วีดีโอ

thought there would be a lot more artbots in the comments.

I just love it.

Superfine

Exelente trabajo!!Saludos!!

Hi I love your video❤ Thank you all the time

Fantastic,oh yes🤗👍

Lucas Arruda his paintings I crossed by chance when looking at Mendez Wood DM galeria in São Paulo about 7 years ago. Immediately the feeling I got was “this person knows how to paint”… I am myself a painter and I paint both in São Paulo and the south of France… I keep looking around to see what is going on and seeing these small paintings very calm paintings, painted with a mix of contemporary and Dutch 18thCentury…reminded me of a painter I had seen at the Paris Fiac in the mid 1970’s called Armando Morales from Nicaragua 🇳🇮, whose paintings of South American forests with indian natives I immediately liked. I had the feeling this is good. Looks like it is good.

Seus pretos e brancos são majestosos

Os seus pretos e brancos são majestosos

É um marco na pintura moderna. A partir de aqui os pintores têm que procurar novos caminhos

great work, time to have a show in the MOMA 💎

Interesting work, thanks for this video. Video closeups are often so much more revealing than all but the best photo documentation

😊

Sin of man

❤❤❤pur beauty

AWESOME ! Thanks for showing.

Beautifully curated show and the person on the video camera did an excellent job.

you move the camera way too much this is about us viewing her brilliant work. but thanks anyway.

Great filming. You really got the texture, brushstrokes, and rich colours to reveal themselves. Dana is an amazing artist.

🔥🔥🔥

waow Thank you for sharing this 🙏

Thank you!

So much below the surface. Thanks for posting

Thank you

❤❤❤Artist Francis Antony Kodankandath, Kerala, India 🎉

emperors new clothes

Being the other side of the pond I really appreciate the walk around. Just the natural ambient sound in the space would be a million times better though. I have to mute it to see the work ❤

Goodness! Please tell me: what is this music?

Thanks for sharing. Wish you’d gotten us a better look at the large pale paintings that were impasto though

Is this a joke

Louis Fratino’s organic, tactile style makes viewing it feel like a warm embrace. The music in this clip is an excellent match. Could we get information about it, please?

Der Meister.

What is the music accompanying this video?

powerful.

I love Dana Schutz's work.

More Baroque in abstraction. Not my thing.

Really really good

😊ME GUSTA VERLO PINTAR. ME DAN GANAS DE LLORAR...❤DESDE ARGENTINA.😊

❤AMOOOO SUS PINTUAS.

Congratulations... fantastic fall down full of color and mysterious magic. thank you for your beautiful work

Beautiful, energetic brush work! And the colors--fantastic.

Lindoooooo👏👏👏👏👏👏👏

Wondering who filmed this video and therefore who owns the copyright on this video? I'd like to use a second or so of it in a film I am making.

Much of contemporary painting has reverted back to foreground, middle ground, and background tropes. Representation, figuration, and subject matter reign. Issues matter. Yes, Clement Greenberg was fiction but is what we have now any better? The problem is our eyes see fast. We instantly assimilate images and quickly become bored. Rehashing visual conventions are often unsuccessful and, to be fair, most abstraction is a regurgitation of the past too. Art is no longer the zeitgeist it once was. Besides Jackson Pollock, the closest the art world had to putting an artist on the cover of Time Magazine was either Jeff Koons or Matthew Barney. That time has past. Beeple stirred a bit of controversy but, for most people, it's more engaging to swipe left and swipe right. In this sea of the new normal, painting doesn't care. Painting is still, quiet, and anachronistic. Even so, the paintings of Thomas Nozkowski's make quite a noise, the antithesis of Rothko's vibrating hum. Spirituality is replaced by transgression, uncertainty, and the chattering of teeth. If art mirrors our times, Nozkowski's pulse was prescient, aligned more with the existential angst of Jordan Wolfson and Neo Rauch than with his own generation. Thomas Nozkowski's paintings are not "a celebration of form and color." He plows through abstract expressionism and minimalism with a sneer. He's inspired by the slippage between thoughts, images, things, and patterns. Nozkowski's paintings do something. They function. Some paintings exhibit a perverse humor. Their enigmatic presence is remarkable considering they're directly and simply painted on a small scale. In an age of oversized art in oversized galleries, Nozkowski's honest work shuns grandiosity, like Vemeer's, "The Lacemaker" mocking David's histrionic, "Coronation of Napoleon". One of Nozkowski's predecessors is Myron Stout, whose black & white paintings cohabit a space between abstraction and non-representaion. Google search Stout's "Untitled", 1957 - 1968, at the Yale University Art Gallery. Like Nozkowski's work, it's a small oil painting, consisting of a white "V" shaped figure on a black ground. Myron Stout's "Untitled", is simple in form but, "What is it?" "What's it doing?" The white shape is simultaneously flat and deep, receding and advancing, every rounded corner different from the next. Stretching. Pulling. Doing no-thing. Its graphic simplicity resists assimilation. At 5:20, Nozkowski's, "Untitled", takes Stout's "V" and turns it into a right angle swimming pool in the middle of a Van Gogh wheatfield. Disagree and you'd be correct. The painting just sits there, neither affirming nor denying your thoughts because, of course, painting does none of these things. It's neither a representational take on Myron Stout's "V" nor an abstraction. Like the shutter of a camera lens, it closes, resisting interpretation. Not to be outdone, at 3:20, is a simple lime green shape on a grey background. Empty of detail and minimal in construct, it is perhaps the most vexing painting in the show. Is it a pixelated artichoke? Nothing coalesces. Questions beget more questions. Like many of Nozkowski's paintings, the image is unpinnable and is frankly, odd. In another "Untitled" painting at 3:08, the painting is both a cartoonish take on Hokusai's, "The Great Wave of Kanagawa" and a character from Dr. Seuss... 'Clark' in the park. There are other painters whose work shares an affinity with Nozkowski. Albert Pinkham Ryder, Forest Bess, and Gertrude Abercrombie were artists who also worked on a small scale outside the mainstream. Their internal dialog with the world couldn’t care less about the official canon of art history. Thomas Nozkowski's vision was no less singular. We were lucky to have him.

What a superb artist Tapies is. This exhibition would have been a ‘must-see’ for me. His innovative & meaningful comments on the world suggest so many ways of ‘seeing’ that they lood one’s brain. To see it in person would have been such a pleasure. I do not think UK has had an Antonio Tapies exhibition for some time ( or even ever ) or in last few decades. We should resolve to ensure we rectify that. Thank you for a good video. And sharing with us .

Not usually a fan of the abstract stuff, goes right over my head but these paintings are INCREDIBLE...I hope im lucky enough to see at least one in person sometime

❣

Which is the music playing,during this video please...thank you!!!

Amazing! Does the artist use canvas or wood-board for his paintings?

This comment won't be liked, but still the bitter truth is obvious. Humanity, like never before, is blinded by hypocrisy. The ones who were oppressed became oppressors. How could they make suffer innocent people the same way as they suffered in ww2? Hundreds of thousands genocided, entire country turned into rubble, with children buried underneath it. If this art, by the intention of author, is supposed to make us feel for the people who were became victims of ww2, if this art is supposed to make us think about the depth of horror mankind can create and try to become better and never allow that horror to happen again, then what does this author have to say today, seeing that the people he tries to portray as victims of millennium, are genociding entire nation today, and the ones who were in those c.camps support this genocide? None of these paintings or art, or words, have any sort of meaning if they don't portray the truth. And the truth is obvious, no sane person will hail ss army for their courage and portray them as victims, the same way no sane person will feel for ''exodus nation'', that literally organized holocost in 2023-2024.