วีดีโอ

Good evening my dearest Henkie !!!! I found this antique record !!!!! I am not sure, but I think, it is a letter from an unfaithful old spinster !!!!! I think, it is funny !!!!! I have watched father Brown, and now I`ll go to bed !!!!! Have you watched Columbo again? How many episodes has Elly bought? Good night, my most precious friend, sleep well and have sweet dreams !!!! See you to morrow !!!!! Love from your always faithful Jytte

Hier ook een mooie dag, Henk. Hugs, Tonya.

Henk dat was ook eens een hit kISS ME HONEY HONEY KISS ME alleen het jaar weet ik niet meer

ont dirait saint granier la date corespond

Een mooie melodie en een mooie versie door Will Glahé

Hello my dearest Henkie, I found this beautiful song !!!!!! Is it a dance lesson - first one foot and then the other? I love such old records !!!!!! I have got a new rollator today !!!!! It is exactly like the old one, but it is not loose in the joints !!!!!! I am glad !!!! It is much easier to walk !!!! Apropos walk - do you and Elly take a walk every day? I think, it is good for you, my sweet friend !!!!!! I`ll listen again, before I go to bed !!!! Now it is coffee time !!!! Love from your Jytte

Henk heeft voor iedere avond een andere serenade, maar wel niet bepaald het juiste instrument.

_Serenade to a Beautiful Day._ - Peter Revell (music) & Hubert Sands (words) *Denis Martin* (1920 - October 1988) was a Northern Irish singer, actor and theatre producer active in the 1940s to 1980s. Martin won the All-Ireland tenor competition at Feis Ceoil in 1944, He then moved to England where he performed as a singer in musical shows and in radio and TV broadcasts. Soon after arriving in England Denis joined the Players' Theatre, a permanent music-hall company in London. In 1949 he played the juvenile lead in _King's Rhapsody_ with Ivor Novello. He went on to become the Director of Production at the Players' Theatre, developing and adapting plays for musical theatre. Denis's brother Brendan joined him in London as a professional singer at the Windmill Theatre. Discography Albums Songs of the Emerald Isle (1969) Singles Galway Bay / Terence's Farewell (1948) Eileen Oge / Sing Sweet Nightingale (1948) Come Back Paddy Reilly / The Last Mile Home (1949) Stage and screen Film and television roles These Wonderful Shows Music for You Tonight's the Night (1954) Here and Now (TV) (1955) The Bamboo Prison (film) (1954) Happy Ever After (1954) The Good Old Days (TV) (1969 - 1971) Radio Yuletide in the Music-Hall A Christmas Box at the Players' Theatre; BBC Radio 4, 25 December 1969 Theatre roles The Duenna Pacific 1860 (1946) Tuppence Coloured (1947) Oranges and Lemons (1947) King's Rhapsody (1949) The Punch Revue (1955) As producer A Little of What you Fancy (1968) => Glenn Miller: Moonlight Serenade => Glenn Miller: Sunrise Serenade => Enrico Caruso: Le deux sérénades => Line Renaud: Sérénade des cloches => Michel Roger: Sérénade au nuage => Helmut Zacharias: Student Serenade => Vladimir Kastorsky: Serenade (Tchaikovski) => Bob Scholte: Italiaansche ezels serenade => George Hofmann (Duo Hofmann): Spaansche Serenade => George Hofmann: Serenade aan Donna Maria => George Hofmann: Serenade van Harlekijn => Louis Davids: Serenade aan Grietje => Serenade aan Clementine => The Melachrino Strings: Serenade (Schubert) => Spike Jones feat. Judy Manners & Red Ingle: A Serenade to a Jerk => Rudolf Schock: Toselli Serenade => Tino Rossi: Sérénade céleste => Tino Rossi: Celebre serenata (Toselli) => Rudolf Schock: Fern im weiten Land (Toselli Serenade) => Gunther Kallmann Chor: Elisabeth Serenade => Willy Derby: Penny Serenade => Tino Rossi: Sérénade sans espoire => Rina Ketty: Sérénade près de Mexico => Fred Gouin: Sérénade du passant => Georges Boulanger: Serenade Tzigane => Mario Lanza: Serenade => The Three Jacksons: De badkuip serenade => Charles van Isterdael (cello): Sérénade Espagnole => Eddie Calvert: Little Serenade => Helmut Zacharias: Mandolin Serenade => Billy Thorburn: The Blacknote Serenade => Cedric Dumont und sein Orchester: Gitarren-Serenade => Trio Ackroyd: Sérénade des Anges => Frankie Yankovic: Ferryboat Serenade => Orchestre Viennois (Dajos Béla): Serenade Chinoise => Herbert Ernst Groh: Schön ist die Nacht Serenade => Frederick Hippmann: Venezianische Serenade => Jascha Heifetz: Serenade op. 4 => Barnabas von Géczy: Serenade => Monique Daval: Triste Sérénade => Pierre Malar: Sérénade Argentine => Luis Mariano: Angélica Sérénade => Allan Jones: The Donkey Serenade => Emile Prud'homme et le Chanteur Sans Nom: Sérénade à la mule => Tino Rossi: Sérénade de Don Juan => Tino Rossi: Sérénade Portugaise => Tino Rossi: Sérénade à la brise => Disque Diamond: Sérénade amoureuse => André Any: Tirol Sérénade => Artur Rodziński conducting the Philharmonic-Symphony Orchestra of New York: Serenade for Orchestra => Gus Wagner and Marshall P. Lufsky: Serenade (Titl) => Mantovani: Serenade voor strijkorkest => Al Bollington (organ): Medley of Serenades. Part 1 & 2

