Parrish Art Museum
Parrish Art Museum
  • 267
  • 99 614

วีดีโอ

Access Parrish
มุมมอง 1525 หลายเดือนก่อน
Access Parrish
Installing Carmen Herrera: Estructuras Monumentales
มุมมอง 637 หลายเดือนก่อน
Installing Carmen Herrera: Estructuras Monumentales
Artists Choose Parrish Part III: Joanne Greenbaum
มุมมอง 3419 หลายเดือนก่อน
The Artists Choose Parrish exhibition is made possible, in part, thanks to the generous support of the Estate of Mildred C. Brinn; Bank of America; Stephen Meringoff in honor of Robin and Fred Seegal; The Robert Lehman Foundation; Sandy and Stephen Perlbinder; Agnes Gund in honor of Dorothy Lichtenstein; Goldman Sonnenfeldt Foundation; Jennifer and Sean Cohan; Susan and Timothy Davis; Alexandra...
Artists Choose Parrish Part III: Mel Kendrick
มุมมอง 1399 หลายเดือนก่อน
The Artists Choose Parrish exhibition is made possible, in part, thanks to the generous support of the Estate of Mildred C. Brinn; Bank of America; Stephen Meringoff in honor of Robin and Fred Seegal; The Robert Lehman Foundation; Sandy and Stephen Perlbinder; Agnes Gund in honor of Dorothy Lichtenstein; Goldman Sonnenfeldt Foundation; Jennifer and Sean Cohan; Susan and Timothy Davis; Alexandra...
Artists Choose Parrish Part III : Amy Sillman
มุมมอง 3.5K9 หลายเดือนก่อน
The Artists Choose Parrish exhibition is made possible, in part, thanks to the generous support of the Estate of Mildred C. Brinn; Bank of America; Stephen Meringoff in honor of Robin and Fred Seegal; The Robert Lehman Foundation; Sandy and Stephen Perlbinder; Agnes Gund in honor of Dorothy Lichtenstein; Goldman Sonnenfeldt Foundation; Jennifer and Sean Cohan; Susan and Timothy Davis; Alexandra...
Artists Choose Parrish Part III Interview Compilation
มุมมอง 1679 หลายเดือนก่อน
The Artists Choose Parrish exhibition is made possible, in part, thanks to the generous support of the Estate of Mildred C. Brinn; Bank of America; Stephen Meringoff in honor of Robin and Fred Seegal; The Robert Lehman Foundation; Sandy and Stephen Perlbinder; Agnes Gund in honor of Dorothy Lichtenstein; Goldman Sonnenfeldt Foundation; Jennifer and Sean Cohan; Susan and Timothy Davis; Alexandra...
Jazz | Gregory Lewis Organ Monk Trio February 9th, 2024
มุมมอง 20610 หลายเดือนก่อน
Recorded and mixed by Jacob Levesque
GALLERY | TALK ARTISTS CHOOSE PARRISH, PART II January 26th, 2024
มุมมอง 6010 หลายเดือนก่อน
GALLERY | TALK ARTISTS CHOOSE PARRISH, PART II January 26th, 2024
HOLIDAY CONCERT | STEVE SALERNO & JAZZMATIC GROUP DECEMBER 15th, 2023
มุมมอง 10410 หลายเดือนก่อน
Recorded and mixed by Jacob Levesque
TALK ARTISTS CHOOSE PARRISH NED SMYTH AND JOHN TORREANO November 17th, 2023
มุมมอง 2810 หลายเดือนก่อน
TALK ARTISTS CHOOSE PARRISH NED SMYTH AND JOHN TORREANO November 17th, 2023
Artists Choose Parrish Part II: Marina Adams
มุมมอง 565ปีที่แล้ว
Artists Choose Parrish was organized by Corinne Erni, the Lewis B. and Dorothy Cullman Chief Curator of Art and Education and Deputy Director of Curatorial Affairs, with support from Kaitlin Halloran, Assistant Curator and Publications Coordinator, and Brianna L. Hernández, Assistant Curator. The Artists Choose Parrish exhibition is made possible, in part, thanks to the generous support of the ...
Artists Choose Parrish Part II: Ned Smyth
มุมมอง 40ปีที่แล้ว
