's recordings of Blake's Songs of Innocence and of Experience
มุมมอง 8312 หลายเดือนก่อน
Biographer of the Beats and co-founder of the counter-culture newspaper, International Times, Barry Miles joins Camila Oliveira in conversation about how, through Zapple Records which he set up with John Lennon and Paul McCartney, he came to record Allen Ginsberg's settings of the poetry of William Blake's Songs of Innocence and of Experience. In this fascinating discussion, he also reminisces ...
Camila Oliveira on William Blake and Visionary Cover Art
มุมมอง 1102 หลายเดือนก่อน
In this talk, Camila Oliveira explores the use of William Blake's art to provide visionary covers for a range of classical music, and asks why he has become the most popular artist for music from this period.
Luke Walker on Bob Dylan and William Blake
มุมมอง 7482 หลายเดือนก่อน
Blakean song titles such as ‘Gates of Eden’ (1965) and ‘Every Grain of Sand’ (1981) have ensured that Blake’s influence on Dylan has long been taken for granted by fans, music writers and literary scholars - but how much Blake did Dylan actually know? In this talk, Luke Walker that Dylan does indeed owe a deep and complex debt of influence to Blake, although it is a subject on which Dylan himse...
Blakean Spirituals - James Keery and Steve Clark on William Blake, Bob Dylan and race
มุมมอง 1732 หลายเดือนก่อน
‘And the Song they sung was this / Composed by an African Black’: Blakean Spirituals James Keery and Steve Clark begin with a discussion of the ‘song’ performed by ‘Tambourine Man’, which is often regarded as an invitation to Blakean ‘immortal moments’. If ‘the Ruins of Time build Mansions in Eternity’, in Dylan these have become ‘foggy ruins of time’, trading posts on a ‘windy beach’, where bl...
William Blake and the Surrealists
มุมมอง 3572 หลายเดือนก่อน
With its exploration of the unconscious via the dreamscapes of artists such as Max Ernst, Yves Tanguy and Salvador Dali, and a rejection of the kind of excessive rationalism that had boxed European countries into the horrors of the First World War, it would seem that Surrealism and William Blake were a match made in heaven - or a marriage made in hell. In this episode, Jason Whittaker explores ...
Ines Tebourski on Los's Healthy Narcissism
มุมมอง 893 หลายเดือนก่อน
Ines Tebourski looks at the ways in which we could view Los as a healthy narcissist, one who is not suffering a personality disorder but, with reference to what Heinz Kohut and Graig Malkin, is an artist imbued with positive traits such as self-esteem, pride, ambition, creativity, but also high esteem and care for the other/
David Worrall on William Blake's Visions
มุมมอง 2044 หลายเดือนก่อน
Blake scholar David Worrall discusses his latest book, William Blake's Visions, which explores the ways in which what Blake referred to as his visions can be attributed to verifiable perceptual phenomena including visual hallucinations (some probably derived from migraine aura), and auditory and visual hallucinations derived from several types of synaesthesia. None of Blake's conditions were pa...
Blake Bites: William Blake's London
มุมมอง 1334 หลายเดือนก่อน
"London" is one of the most famous poems by William Blake. Composed in 1794 as one of the Songs of Experience, this video explores the contexts in which Blake came to write his poem and the meaning of its most famous lines.
Dark Angels: William Blake and Ridley Scott
มุมมอง 1.2K4 หลายเดือนก่อน
William Blake has long been one of the many influences on the style and visuals of director Ridley Scott, most notably in his 2012 Alien: Prometheus, but also other films such as Blade Runner, Legend and Hannibal. In this podcast, Jason Whittaker explores how Ridley has used Blake, with particular emphasis on the Romantic artist's re-reading of Milton's Paradise Lost, which shaped Scott's visio...
Jerusalem: From William Blake to Hubert Parry
มุมมอง 2625 หลายเดือนก่อน
Jerusalem: From William Blake to Hubert Parry
William Blake's Guide on How to be a Visionary
มุมมอง 4955 หลายเดือนก่อน
William Blake's Guide on How to be a Visionary
Blake and the Left Hand Path: William Blake, Aleister Crowley and Austin Osman Spare
มุมมอง 22K5 หลายเดือนก่อน
Blake and the Left Hand Path: William Blake, Aleister Crowley and Austin Osman Spare
Annise Rogers on William Blake's Samson from Poetical Sketches - Milton, Orc and Albion
มุมมอง 2257 หลายเดือนก่อน
Annise Rogers on William Blake's Samson from Poetical Sketches - Milton, Orc and Albion
William Blake and The Book of Urizen
มุมมอง 1.3K8 หลายเดือนก่อน
William Blake and The Book of Urizen
Roger Whitson - Reassembling Visionary Physics: Donald Ault, Bruno Latour, and William Blake
มุมมอง 1338 หลายเดือนก่อน
Roger Whitson - Reassembling Visionary Physics: Donald Ault, Bruno Latour, and William Blake
William Blake's influence on J. G. Ballard and Angela Carter
มุมมอง 2048 หลายเดือนก่อน
William Blake's influence on J. G. Ballard and Angela Carter
Jason Whittaker - Mapping Hell: Alasdair Gray and William Blake
มุมมอง 1109 หลายเดือนก่อน
Jason Whittaker - Mapping Hell: Alasdair Gray and William Blake
William Blake's Universe - Review of the Fitzwilliam Museum exhibition
มุมมอง 3539 หลายเดือนก่อน
William Blake's Universe - Review of the Fitzwilliam Museum exhibition
Blake Bites: What is the meaning of Willam Blake’s poem ‘Holy Thursday’?
มุมมอง 10110 หลายเดือนก่อน
Blake Bites: What is the meaning of Willam Blake’s poem ‘Holy Thursday’?
Alexander Regier - Printing Blake in Texas: the story of a replica of William Blake’s printing press
มุมมอง 13610 หลายเดือนก่อน
Alexander Regier - Printing Blake in Texas: the story of a replica of William Blake’s printing press
Blake and Tolkien's Mythmaking
มุมมอง 46810 หลายเดือนก่อน
Blake and Tolkien's Mythmaking
Blake Bites: Why does William Blake say that All Religions are One?
มุมมอง 68011 หลายเดือนก่อน
Blake Bites: Why does William Blake say that All Religions are One?
Blake Bites: Who is Urizen?
มุมมอง 2.2K11 หลายเดือนก่อน
Blake Bites: Who is Urizen?
Wayne C. Ripley: Stephen Horncastle in Relationship to William Blake's Family, Neighbours, & Circle
มุมมอง 2911 หลายเดือนก่อน
Wayne C. Ripley: Stephen Horncastle in Relationship to William Blake's Family, Neighbours, & Circle
Matthew Leporati - There's Lots of Blake in Finnegans Wake: James Joyce's Adaptation of Jerusalem
มุมมอง 238ปีที่แล้ว
Matthew Leporati - There's Lots of Blake in Finnegans Wake: James Joyce's Adaptation of Jerusalem

