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امروز Leviathan رو دیدم و واااااای

Fuck lol

نقد ها عالی بود ممنون❤

کاش نسخه کاملش رو آپلود می کردید

خیلی ممنونم💙

i need it bdf

Вот так и дурят

Very clear presentation, you deserve more view

Watch it again doctor. This time skip every scene that isn't about one or both of the two girls. BETTY AND RITA ARE BOTH DEAD, DUMMY! They are both dead and in the underworld and both are suffering from a form of amnesia, although it is much more severe in the case of Rita. So, figuring out what happened to Rita is the central plotline for the story and doing so will be necessary for her to safely pass through purgatory. Also, it will be necessary for Betty since she was responsible for Rita's death. It's like the crazy lady says to CoCo. "There's someone in my room and I want her OUT!". And then to Betty, "No. There's someone else in there and she's in trouble." So, CoCo sys to Betty, "Listen, kid. If there is someone else in there who is on trouble you need to take care of it. Got it?!" And Rita definitely was in trouble. She didn't know who she was or where she was or how she had gotten there or why there were people trying to kill her. She was terrified and confused and that is not a conducive state of mind for someone hoping to safely pass through the underworld. Aftter that it's all about Betty leading Rita along every step of the way going, "Come on Rita. Open it. Don't you want to know. Thats the money I spent to have you killed.". And, "Come on in, Rita. Don't you want to see? That my body after I shot myself in the head." Once she knew all that Rita was feeling much better and all she needs to do besides... let's say express her love and gratitude was go to Club Sliencio to get the blue cube. She opens it and... Well then, it's Betty's turn to get OUT. So it's, "Hey pretty girl. It's time to wake up. It's time to wake up and bear witness to the life you lived." as we all must do before we are judged. Betty, I mean Dianne takes one look at Camilla and her amnesia ends and she is beside herself, literally, with grief and anguish, knowing what she did and had done. So, the monster behind the Winkies was the demon of corruption who lives in and governs over the Great Abyss which can only be passed through in death and which mussed be passed through in order for anyone to.truly and completely know themselves. He holds the sixfold Star Sapphire which one must go in to get OUT. The 90 year old couple are the troublesome twin angels of DIN and DONI who will emerge from the Lesser Abyss demanding penance when the aspirant tries and fails to unite with the Divine Unity. Towards paying that penance, Dianne first tried suicide which is a mistake and does nothing towards that goal. Her penance was making sure that Camilla got safely back to heaven and only thus was she allowed to get there too. Dianne was a selfish, spiteful wicked little girl in life but in death she was sweet and helpful, and she managed to atone or her wrongs and, through the grace of God, she got in to heaven in spite of it all. Winkies is the restaurant at the end of the universe and as it has been written... "The waiters of the best eating houses mock the whole world. They estimate every client at his proper value." So, what about the waitress at Winkies? Was she mocking Dianne's whole world by wearing a name tag that said, Betty? She was definitely estimating that client at her proper value. But don't forget.... According to Jordan Peterson this is actually a very simple and mundane story and David Lynch needlessly added any symbolism just to make himself look more artistic than he actually is

This 2022 article which mentions RAISE THE RED LANTERN may be of interest: "Movies Which Explore the Consequences Borne by People Removed From Traditional Group Norms"

Can this be made available in English?

Great

Great as always 🤘🏻

Bad film

با همه احترامی که به امیر نادری و سینمای او دارم, باید بگم که ایشان خیلی "چسان چسان " میکند, هرچند که او به دیگران نصیحت میکند که از لاف, گزاف و چسان چسان خودداری نمایند. وقتی که ایشان در جمع ژاپنی ها است , به انها میگوید که در نوجوانی برای اولین بار سینمای ژاپن بود که بر او تاثیر گذاشته بود; و در جمع فرانسوی ها میگوید که سینمای فرانسه بر او در نوجوانی تاثیر گذاشته بود… خلاصه با لاف, تناقض و طبق شرایط سخن میگویند. و اما درباره زنده یاد" فریدون گله" که امیر نادری مدعی است که فریدون گله کارگردان خوبی نبود… عجبا!!! فیلم کندو بعد از قیصر نه تنها نقطه عطف دیگری در سینمای ایران را رقم زد, بلکه از نظر سینمایی هم یکی از محدود کم نقض ترین فیلمهای سینمای تجاری ایران تلقی میگردد. ( فیلم "کاغذ بی خط " یک فیلم بی نقض است). یک فیلمبردار ماهر و زبردست میتواند دستیار خوبی برای کارگردان کم تجربه ولی بااستعداد شود . ولی ان فیلمبردار زبردست حتی نمیتواند یک سناریوی ضعیف را تبدیل به یک فیلم متوسط و قابل دیدن کند; حال چطور یک فیلمبردار ماهر میتواند برای کارگردانی که کارگردانی بلد نیست فیلمی را بسازد که " کندو" شود؟ اگر فیلمبردار اینقدر معجزه میکند پس چرا مازیار پرتو, علیرضا زرین دست نتوانستند که فیلم خوبی بسازند؟چرا فیلمهای مسعود کیمیایی که با زرین دست هم کار میکند, یکی پس از دیگری بدتر و اصلا غیرسینمایی تر از اب در میاید ؟ فکر میکنم که در پشت کلمات امیر نادری درباره فریدون گله, "حسـادت و قـبـطــه "خوابیده بود.

در فیلم "طناب " هیچکاک ۲ دانشجو که شدیدا متاثر از افکار شبه-فشیستی استاد شان (جمیز استوارت ) بودند, مرتکب قتلی میشوند که میخواستند که حق زیستن را فقط برای ادمهایی شبیه خودشان محفوظ بدارند... . در انجا استاد که انزجار خود از عمل شنیع انها را بروشنی بیان کرد, ولی خود را هم مسول این جنایت میدانست.

permisi... pertamax gaes

Very nice presentation ,thanks to Khashayar

Please provide subtitles in English ...