Een mooie stem en een erg mooi nummer

"The Yellow Rose of Texas"* is a traditional American song dating back to at least the 1850s. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. Many versions of the song have been recorded, the most popular of which was by Mitch Miller, whose version reached No. 1 in the United States in 1955. Its popularity made it an unofficial state song of Texas (the actual state song is "Texas, Our Texas"). Origin The earliest known version of "The Yellow Rose of Texas" is found in Christy's Plantation Melodies. No. 2, a songbook published under the authority of Edwin Pearce Christy in Philadelphia in 1853. Christy was the founder of the blackface minstrel show known as the Christy's Minstrels. The song was uncredited in the songbook, and it had no sheet music. In 1858, someone named J.K. revised the lyrics of the song and added a piano accompaniment to the song. Research in 2010 proposed that J.K. was John Kelly, who used the stage name J.K. Campbell, later J.K. Edward, as a member of the Christy's Minstrels. It is possible that J.K. was the original writer of the song. Like most minstrel songs, the lyrics are written in a cross between a parody of a generic creole dialect historically attributed to negroes and standard American English. The song is written in the first person from the perspective of a coloured singer who refers to himself as a "darkie," longing to return to "a yellow girl" (that is, a light-skinned, or bi-racial woman). In the 1858 revision, J.K changed the lyrics from "yellow girl" to "yellow rose". The following year Napoleon W. Gould added a guitar arrangement to the song. The song became a popular song particularly associated with Texas, and its popularity continued into the 20th century. In 1933, Gene Autry and Jimmie Long made it into a cowboy song with some revisions of the lyrics, for example, replacing "no other darkey knows her, no darkie only me" with "no other fellow knows her, nobody else but me." Roy Rogers performed a version of the song in the 1944 film _The Yellow Rose of Texas._ The lyrics continued to evolve in the 20th century into a song that is racially neutral. A story emerged in the 20th century that "The Yellow Rose of Texas" referred to Emily D. West, who was supposedly involved in the Battle of San Jacinto during the Texas Revolution. The claim is disputed, but it nevertheless spawned a number of books on the subject. Civil War use of the song The song was popular during the American Civil War in both the North and the South, and several different versions existed, with titles such as "The Gallant Hood of Texas" and "The song of the Texas Ranger". This song became popular among Confederate soldiers in the Texas Brigade; upon taking command of the Army of Tennessee in July 1864, General John Bell Hood introduced it as a marching song. The final verse and chorus were slightly altered by the remains of Hood's force after their crushing defeat at the Battle of Nashville that December: (Last verse) And now I'm going southward, for my heart is full of woe I'm going back to Georgia, to find my Uncle Joe You may talk about your Beauregard and sing of Bobby Lee But the gallant Hood of Texas, he played hell in Tennessee Or alternatively: and now I'm going southward, for my heart is full of woe I'm going back to Georgia to find my 'Uncle Joe.' You may talk about your Beauregard and sing of Gen. Lee, but that gallant Hood of Texas, played Hell in Tennessee. The modified lyrics reference Confederate military commanders Joseph Johnston, P.G.T. Beauregard, and Robert E. Lee. Soldiers sang it openly to mock Hood's mishandling of the campaign on Nashville. In this version of the chorus, "soldier" replaced "darkie." The same substitution is made throughout the song. The song was very popular with not only Texan troops but other infantry units in the west such as Louisiana and Arkansas. Mitch Miller's recording In 1955, Don George reworked the song, gave the song a marching beat, and this version appeared in an album of Civil War songs. Mitch Miller came across this version, and recorded the song with an arrangement that includes snare drums. Miller's lyrics have further changes, for example using "little rosebud" for "rose of color". Miller was convinced of the potential of the song, and ordered a pressing of 100,000 copies of the single, with the promise that he would buy back all copies at cost if they did not sell. This recording was released by Columbia in July 1955 in the U.S. The song reached number one hit on the Billboard retail chart on September 5, 1955, knocking Bill Haley & His Comets' "Rock Around The Clock" from the top of Billboard's Best Sellers chart. It stayed top of the chart for six weeks, interrupted by Love Is a Many-Splendored Thing for a week on October 8. Miller's was No. 1 on the U.S. pop chart the same week Giant star James Dean died, and 13 months later, Miller's hit version was used for a key scene in the 1956 Texas-based film Giant that starred James Dean. The song peaked at the No. 1 position in Australia, and in the UK, it reached No. 2. Billboard ranked Miller's version as the No. 3 song of 1955. The song became a gold record in the US, with a million copies sold. Gene Autry and Jimmy Long version Gene Autry first recorded this song on January 27, 1933, at Victor Studios, without supporting musicians. On March 1, he and Jimmy Long recorded the better-known version for American Record Corporation (ARC). This was released in June 1933 on Melotone Records (catalog No. 12700). Perfect and several other dime store labels distributed by ARC. His version started with "There's a yellow rose in Texas, I'm going back to see, no other fellow knows her, nobody else but me." On March 10, Autry filed a copyright not for lyrics, but for his arrangement and melody. Whether the copyright was good is unknown, Gene knew all the tricks of the trade, and he learned how to squeeze every dime out of his creative efforts. He made a small fortune from songwriting and publishing over the years (600 songs), and in 1961 he bought a major league baseball team. The soundtrack to the TV miniseries James A. Michener's Texas dates a version of the song to June 2, 1933, and co-credits both the authorship and performance to Gene Autry and Jimmy Long. Other versions In 1955, Johnny Desmond also released a version around the same time as Mitch Miller. Desmond's version reached No. 6 on the retail chart, and No. 