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Kecskés D. Balázs Composer
เข้าร่วมเมื่อ 10 พ.ย. 2015
Kecskés D.: Viola Concerto - Máté Szűcs - Martin Rajna - Hungarian National Philharmonic (excerpt)
Balázs KECSKÉS D.: Viola Concerto (excerpt - 2nd movement and first half of the 3rd movement)
Recorded on 3 December, 2024, Budapest, Pesti Vigadó. Performed by Máté Szűcs (viola), Martin Rajna (conductor) and the Hungarian National Philharmonic.
I. sonata-rubble
II. intermezzo
III. individual crumbs
The new concerto was commissioned by the Győr Philharmonic Orchestra and the Peter Eötvös Contemporary Music Foundation; it was written in 2022-23, as a closing composition of the composer's time as a mentee of the Foundation. Balázs D. Kecskés met violist Máté Szűcs and came into closer contact with the viola when he was working on the orchestration of the new version of Bartók's unfinished Viola Concerto by Miklós Rakos.
The middle movement of the three-movement concerto, labeled "intermezzo", is a short, lyrical transition between the large-scale outer movements, which both have independent, characteristic titles. The opening movement - with the inscription "sonata-rubble" - awakens memories of classical-romantic concertos in the listener, but the expectations often turn out to be wrong, the sonata form is realized only in fragments, again and again deviating from its goal. The final movement - entitled "individual-crumbs" - is a kind of collage, in which individual thematic surfaces follow each other with sudden cuts. In the entire concerto, the main role clearly belongs to the solo instrument, which shows the viola's versatile character-shaping capabilities.
Recorded on 3 December, 2024, Budapest, Pesti Vigadó. Performed by Máté Szűcs (viola), Martin Rajna (conductor) and the Hungarian National Philharmonic.
I. sonata-rubble
II. intermezzo
III. individual crumbs
The new concerto was commissioned by the Győr Philharmonic Orchestra and the Peter Eötvös Contemporary Music Foundation; it was written in 2022-23, as a closing composition of the composer's time as a mentee of the Foundation. Balázs D. Kecskés met violist Máté Szűcs and came into closer contact with the viola when he was working on the orchestration of the new version of Bartók's unfinished Viola Concerto by Miklós Rakos.
The middle movement of the three-movement concerto, labeled "intermezzo", is a short, lyrical transition between the large-scale outer movements, which both have independent, characteristic titles. The opening movement - with the inscription "sonata-rubble" - awakens memories of classical-romantic concertos in the listener, but the expectations often turn out to be wrong, the sonata form is realized only in fragments, again and again deviating from its goal. The final movement - entitled "individual-crumbs" - is a kind of collage, in which individual thematic surfaces follow each other with sudden cuts. In the entire concerto, the main role clearly belongs to the solo instrument, which shows the viola's versatile character-shaping capabilities.
มุมมอง: 349
วีดีโอ
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Balázs Kecskés D.: Bagatelles - for piano solo
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Performed by Domonkos Csabay. Recorded at the Pesti Vigadó, Ceremonial Hall, Budapest. What could be the speciality of a genre to which so many different composers connected from Beethoven to Bartók, from Smetana to Kurtág? Is it lightness, brevity, transiency, or ambiguity? The French word bagatelle (trifle, nothing) can mean all of them. The best bagatelles in the history of music, however, a...
Balázs Kecskés D.: Közel (Near) - performed by the San Francisco Choral Artists
มุมมอง 188ปีที่แล้ว
Performed by the San Francisco Choral Artists. Conductor: Magen Solomon. Text: Közel van az Úr a megtört szívűekhez, és megsegíti a megsebzett lelkeket. (Zsolt 34,19.) The Lord is near to the brokenhearted and saves the crushed in spirit (Psalm 34,18.) “Who can't recall a life situation in which they greatly needed someone to lift them up and comfort them? ‘When I am weak, then I am stro...
Balázs Kecskés D.: Partita (two piano-version)
มุมมอง 4523 ปีที่แล้ว
Partita is an “experimental piece from the composer’s workshop integrating effects from chaconne to pop music in unique combinations with various piano effects.” (Revizor) Performed by the Görög Sisters Piano Duo, Enikő Görög and Noémi Görög. Recorded in the Budapest Music Center, 13 November 2021 at the Day Of Listening Festival. www.kecskesdbalazs.com/en/
Balázs Kecskés D.: Prelude for Martin Tchiba
มุมมอง 5264 ปีที่แล้ว
Mihály Berecz (piano) www.kecskesdbalazs.com/en/
Balázs Kecskés D.: Komm
มุมมอง 1.8K4 ปีที่แล้ว
Balázs Kecskés D.: Komm (2019) - little oratorio for four voices and string quartet based on texts by Gilles Deleuze, Claire Parnet, Paul Thymich and T. S. Eliot. Kruppa String Quartet (Bálint Kruppa - 1st violin; Éva Osztrosits - 2nd violin; András Kurgyis - viola; Barnabás Baranyai - cello), Roberta Szklenár (soprano), Viola Thurnay (alto), József Csapó (tenor), Dömötör Pintér (bass), Marcell...
Balázs Kecskés D.: Prelude for Martin Tchiba
มุมมอง 3044 ปีที่แล้ว
Balázs Kecskés D.: Prelude for Martin Tchiba (2018) Martin Tchiba (piano)
Balázs Kecskés D.: Trois serenades
มุมมอง 4586 ปีที่แล้ว
Balázs Kecskés D. (*1993): Trois sérénades pour ensemble (2018) Conductor: Mercell Dénes-Worowsky Performers: Flóra Matuska (violoncello); Imola Bálint (viola); Eszter Osztrosits (violin); Gábor Kun (horn); Dorottya Simon (piano); Benjámin Pallagi (clarinet); Ágnes Tóth (flute)
Balázs Kecskés D.: Trois romances
มุมมอง 9086 ปีที่แล้ว
Balázs Kecskés D. (*1993): Trois romances (2017) Performers: New Liszt Ferenc Chamber Choir (Mixed Choir) Balázs Demény (Piano) Conductor: László Nemes Text: Paul Verlaine - I. Claire de lune; II. Marine; III. Soleils couchants
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มุมมอง 2.5K7 ปีที่แล้ว
Balázs Kecskés D. (*1993): Partita for Piano (2017) Domonkos Csabay - piano Parts: I. Toccata 0:00 II. Aria 2:26 III. 5:02 IV. Epilogue 7:25 photo: ODPictures Art Studio | #odpictures