วีดีโอ

Upon the passing of Herbert von Karajan, a significant discourse unfolded regarding the succession of the Berlin Philharmonic’s principal conductorship. Expectations were high that Seiji Ozawa might ascend to this prestigious position. However, the Berlin Philharmonic’s adoption of an electoral system, contingent upon orchestral member consensus, rendered Seiji Ozawa’s appointment unlikely. Even Daniel Barenboim failed to secure the role, highlighting the intricate dynamics and inherent unpredictability in such esteemed musical appointments.

カラヤン　イケメン… 本名が唐澤とかで、あだ名がカラヤンとか、どっかにいそうだよな…

昔、カラヤンのアンチはすべてベーム派でしたねｗ バーンスタインどーしたって感じだった、、、

小澤さんは、立派な指揮者でした。素晴らしい指揮者でした。ご冥福をお祈りいたします。

小澤征爾さん、心より御冥福をお祈りいたします…

リハ見てたら中学の吹部やってた頃の合奏を思い出す笑

どんな芸能でも「ここで魅せる」ための具体的なアプローチが優れているほど、人は惹きつけられていくと思う。カラヤンはそれが圧倒的に上手いし、以降の演奏家にも絶大な影響を与えたと思う。

実のところ最後の10年のカラヤンはあまり好きになれない。 やっぱり50年代から70年代までかなあ。

1:48 Look how in tune with him they are. When he tilts his head, their heads follow.

名だたる大指揮者たちがコメントしてるのみるとカラヤンの強大さがより来る

カラヤンの指揮は、聴くだけでなく、指揮をする姿にグイグイ惹かれてしまいます。もうこのような素晴らしい指揮者は出ないのかもしれない。 一度でいいから、生で聴いてみたかった😢

楽譜に忠実な、、、直後のシューマンでいきなり「最初の拍長めにして！」 全然忠実じゃなくて草

What a lesson of and in the music.. Brynjar Hoff

Thank God for this Man.. Brynjar Hoff

I should have taken German in high school.

Such a terrible frustration that English sub-titles aren'tprovided!

Kann den Thielemann nicht ernst nehmen.

流石カラヤン!

Who speaks at 2.25-2.44?

カラヤンに「こうして」と言われて瞬時に出来るメンバーも凄い…

カラヤンとバーンスタインはよく比較されるけどトスカニーニとフルトヴェングラーとの関係ではないと思うなぁ カラヤンは古典的というか伝統の継承者な気がする バーンスタインは伝統の継承もしてるけどより大衆に分かりやすくでも深さを持たせたものになっている どっちも凄いと思う

厳しい　カラヤンの元で、中学校の時 指揮者になりたかった 今は、普通の　オッサンになってしまった、、、けど　カラヤンの指揮する 曲は　大好き

バーンスタインとよく比較されるけど、バーンスタインの演奏はより堅実で、カラヤンの演奏は曲をより深めていると思う

カラヤンの音楽を後継してる人は、ティーレマンくらいだと思う。

小澤征爾さんがカラヤンから学ぶことがあると言う

小澤征爾さんは面白く素晴らしい方と思いました。

小澤征爾さんは朝ごはんは大切だと言う

オケがうますぎる。

Gran maestro ,admirado , su ensayo personalizado en busca del tono perfecto , privilegio para los músicos ,líricos ,líricas como Sumi Jo,kathleen Battle trabajar con él. ( Chile).

Could you translate Chinese?

Hahahaha, multi-version-karajan! Awesome idea!!!👍🌌💋🙏❤️😂😍😃💪👏👏👏🙏

From what documentary is this excerpt?

Goddamn...

Well The Best Version !

Foda é pra BR entender isso aí, em alemão com legenda em chinês/japonês, sei lá que poha é essa kkkk Mas só de ver os mestres Karajan e Ozawa já vale a pena

What about Abbado?

what about Barenboim?

All Beethoven symphonies and concertos on the CDs I've got are conducted by Herbert von Karajan....they're my treasures！🍷

I hope very much the Berlin Philharmonic Orchestra will release the Giulini Recording on cd. I have asked so many times, and it was of no avail! Alas!!!!

DIAL 2 FOR ENGLISH

@Hexequartett OUTSTANDING !!! Thank you so much for sharing this. Link was sent to me by friend :) Doesn't get much better than this. I am putting it into my Classical playlist!! 💋 xxx Kai

This comparison brings into focus one of the thorniest and critical aspects of different recordings: that of which edition the conductor used. Bruckner, more than most other composers, suffered from the well-intentioned - if aesthetically adle-brained - ministrations of his "enlightened" students to often talked him into "smoothing the edges" and "re-Wagner-izing" some passages that they found to be a bit "over the top" (not recognizing that Bruckner was NOT Wagner - or these students - but an original voice of his own. Hence there ended up being multiple versions of the Fourth, the Fifth, the Seventh, and the Eighth. A good synopsis of the various versions can be found at: jomarques.tripod.com/bruckner.htm While other symphonies had multiple editorships, the Ninth's editing was mainly done by Ferdinand Löwe (en.wikipedia.org/wiki/Ferdinand_L%C3%B6we), virtually of of whose changes were - as far as we know - unauthorized. We can hear the effects of one of Löwe's bowlderizations in the opening of Knappertsbusch's example. Note that in Furtwangler's - and later - versions, the ostinato starts with constant repetition in measures 1-2 of the tonic 'd' . Then, in the measures 3-4, the figure adds a (very disonant) 'e', creating a real edginess in the harmony. Ironically, the stark bite of the figure is minimized by Knappettsbusch's interpretation. However, that bite is lost by the edition's cleaning up" of the score.

Thank-you for this side-by-side comparison. This demonstrates the incredible performance Herr Furtwangler elicited from this orchestra, followed by an incredibly powerful reading form the (normally supposedly stolid) Knappertsbusch along with a surprisingly powerful - if not entirely together - reading from Barbarolli. What really shocked me we was the utterly bloodless reading from VonK. He is showing here his at-that-time-growing Montavni-esque emphasis on homogeneous sound (a la Ormandy, without Ormandy's insights). Jochum, as ever, is up-to-snuff. Giulini needs some (a LOT) of caffeine, Wand good, and Rattle surprisingly pedestrian, although able to some drive into the sound (perhaps, I'm burned out by too many repetitions!!) Viva Furtwangler, Knappertsbusch, Barbarolli, and Jochum!! Does this mean that our greatest Bruckner days are behind us? ;-(

Karajan was and still is the best, someone who nobody can surpass.

is there an english sub?

Salut ! je susi d'accord avec vous aucune comparaison , c'est une des meilleures interpretation ! un vrai plaisir !! amities de Marseille !

Stupid of me. Just one of those things I thought I knew.

he wasn't German though!

Fascinating, thanks for sharing; Furttwangler and Jochum for me! Rattle is surprisingly powerful too.

He was from Austria.