Artists Choose Parrish was organized by Corinne Erni, the Lewis B. and Dorothy Cullman Chief Curator of Art and Education and Deputy Director of Curatorial Affairs, with support from Kaitlin Halloran, Assistant Curator and Publications Coordinator, and Brianna L. Hernández, Assistant Curator. The Artists Choose Parrish exhibition is made possible, in part, thanks to the generous support of the ...
Artists Choose Parrish Part II: Stanley Whitney
มุมมอง 1.4Kปีที่แล้ว
Artists Choose Parrish was organized by Corinne Erni, the Lewis B. and Dorothy Cullman Chief Curator of Art and Education and Deputy Director of Curatorial Affairs, with support from Kaitlin Halloran, Assistant Curator and Publications Coordinator, and Brianna L. Hernández, Assistant Curator. The Artists Choose Parrish exhibition is made possible, in part, thanks to the generous support of the ...
Artists Choose Parrish Part II: Alice Aycock
มุมมอง 57ปีที่แล้ว
Artists Choose Parrish was organized by Corinne Erni, the Lewis B. and Dorothy Cullman Chief Curator of Art and Education and Deputy Director of Curatorial Affairs, with support from Kaitlin Halloran, Assistant Curator and Publications Coordinator, and Brianna L. Hernández, Assistant Curator. The Artists Choose Parrish exhibition is made possible, in part, thanks to the generous support of the ...
Artists Choose Parrish Part II: Donald Sultan
มุมมอง 342ปีที่แล้ว
Artists Choose Parrish Part II: Donald Sultan
Artists Choose Parrish Part II: Alix Pearlstein
มุมมอง 89ปีที่แล้ว
Artists Choose Parrish Part II: Alix Pearlstein
Artists Choose Parrish Part II: John Torreano
มุมมอง 165ปีที่แล้ว
Artists Choose Parrish Part II: John Torreano
Gallery Talk | Artists Choose Parrish, Part II September 2nd, 2023
มุมมอง 125ปีที่แล้ว
Gallery Talk | Artists Choose Parrish, Part II September 2nd, 2023
Artists Choose Parrish Part II: Artists Interview Compilation
มุมมอง 207ปีที่แล้ว
Artists Choose Parrish Part II: Artists Interview Compilation
TALK | 2023 ROAD SHOW ARTIST HIROYUKI HAMADA September 29th, 2023
มุมมอง 37ปีที่แล้ว
TALK | 2023 ROAD SHOW ARTIST HIROYUKI HAMADA September 29th, 2023
TALK | THE SLIP: THE NEW YORK CITY STREET THAT CHANGED AMERICAN ART FOREVER October 6th, 2023
มุมมอง 158ปีที่แล้ว
TALK | THE SLIP: THE NEW YORK CITY STREET THAT CHANGED AMERICAN ART FOREVER October 6th, 2023
TALK | JAMES BROOKS: A PAINTING IS A REAL THING August 25th, 2023
มุมมอง 169ปีที่แล้ว
TALK | JAMES BROOKS: A PAINTING IS A REAL THING August 25th, 2023
Talk | Artists Choose Parrish, Part II, Member Preview August 19th, 2023
มุมมอง 46ปีที่แล้ว
Talk | Artists Choose Parrish, Part II, Member Preview August 19th, 2023
Artists Choose Parrish Part I: Eric Fischl
มุมมอง 559ปีที่แล้ว
Artists Choose Parrish Part I: Eric Fischl
Artists Choose Parrish Part I: Nanette Carter
มุมมอง 122ปีที่แล้ว
Artists Choose Parrish Part I: Nanette Carter
Artists Choose Parrish Part I: Joe Zucker
มุมมอง 213ปีที่แล้ว
Artists Choose Parrish Part I: Joe Zucker
Artists Choose Parrish Part I: Jeremy Dennis
มุมมอง 81ปีที่แล้ว
Artists Choose Parrish Part I: Jeremy Dennis
Artists Choose Parrish Part I: Leslee Stradford
มุมมอง 72ปีที่แล้ว
Artists Choose Parrish Part I: Leslee Stradford
Artists Choose Parrish Part I: Nina Yankowitz
มุมมอง 65ปีที่แล้ว
Artists Choose Parrish Part I: Nina Yankowitz

