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The Digital Harpsichordist
Japan
เข้าร่วมเมื่อ 8 ก.พ. 2019
John Watlen (1764-1833), and nine others: The Celebrated Circus Tunes, Book I (Complete)
World Première Recording
“New” composers in this recording include: 1) John Watlen (1753-1833);
2) “A young Lady” 3) Miss C. Dalrymple 4) Mary Elizabeth Leslie Ruthven (1757-1820)
5) Captain Callander 6) Dr Henry Harrington (1727-1816)
7) Mr Holland 8) Countess Balcarres (i.e. Lady Elizabeth Lindsay, 1763-1858) 9) “A Lady” 10) Mr Clarkson
This collection of “Tunes”, published in 1792, contains music by John Watlen, but also by a number of others. In addition, there are many pieces that do not bear the name of their creator; they are mostly popular tunes of the time. Here is a list of the composers represented in the volume; I have marked with an asterisk (*) all of those composers who are “new” to my list of recorded composers. Those thus marked are all very minor composers, almost certainly amateurs. What is a bit surprising is the number of women in this list: at that time, composing and publishing music was an occupation considered to be “beneath” ladies of good standing. Apparently, by 1791, such outdated prejudices were disappearing, at least in the British Isles.
Anonymous: All pieces that do not state the composer in parentheses
*“A young Lady”: Piece 8 *John Watlen: Pieces 11,12,18, 22,23,27, 28, 30, 46
William Duchatz: Piece 14; Johann Samuel Schöter: Piece 16
*Miss C. Dalrymple: Pieces 19,24,37,62
*Mary Elizabeth Leslie Ruthven (1757-1820): Piece 26
*Captain Callander: Piece 29; Jean-Frédéric Edelmann: Piece 31
*Dr Henry Harrington (1727-1816) : Piece 38 Ignaz Pleyel: Pieces 34, 63
*Mr Holland: Piece 58; *“A Lady”: Piece 64
*Countess Balcarres (i.e. Lady Elizabeth Lindsay, 1763-1858): Pieces 41, 42,49, 50, 55, 56, 60
*Mr Clarkson: Piece 51;
Track A: 00:00
1) German Dance 2) Bologna's March
3) The Caledonian Beauty 4) Jack the Sailor 5) Spanish Dance
Track B: 00:04:49
6) Too Old to Marry 7) Soldiers Dance
8) L'abbé (by a young Lady) 9) Poney Races 10) Jocky's Dance
Track C: 00:09:12
11) Russian March (J. Watlen) 12) Miss Callanders Minuet (J. Watlen)
13) Prince's Favorite 14) German Valtz (William Duchatz)
15) The Lilly
Track D: 00:14:12
16 New Duke of York’s March (Johann Samuel Schöter)
17) German Hornpipe 18) Honble. Miss Elphinston's Strathspey (Watlen)
19) Miss W. Dalrymple's Fancy (Miss C. Dalrymple)
20) Blanchard's Hornpipe
Track E: 00:22:02
21) The Pursuit 22) Honble. Miss Eliza. Murry Elibank's Strathspey. (J. Watlen)
23) Miss McNiels Fancy (J. Watlen) 24) Miss Watsons Favorite. (Miss C. Dalrymple)
25) Miss C. Ramsay's Fancy.
Track F: 00:27:08
26) Mount your Horses 27) Indians March 28) Miss Baines Strathspey (Watlen)
29) Lade if you Love me 30) Harlequins Lament for the Loss of Columbine
Track G: 00:32:46
31) Honble. Mr David Ruthven's Birthday (Mary Elizabeth Leslie Ruthven, d.1820)
32) Miss Ann Baines Fancy (J. Watlen) 33) Leap over the Garter.
