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Route Of Blues
เข้าร่วมเมื่อ 19 ก.ย. 2017
Double Trouble with Jimmie Vaughan, John Mayer, Doyle Bramhall and Gary Clark Jr. - Pride And Joy
Double Trouble with Jimmie Vaughan, John Mayer, Doyle Bramhall and Gary Clark Jr. - Pride And Joy
มุมมอง: 142
วีดีโอ
Eric Clapton, Sheryl Crow, John Mayer, Doyle Bramhall II & R.Randolph - Perform "CROSSROADS"
มุมมอง 416 ปีที่แล้ว
Eric Clapton, Sheryl Crow, John Mayer, Doyle Bramhall II & R.Randolph - Perform "CROSSROADS"
Albert King - I'll Play The Blues For You,
มุมมอง 806 ปีที่แล้ว
Albert King - I'll Play The Blues For You,
Steve Winwood, Eric Clapton - Can't Find My Way Home
มุมมอง 206 ปีที่แล้ว
Steve Winwood, Eric Clapton - Can't Find My Way Home
Mighty Sam McClain - When The Hurt Is Over
มุมมอง 28K7 ปีที่แล้ว
Mighty Sam McClain - When The Hurt Is Over
Carlos Santana The 36th Annual Kennedy Center Honors
มุมมอง 157 ปีที่แล้ว
Carlos Santana The 36th Annual Kennedy Center Honors
I just realise after 7 years that all views are from me x'D
やっぱりゲイリームーアのほうがブルースを感じる
Eric is a legend but alas, this song NEEDS a flaming guitar solo... this one seems a lounge version of Still Got The Blues.
Gary version better
Eric was first guitar hero eaven for Gary 🇨🇮 But after 80s he became boring guitar player 🇬🇧 One day he token about Gary Moore Gary is best guitar artist at the moment
compare the works
Your comment is so ridiculous, that it's laughable. Clapton from 90 to 2000 was at the pinnacle of his phenomenal career. His From the Cradle album and tours were some of, if not the best blues playing and vocals, ever laid down. His playing at the Dylan 30th concert at MSG brought the house down, with a 2 minute standing ovation. Steve Kropper and GE Smith looked at him in awe. On a night of superstar musicians, no one could touch him. His playing at his early to mid 2000s Crossroads concerts were on a level few could ever touch. That old Boring crap, iss a joke.
@@robmorrison1043People who say such things only based their opinions on records, which is fair, Clapton does sound very tame within the studio post Dominoes. But in live shows my god he is a completely different beast. His 90s-2010 era shows is something I listen to daily. 2001 in Budokan, 2004 Crossroads, 2006 in MSG, 2007 in Budokan, 2010 Crossroads. What a blues player honestly.
Still Got The Blues, and this performance in particular became very close to my heart when I was living the lyrics a few years ago.
Gary Moore, alway be underrated world class guitarist, RIP🙏
He took away everything that is great about this song. Such a shame!
The actual shame is that you haven't realized that music is free like water. It's not supposed to be specific, rigid & stringent. Hope you learn that someday.
@@prathameshbhambureThank you for the lesson. You might agree or disagree on that art is subjective. If you enjoy Mr. Clapton's rendition, then good for you. I'm not telling you how to feel about it or that nobody is allowed to cover or change this song. Also it is not my place to teach you lessons based on your comments or opinions about a piece of music. You have a good day friend.
@@quadka69 I should've looked at your comment as an opinion and that alone. I didn't mean any disrespect. Thank you for your kindness and I send you peace and love, brother.
@@prathameshbhambure😊🙏
De 🎙️🎸mestre para mestre... 🎸🎙️
Two things - 1) he finds a new, more soulful groove and 2) the outro leaves room for the solo of the guitarist no longer alive to play it.
Listen to the studio version on the “Old Sock” album
Solo clapton mejora la obra de Gary Moore💥💥💥
Sorry brother but you broke up a segue That’s not nice
Glad to say I saw this lineup live Oh Yeah 😊
I really like how this subscriber changed Johnnys name to my last name 😉 Thanx so much ✌️❤️🎵🎶🎼🔥🔥🔥🔥
Clapton is good (not god). But to be very honest, this song he would have done better if tried to copy Gary instead of messing it up like that. This is the worse professional tribute to this masterpiece of the blues, and the fact that someone like Clapton did it make it worse.
That's in your mediocre opinion
God bless you. Eric
I always wanted to hear the elevator version of the song
it' s kind of hypocrit that eric never invited gary moore at the crossroads festival when he used to invite all the blues guitarists! and gary was affected by the lack of clapton attention! and now that gary passed awas he covered his song too late eric
クラプトンが歌えば、クラプトンの持ち歌になってしまう。 gotではなくgetと歌うのはクラプトンらしくていい。
I'm curious to know why you said that it's more typical of him to sing "get" instead of "got."
Grandes maestros en una misma obra ❤
FAUT PAS DECONNER AVEC UN MORCEAU PAREIL CHERCHER L'ERREUR YEAH!!!!!!!!!!!!!
😍💯💥💓💓
Classic stuff
Eric Johnson est un très grand artiste, qui côtoie la perfection avec maestria.
❤️
My Fav!
Great! Thank you.