ความคิดเห็น

  • @joandaidone7455
    @joandaidone7455 19 วันที่ผ่านมา

    Fabulous concert in a great space. Gregory Lewis' Organ Monk Trio brings a new energy to Monk's brilliant compositions. Just ran across this recent review in Downbeat. New York Hammond B-3 organist Gregory Lewis has spent a substantial portion of his career delving into the music of Thelonious Monk, a practice that has taken him to concerts halls and clubs in faraway locations and led to opportunities to connect with top musicians from a variety of soulful, funky genres. Years of practice and repertoire development have honed Lewis’ skills not only as a formidable jazz improviser and composer, but as a celebrated interpreter of both well-known and obscure material by Monk, the historic composer-pianist whose legacy is associated with the birth of bebop, the upending of conventional harmony and the sound of surprise in general. With a title inspired by a 2020 trip to Zimbabwe, Organ Monk Going Home takes Lewis on a spiritual journey of sorts to jazz’s proverbial African homeland, where he finds himself in the company of guitarist Kevin McNeal and drummer Nasheet Waits, longtime simpatico collaborators who demonstrate a keen familiarity with the organist’s every impulse. To kick things off, the trio digs into the uptempo swing of “Who Knows,” with Lewis applying manic energy and a burst of momentum to the tune’s downward-spiraling movement; Waits takes the tune out in dramatic fashion, ending a grand crescendo of drum-solo-over-band-accompaniment with a crash. Lewis and company have a gas navigating the metric displacement on the head to the herky-jerky “Evidence,” then fall comfortably into a long section of medium swing groove and inspired soloing in which the players borrow freely from the song’s quirky, stop-start motifs. Other highlights of Organ Monk Going Home include a brilliant take on “Brilliant Corners” that spotlights the composer’s attention-getting shifts in and out of double-time and features a Lewis organ solo bursting with handfuls of sustained, Leslie-swirling chords that intensify as they increase in density; “Two Timer,” played here with a funky organ-pedal bass line and a hip-hopping drum beat underneath a melodic line so catchy it could pass for a pop hit; and a greasy take on “Brake’s Sake” that brings additional funkiness and even a bit of disco feel to the session. The album concludes with “Jaclyn’s Eyes,” an original composition by Lewis that submerges the listener into an ocean of ambient atmospherics and a rock-anthem beat - a striking juxtaposition to everything that comes before it. Lewis does an amazing job of approaching Monk’s piano-centric ideas to organ, a completely different animal with enough idiosyncratic tendencies to satisfy even the most curious and discriminating Monk enthusiasts among us.

  • @thefirst8482
    @thefirst8482 2 หลายเดือนก่อน

    Awesome performance this!

  • @Wirayasamade
    @Wirayasamade 2 หลายเดือนก่อน

    Karya super❤

  • @PatrickGregoryDaniels
    @PatrickGregoryDaniels 3 หลายเดือนก่อน

    This is Awesome 👏🏿 Thank You

  • @jhb61249
    @jhb61249 4 หลายเดือนก่อน

    Gals having gals time together. Yada yada yada.

  • @poetrees1
    @poetrees1 4 หลายเดือนก่อน

    Incredible choices, including Saul Steinberg, who has been out of fashion lately.

  •  5 หลายเดือนก่อน

    Another great essay!

  • @DLH925
    @DLH925 5 หลายเดือนก่อน

    This was really nice to hear.

  • @tobydrums1
    @tobydrums1 6 หลายเดือนก่อน

    Alright!

  • @-dq5xn
    @-dq5xn 6 หลายเดือนก่อน

    What a lovely painter one of my favourites

  • @RitaBenate
    @RitaBenate 6 หลายเดือนก่อน

    The oevre “Banana Tree” is called “Albatross 1” on the Artnet website. Hmmm … Just wondering.

  • @RitaBenate
    @RitaBenate 6 หลายเดือนก่อน

    The oevre “Banana Tree” is called “Albatross 1” on the Artnet website. Hmmm … Just wondering.

  • @stlapierre
    @stlapierre 6 หลายเดือนก่อน

    She’s nothing but a parody of art

  • @MrIrons-og3rg
    @MrIrons-og3rg 6 หลายเดือนก่อน

    You need to see my artworks. Thanks for sharing

  • @hugomarkl6572
    @hugomarkl6572 6 หลายเดือนก่อน

    There are boys who mistake their love of abuse for love. But you are a golden boy, you will have a next life (you will overcome everything). Your pieces will wash away all your sins the day you disappear. Artists are quickly forgotten, but your sweet heart will be remembered.

    • @antwortmir4451
      @antwortmir4451 4 หลายเดือนก่อน

      Are you the contemporary artist Hugo Markl? Then please contact us, we have been trying to contact you for some time. We need your consent to publish legal documents that we believe serve certain interests. If you are not the contemporary artist Hugo Markl, we ask for your indulgence if you felt irritated by our request.