34) Miss Montgomerys Reel (Captain Callander)
35) Miss Dundass of Kerse Strathspey (J. Watlen)
Track H: 00:37:13
36) The Ton (Signor Edelman[n]) 37) The Surrender of Calais
38) Lady Stopfords Reel. 39) Better late than Never (Pleyel)
40) The Flag Dance 41) Destruction of the Bastille
Track I: 00:41:30
42) Russian Tippet 43) The new Highland Ladie (Dr Harrington of Bath)
44) The new Highland Ladie (Variation) 45) What a Beau my Granny was
46) Vulcans March (Countess Balcarres (i.e. Elizabeth Lindsay)
47) Vulcans Forge, to be played immediately after the March (Countess Balcarres)
Track J: 00:45:48
48) Siege of Belgrade 49) Dutchess of Montrose's Reel
50) Miss Campbell of Saddl's Reel 51) Lady Eliza Callander's Favourite (Watlen)
52) Oxford Castle; Jigg (Miss C. Dalrymple (or Miss [Hariot] Dalziel in index)
53) The Highland Fair, a Reel
Track K: 00:49:43
54) The Little Nabob 55) Lady Eliza Lindsay's Minuet (Countess Balcarres)
56) Miss Wardlaws Reel (Mr Clarkson)
57) The Celebrated Air Ah! Ça Ira!, as Chanted at Paris, July 14. 1790
58) The Milliners House 59) Miss Hay's Favourite, a Reel
Track L: 00:55:13
59) The Earl of Balcarres March (Countess Balcarres)
60) Quick Step (Countess Balcarres)
61) Miss Maxwell of Morreston's Reel
62) Margate Assembly, or a Hornpipe (Mr Holland) 63) A Welsh Dance
64) Lady Eliza Lindsay's Hornpipe (Countess Balcarres)
Track M: 1:00:03
65) Mrs. Forbes of Shivers Fancy 66) Sir George Ramsay's Lament (Miss C. Dalrymple)
67) Duke of York's Favourite (Pleyel) 68) The Finale (“by a Lady”)
John Watlin, who in early manhood was an office in the Royal Navy, later became a “Music seller and Music Instrument Manufacturer”, though he obviously composed music as well. In addition to the pieces that bear his name, Watlen also seems to have arranged the many anonymous tunes for performance on a keyboard, or violin and bass.
- David Bolton, “The Digital Harpsichordist”
“New” composers in this recording include: 1) John Watlen (1753-1833);
2) “A young Lady” 3) Miss C. Dalrymple 4) Mary Elizabeth Leslie Ruthven (1757-1820)
5) Captain Callander 6) Dr Henry Harrington (1727-1816)
7) Mr Holland 8) Countess Balcarres (i.e. Lady Elizabeth Lindsay, 1763-1858) 9) “A Lady” 10) Mr Clarkson
This collection of “Tunes”, published in 1792, contains music by John Watlen, but also by a number of others. In addition, there are many pieces that do not bear the name of their creator; they are mostly popular tunes of the time. Here is a list of the composers represented in the volume; I have marked with an asterisk (*) all of those composers who are “new” to my list of recorded composers. Those thus marked are all very minor composers, almost certainly amateurs. What is a bit surprising is the number of women in this list: at that time, composing and publishing music was an occupation considered to be “beneath” ladies of good standing. Apparently, by 1791, such outdated prejudices were disappearing, at least in the British Isles.
