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Esper Photo Analysis
The scene where Deckard uses this really cool machine - the Esper machine - to zoom in and navigate through a small photograph with amazing detail.
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  • @Cartacyrvs
    @Cartacyrvs ปีที่แล้ว

    I see it by u.. and i know it since, when in my time i just was a jounger man. But now, my life is short, but, "you make me beleave", again. Thanks from the frozen ass of this world. Las Condes, Gran Santiago de Chile. Austral América. September, 17. 2023.

  • @NeonVars
    @NeonVars 2 ปีที่แล้ว

    A near unsettling moment when you realize the machine was seeing things beyond the space in the photo. Probably the most bizarre yet fascinating tech in the movie.

    • @ekathe85
      @ekathe85 4 หลายเดือนก่อน

      It wouldn't give a detective anything real to go by, but you can do this right now with AI. Crazy.

    • @NeonVars
      @NeonVars 4 หลายเดือนก่อน

      @@ekathe85 wdym? the machine straight up give him information the photo didn't initially show, a lead on the woman with the tattooed face.

    • @ekathe85
      @ekathe85 4 หลายเดือนก่อน

      @@NeonVars I mean you could do this with AI now, in the real world, even though it wouldn't give a detective any reliable clue.

    • @NeonVars
      @NeonVars 4 หลายเดือนก่อน

      @@ekathe85 True, but current AI is different than whatever this Blade Runner tech is. In the movie you can see the machine moving around real space that actually exists, whereas our AI can only fill in the blanks by generating an environment it will 'think' is there, which I agree is completely useless for real world detective use. I feel like we're getting pretty close though.

  • @frostyden
    @frostyden 2 ปีที่แล้ว

    stable diffusion in action ;-)

  • @AtticTapes14
    @AtticTapes14 2 ปีที่แล้ว

    We can do all that photo stuff nowadays on smartphones

  • @jamesl.anderson1384
    @jamesl.anderson1384 2 ปีที่แล้ว

    Deckard : Enhance 224 to 176. [a man's arm becomes visible] Deckard : Enhance. Stop. [the man's shoulder and wrist are visible] Deckard : Move in. Stop. [close-up of man's wrist] Deckard : Pull out, track right. Stop. [writing is visible] Deckard : Center and pull back. Stop. [arm and door are visible] Deckard : Track 45 right. Stop. Center and stop. [doorway and mirror are visible] Deckard : Enhance 34 to 36. [dresser top is visible] Deckard : Pan right or-and pull back. Stop. [mirror is visible] Deckard : Enhance 34 to 46. [blurred white object in mirror becomes visible] Deckard : Pull back. Wait a minute. Go right. Stop. [Zhora's arm becomes visible] Deckard : Enhance 57 to 19. Track 45 left. Stop. [Zhora is visible] Deckard : Enhance 15 to 23. [marks on Zhora's face become visible] Deckard : Gimme a hard copy right there.

  • @orlandoalessandrini2505
    @orlandoalessandrini2505 3 ปีที่แล้ว

    Yes the hard copy is not the same angle as what's on the screen, however if you compare the hard copy to what's on screen, it appears the Esper took the liberty of rotating her head to get a better angle of the snake tat.

  • @pmarreck
    @pmarreck 3 ปีที่แล้ว

    We need an updated version

  • @Madcapredcap
    @Madcapredcap 3 ปีที่แล้ว

    Now if this were CSI the enhance feature wouldn't have any limits at all.

  • @espectaculardavidrcq
    @espectaculardavidrcq 5 ปีที่แล้ว

    ???

  • @HommeTerre
    @HommeTerre 5 ปีที่แล้ว

    #Google #Assistant ....😐.... - ......🙂.......

  • @Crimson28
    @Crimson28 5 ปีที่แล้ว

    “Just print the damn thing!”

  • @Crimson28
    @Crimson28 5 ปีที่แล้ว

    “Just print the damn thing!”