4 on the most played by deejay chart. Stan Freberg also issued a parody version of the song the same year in which the bandleader warred with the snare drummer, Alvin Stoller, who also featured prominently in Miller's arrangement. Dacosta Woltz's Southern Broadcasters, Gennet - 6143 (1927) Dario Moreno Elvis Presley Roy Rogers (1942) Bing Crosby recorded the song in 1955 for use on his radio show and it was subsequently included in the CD So Rare: Treasures from the Crosby Archive (2010) Ronnie Hilton - this reached the No. 15 spot in the UK charts in 1955. Michael Holliday - a single release in 1955. Mantovani (1959) Pat Boone (1961) Hoyt Axton (1991) on "Songs of the Civil War" CD (Columbia) Kidsongs (1997) Waldemar Matuška Willie Nelson. The Yellow Rose In 1984, country music artists Johnny Lee and Lane Brody recorded a song titled "The Yellow Rose," which retained the original melody of "The Yellow Rose of Texas" but with new lyrics, for the title theme to a TV series also titled The Yellow Rose. It was a number one country hit that year. Original lyrics Earliest known 1853 version, from Christy's Plantation Melodies. No. 2: The lyrics have since been modified. There's a yellow girl in Texas That I'm going down to see No other darkies know her No darkey, only me She cried so when I left her That it like to broke my heart, And if I only find her We never more will part [Chorus] She's the sweetest girl of color That this darkey ever knew Her eyes are bright as diamonds And sparkle like the dew You may talk about your Dearest Mae And sing of Rosa Lee But the yellow Rose of Texas Beats the belles of Tennessee Where the Rio Grande is flowing And the starry skies are bright Oh, she walks along the river In the quiet summer night And she thinks if I remember When we parted long ago I promised to come back again And not to leave her so [Chorus] Oh, I'm going now to find her For my heart is full of woe And we'll sing the songs together That we sang so long ago We'll play the banjo gaily And we'll sing our sorrows o'er And the yellow Rose of Texas shall be mine forever more [Chorus] The "Dearest Mae" and "Rosa Lee" referenced in the song are the titles of two other songs also appearing in Christy's Minstrels songbooks. "Dearest Mae" is replaced with "Clementine" in some variant versions of the song.

prachtig

I have a recording of Sack but I cannot find its name. th-cam.com/video/nK7XmHnWPHw/w-d-xo.htmlsi=UKA3sjBB1W9bqRoU Would you mind helping me to find it🫠

1963 - _Die Fischerin vom Bodensee_ (In de bergvallei) - Franz Winkler (Musik) Franz-Winkler-Quartett 1950 First release Die Cyprys - Horst Wende, Akkordeon 1951 Gesangstrio: Schmid begleitet von Walter Baumgartner 1951 Will Höhne mit dem Sigi Stenford-Sextett 1951 Will Glahé und sein Musette-Orchester - Golgowsky-Quartett 1951 Orchester Pierre Blanchard mit Ursula Maury, Peter Manuel & Udo Vietz 1951 Orchester Gert Wilden mit dem Tempo-Gesangs-Quartett 1953 Friedel Hensch und Die Cyprys 1955 Die Singenden Gesellen mit dem Orchester Carl de Groof 1965 Renate und Werner Leismann 1971 Tony Marshall mit dem Orchester Jo Plée 1973 Das Original Edelweiß Trio mit Reiner Hartmann 1973 Chris Westgard Chor mit dem Orchester Claudius Alzner 1973 Die Höfer-Zwillinge und die Original Schwarzwaldmusikanten unter Rolf Schneebiegl 1973 Teddy Parker 1974 Original Lechtaler Buam 1974 Rentnerband & Wilken F. Dincklage 1974 Catrin & Horst mit dem Orchester Paul Biste 1975 Orchester Max Greger 1976 Die Fidelen Köflacher 1979 Die Original Wurmtaler Muzikanten mit John Quadflieg 1979 Das Schwarzwald-Duo Gaby & Jörg Wolf 1979 Die Westfälischen Nachtigallen unter Dietmar Hahn 1980 Beny Rehmann 1980 Die Murnockerln 1983 Roland Steinel 1983 Chor Und Orchester "Allotria" 1983 Mürztaler Musikanten 1985 Marion Maerz 1990 Dan Witucki 1990 Pomm Fritz 1994 Ursula Maury & Peter Manuel 1996 Die Wildecker Herzbuben 1997 *Instrumental* Der Brandmeister dirigiert die Große Feuerwehrkapelle 1952 Werner Müller mit seinem Tanzorchester 1957 Aimable son Accordéon et son Orchestre 1961 Medley Die Egerländer "Kaiserwald-Musik" 1962 Will Glahé and His Orchestra 1963 Ernst Mosch und sein Großes Blasorchester 1964 Horst Wende und seine Accordeon-Band 1969 Robert Stolz mit seinem Orchester 1974 Bodensee-Akkordeon-Orchester Fiorini 1983 Sir John and His Barrel Organ 1984 Kirmesmusikanten 1985 Franz Lambert an der Stimmungsorgel 1986 *In de bergvallei* written by André Meurs *Dutch* Orkest Zonder Naam o.l.v. Ger de Roos met zang van Marketensters en Musketiers 1951 *The Fisherman of Bodensee* written by Eric Spear *English* Cathie Taylor October 1960 *La fée du Bodensee* written by Max François *French* Lys Assia avec Jacques Ledru et son orchestre 1953 *Franz Winkler* (17. September 1906 in Sistrans - 8. Mai 1962 in Bregenz) war ein österreichischer Komponist und Musiker der Unterhaltungsmusik. Franz Winkler wuchs in einer musikalischen Familie auf und machte Hausmusik mit seinen Eltern und seinen Schwestern Albertine und Hedwig sowie seinem jüngeren Bruder Rudolf. Er erhielt außerdem Instrumentalunterricht in seinem Tiroler Heimatdorf Sistrans. Er absolvierte eine Ausbildung zum Maler und Anstreicher, bevor er sich nur noch seiner Karriere als Musiker widmete. Als Sänger und Komponist feierte Franz Winkler dann schon 1929 in Buenos Aires seine ersten Erfolge. Er hatte seine beiden Brüder besucht, die dort als Maler arbeiteten. Möglicherweise aus Heimweh komponierte er das Lied _Fliege mit mir in die Heimat._ 1939 begann er, mit seiner Schwester Albertine Seifert (1902-1951) als Gesangsduo „Geschwister Winkler“ aufzutreten. Noch im gleichen Jahr schlossen sich die beiden mit Winklers Frau Ingeborg (1923-2011) zum „Winkler Trio“ zusammen. 1947 zog die Familie nach Lochau, wo Winkler bis zu seinem Tod lebte. Die Gruppe hatte nun zahlreiche Auftritte in der Bodenseeregion. Sie vergrößerte sich zum Franz-Winkler-Quartett, als Winklers Tochter Olga Homann mit dem Akkordeon hinzustieß. Für Albertine Seifert kam Vroni Stöckel an der Zither hinzu. Insgesamt hatte Winkler ein Repertoire von rund 120 Liedern, die zum Teil auf Schellackplatte veröffentlicht wurden. Erfolgreich waren unter anderem die von ihm selbst komponierten Lieder *_Die Fischerin vom Bodensee,_*_ Tirol, du Heimat der Berge_ und _Fliege mit mir in die Heimat._ 1962 starb Franz Winkler an den Folgen eines Leberleidens. An seinem ehemaligen Wohnhaus am Haggen in Lochau erinnert eine Gedenktafel an ihn.