Anonymous: All pieces that do not state the composer in parentheses
*“A young Lady”: Piece 8 *John Watlen: Pieces 11,12,18, 22,23,27, 28, 30, 46
William Duchatz: Piece 14; Johann Samuel Schöter: Piece 16
*Miss C. Dalrymple: Pieces 19,24,37,62
*Mary Elizabeth Leslie Ruthven (1757-1820): Piece 26
*Captain Callander: Piece 29; Jean-Frédéric Edelmann: Piece 31
*Dr Henry Harrington (1727-1816) : Piece 38 Ignaz Pleyel: Pieces 34, 63
*Mr Holland: Piece 58; *“A Lady”: Piece 64
*Countess Balcarres (i.e. Lady Elizabeth Lindsay, 1763-1858): Pieces 41, 42,49, 50, 55, 56, 60
*Mr Clarkson: Piece 51;
Track A: 00:00
1) German Dance 2) Bologna's March
3) The Caledonian Beauty 4) Jack the Sailor 5) Spanish Dance
Track B: 00:04:49
6) Too Old to Marry 7) Soldiers Dance
8) L'abbé (by a young Lady) 9) Poney Races 10) Jocky's Dance
Track C: 00:09:12
11) Russian March (J. Watlen) 12) Miss Callanders Minuet (J. Watlen)
13) Prince's Favorite 14) German Valtz (William Duchatz)
15) The Lilly
Track D: 00:14:12
16 New Duke of York’s March (Johann Samuel Schöter)
17) German Hornpipe 18) Honble. Miss Elphinston's Strathspey (Watlen)
19) Miss W. Dalrymple's Fancy (Miss C. Dalrymple)
20) Blanchard's Hornpipe
Track E: 00:22:02
21) The Pursuit 22) Honble. Miss Eliza. Murry Elibank's Strathspey. (J. Watlen)
23) Miss McNiels Fancy (J. Watlen) 24) Miss Watsons Favorite. (Miss C. Dalrymple)
25) Miss C. Ramsay's Fancy.
Track F: 00:27:08
26) Mount your Horses 27) Indians March 28) Miss Baines Strathspey (Watlen)
29) Lade if you Love me 30) Harlequins Lament for the Loss of Columbine
Track G: 00:32:46
31) Honble. Mr David Ruthven's Birthday (Mary Elizabeth Leslie Ruthven, d.1820)
32) Miss Ann Baines Fancy (J. Watlen) 33) Leap over the Garter.
34) Miss Montgomerys Reel (Captain Callander)
35) Miss Dundass of Kerse Strathspey (J. Watlen)
Track H: 00:37:13
36) The Ton (Signor Edelman[n]) 37) The Surrender of Calais
38) Lady Stopfords Reel. 39) Better late than Never (Pleyel)
40) The Flag Dance 41) Destruction of the Bastille
Track I: 00:41:30
42) Russian Tippet 43) The new Highland Ladie (Dr Harrington of Bath)
44) The new Highland Ladie (Variation) 45) What a Beau my Granny was
46) Vulcans March (Countess Balcarres (i.e. Elizabeth Lindsay)
47) Vulcans Forge, to be played immediately after the March (Countess Balcarres)
Track J: 00:45:48
48) Siege of Belgrade 49) Dutchess of Montrose's Reel
50) Miss Campbell of Saddl's Reel 51) Lady Eliza Callander's Favourite (Watlen)
52) Oxford Castle; Jigg (Miss C. Dalrymple (or Miss [Hariot] Dalziel in index)
53) The Highland Fair, a Reel
Track K: 00:49:43
54) The Little Nabob 55) Lady Eliza Lindsay's Minuet (Countess Balcarres)
56) Miss Wardlaws Reel (Mr Clarkson)
57) The Celebrated Air Ah! Ça Ira!, as Chanted at Paris, July 14. 1790
58) The Milliners House 59) Miss Hay's Favourite, a Reel
Track L: 00:55:13
59) The Earl of Balcarres March (Countess Balcarres)
60) Quick Step (Countess Balcarres)
61) Miss Maxwell of Morreston's Reel
62) Margate Assembly, or a Hornpipe (Mr Holland) 63) A Welsh Dance
64) Lady Eliza Lindsay's Hornpipe (Countess Balcarres)
Track M: 1:00:03
65) Mrs. Forbes of Shivers Fancy 66) Sir George Ramsay's Lament (Miss C. Dalrymple)
67) Duke of York's Favourite (Pleyel) 68) The Finale (“by a Lady”)
John Watlin, who in early manhood was an office in the Royal Navy, later became a “Music seller and Music Instrument Manufacturer”, though he obviously composed music as well. In addition to the pieces that bear his name, Watlen also seems to have arranged the many anonymous tunes for performance on a keyboard, or violin and bass.