  • @cedarraine7829
    @cedarraine7829 6 หลายเดือนก่อน

    I love listening to her talk

  • @GenuBerlo
    @GenuBerlo 7 หลายเดือนก่อน

    Nice narrative and lineup of art 🎉

  • @cindyoverall8139
    @cindyoverall8139 7 หลายเดือนก่อน

    Very good talk! But Robert Henri is pronounced Onrie. French for Henry.

  • @garyjcampbell2058
    @garyjcampbell2058 7 หลายเดือนก่อน

    Love these, however, think about an artist who is rather good, in advancing in years and been overlooked mostly? There is a superfluous plethora of art that's drowning the top quality art that's on the internet. A lot of it wannabes and imitators? Do the young artists realize they are being scammed by these sites claiming to 'offer you the chance' to sell your work? When you have no chance, even if you are as good as Picasso (very unlikely). My advice is that if you think you have something to offer, take your work to a mid market physical gallery, only a small amount of pieces and show. Successful gallery owners don't have time to look through full portfolios and you don't want to irritate them. If you want any more marketing or critical advice, comment here, or wherever. Not if you are under 18.

  • @STMC
    @STMC 7 หลายเดือนก่อน

    Loosens da noose contemporary stylz...

  • @cindyoverall8139
    @cindyoverall8139 8 หลายเดือนก่อน

    The Creme de la Creme … the real deals.

  • @TheBethfishman
    @TheBethfishman 8 หลายเดือนก่อน

    great to hear JG, and this video does not need that terrible musical soundtrack . !!!!

  • @cliffdariff74
    @cliffdariff74 8 หลายเดือนก่อน

    A HOAX..... this lady is complaining about the last administration, that has seperated kids that were NOT with their parents. Meanwhile the Biden Regime has let 12 million foreign nationals walk into our country... This woman is probably working with NGOs that help traffick humans into our country, and get paid by our government to do so. If you are wondering what it means to have some politicians claim you are now in a sanctuary state. It means YOU pay for all these families. All their education, medical, housing, food, transportation and welfare... and you get to listen to this lady lecture you about the "last administration " 😅😅😅. Good luck taxpayers.

  • @cliffdariff74
    @cliffdariff74 8 หลายเดือนก่อน

    Love his work..

  • @cliffdariff74
    @cliffdariff74 8 หลายเดือนก่อน

    Every decade artists say the same... we are in a crisis, the world is on the brink, democracy is in jeopardy, everyone is oppressed!! 😅

  • @angelozachos8777
    @angelozachos8777 9 หลายเดือนก่อน

    Hiroyuki Hamada : Great man … Fantastic artist … Wonderful thinker … ❤ Thank you 🙏

  • @JohnSeed
    @JohnSeed 10 หลายเดือนก่อน

    What a wonderful idea for an exhibition. There is so much to like about this including the way it brings works out of storage.

  • @azulachlo4532
    @azulachlo4532 11 หลายเดือนก่อน

    Guao

  • @gatitaplus
    @gatitaplus 11 หลายเดือนก่อน

    Very beautifully done

  • @irenedavo3768
    @irenedavo3768 ปีที่แล้ว

    Well painted Crocs!

  • @irenedavo3768
    @irenedavo3768 ปีที่แล้ว

    Remember to Subscribe and comment

  • @irenedavo3768
    @irenedavo3768 ปีที่แล้ว

    Want more Subscribers? Make some short videos!

  • @marcandrechiffert6739
    @marcandrechiffert6739 ปีที่แล้ว

    Another great presentation by most talented Corinne!! Exploring art will absolutely awaken your innovative spirit, banish stress and boost self-esteem...so don't miss the guided tours on Saturdays at 2pm where you'll be inspired and have fun!!

  • @davidhunternyc1
    @davidhunternyc1 ปีที่แล้ว

    I would like to see a show with the work of David Salle juxtaposed with the work of Neo Rauch.

    • @atoms-to-atoms
      @atoms-to-atoms 8 หลายเดือนก่อน

      Brilliant arrangement...who was first?

    • @davidhunternyc1
      @davidhunternyc1 8 หลายเดือนก่อน

      @@atoms-to-atoms David Salle was "first" in the U.S. and Neo Rauch, oddly, took a while to break through on this side of the pond. Neo Rauch, however, has been around and respected in Europe for a long while. They are contemporaries and they both deal with the slippage of meaning through a conflation of representational imagery.

