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This was great and i got the intended result at the end! For animating the offset, did you just multiply the offset parameter with a time node?

Thank you for this! This is easy to understand and very useful, especially for VFX!

this is way more complex way of doing it than how it is done now in landscape painting in ue5

This looks amazing. You are an artist and make it seem so easy. It was hard to follow, but a very entertaining experience. I will surely try to make something similar myself in my project

I have an issue, I do exactly the same as you and it's not working, my grass appear under the ground, lmao. When I slide the value in the bend intensity, it moves as it should, but under the ground. I feel like there's something off about the height and the bend intensity but I can't find the problem, I tried to put a minus in front of some values but it doesn't work, please.

can anyone share this project if anyone made pls

Thanks man!

where the gray color comes from on the ground and the rocks please ? it makes the rendering more realistic .

I thought about how to implement this for more than two weeks, or rather there were a lot of problems, but in short, I cry when I watch this video, I can move on, thank you, lol...

are you going to continue with this series? i'd be really interested as deeper dives are sorely lacking pretty much anywhere, and you definitely have more technical know how than most on here. plus i really like the way you teach and talk. particularly authoring a generalised substrate master material which incorporates parameterisation and use of the 'help' nodes for ao, albedo, ior/specular/metallicity, normal, roughness, fuzz, subsurface (and subsurface profile), glint, and nanite tessellation displacement. i've learnt a lot from documentation, but i'm struggling to know how to apply much if it. learning the purpose of all these properties and seeing how they behave and interact within the context of a single master material would be really sweet.

Absolutely top-tier breakdown and explanation. Appreciate the time it took to not only figure out the penta and enna-planar techniques, but also the time to break it all down and show it.

I'm sorry but there is no reason not to use 4k textures if not higher ones. Honestly, we need to stop using resolution and use PPI/DPI with 400 being the goal.

Really good stuff! Thanks to both of you guys!

Great stuff chaps!

3:34 How did you consolidate all that stuff into those purple Reroute nodes?

Man watching both of y'all's tutorials is like smoking weed for the first time, hooked instantly 😂

Eros was my Unreal teacher. He's really very competent. Unfortunately I can't see it live. But I take it back.

I'm not sure where I went wrong, or it something just doesn't work the same now, but the point light doesn't work, the top gradient to the saturate node just comes out black, which just erases the value at the multiply. Naturally the spot light has the same issue. Any idea how to fix?

Best in depth explaination of tri planar and even beyond. I do not comment very often on youtube videos but this one is extremly well done.

Waiting for it! Last video was really rich in knowledge

Have you tested this inside Packed Level Actors? Something tells me it will break. Because PLA has different local pivot position and scale and all the transformations will be broken.

Hey awesome video, at 9:00 minutes though, how did you get the "world X Axis" and "World Y Axis" - I keep looking for them, but I can't seem to find it when creating nodes :(

Man… love❤️. I needed this. Most videos on TH-cam regurgitate the same content. And I appreciate it when someone go in depth and show how to fine tune your lights.

This material works really well, apart from when it's on the floor, I like how it makes my characters pop out.

Realise this is an old video now but I have a question regarding scene depth. Is it possible to have the outlines reduce in thickness/complexity with distance? as it stands meshes in the distance look really crowded with detail and it is a bit distracting. Thanks so Much for the awesome explanation of the shader principles though!