- David Bolton, “The Digital Harpsichordist”
มุมมอง: 102
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มุมมอง 147หลายเดือนก่อน
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มุมมอง 122หลายเดือนก่อน
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มุมมอง 200หลายเดือนก่อน
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มุมมอง 306หลายเดือนก่อน
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Christian Wilhelm Podbielski (1741-1792): Sonata II in c-minor (1780)
มุมมอง 233หลายเดือนก่อน
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Hele leuke werkjes zeg, Daar moet ik even de tijd voor nemen. Alvast fijne kerstdagen en natuurlijk een voorspoedig 2025
May you, too have a Merry Christmas, and a healthy and happy 2025!
WOW, to be unknown to you it means they were unknown even to their parents, perhaps 😁😅😂🤣 Very nice Xmas gift with some funny old music to refresh our spirit! Merry Xmas to you! I go listen to it right away!
HaHa, thanks, Pietro! Although these are not "serious" pieces at all, I myself find them delightful. I wish you and your family a very Merry Christmas!
cool
👍👍
Thank you! I like this harpsichord review of the Barsanti collection. Robert Burns Night is coming and I will want to incorporate some of them for our band.
I hope you - and the listeners - enjoy "Robert Burns Night"! Thanks for listening.
Como estas Este manjana Muchas Gracias Senior David Bolton recommend grabacuion Interpretation tambien ala Colaborades Compositor Bach y Händel,muy interessante.Entre por tropical Temperatur Costa Rica Joachim Ehlers
Danke fürs Zuhören!
He dedicated these fugues to Handel
Thanks for this information!
@@thedigitalharpsichordist1541 v
He is my relative.
Interesting! Does your family have any information about his life?
Who built the harpsichord? It sounds more like a fortepiano. That’s not the Empfindsamer Stil, by the way. Nor is it very good music.
The sound samples are from a harpsichord by Fleischer, dated about 1720. About the style: though not written in the period in the period we normally refer to as producing works in the "empfindsamer Stil", the tender expression of emotion here puts it, in my view into this general category. (One might also call it "very early romantic"). That it "isn't very good music"...well, that one made me laugh, because I do agree! However, on the other hand, must we ALWAYS compare every piece of music to that of the "greats": Bach, Beethoven, Mozart.? Music can simply be "pretty", and therefore have at least some entertainment value, without being especially "good" using higher standards. Also: hearing music that is "beneath" the works of the greats can serve to make us even more keenly aware of just how good those "greats" were in actuality (which is one of the reasons why I like to record music from second-rate, or even third-rate composers: it makes me appreciate all the more the truly excellent music produced by my "favorite" composers: Bach, Scarlatti, Handel, Froberger, Cabezón, and others.) I wish you a fine day!
Magnifique!!
Merci d'avoir écouté !
!!!!!!!!!
There's an harp sonata in E-flat major by Vicente Martín y Soler in Imlsp, i would love to hear it on the harpsichord, i don't think anyone has ever recorded it on any instrument I wish you a nice week!!
Thanks for the tip! I just had a look at that sonata, thinking maybe I could do it, but then I saw that it also has a violin part (though "ad libitum"), and it looks to me as though in this case, it would need that part. Also: there are series of big chords in the piece that would sound fine on harp, but not so well on harpsichord. Thus, I don't think I will do it after all. But if you find anything else you might like to hear, and is more appropriate for solo harpsichord, do let me know!
👍👍
Zo aan het begin van de week, even genieten. Mooi stukje muziek hoor
Thank you for listeining!
It's a Midi:(
Indeed it is, but I was really playing it, using sound samples from a historic harpsichord.
This is the first time I listen a harpsichord. It's amazing. ¿What's the name of the painting in the background?
Oh, the truth is, I don't know the name of the painting: I found it on the Internet, and thought it would look nice, but I did not note the name. Sorry!
Thaks a lot! Very nice sonata in pre-classic style
Thanks for listening!
Delightful ❤😊
Thanks for listening!
👍👍
Beautiful and interesting
May I download the sheet music?