_Tears_ - Louis Armstrong & Lil Hardin-Armstrong (music) - The Dutch Swing College Band: Wybe Buma, Andre Westendorp - trumpets; Wim Kolstee - trombone; Dim Kesber - clarinet; Joop Schrier - piano; Arie Ligthart - banjo; Eddie Hamm - bass; Peter Schilperoort - drums (!). Wladimir *"Dim" Kesber* (The Hague, January 8, 1930 - The Hague, June 6, 2013) was a Dutch jazz musician. He achieved world fame with his interpretations of various genres of jazz music. Kesber played saxophone and clarinet in the combos Dim Kesber and the Augmenters and Dim Kesber and Friends and in the Reunion Jazz Band. He was part of the Dutch Swing College Band for a long period from 1945 to 1960. He died on June 6, 2013, from cancer. *TEARS* King Oliver's Jazz Band First release Mar 1924 First recording in Oct 1923 *Dutch Swing College Band 1954* Tuxedo Brass Band [SE] Mar 1956 The Graham Stewart Seven 1958 Jailhouse Jazzmen 1958 Creole Jazz Band [SE] 1983 The Black Eagles 1983 The Carling Family Hot Six 1987 Mart Rodger Manchester Jazz 1988 Peruna Jazzmen 1990 Devil Mountain Jazz Band 1991 Ted Shafer's Jelly Roll Jazz Band 1995 Phil Mason's New Orleans All-Stars 1995 Steve Waddell's Creole Bells Aug 3, 1999 Independence Hall Jazz Band 2002 Scott Robinson May 4, 2004 The Southern Stompers 2006 Tim Laughlin feat. Connie Jones Mar 2011 Spicy Advice Ragtime Band 2016 *Lillian Hardin Armstrong* (née Hardin; February 3, 1898 - August 27, 1971) was an American jazz pianist, composer, arranger, singer, and bandleader. She was the second wife of Louis Armstrong, with whom she collaborated on many recordings in the 1920s. Her compositions include "Struttin' with Some Barbecue", "Don't Jive Me", "Two Deuces", "Knee Drops", "Doin' the Suzie-Q", "Just for a Thrill" (which was a hit when revived by Ray Charles in 1959), "Clip Joint", and "Bad Boy" (a hit for the Jive Bombers in 1957). Armstrong was inducted into the Memphis Music Hall of Fame in 2014. Background Lil's grandmother, Priscilla Martin, was a former slave from near Oxford, Mississippi. Martin had a son and three daughters, one of whom was Dempsey, Lil's mother. Priscilla Martin moved her family to Memphis to escape from her husband, a trek the family made by mule-drawn wagon. Dempsey married Will Harden, and Lillian Hardin was born on February 3, 1898. She grew up in a household with her grandmother. Will died when Lil was seven. Dempsey later remarried to John Miller. During her early years, Hardin was taught hymns, spirituals, and classical music on the piano. She was drawn to popular music and later blues. Early education and mentors Hardin first received piano instruction from her third-grade teacher, Violet White. Her mother then enrolled her in Mrs. Hook's School of Music. At Fisk University, a college for African Americans in Nashville, she received more advanced training, and earning a diploma from Fisk, returned to Memphis in 1917. In August 1918, she moved to Chicago with her mother and stepfather. By then she had become a proficient sight-reader, a skill that helped her gain a job as a sheet music demonstrator at Jones Music Store. The store paid Hardin $3 a week ($61 in 2023 dollars), but bandleader Lawrence Duhé offered $22.50 ($458 in 2023 dollars[9]). Knowing that her mother would disapprove of her working in a cabaret, she made it known that her new job was playing for a dancing school. As observed by Thomas Brothers, the discrepancies between her education and that of Duhé's band members were apparent; when she asked what key the New Orleanians were going to play in, they remarked, "We don't know what key. When you hear two knocks start playing." Three weeks later the band moved to a better booking at the De Luxe Café, where the entertainers included Florence Mills and Cora Green. From there, the band moved up to Dreamland. Here the principal entertainers were Alberta Hunter and Ollie Powers. When King Oliver's Creole Jazz Band replaced Duhé's group at Dreamland, Oliver asked Hardin to stay with him. She was with Oliver at Dreamland in 1921 when an offer came for the orchestra to play a six-month engagement at the Pergola Ballroom in San Francisco. At the end of that booking Hardin returned to Chicago while the rest of the Oliver band went to Los Angeles. She later studied at the New York College of Music, where she earned a post-graduate diploma in 1929.

Tears of joy it seems! 😎

Henk hier was het net zo Ik liep de juiste liefde tegen het lijf en toen was het afgelopen met het drumstel Ha ha ik hoor het mijn vader nog zeggen Die verdomde rooie. 14 jaar was ik toen Jo in mijn leven kwam Hij haalt me daar het beste paard uit mijn stal. Maar ik moet ook eerlijk zijn Ik had op een gegeven ogenblik omdat ik gedwongen werd door pa er genoeg van en spijt heb ik er nooit van gehad, dat ik gestopt ben Maar ik ben er wel trots op dat ik een vr drumster ben. En mijn man toen mijn vrijer sjeesde met zijn brommer overal achter mij aan Henk als ik er nu aan denk dan schiet ik nog in een behoorlijke lach Ha ha ik was iets apart . En mijn vader zijn woorden waren altijd tegen de klanten Die kat had een kerel moeten zijn hoe kom ik nou aan zoiets. Henk Ik zei altijd wees blij dat je mij hebt ik lever je tenminste nog geld op. Maar ik kijk er wel met een glimlach op terug. Rooie als ze 21 dan kom je nog maar eens terug Henk maar ik heb wel een geweldig leven gehad Als ik het opnieuw moest doen dan kies weer hetzelfde gr Lies

Lovely, and he reminds me of Tauber.