    • @5upl1an
      @5upl1an 3 ปีที่แล้ว

      Just print the damn thing!

  • @Xighor
    @Xighor 5 ปีที่แล้ว

    Amazing camera 👌😍 I don't like when they do this in shows / movies based in current time which try to be realistic Of course it's perfectly acceptable in this scene since it's Blade Runner

    • @makipri
      @makipri 3 ปีที่แล้ว

      Still silly it’s done from a photo print, not from raw data from a plenoptic camera.

  • @Blontified
    @Blontified 5 ปีที่แล้ว

    Right at the start of this clip, he looks at the photograph surrounded by musical notation. Before he rights it and puts it in his mouth, the picture appears as a Cyclops.

  • @RealmsOfThePossible
    @RealmsOfThePossible 5 ปีที่แล้ว

    7 replicants downvoted this video.

  • @elijahtalbott8898
    @elijahtalbott8898 5 ปีที่แล้ว

    Love love love. Like the Mesa scene in 2049. Love!!!

  • @Blashbuck
    @Blashbuck 6 ปีที่แล้ว

    why did this give me the creeps the first time i saw it

  • @w0mblemania
    @w0mblemania 6 ปีที่แล้ว

    This is like Siri, except Esper appears to work.

  • @jamesvasel8941
    @jamesvasel8941 6 ปีที่แล้ว

    And I have what is told as an Idetic. Memory. I never forget a fuckhead.

  • @jamesvasel8941
    @jamesvasel8941 6 ปีที่แล้ว

    This is child's play to me. I have a naturally suspicious eye.

  • @sloanlance
    @sloanlance 6 ปีที่แล้ว

    Esper, the screen saver: th-cam.com/video/_er7xZd7zUU/w-d-xo.html

  • @SoyBoySigh
    @SoyBoySigh 7 ปีที่แล้ว

    THANK YOU ~ Since I first saw the pic at age 8 or 9, I've ALWAYS said it was a 3D image while everybody told me it was "just zooming in really far" and indeed there is a 2nd reflection of the convex mirror within the angled dressing mirror (which I had always thought was a half-open door) But I find it notable that despite there being a convex mirror, we don't really see a photographer, but we do see hints of what seem to be a remotely activated camera - it's MY feeling or belief if you will, that there are either several fixed cameras around the apartment, or the mirrors themselves either hide lenses behind 'em OR possibly contain sensors to encode the imagery - ALTHOUGH, of course, the MIT "see around corners" device would be more in keeping with a Phillip K. Dick "speculative fiction" piece. It's normal up to the point where he's close-up on her arm, but changes dramatically when he sez "track 45 left" and it seems it's not a number of pixels but rather an ANGLE of incidence and 45-degrees seems about right when you imagine the turn or is it panning I should rather say, taking place at that virtual range distance from the zoom-in enlargement - Everybody I've spoken to while watching the film focuses on the fact that the woman's appearing to the left of the obstruction (sequin dress hanging over dressing mirror - which I had thought was a door - and that to the left of the sequins we were looking into the next room obscured by shadow and poor contrast) But note that when he's looking or "tracking 45 left" the image to the right of the sequins disappears, her elbow disappears then reappears significantly further left (my reason for thinking it was a mirror on the back of a door, perhaps a folding door with two mirrors or a folding dressing screen with mirror panels etc) the doubled elbow is confusing, that if it were indeed a single mirror with an obstruction that tip of her elbow wouldn't protrude as though her arm was ten feet long - So the image to the left has got to be a 2nd generated angle of view. SO - my thoughts are that it could all be a photo COMPOSITE of sorts, where several fixed 2D cameras presumably hanging on walls or mounted atop dressers or shelves or desks against the wall - perhaps all of the walls? - SO - I'm thinking these 2D images would inform a COMPOSITE in a sense, not like a typical 3D photo wherein two lenses stand apart at a distant equivalent to the average span between a person's eyes - But RATHER, this composite could be taken from ANY of these fixed lenses, once it has first established the parameters of the room and where the lenses are shituated within that space ... ??? Just a brain~fart!

