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i played the first version from a notebook. not entierly sure but it could be the first solo version of it. in the beginning it starts at 30 % less speed and than gets faster gradually. should maybe have used programmed metronome. however play it with a hard cut now when i play it live. and thanks for the compliment. nice cover on your channel btw :)

¡Muchas gracias!

La primera parte es un poco más libre en la interpretación... muchos rubatos en notas de bajo. El final se acerca más al original. Cada intérprete lo hace de forma un poco diferente. Lo que quería conseguir era una primera parte más libre y muy diferente a la repetición del final.

La pieza es conocida por varias interpretaciones. El mío está en algún punto entre estos dos. th-cam.com/video/Pmry5uquwDI/w-d-xo.html th-cam.com/video/fspgHH9YWO4/w-d-xo.html Pero es un enfoque un poco personal porque conozco la pieza desde hace más de 20 años y trato de que siga siendo interesante para mí.

muchas gracias. ¡Me alegráste el día!

Danke. Aber auf tempowechselndes Metronom zu spielen ouuuf. Naja dadurch kann ich halt tempo-sync live effekte draufhauen. Mal schauen ob ich das auch irgendwann live spiele nicht dass ich mich bei jedem beat repeater erschrecke.

Obrigado. A música brasileira é um ótimo complemento para o mundo do violão. Sou fascinado por esta música desde os 14 anos e ainda encontro novos compositores e artistas. Eu sou realmente um grande fã. ¡Saludos desde França! 🥖🙃

i actually don`t know when i learned it, somewhere between 11and 14. I don`t know if it`s only me but thats the first time i felt challenged, in lessons. maybe the second had a bach menuett which was the first time i had to jumps do barrees and pulloffs. Great work on your channel btw.

schankedön!

¡Gracias! Ya he grabado algunas improvisaciones en este estilo. Lo publicaré esta semana en Instagram o en los cortos de TH-cam.

¡Gracias! Actualmente estoy de vacaciones y tengo algunos conciertos aquí. Con un poco de suerte puedo grabar algunas improvisaciones en este estilo.

Glad you like it. Thumbnail got put to the end of video...thx for the info

schnell mal das thumbnail korrigieren... Danke man... (hast mich ja erst auf das Lied gebracht) ich melde mich die Tage.

never thought of this that way, but i also put out some videos where played with a burned hand. maybe classical guitarists should play in sm clubs for some bourgy vibes.

thx.... whooo thats alot... soo i tried out that 5 stroke practice..... that is actually really good and since i have the impression that i use still a little bit too much energy this i guess will help me. left hand position, i've got the bad habit to not switch back between chords there you have to change angle, i also realized this happens mainly in the 0-5 fret region (so this means ellbow out more often). beeing parallell + on songs where hammering / pullof sounds actually matter (if they have to "stick out")i purposly train to have my ellbow at the body which works if the composition allows it (so there i will still try to pull it off with weird angles(or i find out another way to get a really strong hammering pull of sound)) . also i found out that i should definetly go parrallel before melodic runs (that was the one where i saw the biggest difference). nails... i know it.. i switched to pong 2 weeks ago(this video was before that) and that actually helped a lot, i have to reinforce nails somehow (because i broke them alot) and i prefer pong nails to making acryl or gel nails (for now), playing with a piezo means you hear everything, whicch means i have to do sth about it...and for now its pong nails at least im quite happy because of the consitent sound and i can prepare them when i've got the time and fix nails in under 5 minutes which is fine and because i only have 20-25 hours a week for guitar this is my solution for now. Segovia scale i'll try out in the next couple of days. i remember that i had those exercises with i think 12 years or sth... maybeeeee a i should refresh them (had a guitar break for almost 10 years), giving my best to play somewhere beyond the 80 % of whats possible and its true that i could do more technique ( i 'll have to figure out how i will time manage that) but im usually not that bad in adapting new techniques to old pieces so the choice to work on reportoire seems also valid for me (gonna be tough that decision) from 20 hours i spend really only 4 per week which i guess is not enough (i heard pros spend up to 50%) but again for me that decision is mainly a time management issue. i really hope that my playing is enjoyable even for trained guitarists (last 10 % on every instruments are always the hardest i guess). ill have to stay realistic tho, 20 hours and a hole of 10 years not playing guitar, i'm not enterily sure that it's possible for me to have the same amount of technique skill than a guitarist with a academic degree (who nonstop played guitar). for now its playing the best i can with the less errors possible and a certain amount of sophistication, and getting the first 60 concerts done ( im currently at 10, also private but strangers and paid ) and having the first public in 2 weeks (working on homepage and adding insta with improvisations and maybe pictures from concerts). so far i'm on my way to whatever it will take me. but it's nice to get such a direct and honest criticism (even tho it was a bit much to read though , but thats fine). and also thanks for the compliment, i really appreciate it. Good luck with your piece. would love to hear it if possible.

thx a lot, glad your enjoyed it.

Thx a lot. Nice channel aswell. If you find a way to add some robo-fingers to an arm let me know :D

Thx. Means the world to me, that peole enjoy my playing!

Tengo un repertorio enorme (más de 150 piezas) porque toco desde que tenía 5 años, pero no he tenido la oportunidad de actuar fuera del trabajo. Ahora la oportunidad está ahí y se han realizado los primeros 10 conciertos. En el futuro quiero tocar más arreglos propios y tal vez improvisar. Todavía trabajo, pero tengo entre 20 y 30 horas semanales para jugar.

Conocí a Arias a través del canal de TH-cam de Mirta Álvarez. Ambos son grandes artistas, sin los cuales no hubiera decidido tocar un set argentino. 7 semanas después de escucharlos a ambos, me invitaron a tocar y luego hice las grabaciones. La guitarra de Aria tiene un estilo suave y juguetón, ¡increíble! Para la versión que toco, me basé más en Mirta Álvarez porque no había escuchado lo suficiente a Arias. Gracias!

@@LatGuitar tengo unos arreglos de Mirtha voy a ver si empiezo a trabajarlas, y de Aníbal arias y la cumparsita de Juanjo. Un saludo y muchas gracias por compartir

Tuve problemas en las uñas, pero llevo una semana usando una nueva técnica con pelotas de ping pong preparadas que se clavan debajo de la uña. Antes tenía uñas acrílicas, pero me llevaba demasiado tiempo. No puedo tener uñas ásperas gracias al micrófono de contacto, realmente se escucha todo. Aquí os dejo el enlace de la técnica de uñas. th-cam.com/video/Wk-4StJVMzk/w-d-xo.html&ab_channel=WillMcNicol

Hey! Dieses Lied werde ich wahrscheinlich spielen, wenn ich im Frühling nach Deutschland komme. Danke für den Applaus, seit der ersten Stunde!

thx!

Thx. Appreciated!

Děkuji!

thx, appreciated

thx. glad you liked it :)

Thx again. keep up your work on the piano, you seem to have talent aswell :)

Thanks!!!