Daar word je toch vrolijk van. Heerlijk. Bedankt Henk. 😁

Now the last of your uploads today, my dearest Henkie !!!!!!!!! Thank you for a beautiful serenade !!!!!! Denis Martin sings wonderful !!!!!!! We must always appreciate a beautiful day, but really every day is beautiful, if we are alive to experience it !!!!!!! I think, I`ll stay indoor today !!!!!! To morrow shall be a busy day - singing, chair gymnastic and in the evening Kulturcafeen with Grandmother`s food !!!!!!!! My sweet friend, I`ll listen again later, and I send you my warmest feelings and most caring thoughts !!!!!! Love from your always faithful Jytte

This is one of my favorites, my dearest Henkie !!!!!!! I have it in my playlist in more languages !!!! I have a beautiful version in Danish with Preben Uglebjerg !!!!!!!! This one is a very short number with The Harmonica Playboys - only 1 and 1/2 minute !!!!!!! My sweetie, you are forever in my heart and soul !!!!!! Yours Jytte

Oh now an old antique Disque Pathé, my dearest Henkie !!!!!!!! Even if it is in bad condition, I like it !!!!!!! It is a tribute to Marguita !!!!!!!!! The weather is grey and cold !!!!!!! We have minus 1 degree !!!!!!! Later we may get 3 degrees !!!!!!!! But the day is already 2 hours longer, so the light is coming back rapidly !!!!!!!!! My sweet friend, I wish you all the happiness in the world !!!!!!! Yours affectionately Jytte

Sehr gut.

O how beautiful, my sweet Henkie !!!!! Will Glahe is great !!!!! It is a lovely melody about a woman fishing in the Bodensee !!!!!! It must be a wonderful job, if you like fish !!!! I don`t want to fish !!!! I think, some of them are cute, but I don`t want to touch them and eat them !!!!!!! My wonderful drummer boy, I send you lots of air-hugs and air-kisses !!!!!! Your devoted fan and friend Jytte

Good morning my dearest Henkie !!!! I hope, you have slept well !!!!!! Thank you for this lively melody !!!!! It must be sad, when it is called "Tears" !!!!!!! It doesn`t sound sad, so perhaps they are tears of joy !!!!! If I suddenly stop listening, is it, because my bathing helper is here !!!!!! My sweet friend, I wish Elly and you a lovely Tuesday !!!!!!! Your eternal friend Jytte

Hearing Doris day sing makes me feel awesome ❤❤❤❤❤❤ The song I love it takes time

_Heinzelmännchens Wachtparade_ - Kurt Noack (muziek) - Billy Longstreet's Jazz Band: Jaap Leben - trumpet, Rudy Bosch - trombone, Willy Langestraat - clarinet, Dick Schallies - piano, Wim Sanders - banjo, Wim Kastelein - bass, Wim van de Braak - drums. *Willy Langestraat,* pseudoniemen Laguestra en *Billy Longstreet* (Rotterdam, 29 maart 1914 - Amsterdam, 20 juni 1995) was een muzikant, componist, orkestleider en muziekverzamelaar. Hij geldt als de grondlegger van de exotische muziek in Nederland. De in Delfshaven geboren multi-instrumentalist begon op 14-jarige leeftijd als klarinettist bij de harmonie van de scheepswerf Wilton Fijenoord waar zijn vader werkte. Die speelde nota bene tot zijn tachtigste cornet in de bedrijfsharmonie. In de loop der jaren werd Willy de eerste klarinettist en hij won in 1932 een prijs op een nationaal solistenconcours. Een aardige prestatie voor iemand die buiten de bedrijfsharmonie en de aanwijzingen van zijn vader nooit les had gehad. Langestraat: ‘Op de een of andere manier heb ik meegekregen dat waar een ander hard op moet studeren, bij mij soms ineens gaat. Talent hebben is veel belangrijker dan gestudeerd hebben.’ Hij memoreerde de jaren waarin muziek nog een hobby was: _‘We woonden toen in Schiedam en iedere zaterdag ging ik met mijn vader op de fiets naar de repetitie van de harmonie in een gebouwtje in Delfshaven. Ik herinner me nog zo’n strenge winter waarin we na de repetitie op de terugweg onze carbidlantarens moesten ontsteken en wij beiden totaal verkleumd thuiskwamen. We hadden er toen veel voor over, er was nog geen televisie, onze salarissen waren vrij laag en om deze en andere redenen nam de harmonie een vrij grote plaats in ons leven in.’_ 4000 INSTRUMENTEN Na twee jaar in de kunstsmederij te hebben gewerkt, begon Willy Langestraat als machinebankwerker. In zijn vrije tijd bespeelde hij de klarinet niet alleen in de WF-harmonie, maar ook in het Schiedamse symfonieorkest Ludwig van Beethoven. En hij begon zijn eigen jazzband: The Rhythm Boys (1932-’34). Met deze band behaalde hij in 1933 op het Jazz Wereldconcours in Scheveningen de zesde plaats. In 1936 nam Langestraat ontslag bij de werf en werd beroepsmusicus. Hij startte zijn professionele loopbaan op 20-jarige leeftijd in de band van Frans Steffan, waarmee hij op tournee ging door Zwitserland. Willy was autodidact en bekwaamde zich moeiteloos in uiteindelijk meer dan 4000 instrumenten! Vóór en tijdens de oorlog maakte hij deel uit van dertig orkesten, waaronder die van Siegfried Courant (1939), John Kristel (1939-1942), Piet van Dijk (1945) en later o.a. het wereldberoemde orkest van Malando (1947-1951). TE DUITS Tijdens de Tweede Wereldoorlog was Willy de klarinettist en saxofonist bij de band van de uit Denemarken afkomstige musicus en showman Boyd Bachman, die uit protest tegen het bombardement van Rotterdam de tweede N uit zijn naam had weggelaten. Te Duits. Hij maakte in 1942 opnamen met Lou Bandy (Lili Marlene) en het koor Aethercharme samen met zanger Henk Dorel. Liedjes als Door de nacht klinkt een lied en Als sterren flonkerend aan de hemel staan van Jack Bulterman. Willy ging met de bevrijders mee. De Canadezen noemden hem Bill Longstreet from Holland. Die naam zou hij in de late jaren ‘50 nog gebruiken. Zijn sextet met Harry de Groot (vibrafoon), Frans Elsen (piano), Wim Overgaauw (gitaar), Dub Dubois (bas) en Wessel Ilcken (drums) speelde easy swing in de stijl van Benny Goodman. LAGUESTRA Als Laguestra staat hij te boek als de eerste Nederlander die een Zuidamerikaans getint orkeststuk schreef. Hij speelde in meer dan tien verschillende samba-rumbaorkesten. In 1957 formeerde hij voor plaatopnames Laguestra and his Cha cha’s met Wim Kuylenburg, Ado Broodboom en Herre Jager (trompet), Joop Hellemond en Deo Piazza (trombone), Toon van Vliet (tenorsax), Arie Jongman (fluit), Addy Kleyngeld (accordeon), Dick Willebrandts (piano), Eddy de Jong (vibrafoon), Wim Kastelein (bas), Wim van de Beek (bongo) en leider Laguestra op klarinet. Zijn album Utopia uit maart 1957 met westerse en exotische instrumenten geldt als het standaardwerk op het gebied van wat nu wereldmuziek wordt genoemd. Terwijl de Latijns-Amerikaanse klanken hoogtij vieren, kan Langestraat zijn eerste Arabische plaat niet vergeten. De muziek boeit hem mateloos. Hij kreeg 1932 in de haven van Schiedam van een zeeman een 78-toerenplaat. Naast Arabische tekens op het label staat op de hoes de leesbare mededeling dat het gaat om `Les chansons eternelles d’Umm Kullthum’ betreft. Willy Langestraat luistert gefascineerd naar de melancholieke klanken en verwerkt stukjes daarvan in zijn spel. De AVRO is verbaasd als Laguestra tijdens het razend populaire radioprogramma De Bonte Dinsdagavondtrein komt aanzetten met de Algerijnse luitspeler Taoud Ben Nacef. Niet alleen introduceert Langestraat Arabische muziek in Nederland, hij heeft nu ook in de Arabische wereld zijn fans. Radio Nederland Wereldomroep speelt tijdens zijn op het Midden-Oosten gerichte uitzendingen vaak Laguestra-arrangementen van liederen van Oum Kalsoum. STER In de jaren zestig groeide zijn bekendheid als presentator van het Tros radioprogramma Van heinde en verre. Van 1972 tot 1987 was hij dagelijks in de huiskamers te beluisteren als componist van de muziek en de geluidseffecten voor Loekie de Leeuw, korte animatiefilmpjes die de STER reclameblokken aantrekkelijker moesten maken. Op 81-jarige leeftijd overleed de bevlogen pionier van de uitheemse muziek, die volgens zeggen overal geluid uit wist te halen. Onder zijn eigen naam maakte hij opnames waarop hij klarinet of saxofoon speelt. Maar de muziek die hij maakte als Laguestra is weer heel anders. Hij maakte eind jaren 50 al een LP getiteld Utopia, met niet-westerse muziekinstrumenten en veel percussie, hij speelde daarin zelf op de sitar. In Nederland en omstreken was Laguestra hiermee een pionier. Duimpiano's, een sitar en oosterse drums waren geen gebruikelijke instrumenten in de Nederlandse muziekwereld. Op de radio was hij te horen met zijn Zuid-Amerikaanse orkest Laguestra en het orkest van Billy Longstreet. Verder opereerde hij onder de namen: The Willy Langstraat Quartet Tango Orkest Laguestra Laguestra Y Son Orquestra Tipica Laguestra and His Marimba Tipica Orchestra Latin Ballroomorkest *Billy Longstreet's Jazz Band* Billy Longstreet Quintet Willy Langestraat Quartet Willy Langstraat Sextet Als muzikant werkte hij bij de orkesten: Orkest Malando Ensemble Eddy Christiani Rudy and the Royal Rhytmics Willy (Wissink) & His Giants AVRO - orkest De Zaaiers Frans Poptie en zijn Solisten Na de Tweede Wereldoorlog kwam voor Langestraat het succes. Voor de bevrijders is hij Bill Longstreet from Holland. Daarna werden de composities van Langestraats Zuid-Amerikaans en zijn naam werd Laguestra en hij werd leider van verschillende sambaorkesten. Bij de AVRO lanceerde Laguestra bij het radioprogramma De bonte dinsdagavondtrein in 1957 de Algerijnse muzikant Taoud Ben Nacef en introduceerde zo Arabische muziek in Nederland. Vooral zijn Arabische composities vallen op: _Berbersong, Turkish Coffee,_ en _The Flying Carpet._ Voor harmonieorkest schreef hij _Brasilian Mood,_ voor altsaxofoon en harmonieorkest (1986). Twintig jaar verzorgde Willy de muziek bij Loeki de Leeuw. Hij was ook in staat om in zijn eigen muziekstudio complete orkestwerken te produceren, waarop hij alle instrumenten zelf bespeelde. Op de TROS Radio had hij jarenlang het programma Van Heinde en Verre waarin muziekculturen en instrumenten uit de hele wereld aan de orde kwamen. Op zijn huisadres had Langestraat een enorme verzameling muziekinstrumenten en ongeveer 4000 LP's. Willy Langestraat overleed in 1995 op de leeftijd van 81 jaar. Discografie Utopia (LP) 1957 The Willy Langestraat Quartet (EP) 1957 Willy Langestraat Sextet - 1956 Willy Langestraat - Bij ons in de Buurt = Foxtrot Laguestra - Tipi Tin Cha Cha (single) Laguestra - Banana Cha Cha (single) Laguestra - Choo Choo Cha Cha (single) Laguestra and His Marimba Tipica Orchestra (EP) 1956 Lenggang KangKoeng - met Rudy & The Royal Rhytmics (EP ?) 1963 Billy Longstreet - Nobody Knows the Trouble I've Seen (single) Frans Poptie & zijn Solisten - 1956 The Billy Longstreet Sextet plays Summer set (single) 1960