  • @ikagura
    @ikagura 8 ปีที่แล้ว

    3D picture

  • @March6371
    @March6371 8 ปีที่แล้ว

    Plenoptic light-field cameras - look it up - very interesting

  • @March6371
    @March6371 8 ปีที่แล้ว

    People are working on this photo tech now. The system uses light bouncing from areas normally hidden and projects a very accurate 'echo' if you will, of what objects are relfecting that light - so yes this will be possible - at the moment the trade off is that the resolution is poor if you want to see 'around corners' - but they are working on that as well. And yes - the final shot is a different angle entirely - that's just bad work from the film's continuity team :) One of the best movies ever.

    • @Skyrilla
      @Skyrilla 4 ปีที่แล้ว

      That's fucking awesome.

    • @ripelivejam
      @ripelivejam 4 ปีที่แล้ว

      movies have continuity teams?

    • @makipri
      @makipri 3 ปีที่แล้ว

      It’s just odd it could be done for paper prints, not requiring the raw data from the plenoptic camera.

    • @AtticTapes14
      @AtticTapes14 2 ปีที่แล้ว

      We can do all that photo stuff nowadays on smartphones

  • @micahaguas
    @micahaguas 9 ปีที่แล้ว

    reminds me of work aside from all the darkness

  • @mikecronis
    @mikecronis 10 ปีที่แล้ว

    When Ridley Scott knew how to make movies! Look at those far-field out-of-focus lighting effects and shadow-play!

    • @christophergiblin3376
      @christophergiblin3376 4 ปีที่แล้ว

      @@jcudal32 If he was still able to make good movies he would have done so, at least once, in the last 2 decades. But he has not.

  • @jmm1233
    @jmm1233 10 ปีที่แล้ว

    if you hadn't noticed all frame references are the same

  • @wblake1
    @wblake1 10 ปีที่แล้ว

    How was such a picture taken? With a drone flying through the entire apartment making google-streetview snapshots of everything?

    • @wblake1
      @wblake1 10 ปีที่แล้ว

      my question was not who, but how.

    • @Slig1977
      @Slig1977 7 ปีที่แล้ว

      That's how they actually created this behind the scenes- only it was with a bunch of 35mm still photos that they pieced together.

  • @Manintoga
    @Manintoga 10 ปีที่แล้ว

    "Now lets make a birthday card for Granma"...235 hours later: "That turned out great!" "Now I'll just boot up my Faxatron 3000XL so i can send this card for Granny." "It too has the same brilliant voice command system as my Esper !"

  • @berryerdat9225
    @berryerdat9225 10 ปีที่แล้ว

    The technology to see around the corner as he does here exists, and can be seen on MIT's website (note that the photo he puts in the device is not just printed, its attached to a disc or tape of some kind that could contain the info needed to accomplish this): web.mit.edu/newsoffice/2012/camera-sees-around-corners-0321.html

    • @MarcusAsaro
      @MarcusAsaro 4 ปีที่แล้ว

      Nice find. This is what I was thinking when I posted this response to another person: Actually, one can assume the Esper machine employs machine learning to infer what missing data is most likely to be based upon the existing light field already in the picture, and fills it in, in real time as Deckard navigates through the scene.

    • @AtticTapes14
      @AtticTapes14 2 ปีที่แล้ว

      We can do all that photo stuff nowadays on smartphones

  • @Scifimaster92
    @Scifimaster92 11 ปีที่แล้ว

    Funny you mentioned that, because Vangelis later used that exact synth on some of his albums.

  • @MrTophes
    @MrTophes 12 ปีที่แล้ว

    well it is TEH FEWTCHARR

  • @TheLoopofSound
    @TheLoopofSound 12 ปีที่แล้ว

    2:27

  • @SmartPDOnline
    @SmartPDOnline 12 ปีที่แล้ว

    The hard copy he prints off isn't even the same angle as the final freeze frame.