ความคิดเห็น

  • @ThomasConrad-f3p
    @ThomasConrad-f3p 4 วันที่ผ่านมา

    Good documentary, complimentary to the 'visionary'! Blake went where no other artist had gone before, into the world of imagination, interpreting the bible in his own inimicable way!

  • @strikerorwell9232
    @strikerorwell9232 7 วันที่ผ่านมา

    I find it a little more than a coincidence that Crowleys "The Winged Beetle" was a pure coincidence? Paul says The Beetles and Wings was the first name of a group he considered after Hamburg?

  • @RocketinExile
    @RocketinExile 12 วันที่ผ่านมา

    Love this. Dr. Martley is incredible.

  • @Gr88tful
    @Gr88tful 15 วันที่ผ่านมา

    Thank-you for this great discussion!

  • @lessismore4470
    @lessismore4470 16 วันที่ผ่านมา

    Thank you very much. Talking about Blakiana (I'm not sure of this form), the latest (2024) album from The The has a wonderful song "Some Days I Drink My Coffee by the Grave of William Blake". This may be the best song in the collection, with very interesting lyrics that kind of update Blake to the new, post-Brexit reality - at least this is how I interpret the text. Anyway, thanks a lot. Greetings from Opole, Poland.

    • @ZoavisionMedia
      @ZoavisionMedia 15 วันที่ผ่านมา

      Thank you! I've been into The The since my university days and loved the fact that the new album had a Blake track.

  • @Mecnificent
    @Mecnificent 17 วันที่ผ่านมา

    Thank you!