Wat fijn echt heerlijk deze plaat. En ja we zitten er allemaal wel eens naast ook ik Trouwens mijn platen heb ik opgeruimd. Die van pa en Lenie heb ik wel nog de rest is weg. Maar ik heb hier wel een opdonder cd's liggen En dan de oude bakeliet platen van pa Maar eerlijk gezegd ik draai het niet het roept teveel in mij op Ja en natuurlijk het is ook voor Indy. Henk maar ik ga nu wel slapen ik heb morgen een hoop te doen en wens voor jullie dan ook een fijne nachtrust gr Lies.

Good evening my dearest Henkie !!!!!! I found this great song about soldiers !!!!! Soldiers live a hard life, but they also have much fun together !!!!!!!!! I have watched Columbo (perhaps you have too) !!!!! Now I am tired and will go to bed !!!!!!! Good night my most precious friend, sleep well and have sweet dreams !!!!!! See you to morrow !!!!!!!!!!! Love from your always faithful Jytte

_Fairy's Guard Parade (Heinzelmännchens Wachtparade)_ - Kurt Noack (muziek) - Guus Jansen (arrangement voor orgel) *Kurt Noack* (13. Februar 1893 in Stettin - Januar 1945 in Berlin) war ein deutscher Komponist und Kapellmeister. Noack wurde am 13. Februar 1893 in Stettin, damals Hauptstadt der Provinz Pommern, geboren. Nach dem Schulbesuch begann er ein Musikstudium, das er als Kapellmeister abschloß. Lange Jahre leitete er die Hauskapelle im Hotel Preußenhof in Stettin. Später lebte und arbeitete er in Berlin. Als Komponist verlegte er sich auf die Unterhaltungsmusik; besonderen Schwerpunkt bildeten dabei Salon- und Charakterstücke. Seine bekannteste Komposition ist wohl das Charakterstück *“Heinzelmännchens Wachtparade”* op. 5 D-Dur, dessen Originalfassung für Klavier zu zwei Händen 1912 in Stettin im Baltischen Verlag (Wilhelm Hofmeister) erschienen ist. Auf der Darstellung eines unbekannten Grafikers, welche das Titelblatt der Originalausgabe für Klavier zu zwei Händen ziert, schreiten drei weißbärtige Zwerge in grünem Gewand und roter Mütze vor einem wolkigen blauen Himmel entlang eines von sieben Fliegenpilzen gesäumten Weges von links nach rechts. In der linken Hand halten sie je ein recht unförmig aussehendes, von ihrem Körper weitgehend verdecktes Gewehr und heben beim Voranschreiten gerade das rechte Bein. Schon zur Zeit des Erscheinens wurde das Stück von prominenten Salon-Orchestern wie Dajos Béla, Ferdy Kauffman oder Géza Komor auf Grammophonplatte aufgenommen. Nicht nur dadurch wurde es auch im Ausland verbreitet und bald äußerst populär. Dass die zeitgenössische Musikpublizistik Noacks Komposition „Heinzelmännchens Wachtparade“. eher abwertend als „trivial“ und „seicht“ beurteilte, hat ihrer Popularität in keiner Weise geschadet. Sie wird noch immer gern gespielt; bis heute sind davon zahlreiche Bearbeitungen für verschiedene Instrumente und Besetzungen erhältlich. Noack war auch als Bearbeiter tätig u. a. arrangierte er den Marsch „In Treue fest“, des Militärmusikers Carl Teike, dessen Marschkomposition „Alte Kameraden“ bis heute bekannt ist, für Salonorchester. Noacks Bearbeitung wurde 1925 bei Friedrich Mörike in Stettin verlegt. Dort erschien 1933 auch Noacks Charakterstück „Goldelfchens Hochzeitstag“ op. 40 für Piano. Noacks Sohn Heinz wurde am 31. Mai 1936 in Berlin geboren. Wie sein Vater wurde er ebenfalls Musiker; später arbeitete er als Künstlervermittler. Kurt Noack starb am 1. Januar 1945 im Alter von 51 Jahren in Berlin. Der Musikkatalog der DNB verzeichnet zu Kurt Noack 34 Einträge, davon allein 30 für seinen hit “Heinzelmännchens Wachtparade”: Heinzelmännchens Wachtparade, op. 5 : Charakterstück Aufzug der Clowns, op. 39 : Intermezzo characteristique Goldelfchens Hochzeitstag, op. 40 : Charakterstück Heinzelmännchens Wachtparade : Kurt Noack, f. Zither I, bearbeitet von P. Renk. Verlag: Mainz : B. Schott's Söhne, [19--] Mondnacht. Intermezzo, op. 13 / Kurt Noack. Verlag: Friedrich Mörike Nachf. Stettin, cop. 1925. Marionetten um Mitternacht. Tanz-Intermezzo [op. 54] = Marionettes à minuit / Kurt Noack. Verlag: Mainz u. a. : Schott u. a., 1935 (= Serie Domesticum, Nr. 392) Alte Kameraden : Marsch / C. Teike ; arr.: Kurt Noack. Voor harmonieorkest - Partijen voor: 2 violen, cello, bas, fluit, klarinet, 2 hobo's, trompet, 2 trombone's, harmonium, slagwerk. Stettin : Mörike, [1920] Marionetten-Parade, op. 7 : Charakterstück Ingeborg. Valse scandinave op. 10 Bearbeitungen: In Treue fest! Marsch. Ausgabe für Salonorchster. Arrangement: Kurt Noack. Stettin: Friedrich Mörike Nachf. [1925] Schloß am See. Walzerlied. Worte und Musik: Willy Kaiser-Eric. Arr.: Kurt Noack. Ausgabe für Salonorchester. Berlin: Imperator Musik-Verlag 1936. Tondokumente Heinzelmännchens Wachtparade : Charakterstück / Kurt Noack. Künstler-Orchester Dajos Béla. Odeon AA 79832 / O-7128 (Matr. xxBo 7628-II), Format 30 cm Heinzelmännchens Wachtparade : Charakterstück / Kurt Noack. Take Banescu mit seinem Künstler-Orchester. Homocord B 172 (Matr. M 16 799), im wax: A 4 3 27 Heinzelmännchens Wachtparade : Charakterstück / Kurt Noack. Salon-Orchester Géza Komor vom Hotel »Excelsior« Berlin. Tri-Ergon T.E. 5083 (Matr. 0926), Berlin-Marienfelde, ca. Ende 1927 Heinzelmännchens Wachtparade / Kurt Noack. Ferdy Kauffman und sein Orchester. Electrola E.H. 45 / 4-040542 (Matr. Cw 760-I), Format 30 cm Marionetten-Parade. Charakterstück (K. Noack) Künstlerorchester Gregor von Akimoff, Stuttgart. Vox 8537 (Matr. 1935 BB) - 1928 Guldalfens Bryllupsdag ; Klovnenes Optog : Karakteristisk-Intermezzo [= Goldelfchens Hochzeitstag, Aufzug der Clowns : Charakteristisches Intermezzo] (Kurt Noack) ; Xylophon-Kunstner-Orkester. Odeon, Forlagsnummer: R. 160918 Audio-CDs Glockenspielkonzert vom Turm der Marktkirche Wiesbaden von H. U. Hielscher. Wergo 1996, enthält u. a. Heinzelmännchens Wachtparade. Rendezvous im Kaffeehaus. Bremer Kaffeehaus-Orchester. Sony Music 2000, enthält u. a. Heinzelmännchens Wachtparade. *Heinzelmännchens Wachtparade* Dajos Béla 1927 Künstler-Orchester Géza Komor 1927 Mundharmonika-Orchester Stern 1927 Paul Godwin mit seinem Künstler-Ensemble 1928 Håkan von Eichwalds Orkester May 1937 Eugen Wolff mit seinem Orchester Dec 1939 Michael Lanner mit seinen Solisten (Benny de Weille) 1951 Mats Olssons orkester Dec 1959 James Last 1971 Jørgen Ingmann 1971 Medley Ole Erling 1974 Pentti Lasanen ja studio-orkesteri 1975 Die Prager Streicher (Jan Hrábek) 1980 Maastrichts Salon Orkest 1984 Tonttu-orkesteri 1984 Alban Party Band 1996 Kalle & Bengan 2005 *Nissernes vagtparade* written by Alfred Holck *Danish* Kai Julians Danse Orkester 1931 Warny & Hans Orkester 1931 Poul Reichhardt 1979 *Tonttuparaati* written by Sauvo Puhtila *Finnish* Brita, Laila ja Vieno ja Jaakko Salon tonttuyhtye Nov 28, 1960 Maikki Länsiö - Esa Saario 1961 Inga Sulin ja Erik Lindströmin Tonttuorkesteri 1975 Markku Aro 1978 Sonja Lumme 1984 Kari Salmelainen 1986 Unverified Matti ja Teppo 1989 CatCat 1994 Rajaton 2010 A cappella

LEUKE MUZIEK OOM DE AVOND MEE TE BEGINNEN 🎉🎉 HIER IS HET BLAD STIL EN 5.8 GRADEN😮😮 PRACHTIG AVOND HENK 🎉🎉

DIT DOET MIJN VAKANTIE DENKEN VAN JAAAAAAAAAREN GELIJDEN🎉🎉🎉🎉🎉🎉😅😅😅😅

Voor mij ja ik heb net het avond eten op En ik kan je wel vertellen dat het me zeer goed en lekker gesmaakt heeft.

Henk Lenie en ik hebben dat lied altijd graag gezongen bij mijn ouders in het cafe en het valt mij ineens in.daarom heb ik het weer eens opgezocht Maar het is ouder dan 58

De zon schijnt maar dat is dan ook alles . Henk ik heb met dit alles niks Ik knutsel graag hier in het huis en dat geeft mij genoeg voldoening Ha ha en als ik wil kletsen doe ik dat buiten. Maar vandaag heb ik nergens zin in het vlot niet

Hello my dearest Henkie !!!!!!! I found this funny song about Jansen`s moped !!!!! You also loaded it up 3 years ago !!!!!! You have so many records, my dear !!!!!! I have bought 3 blouses - one for now and 2 for Spring and summer !!!!!! After Lunch I have taken a short nap !!!!!! My sweet friend, I`ll listen again, before I go to bed !!!!! Love from your Jytte