  • @SteveSabbai
    @SteveSabbai 12 ปีที่แล้ว

    ...imagine trying to watch Porn on that small ass tv. hard to masturbate too! :P

  • @sam-sharp
    @sam-sharp 12 ปีที่แล้ว

    First, I apologize for the typo, that's very uncharacteristic - I must have been in a rush or something. Yes, I know film pictures are limited by their grain, but the resolution of a film photo is purely limited by the quality of the film. Assuming you had implausibly flawless film this would be possible (although, in reality, it clearly isn't possible).

    • @robertfoley2140
      @robertfoley2140 4 ปีที่แล้ว

      Eight years late but wouldn't it also be limited by the lens too?

  • @neveroddoreven3470
    @neveroddoreven3470 12 ปีที่แล้ว

    There's no way to know whether the picture was taken on film or digitally, first of all. Second, film pictures are still limited by their grain. Third, you spelled "know" incorrectly.

  • @tallblkguy
    @tallblkguy 12 ปีที่แล้ว

    Korg Wavestation years before it was even a thought. Thats what this soundtrack is giving me. Amazing movie on so many levels.

  • @KneelB4Bacon
    @KneelB4Bacon 12 ปีที่แล้ว

    That photo must have been shot with a 200 megapixel camera.

    • @mykmcgrane
      @mykmcgrane 7 ปีที่แล้ว

      I was just saying to myself, this is only possible if the photo is literally 100 megapixels. lol. I love how auto-enhance machine scenes always skip that part, understandable, but, literally a photography hobbyist, that bothers the piss out of me

  • @EJsacasa
    @EJsacasa 12 ปีที่แล้ว

    im not familiar with the movie, but is he simply scanning an old photograph?

  • @EJsacasa
    @EJsacasa 12 ปีที่แล้ว

    what bugs me the most is how he could take a picture of so many pixels

  • @Yattefal
    @Yattefal 12 ปีที่แล้ว

    @rchealy The look around the corner scene has bugged me too for years, but actually it seems you are right. gizmodo-com/5894972/this-futuristic-camera-can-see-around-corners-using-lasers (just replace the first - with a dot)

  • @rchealy
    @rchealy 12 ปีที่แล้ว

    @SocratesTheGadfly: I used to be so ticked off about the same thing, but look at today's technology... the imperceptible is now easily perceived through DSP. Everything emits/reflects light and casts a signature upon surrounding objects. Is it so hard to think that in 2019 a routine would be written to take samplings or averages of reflected light from 2D captured objects to cast a reliable representation of what is around the corner?

  • @quidseeker
    @quidseeker 12 ปีที่แล้ว

    @CaptainJen Smaller Faster Stronger Better!!!

  • @quidseeker
    @quidseeker 12 ปีที่แล้ว

    @andmaketherain But more importantly than that.....he's hunting replicants. He knows she is one if she's living with Leon.

  • @Bl00berrypie
    @Bl00berrypie 13 ปีที่แล้ว

    @SocratesTheGadfly Check out Jean-Francois Rauzier's website

  • @andmaketherain
    @andmaketherain 13 ปีที่แล้ว

    @Deathbringer99699 Deckard was looking at a photo from Leon's apartment. In the photo, Roy Batty is in the tub to the left. But on closer inspection, Deckard finds Zhora in another room and pictures of scales. He had found a scale in Leon's apartment. Deckard was then able to tie in that where he could find the owner of the scale, he could find Zhora.

  • @GreenAsJade
    @GreenAsJade 13 ปีที่แล้ว

    @CaptainJen Because he's a lowly detective.

  • @Deathbringer99699
    @Deathbringer99699 13 ปีที่แล้ว

    dont know if this is the right place to ask,, im watching blade runner right now.. but i stoped after have watched this.. and i dont get it.. who is the girl in the picture?.. whats so important about it?...