    • @atoms-to-atoms
      @atoms-to-atoms 8 หลายเดือนก่อน

      @@davidhunternyc1 Salles images seem to have derived from a stock of mysterious mag photos...I'm slightly conflicted about his work!

    • @davidhunternyc1
      @davidhunternyc1 8 หลายเดือนก่อน

      @@atoms-to-atoms "Being conflicted" is a feature of modern art. Picasso's "Les Demoiselles d'Avignon" perhaps being the first, with it's crude structure, dead paint, and banal color. Warhol and Bruce Nauman did the same. Another polarizing figure is Jeff Koons. For some people, looking at his work feels like scratching on a chalkboard.

    • @atoms-to-atoms
      @atoms-to-atoms 8 หลายเดือนก่อน

      @@davidhunternyc1 Jeff for sure... I'm naturally cynical and see a lot contemporary art as being intellectually dishonest...my journey has really just started from architecture into art...thanks for your insights... appreciated.

  • @michael4250
    @michael4250 ปีที่แล้ว

    Pictures of YOU instead of the art...which is tiny compared to you. What a waste of space.

  • @FranciscoMiguel-l5y
    @FranciscoMiguel-l5y ปีที่แล้ว

    Español

  • @idrisahmadu5699
    @idrisahmadu5699 ปีที่แล้ว

    Very nice. Well done guys.

  • @incognito3620
    @incognito3620 ปีที่แล้ว

    Many wrongly assume the finished painting one sees was painted “ on the spot” so to speak. Most great artist did many drawings and paint studies to work out composition and construction before the final work. Especially multi figures outdoors. Also there is documentation that Sorrola when painting children at the seashore would ‘change out’ a waterlogged child with another when necessary.

  • @incognito3620
    @incognito3620 ปีที่แล้ว

    Another interesting note is Velasquez is the innovator and originator of the ultimate painting styles the trio incorporated and made famous. Few people put this fact together. Velasquez had so many requests to paint. Mainly, the king ( Louis) at the time, he need to “ shortcut” his technique. As a result he painted “ impressionistically” or loosely if you will, to complete the works. Plus he realized the paintings would be viewed from above at twelve to fifteen feet away from the viewer. At that distance details could be “ indicated” and still seem finely painted. The fact that Sargent and Sorrola copied Las Maninas shows his interest. Study the portraits of Velasquez and see the comparisons.

  • @incognito3620
    @incognito3620 ปีที่แล้ว

    It is an artists job in portraiture to “ improve and enhance the subject. No model wants to see themselves” as they are”. Sargent was brilliant at this.

  • @incognito3620
    @incognito3620 ปีที่แล้ว

    At the outset You mistakenly said “ El Jaleo by Sorrola. It was painted by John Sargent

  • @incognito3620
    @incognito3620 ปีที่แล้ว

    The three Musketeers. The magnificent trio. Aptly, The Triumphant triad indeed. My all time favorite painters who changed painting.

  • @budakart
    @budakart ปีที่แล้ว

    Come to Islam n success

  • @michael4250
    @michael4250 ปีที่แล้ว

    Shows himself mostly. Some small bad reproductions. Ego first. Too bad.

    • @cindyoverall8139
      @cindyoverall8139 8 หลายเดือนก่อน

      What?? Are you saying that the paintings should be shown instead of the speaker? I agree.

  • @christopherhollyday5581
    @christopherhollyday5581 ปีที่แล้ว

    Yeah Greg

  • @miekgenklefin9616
    @miekgenklefin9616 ปีที่แล้ว

    This is music that should be part of any public school system.

  • @mitchellrosenzweig6629
    @mitchellrosenzweig6629 2 ปีที่แล้ว

    Excellent idea

  • @mitchellrosenzweig6629
    @mitchellrosenzweig6629 2 ปีที่แล้ว

    Great story Roz..

  • @thomasstengel7356
    @thomasstengel7356 2 ปีที่แล้ว

    Juni is a remarkable man and a jewel of the Southampton community. There is no better steward for our small town. His kindness, compassion, patience and heart are second to none. He is, rightly, a local legend. The number of lives that he's touched and made better are innumerable. When he speaks, one would do well to listen. As Juni alluded to, trickle down economics is, and always has been, a fallacy. It'd be better characterized as trickle up poverty.