_Corey, Corey_ aka *"Darlin' Cory"* (also "Darling Corey" or "Darling Cora") (Roud 5723) is a well-known American folk song about love, loss, and moonshine. It is similar in theme to "Little Maggie" and "The Gambling Man" but is not considered the same as those songs. Early printed versions The earliest published version of "Darlin' Corey" occurs as verses within the song "The Gambling Man", collected from oral tradition by folklorist Cecil Sharp, as sung by Mrs. Clercy Deeton, at Mine Fork, Burnsville, N.C., on Sept. 19, 1918. The text (without tune) was also published as "Little Cora" in Harvey H. Fuson's Ballads of the Kentucky Highlands (London, 1931). A version from the singing of Aunt Molly Jackson appears in the book Our Singing Country (1941) by John A. Lomax and Alan Lomax. It is also included in _Folk Song, U.S.A._ by John A. and Alan Lomax, Charles Seeger and Ruth Crawford Seeger (Duell, Sloan and Pearce, 1947), pp. 310-311. Early recordings The first known commercial audio recording was made by Clarence Gill as "Little Corey" on January 6, 1927, but was rejected by the record company and never released. A few months later, folk singer Buell Kazee recorded it as "Darling Cora" on April 20, 1927 (Brunswick 154). Later the same year, on July 29, 1927, at the famous Bristol Sessions an influential version was recorded by B. F. Shelton as "Darlin' Cora" (Victor 35838). Other early recordings are "Little Lulie" by Dick Justice (1929) and "Darling Corey", released as a single by the Monroe Brothers in 1936. In 1941, The Monroe Brothers' version was included in a landmark 5-disc compilation, Smoky Mountain Ballads, produced and annotated by noted folklorist John A. Lomax (Victor Records). Whereas the earlier, "hillybilly" records had been marketed regionally, "Smoky Mountain Ballads" was intended for broad, urban audiences. It comprised reissues of ten comparatively recent commercially issued hillbilly recordings from the 1930s, including, in addition to the performance of "Darlin' Cory" by the Monroe Brothers, songs by the Carter Family, Uncle Dave Macon, Mainer's Mountaineers, and other Southeastern performers. Smoky Mountain Ballads became a staple in the repertoires of 1940s and early '50s folk music revival singers such as Pete Seeger, who was meticulous in crediting his sources and urged that people copy them and not him. That same year on May 28, 1941, Burl Ives also recorded "Darlin' Cory" it in his debut album Okeh Presents the Wayfaring Stranger (issued August 1941 with liner notes by Alan Lomax). Lyrics Wake up, wake up darlin cory Tell me what makes you sleep so sound The revenue officers are comin Gonna tear your still house down [Chorus] Dig a hole, dig a hole in the meadow Dig a hole in the cold, cold ground Dig a hole, dig a hole in the meadow Gonna lay darlin cory down Oh the first time I saw darlin cory She was standin in the door She had her shoes and her stockings in her hand And her little bare feet on the floor Oh the next time I saw darlin cory She was standin by the banks of the sea she had a 44 strapped around her body And a banjo on her knee Oh the last time I saw darlin cory She had a wine glass in her hand She was drinkin that sweet liquor With a low down gamblin man. Other recordings Numerous artists have recorded versions of "Darlin' Cory", including: Flatt and Scruggs (as "Dig A Hole In The Meadow") on Flatt and Scruggs at Carnegie Hall, 1963 Mike Seeger Roscoe Holcomb John Hartford (as "Dig a Hole") on Steam Powered Aereo-Takes, 1971 Doc Watson Bruce Hornsby The Weavers Crooked Still Bill Monroe Harry Belafonte (as "Darlin' Cora," attributed to Fred Brooks, a pseudonym used by Fred Hellerman), Holly Golightly & The Brokeoffs (as "Cora") Lonnie Donegan Buddy Greene Eileen Ivers Crooked Still Pete Seeger Old Crow Medicine Show The Kingston Trio, on _At Large,_ 1959 Tao Rodríguez-Seeger (grandson of Pete Seeger) Bill Clifton Rio en Medio The Seldom Scene Chris Jones Chuck Ragan and Austin Lucas, on Bristle Ridge, 2008 Red Molly Dan Levenson Bryn Haworth, on Sunny Side of the Street, 1975 Maddox Brothers and Rose (as "Dig a Hole") Bob Weir, as "Lay My Lily Down", on his 2016 Blue Mountain Maxida Märak, (as "Darling Corey" with Downhill Bluegrass Band) on Mountain Songs and Other Stories, 2014 Amythyst Kiah (In her 2013 album "Dig") Joe Brown, as "Darling Corrie" Blood Oranges, as "Dig a Hole" Buell Kazee 1927 First release B.F. Shelton Oct 1927 Monroe Brothers Aug 26, 1936 Burl Ives Aug 1941 Peter Seeger and His Five String Banjo 1950 Gordon Heath et Lee Payant 1955 Ed McCurdy 1956 The Weavers Apr 1957 Live Alan Lomax Aug 1958 *The Kingston Trio Jun 4, 1959* The Travellers [CA] 1959 Danny Moore [US] Jan 20, 1963 es Baxter's Balladeers Jan 1963 The Knob Lick Upper Ten Thousand Apr 1963 Lester Flatt and Earl Scruggs Aug 10, 1963 Live The Brothers Four Oct 1963 Doc Watson and His Family 1963 Bill Monroe Apr 9, 1964 The Lilly Brothers Oct 1964 The Stoneman Family 1964 Live June Bugg 1964 Red Smiley and The Blue Grass Cutups Jan 1967 Earl Taylor & Jim McCall with The Stoney Mountain Boys Dec 1967 Carl Tipton and The Mid State Playboys 1967 Island Skiffle Tramps April 1969 J.S.D. Band 1971 The Seldom Scene 1972 McPeak Brothers June 1974 Roscoe Holcomb 1975 Bryn Haworth 1975 Doc Watson Jun 1976 I.D. Stamper 1977 The New Lost City Ramblers 1978 Live Red Allen 1981 DGeorge Hamilton IV, Jiří Brabec & Country Beat 1983 Bradley Kincaid 1988 Blood Oranges 1990 The Larry Stephenson Band 1992 Joel Mabus 1993 Doug and Jack Wallin 1995 Stephen Wade Jul 22, 1997 Dan Levenson 1997 Mike Seeger Sep 15, 1998 Tom, Brad & Alice Oct 13, 1998 Greg Hooven String Band 1998 Live John Stewart & Darwin's Army Feb 16, 1999 Tara Nevins 1999 Deidre Cunningham Feb 3, 2000 Bruce Hornsby Aug 29, 2000 Arnie Naiman & Chris Coole 2000 Gary Waldrep 2000 The Gibson Brothers 2000 Debra Cowan Jan 23, 2001 Old Crow Medicine Show 2001 John Hartford Jan 22, 2002 Doc Watson and David Holt Apr 9, 2002 Cephas & Wiggins Sep 17, 2002 Big Smith 2002 Live Crooked Still Sep 14, 2004 Art Stamper Oct 2004 Elizabeth LaPrelle 2004 The Baylor Brothers 2004 Red Molly May 3, 2005 Delta Reign Sep 26, 2006 Justin Moses 2006 Dead Men's Hollow 2006 Karen Dalton Oct 23, 2007 Live Buddy Greene 2007 Wayne Erbsen & Laura Boosinger 2007 The Tillers Mar 15, 2008 Charlie Louvin Dec 9, 2008 Addie Graham 2008 Leigh Beamer Sep 21, 2010 The Dust Busters with John Cohen Dec 12, 2010 Snakefarm Sep 26, 2011 The Lonesome Sisters & Riley Baugus Jul 19, 2012 Flat Top Trio 2012 Amythyst Kiah 2012 Ricky Skaggs and Bruce Hornsby Aug 20, 2013 Live The Jellyman's Daughter 2013 Bumper Jacksons Mar 2014 The Earls of Leicester Sep 14, 2014 Corbin Hayslett May 12, 2015 Oh Lazarus Oct 2, 2015 The Ghosts of Johnson City Oct 20, 2015 Michael Daves Feb 26, 2016 Passerine 2016 The Ebony Hillbillies Sep 15, 2017 The Hillbilly Goats Jan 19, 2018 The Moose Whisperers Jan 19, 2018 The Distilled-Spirit Rebellion Apr 6, 2018 Nora Brown Oct 25, 2019 Frank & Allie Lee Feb 7, 2020 Max Creek Feb 22, 2020 Sundawg Aug 19, 2020 Daniel Donato Sep 30, 2021 The Real Sarahs & Alex de Grassi Apr 5, 2024 *Instrumental* Pickin' Around the Cookstove 1975 Martin Simpson Sep 16, 1997 Al Petteway 2012 Jimmy Ryan Jul 28, 2017 Crooked Pine Band Apr 30, 2018