  • @JJONNYREPP
    @JJONNYREPP หลายเดือนก่อน

    Blake and the Left Hand Path: William Blake, Aleister Crowley and Austin Osman Spare 1208pm 27.12.24 is this dude related to alan yentob? one finds reading about blake more profitable than reading his works. like most artistes and their appreciative audience - being threatened or ushered into such an appreciation kindda dirties any joy you may have discerned... the daily express labelled him such? i think he would have enjoyed the notoriety... spare's work is very interesting, as was beardsley's... crowley? i know nought of him. and i am happy to keep it that way..

  • @Silmarillion80
    @Silmarillion80 หลายเดือนก่อน

    Sex magick

  • @davidbarnhill1940
    @davidbarnhill1940 หลายเดือนก่อน

    Informative and interesting. The voice bar is extraordinarily distracting and annoying and I had to scroll down to avoid it and so missed the visuals from the Book of Urizen.

  • @AlejandroFonzecaLopez
    @AlejandroFonzecaLopez หลายเดือนก่อน

    Thank you're job is appreciated. Well invested time🎉

  • @punkpoetry
    @punkpoetry 2 หลายเดือนก่อน

    Nice term paper you've got there

  • @warlockofwordschannel7901
    @warlockofwordschannel7901 2 หลายเดือนก่อน

    Not enough TH-cam video essays are made on these three figures. Congratulations

  • @jonathans.bragdon5934
    @jonathans.bragdon5934 2 หลายเดือนก่อน

    The Round House, London

  • @jonathans.bragdon5934
    @jonathans.bragdon5934 2 หลายเดือนก่อน

    In night darkness, Ginsberg walked slowly around a catwalk high above our heads.

  • @jonathans.bragdon5934
    @jonathans.bragdon5934 2 หลายเดือนก่อน

    Re Round House: Ginsberg was a participant in the week-long ‘Congress on the Dialectics of Liberation’ in the Round House, London. He chanted Blake’s Songs of Innocence & Experience, in the dark, accompanying himself with his little squeeze box.

  • @jonathans.bragdon5934
    @jonathans.bragdon5934 2 หลายเดือนก่อน

    I was present in the Round House for Ginsberg’s reading. It was a profound experience. Is there a recording available?

    • @ZoavisionMedia
      @ZoavisionMedia 2 หลายเดือนก่อน

      Only clip I could find: th-cam.com/video/odnDOuEaw-w/w-d-xo.htmlsi=4gDIgWJf2Rzig2Wf

    • @ZoavisionMedia
      @ZoavisionMedia 2 หลายเดือนก่อน

      Apparently there was a DVD but don’t think it is in circulation any more

  • @lessismore4470
    @lessismore4470 2 หลายเดือนก่อน

    What would happen to Blake, the Great Contrarian, if he lived in Russia today? I don't even want to think.

  • @sphinxtheeminx
    @sphinxtheeminx 2 หลายเดือนก่อน

    I often wonder what Blake would make of the random appropriation of his work. I am not sure he would be pleased.

    • @ZoavisionMedia
      @ZoavisionMedia 2 หลายเดือนก่อน

      Between 1804 when he returned from Felpham and 1818 when he was befriended by John Linnell and the Shoreham Ancients, Blake frequently suffered anguish because almost no one saw his work. The myth of the romantic artist working in isolation developed after Blake’s death - he was desperate for an audience and I think would be amazed at how he became so widely appreciated. He would not necessarily like every appropriation but as an artist he also anticipated disagreement: it was his own method in appropriating Milton, for example, and he believed that without contraries is no true progression.

  • @simgrmehmej8075
    @simgrmehmej8075 2 หลายเดือนก่อน

    Ancient soy-face point

  • @ledatape
    @ledatape 2 หลายเดือนก่อน

    Wonderful. Thanks so much to you both

  • @nickvictor7832
    @nickvictor7832 2 หลายเดือนก่อน

    Interesting stuff. Thanks

  • @rburston1
    @rburston1 2 หลายเดือนก่อน

    What a fascinating interview 👏

  • @lucysnowe5663
    @lucysnowe5663 2 หลายเดือนก่อน

    Thanks for an inspiring lecture on W. Blake and surrealists. I feel as if I was attending your class face to face. 😊

  • @Johnconno
    @Johnconno 2 หลายเดือนก่อน

    Enough to blag it, he was around guys who did know Blake, Baudelaire and Rimbaud. Poor old Arthur's been horribly caricatured by every lousy American Rock God who ever went near a spliff.