This is Roll Over Beethoven
Sam had these lyrics kicking around in his head for years/decades, but for some reason he couldn't explain to me just what he heard in his head for music or for instruments (e.g., he wanted horns in this song as with most all other songs by that time). What he tried "humming" to me sounded like a single-note horn blast followed by a "Born Under A Bad Sign" riff but with both an extra note and an extra beat to which I couldn't relate. So I came up with the idea of simply using that basic 3-string riff on counts/measures 1 and 2 followed by that basic 2-string riff on measures 3 and 4, and I suggested that just Kevin (on slide) and I open the song until we went to the 4 (I.e., to G from D) with just Bruce then joining in on piano. Then after the 1st 24 bars, have Ted (bass) and Zack (drums w/brushes) join in. Then Bruce's great down-low-on-the-keys piano v. slide guitar solo, then back to the basic arrangement and fade out (right after getting my one teeny licks in at the very end). Simple, Delta-like, simple as you can to express "that feel" and Sam's powerful voice. It was recorded after the horns packed up and everyone (including producer and engineer) thought the session/album was complete. It's my proudest music writing/arranging achievement with "The Mighty One," though I received no co-writing credit - which is fine. I couldn't believe it when Don's Tunes TH-cam post of this song hit the 50 million "views" mark before it was taken down, and I'm pleased to see how many others have since posted it.
You’re a legend sir👊🏾 I hate that they took the 50mil video down. I would read those comments from all over the world for hours!!!
I keep getting credited for the slide playing on this cut. I'm on rhythm guitar, but I will take credit for the on-the-spot (1-take) arrangement in the studio for Sam's lyrics. But that's Kevin Barry on slide . . . great slide work as are Bruce Katz's piano fills and solo. Zac Casher on drums (brushes) and Teddy B (Ted Bukowski) on bass. Mighty Sam McClain, lyrics/vocal; Bruce Katz, piano; Teddy B (Bukowski), bass; Zac Casher, drums; Kevin Barry, slide guitar; Peter Giftos, guitar, music and arrangement. Producer: Joe Harley. Engineer: Michael Ross. CD: “Sledgehammer Soul & Down Home Blues (AudioQuest)” recorded live at Clinton Recording Studio, NYC, 1996. NOTE: This TH-cam version is in the key of D, which is the key we recorded it in. For some reason, the version now with the most "views" was uploaded in C#.
👍🏻
Big fav
Блюз
His BEST work Play it loud !
I have an old VHS tape that I made of this Austin City Limits performance. I can't tell you how happy I am to see it up here on TH-cam, where I can see it again and again without pulling out that old tape! I am keeping the tape though, just in case you take this down. This is such a beautiful, modern take on minor key blues....magnificent!
I was stunned when I first saw this version on Austin City Limits. It is still In MYHO the best song I have ever heard. Blues Rock done as a Symphony . His chord structure is from another place altogether. And his soloing is so gripping it is hard to stop listening. We are blessed to have him in our world of music. The bass ,drums and keyboards are awesome. I believe this is the best that Eric and band has ever sounded. The rock solid timing of the drums and bass locking in hold you and do not let go. The keyboards fill is wonderful. WOW !
This reminds me of House of Broken Love by Greatwhite
0:29 - 0:35 how does he do that?
Some sort of intervals?
0:47 - 0:52 as well
Some slick chord voicings?
Finger chord progression. Its only the wise chose and the correct moment the reason why its sound so nice.
One of my favorites to hear EJ play live!
No limits to eric johnsons geniality!
This piece makes it hard to quit smoking
do it!
I feel that :( Hopefully you made it out of the addiction.
48 views.....2 up thumb !!! WTF !!! What's the world where we're livin' on ???
Only 5k views? :( sad
Václav P the original was deleted from TH-cam. It use to have 20 million+
There is a video that has 500k views :)
@@paulievu 50 million on Don's Tunes when it disappeared (for whatever reason)....
Absolutely incredible!
Masterpiece ❤️
Fuckin' A
When was this filmed??
Austin City Limits, around 2000ish.
th-cam.com/video/MtETpYZOjjk/w-d-xo.html
@@LucasGarcia-go2gl thank you so much sir!!! This video when it aired changed my life. :) I was 13 years old, and I couldn’t believe the sound coming out of his guitar....purely amazing. I bought my first guitar and never looked back. :) I’ve been searching for it for SO long.....so from the bottom of my heart, thank you!!! God bless ya man.
Pretty sure that"s Roscoe Beck on bass. Who'e the drummer?
Brannen Temple
Yes, that is the one and only Roscoe Beck on bass. Brannon (Temple) did not play with EJ for very long. He was outstanding though.
That Tone, That Feel.....that vibe .... that.........................
Hell he seduces me in 1:20...... He brought one of my favorite songs to a whole new level!!!! Amazing! Brilliant!
Paula Dawson the cover he did on his 2017 collage album is even better. you should definitely check that out
@@sumit5288 I have an autographed copy of that CD.....Saw him at a small venue and I was front row. He blew my shit away!!!!
@@pauladawson5409 ,Just superb playing. Tone and Feel. Roscoe Beck, the drummer and Keyboard player are totally locked in, but with total feel. It puts one in another place and time. Those Bass lines incredible . Eric's leads and those chords are the best humanly possible. What A quartet !!!!
@@douglaszolton8985 He should be on everyone's bucket list to see LIVE. It's a very spiritual experience!!
Why this hasn't been released officially is beyond me. EJ at his peak in the G3 era.
Been playing Guitar for 50 years. This is one of the Best Blues I've ever heard,even up to today.. Totally AWESOME. Eric at his BEST !
@@douglaszolton8985 Totally concur!
EJ on fire!
So am I ...damn he is a maste!!!
You’re the real mvp uploading this back up👌🏼