Hi. Thanks a lot for the amazing and clear tutorial. Sadly I fail to make the Laplacian Filter works. First I tried it in 5.4.1, then in 5.3.2 (to have the Before Tonemapping switch available), but in both I keep getting the following errors, even after naming the input and connecting the SceneTexture node set as PostPorcessInput0: [SM6] SceneTextureLookup [SM6] /Engine/Generated/Material.ush:3362:27: error: use of undeclared identifier 'SceneTextureLookUp'; did you mean 'SceneTextureLookup'? LaplacianFilter_Normal += SceneTextureLookUp(KernelUVs, 8, false).rgb * CenterWeight; ^~~~~~~~~~~~~~~~~~ [SM6] /Engine/Generated/Material.ush:3363:26: error: use of undeclared identifier 'SceneTextureLookUp'; did you mean 'SceneTextureLookup'? LaplacianFilter_Depth += SceneTextureLookUp(KernelUVs, 1, false).r * CenterWeight; ^~~~~~~~~~~~~~~~~~ [SM6] /Engine/Generated/Material.ush:3358:26: error: use of undeclared identifier 'SceneTextureLookUp'; did you mean 'SceneTextureLookup'? LaplacianFilter_Depth -= SceneTextureLookUp(PixelUVs, 1, false).r; ^~~~~~~~~~~~~~~~~~ [SM6] /Engine/Generated/Material.ush:3031:8: note: 'SceneTextureLookup' declared here float4 SceneTextureLookup(float2 UV, int SceneTextureIndex, bool bFiltered) ^ [SM6] SceneTextureLookup [SM6] /Engine/Generated/Material.ush:3357:27: error: use of undeclared identifier 'SceneTextureLookUp'; did you mean 'SceneTextureLookup'? LaplacianFilter_Normal -= SceneTextureLookUp(PixelUVs, 8, false).rgb; ^~~~~~~~~~~~~~~~~~ Thanks for any orientation you may give me. First time trying code in Custom node. All the best.

tried using this for a font Material and it wouldn't work anyone have any tips?

PLEASE DON'T USE UNREAL SHORTCUTS WHEN DOING TUTORIALS! Friendly input, despite the caps. But it's impossible to follow along when people use shortcuts you don't know about, and then having spend 15 minutes finding the shortcut and completely ruining the flow. Either tell which shortcut is being used, and how to use it, or don't use it at all. Because of this, I couldn't get further than 1:20 because you use a shortcut I don't know about. Nice

This sooo awesome, thank you soo much, will you maybe make a video in future about how to optimize this ? like in with Ghost of Thushima methods ? i also saw on TH-cam, someone using Niagra for this technique which delivers better performence apparently. if this is properly optimized then this makes one of the most feature packed and good looking grass ever. 😃

Great job. What about unrecord? somehow they got into the realistic colors of the picture too well. how can this be achieved?

Hmm.. In my testing your method for WA textures on Skeletal Meshes still gives artifacts on the X and Z plane (only on the exact plane, when previewing on a cube). It happens both with your 'Normalize' method before the transform and with the original. What gives? You have the same?

整挺好！

Only recently discovered your channel. What a gold mine of useful information! Watched 100% of this video, understood about 50%, loved 150% 😂

hmm well that's odd the texture is in highest quality already but i think it's the monitour or projector 4k quality no matter which circuit or components are.

Is there anyway to make that function cheaper and still getting the borders mask ?

please make part 2

So what do I do with my metalness textures now then?

Really awesome video guys, thanks so much!

First off, this is just brilliant! Secondly, I'm struggling to figure out how to make the Texture(T2d) input accept a texture parameter and not just a texture object. So I can change the texture in the material instance. Am I overlooking something obvious or how do I fix this?

It’s been a little while since you uploaded these two videos; are you still working on a part two?

this was fantastic! love these deep dives

I was really expecting to have Substance out of experimental by now but it seems we are going to have to wait more :( Looking forward to Part 2 of your video!

A great tutorial! very informative!

This is gold content, often many other tutorials only teaches how to make a specific scene to achieve a specific look without teaching you the correct way to achieve complete creative control. Also can I check for de tone mapper values, the slope is it best to limit to 0.3 above? Or is there a set of value we should always bound ourself to

fantastic tutorial - thank you :D

There are already 2 built-in function for height blend in unreal engine. 1st is with single height map and 2nd functions is with 2 height maps which is similar to your method. Is there any reason for recreating these functions which are already in unreal engine?

I love that this exists! I am having trouble imagining what context this would/should be used in, though.

Cool effect and thaks for the tutorial!

Bruh you fast forwarded and didnt explain half of what you did. Tutorial should be step by step, not timelapse. Impossible to follow

Is this skeletal mesh triplanar optimized enough for games?