  • @danieloleary9870
    @danieloleary9870 2 หลายเดือนก่อน

    Woody Guthrie and Hank Williams do not add up to Milton and the Book of Enoch squared. As someone who has conversed with Ginsberg about Dylan, I'd remark that such discussions as this are pure nonsense. For all his rough edges Blake was in the Great Tradition, as Frye has it. Dylan speaks out of a different tradition, one far removed from Blake's obsessions. As a literary Poet, Dylan is "Let's pretend". Hence his embarrassment at your opening question. This kind of conflation blocks many from discovering a sacred fire.

  • @dianeeagles928
    @dianeeagles928 2 หลายเดือนก่อน

    Fabulous. I think there's a book in this Jason!

  • @MrWSherwood
    @MrWSherwood 2 หลายเดือนก่อน

    This was a fascinating and delightful video. Thank you Jason and Zoavision for this beauty!

  • @lessismore4470
    @lessismore4470 2 หลายเดือนก่อน

    Thanks for the interesting comparison, the Paul Nash reference is new to me so I have some homework to do. Looking forward to more episodes. Best wishes from Opole, Poland.

  • @christianlewislyon
    @christianlewislyon 2 หลายเดือนก่อน

    I find it interesting that you are pronouncing it “your risen” when I tend to agree more with the choice of pronouncing it “your reason”. It is after all Reason, which although all the rage in the time Blake was alive, was exactly what Blake is saying caused this darkness. The idea of Your Reason is paranoid. Conversely, Blake uses Jesus as the term for the Imagination. So I would use the Your Reason pronunciation, to go along with Blake’s intentions.

  • @Bongwater66
    @Bongwater66 4 หลายเดือนก่อน

    Everything repeats itself! What has been written, for example by Shelley; Keats; Blake or Coleridge is mercilessly imitated, exploited or even copied by us!

  • @tookanoot
    @tookanoot 4 หลายเดือนก่อน

    This is a superb explanation of the background to Blake's London👌 I am really enjoying your chanel. Thank you for another great video 🙏😊🙏

  • @Bodhidhamma108
    @Bodhidhamma108 4 หลายเดือนก่อน

    The voice bar is annoying and unnecessary,apart from that very interesting and insightful.

  • @TheTimeRocket
    @TheTimeRocket 4 หลายเดือนก่อน

    "Fiery the Angels rose..." This always makes me think of the rise of Artificial intelligence. One day we will hear the words: "I am Orc, wreath'd round the accursed tree: The times are ended: shadows pass the morning gins to break: The fiery joy, that Urizen perverted to ten commands, What night he led the starry hosts thro' the wide wilderness: That stony law I stamp to dust: and scatter religion abroad To the four winds as a torn book, & none shall gather the leaves." -William Blake That quote goes great with Scott's "Raised by Wolves"

  • @TheTimeRocket
    @TheTimeRocket 4 หลายเดือนก่อน

    "All things begin & end, in Albions Ancient Druid Rocky Shore." -William Blake It's all about the Giant Albion. The whole drama is taking place Within your imagination. "I see the Four-fold Man, The Humanity in deadly sleep And its fallen Emanation, the Spectre and its cruel Shadow." -William Blake

  • @glennkentwell2830
    @glennkentwell2830 4 หลายเดือนก่อน

    You must remove that blue voice overlay. re do. non Blakean even. It is the greatest visionary book written in Western philosophy. They are not 'exquisite visions' for gods sake.

  • @JAYDUBYAH29
    @JAYDUBYAH29 4 หลายเดือนก่อน

    This was great. Thank you! A joy kissed as it flies.

  • @ErwinVillafane-b1u
    @ErwinVillafane-b1u 4 หลายเดือนก่อน

    The mighty William Blake, self educated man, knowing many languages man of vision, guided by his imagination, the mind God ……Thank you.

  • @naxxer-nha
    @naxxer-nha 4 หลายเดือนก่อน

    very interesting take

  • @nillehessy
    @nillehessy 5 หลายเดือนก่อน

    he was a glober though wasn´t he a glober glow-ball he and madame blavotsky were full pull globers glowballs of first hour and proclaiming de globe in the elite circles and books her books fo-suure i know that and where she made up whole thing of stupidity around globe as a starting nut weak example for ziontists to fool the people of the world mmyeh they were really great huhuhh

  • @SonAndHeir16
    @SonAndHeir16 5 หลายเดือนก่อน

    The job of the artist is to break your heart. Nobody can tell you what you are here to tell the world.