1966 - *"España cañí"* (meaning "Picturesque Spain" in Spanish; also known as _España gitana)_ is a damous instrumental of Spanish music. The Paso Doble was written in 1923 by Pascual Marquina Narro (1873-1948). Marquina dedicated it to his dear friend and patron designer from Almansa (Albacete) José López de la Osa. In English, the piece is also known as the *Spanish Gypsy Dance.* The song was written around 1923 and first recorded in 1926 by the band of the Regimiento Ingenieros de Madrid. In 1927, the piece was recorded by the Regal Chapel and the Regimiento de Badajoz N.º 73. In 1928, the Encarnación López Júlvez (1895-1945), known as _La Argentinita,_ followed with a version with castanets and stomping. Rondalla Usandizaga recorded it on Victor Recordings in 1929. In 1931 the House of Odeón released a version written by Alfredo Corral Moraleda and sung by Marcos Redondo, which was accompanied by the Odeón band and the conductor Antonio Capdevila. Its main refrain (eight bars of arpeggiated chords that go from E major to F major (with added 4 instead of 5) to G major and back) is arguably the best-known snippet of Spanish music and is popular worldwide. Several arrangements of the tune are often used for the Latin Paso Doble dance (to the point that, among Latin dancers, it is known as "the paso doble song" as it is very commonly played in competition due to the common custom for the choreography to match the phrasing and accents of the music for the full effect of the dance). It is also a chant played and voiced by the supporters of Eskişehirspor of Turkey. The song has also been used as the theme song for Pablo Sanchez in the Backyard Sports games. *España cañí / Spanish Gypsy Dance - instrumental* Banda del Regimiento de Badajoz Nº 73 bajo la dirección del maestro Palanca 1927 Banda Regal 1927 Morton Gould and His Orchestra 1942 Tejada y su orquesta de conciertos 1948 Hoger Streven 1953 Jo Privat et son orchestre 1954 Live Gran Orquesta de Baile Jul 1955 Banda Municipal de Madrid - Dirección: Jesús Arámbarri Apr 1956 Michel Legrand and His Orchestra Jun 1956 Agrupación Sinfónica "La Zarzuela" - Dir.: Federico Moreno Torroba 1956 Joaquín Gomar Sep 1957 Armandino et son orchestre 1957 George Wright 1957 Lew Raymond Orchestra 1957 Marcel Feijoo et son orchestre 1957 Johnny Puleo and His Harmonica Gang Aug 1958 101 Strings 1958 Antonio Bisio 1958 Charles Verstraete et son ensemble musette 1958 Orquesta Barcino 1958 Ronald Binge and His Orchestra 1958 Yvette Horner 1958 Terig Tucci and His Orchestra 1959 Jo Basile, His Accordion and Orchestra 1959 Tony Murena et son ensemble musette 1959 Herb Zane and His Orchestra Oct 1960 Al Caiola 1960 Adel Valentine 1960 Banda Taurina de Madrid 1960 Emma Maleras - Castañuelas y orquesta 1960 María Luisa Romero 1960 Moreno Buendía y su gran orquesta 1960 Orquesta Florida 1960 Orquesta Maravella dirigida por Luis Ferrer 1960 Lester Lanin and His Orchestra May 1961 Irv Cotler 1961 David Carrol and His Orchestra 1961 Jack Hansen and His Orchestra 1961 Banda de la Policía Armada y de Tráfico de Barcelona - Director: Julián Palanca 1961 Esquivel and His Orchestra 1961 Gran Orquesta de Profesores Solistas - Dirección: J. Casas Augé 1961 Ethel Smith 1962 Jerry Murad's Harmonicats 1962 José de Elvas y su orquesta 1962 Manuel Cubedo y Victorita de Málaga 1962 Orlando Silveira e seu conjunto 1962 Tony Mottola and His Orchestra 1962 The Spotnicks Aug 1963 Banda Hispania - Director: Julio Molina 1963 Los Chiclaneros 1963 Carmeluchi Velázquez y su grupo de baile 1964 Los Aragon 1964 Los Diplomáticos 1964 The Jumping Jewels February 1, 1965 José Granados Et Son Orchestre Typique 1965 Mantovani and His Orchestra 1965 Gran Banda Taurina 1965 The Trio Orfeo 1965 *Victor Silvester and His Orchestra 1966* Dean Franconi and His Orchestra (Al Goodman) 1966 Alfonso y Manuel Labrador y su Grupo Flamenco 1966 Mariano Matabuena con Orquesta Marfer 1966 Orquesta Caravana 1966 Orquesta Española de Baile - Director Atanasio Ortín 1966 Orquesta Típica Española - Director: Atanasio Ortín 1966 Agrupación folkórica "Casa Oliver" 1967 Banda Primitiva de Liria 1967 Charles Magnante & His Orch. 1967 Roberto Delgado & His Orchestra 1968 James Last 1968 Javier Sagüillo y sus guitarras 1968 Tony Fenelon 1968 Tuna Universitaria de Valencia 1968 Hector Delfosse et son orchestre Sep 1969 Sid Bass 1969 Sydney Thompson and His Orchestra 1969 Malando and His Orchestra 1970 Banda Regson de Madrid - Director: F. Moreno Torroba Jr. 1970 Los Romeros [ES] 1970 The 50 Guitars of Tommy Garrett 1971 El Manitas y su tablao flamenco 1972 Mª Jesús y su acordeón 1972 Johnny Sax 1973 Jack Crossan 1973 Banda de Música del Gobierno Militar de Barcelona 1973 Richard Hoon 1975 Don Cristobal y su orquesta 1975 Mallorca 2 1976 Shegundo Galarza 1976 Milord's 1977 Kjell Karlsen Big Band 1978 Jo Carlier 1980 Al Van Dam & Roger Danneels 1980 Nico Gomez 1981 Manolo Escobar 1982 Los Sonor's 1982 El "Trio Varsovia" December 1985 Frankie Holiday 1985 Robert Wolfe 1985 Medley Major Schiffer & Majories Bundeswehr Showband 1986 Allianceorchestret 1987 Phil Kelsall 1987 German Brass 1989 SMZ Big Band 1989 Erich Kunzel, Cincinnati Pops Orchestra 1990 Chris Elliott 1992 Mat Camison 1992 Orquestra Harmônicas de Curitiba 1996 André Rieu 1999 John Altman [GB1] Oct 12, 2004 Olé Swing 2012 Søren Bødker Madsen Nov 7, 2020 Tito Leonti Marc Vevy I Bravados Bobby Prins en The Sound Express Karl Herberger & His Dance Orchestra *España cañí* - words written by Alfredo Corral Moraleda *Spanish* Marcos Redondo acomp. Banda Odeon - Mtro. A. Capdevila 1931 First release *España cañí* - words written by Mariano Marquina *Spanish * Manolo Escobar 1982

Sehr schöne Musik.

Een lekker muziekje om vrolijk van te worden

Och ik hoef gelukkig naar niemand om te kijken. dat is het voordeel wat ik heb. En er is ook nog een heerlijke zon hier Wat wil ik dan nog meer. Een tevreden mens wat graag muziek hoort dat ben ik

Leuk om deze melodie een keer op het orgel te horen

Een aparte maar wel hele mooie tango bij de start van de nieuwe muzikale week

Now the last of your uploads today, my dearest Henkie !!!!!! I am not sure, if it is a sad song !!!!!!!!! I love it, and I love the name De Blauwbaardjes !!!!!! Mr. Bluebeard was a man, who persuaded women to come to his castle!!!!! He made love to them and then killed them !!!!!!! My sweet friend, I`ll listen again later !!!!!! I`ll think of you, and I send you my warmest feelings and most caring thoughts !!!!!!Love from your always faithful Jytte

Een heerlijke plaat is het. Mijn zus en pa hebben ze ook op hun plaat staan

My dearest Henkie, thank you for this great song !!!!!! I think, it is a cowboy song !!!!!!! Kingston Trio sings in an enthusiastic way !!!!!!!! When I am through with my listening, I`ll go to the clothes shop (the one, where Elly bought a dress for Carina`s summer party) to buy clothes !!!! I got a gift card for my birthday !!!!! I might as well use it, while there is a sale !!!!!!!! My sweetie, you are forever in my heart and soul !!!!!!! Yours Jytte

Henk het is een fijne tango op de maandagmorgen .Maar ik heb mij flink verslapen.

…. What She doesn’t DRINK, … She SELLS !! … YeeAaaahhh !! 💥

Yeaaahh, … The Kingston TRIO !! 😮😘🥰

Wauw wauw wauw !!!! I love fairies, my dearest Henkie !!!!!! It sounds exactly like the one, we play at Christmas, where all the pixies are wandering along !!!!!!!! I have that record both with and without singing in my Christmas list !!!!!!!!! This version sounds great !!!! Guus Jansen plays the organ magnificently !!!!!!! My wonderful drummer boy, I send you lots of air-hugs and air-kisses !!!!!! Your devoted fan and friend Jytte

Heerlijke muziek. Dank je wel Henk. 😁