Yes, you can; it's here: vmirror.imslp.org/files/imglnks/usimg/5/54/IMSLP130564-WIMA.fc90-Handel_43_Messiah_OvertureA.pdf
@thedigitalharpsichordist1541 thank you! And may I also know the original manuscript you are mentioning
@@Maestro_Ludwig I don't remember just where that original is; I think there is a volume of Handel overtures that was printed in the 18th century, perhaps you could look for it at imslp.org (I think I found it there a few years ago). Have a good day!
@@thedigitalharpsichordist1541 thank you!
👍👍
Interesting story and a nice tune. Wasn't expecting it to be this good.
You know, that was exactly my reaction when I first played through this piece. Fräulein Martines was indeed quite talented - and I'm sure having Joseph Haydn as a teacher brought out the best in her!
A really galant sonata ❤
Yes, indeed it is! Thanks for listening.
I really like these
Thanks for listening!
I listened to several symphonies of Toeschi. He's an average caliber "Mannheimer", nice music, bit lacking the strong personality of the Cannabich's, Stamitz, etc. Interesting to notice this keyboard piece, although a stand alone, presents much higher independence and personality, completely away from the Mannheim mainstream.
As always, you have good insights, Pietro. Thanks for listening and commenting!
@thedigitalharpsichordist1541 my pleasure as usual 😊
Muito português e lindo!
Thanks for listening!
You can really hear that he was italian-taught, the pieces are also well written, really sad that we dont have later keyboard pieces or more of these from him 😢
Yes, you are right. If more pieces by him do turn up, I would certainly consider recording them.
Magistral. Gracias
Gracias a ti, Ricardo!
I love scarlatti
As do I!
JP Rameau is an underrated genius like Telemann.
I totally agree.
He was one of the precursors of the "new" galant style in his time,as you can hear in this piece❤
Yes, indeed he was!
This music needs more recognition. Very underrated.
Incredible 👍🏻
Thank you for listening"
This is awesome. Thanks Good ole Leopold..
Thanks for listening!
Loved it.
Thanks for listening!
Could you record the other five sonatas from the same set, please? They are quite marvellous. Thanks for sharing.
I have made a note of it, though I don't know when I will get around to it, since there are so many other composers on my list. But you are right, these little sonatas are quite nice. Maybe I will do the second sonata of this set in the not-too-distant future.
Nice to hear this on harpsichord!
Thanks for listening!
👍👍
Was this done with a MIDI? There is virtually no rhythmic inflection.
Yes, I use midi, but I actually play the works, and never scan them. This was simply my take on these pieces when I played them at the time. Thanks for listening!
R. Courtville may be remembered by some as the composer of the hymn tune 'St James'
Thanks - I didn't know that.
Where did you find the score for this? I've longed for the complete surviving keyboard works of Courtville, Morgan, Barrett, and Piggott to be published, BTW.
As explained in the text above, these pieces are in "The Harpsichord Master", a volume which you should be able to find at imslp.org. Unfortunately, that's all I have by these composers; I don't know of any complete edition of their pieces. Thanks for listening!
Pierwszy!
OMG what tuning is that?
It's "Rameau" tuning.
This one is like a mini opera for keyboard haha
I know what you mean -you can hear that Paisiello was an opera composer.
They're really nice
Thank you for listening!
Highly Underrated
Yes, Witt was quite a good composer! Thanks for listening.
A great find .. I misspelled Moller a a much older classical composer .. it’s fun n perky. I’ve always enjoyed the harpsichord
Thanks for listening!
Una música mística, sobria, no es para escucharla en cualquier momento. La austeridad de la obra de Antonio de Cabezón requiere de su ambiente. Recordemos que es la España, Castilla en el Renacimiento... y quien no conoce la Historia puede verse inmerso en cierta confusion y de ese modo no podrá disfrutar de esta música.
Si, entiendo bien lo que dice Vd. A mi siempre me ha encantado la música de este gran maestro, quizá porque corrensponde a mi propio lado "místico".
👌👏👏👏👏😇🤗
Thank you , David for this delightful music , and the bio on Metzger . There are German Metzger's in the family , and may be a relative.
Interesting! You should get into a bot of genealogy, maybe you could trace your lineage back to him.