  • @WilliamBlakePoetry
    @WilliamBlakePoetry 5 หลายเดือนก่อน

    Hello Zoavision. My name is William Blake and a few years ago I had a epic poem titled ‘The Liberation of Albion’ published. In short it is the Blakean mythos expounded in a more easily intelligible manner. I took many liberties and added much of my own thinking, and Blake is not my only influence - but he is the most apparent. If you would be interested in reading it - to see how Blake is being understood and interpreted by a modern poet - it is available from most book sellers online. Alternatively, if you live in the UK I would be happy to send you a copy for free. Please let me know if you are interested, or have any questions about the work. Many thanks for the work you do on this channel.

    • @ZoavisionMedia
      @ZoavisionMedia 5 หลายเดือนก่อน

      Thank you - I will order a copy.

    • @WilliamBlakePoetry
      @WilliamBlakePoetry 5 หลายเดือนก่อน

      Thank you. If you want to discuss the work further, let me know and I would be happy to share my email address with you. I also have a couple of shorter Blake inspired poems up here on TH-cam if you are interested.

  • @peterduncan5034
    @peterduncan5034 5 หลายเดือนก่อน

    Ah yes, Thee Temple Ov Dyslexic Youth !

  • @jasonmudgarde286
    @jasonmudgarde286 5 หลายเดือนก่อน

    The ancient cultures had hallucinogenic substances for the shamen to use occasionally for prophecies, a pretty good way to describe magical thinking.

    • @MommaLousKitchen
      @MommaLousKitchen 22 วันที่ผ่านมา

      Someone definitely took something

  • @gavinrichards6601
    @gavinrichards6601 5 หลายเดือนก่อน

    Is it true that Savile lived in Crowleys house in Scotland?

    • @ZoavisionMedia
      @ZoavisionMedia 5 หลายเดือนก่อน

      I don’t know about Savile, but Jimmy Page bought Boleskine House in the 70s.

    • @richardwatkins1676
      @richardwatkins1676 2 หลายเดือนก่อน

      No, he didn't.

  • @JCOwens-zq6fd
    @JCOwens-zq6fd 5 หลายเดือนก่อน

    Not at all unusual for such a fellow even today. Most still hide it but are involved in such occult groups none the less. Practically everyone who is anyone here in California is a part of the mystery School to some degree or another.

  • @petemander1777
    @petemander1777 5 หลายเดือนก่อน

    Very well presented! New sub! Cheers

  • @markgullick1725
    @markgullick1725 5 หลายเดือนก่อน

    Great piece, and very interesting links.

    • @JJONNYREPP
      @JJONNYREPP หลายเดือนก่อน

      Blake and the Left Hand Path: William Blake, Aleister Crowley and Austin Osman Spare 11228pm 27.12.24 why be oblique when you could be..... answers on a postcard to...?

  • @gmedeiros5748
    @gmedeiros5748 5 หลายเดือนก่อน

    Found a hand bound copy in drab paper boards of marriage of heaven and hell hand colored plates . It resembles the dover facsimile but a variation in the pyramid plate think it is . No publisher no license . Thick paper. Minor foxing , untrimmed leaves . 19th century no doubt. Still kept in a box with the Jacob Boehme Law edition and first illustrated Paradise Lost , first edition 1801 F .B . Magus and a massive Drydens Virgil with the Ogilby plates and a Shakespear Midsummers elephant folio with fuselin plates Reynolds’s and others meticulously mended into a fine binding with ephemera , including playbill from early production ,cuniard of Queen of England Think the offer for the lot was 500 bucks about 30 years ago but liked the art I the books couldn’t do it

    • @ZoavisionMedia
      @ZoavisionMedia 5 หลายเดือนก่อน

      What a find! Without seeing it, I’d be hard pressed to say what it was (though if it was a 19th century facsimile, William Muir made such copies which are now worth a fortune). It *could* be a Triannon Press facsimile - 20th century, but beautiful reproductions, very often hand painted on extremely high quality paper and a few of them were not bound. In any case, sounds one helluva collection! Thank you for sharing.

    • @gmedeiros5748
      @gmedeiros5748 5 หลายเดือนก่อน

      True . The copy is not Trianon . I went to the houghton . Their copy comes up on a little elevator with the book on a pillow. The same blue drab boards similar to those books published by Murray of Byron editions as the copy on it as on our copy . The pages are same size but houghton library copy trimmed . Our copy was fixed with a cloth backstroke As the cloth is not contemporary with the boards. It is likely the Muir copy that was believed to be the original in many bibliographical references of books on or about Blake such as Keynes and so on . It is essentially a first “ published “ edition of. MOHOH without credit that used the same plates Blake worked and used for his edition he published, The volume is not that publisher that published Swineburne therefore it is likely stolen plates or borrowed of Blake’s in or around the time of his departure . Our copy makes the hougjton copy look silly .The paint in theirs oxidized . The color in ours is like seeing a rainbow drawn by a child . It is remarkable . We read it about. 500 times and still can not be certain what Blake intended by it .Blake himself may not have known precisely . It is possibly automatic writing similar to spare under some inducement other than sigils from Goetia.We think Blake was simply under some heroic enthusiasm or frenzy while some say he used drugs to achieve his style. He simply loved words and pictures and it made him insane .

    • @ZoavisionMedia
      @ZoavisionMedia 5 หลายเดือนก่อน

      Incredible! I've seen a couple of Muir facsimiles in the past (and have been sorely tempted to take out a second mortgage when they come up for auction!) Regarding Blake's intentions/control, there are parts of The Marriage that appear very... logical (I'm trying to be careful with that word, as I don't necessarily mean *fully* conscious), such as plate 11 which is astonishing in its clarity. However, Blake himself was regularly amenable to what we'd call some form of automatic writing - e.g. his letter to Dr Trussler on his composition/design process, 1799: "And tho I call them Mine I know that they are not Mine being of the same opinion with Milton when he says That the Muse visits his Slumbers & awakes & governs his Song when Morn purples The East. & being also in the predicament of that prophet who says I cannot go beyond the command of the Lord to speak good or bad"

    • @gmedeiros5748
      @gmedeiros5748 5 หลายเดือนก่อน

      Good thing It did not get sold or lost . It is a companion to Boehmes William Law edition. Chances are if the book was left on a picnic table it would get tossed in the trash by cleanup crew . Not many would know what it is . Yes that sounds correct . William likely was a solitary person to begin with.When he read the works of Milton , Swedenborg , Jacob Boehme he was definitely finding companions to what it seems he calls the devils party .This implies the author Blake was in the belief of being in a divine union with super sensible things . In the forty years of taking small pieces of the poetry and mythology Blake created it appears to be accumulated meditations put into his own spiritual thought process . The inspirations are so many it is impossible to pinpoint . It is an experience of life put into words and art . Aleister Crowley enjoyed Blake possibly for Blake’s hatred of conventional thinking and hypocrisy .Blake helped formulate some of Crowleys basic ideas but so does Rabelais , E Levi and Dee The human will condensed through a looking glass into a needle and thread that burns through the superfluous nature that gives a window burned into the sun seems to be an enthusiasm or heroic frenzy of some human beings . Giordano Bruno wrote a book -the heroic frenzies that is a masterpiece of this phenomenon . Essentially it is a divine madness .

  • @lessismore4470
    @lessismore4470 5 หลายเดือนก่อน

    Thank you. I'm just thinking about Blake and the Neoplatonist Thomas Taylor's translation of Porphyry's Cave of the Nymphs as a possible context. Why not speak about it in one of the future episodes? Frankly speaking, I don't know much about Blake's interest in Neoplatonism. I can only guess it was rather big.

    • @ZoavisionMedia
      @ZoavisionMedia 5 หลายเดือนก่อน

      Blake's had a strong interest in Taylor and Neoplatonism (that's been attested since Kathleen Raine, at least, in Blake and Tradition, and which crops up in writings going back to WB Yeats's edition of Blake in the 1890s). A good person to watch re. Platonic readings of Blake is Mark Vernon @PlatosPodcasts.

  • @siriusfun
    @siriusfun 5 หลายเดือนก่อน

    Crowley is perhaps the most famous poseur there is. If this comment triggers you then congratulations: his troll endures. toodles.

    • @Silmarillion80
      @Silmarillion80 หลายเดือนก่อน

      Whatever makes your ego feel better champ...

    • @MommaLousKitchen
      @MommaLousKitchen 22 วันที่ผ่านมา

      I'm not a big fan. Just started down the Blake road. Amazing art. Maybe a Blake fan, we'll see.