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52:55 following.... incredible beautiful tune !

Muy bueno

This is exactly how to make this gorgeous symphony slack and tedious instead of terrifying. The weirdest performance ever.

Thanks for your efforts and written rendition. Ever since I came to know the Pettersson, It seems I can not stop coming back to his music; and I am not depressed. Thanks again from California

Man braucht sehr viel Geduld um dieses Werk bis zum Ende zu hören.Gegenüber seiner früheren Werken feht meines Erachtens die Einfalskraft für wirklich Neues.Es ist eher ein Mosaik aus diesen Sinfonien.Trotzdem ein großes Werk , dass aber aus den genannten Gründen wohl nur Insidern bekannt bleiben wird.Lob für die Arbeit des Orchesters und des Dirigenten.

What nationality is he of? I had never heard of him, until today here.

0:00 Björk

Thanks for this ...!

I hope I can listen to and understand all Petterson's works before I die.

Done

I have written an essay about this symphony, which makes use of your video. (Search for Howard James Simmons substack and scroll the list of posts to find 'Pettersson's 13th symphony'.)

YT deletes my comments, Here goes again, Both CPO and BIS have recorded this sym, The CPO /Fraicis is the better recording. Both labels have it at 70 minutes, This **version** as you note is 85 minutes, Conductor for BIS, Lindberg gave me a message on a YT video when I ask the community why the dif in timings,, Lindberg stated the reason for the added 15 minutes was due to the orchestra wishing to **take breaks during the last section of this symphony and these breaks caused a more SUBLIME slower EXTENDED tempo** Can not recall exactly what Lindberg told me, I am guessing , only know he did say the orch demanded breaks,, anyway the Goteborg had it correct. The added lenght raises this sym into a much higher sublimity than the CPO version. My guess is some members within the Goteborg sym could see the higher potential; of the last sections of this sym, other than what the composer intended. You can find it on LP, and there was a classical cd site that actually offered in on bootleg CD copies, Which I have. Its most likely my fav sym from Pettersson as the final dirge is the dirge of all dirges. This sym is almost biographical on my life., and hope to hear it at my last rites ceremony.

Having been the orchestra's general manager and also the producer of this recording, I can confirm that Pettersson very much liked Comissiona's broad tempi. The 1971 premiere made a deep impression on those present in the hall (as well as many who heard it on the radio), which resulted in a demand to program it again. So during the 1970s it was played in no less than three seasons. Unusual for a new and such a complex work. The first two performances were somewhat faster than the recording, yet only to a small degree. I remember that Comissiona several times consulted Pettersson over the telephone, so I assume the recording is close to what the composer wanted. The 9th was a commission for the Gothenburg Symphony. Before the last performance it was decided to make a commercial recording, which was realized in June 1977 and the following year issued by Philips on two LPs. Unfortunately it seems never to have been reissued on CD. This is a shame, not least because Pettersson himself told me, during a visit to his home not long before his passing away, that Sergiu Comissiona was, in his opinion, the most sympathetic interpreter of his music. After I had in the late 1970s suggested to the conductor the 4th symphony to be done in Gothenburg, he was for the rest of his life to be a devoted champion of the composer, eager to play his music in various countries. With his Baltimore Symphony he made a CD recording of the 8th.. Performances of the 7th and the 14th were issued on LP, and in 1982 he premiered the 15th on TV - all of them in Stockholm. Throughout the 1970s, in additions to Comissiona's various contributions, the Gothenburg orchestra with other conductors also played the 5th, 6th and 7th symphonies. As you will understand, Pettersson was during this period a houshold name, beloved by the audience. Unfortunately he could never be personally present, due to his grave illness. He had to be content with radio transmissions and some tape recordings I sent him. I am happy that, thanks to your excellent transfer, the magnificient 9th is now awailable worldwide in a rendition close to what the author must have imagined!

O oo o oh thank you

This really speaks to me. I love it ❤

Excellent. Thank you 🙏

My history of electronic music professor had us listen to this for a homework assignment… Fascinating, to say the least.

th-cam.com/video/iZJpQZ9gYVI/w-d-xo.htmlsi=dRPqmHc8uFzQdHjd

What a GREAT CHANNEL!!! What a great composer and great breakdown song, please tell me, as someone who cannot stand Bach, Bettovin, and all the other typical classical composers, if I tell you I love Arvo Part, tell me please, what other composers do you believe I would like such as the song above?

Off topic, but are you the same Michael Berridge who has translated Gerd Schaller's Bruckner commentary in his ongoing recording series?

i want to thank You for the informations about this composer! In the middle-european offroad-trip out of tonality and universal respect in the last 70 years there will be not so much left, maybe Henze, Zimmer, Zimmermann, Nono, Morricone

Un vrai moment de plaisir musical

Un pur plaisir musical !..

👍i LoVe ! 💙⚪❤

0:00 - Wenn mein Schatz Hochzeit macht 3:57 - Ging heut' morgens übers Feld 8:56 - Ich hab' ein glühend Messer 12:05 - Die zwei blaumen Augen von meinem Sentimentalität

Heard this piece for the first time on the radio at 2:45 AM this morning ....... I could not wait to find it here ; how it heals my soul !!!

Välsignad, förbannad... Pettersson berättar om sitt liv. Och vi står hjälplösa inför det. Så var det och så kommer det att bli. Alltid.

He remains the great, unknown continent, filled with mountains and gorges, with lakes and deserts. This is where musicology must capitulate. The listener should be silent, tremble and weep.

Simply beautiful.

For 8:58, I get it but, that picture just doesn’t fit🤣

Thanks to that slideshow - I will forever associate this great work with side boob. 8 D

Magnificent the paintings too

It truly let's you hear the sadness in the music when you can read what they are saying

I was introduced to Nordic music ith Saariaho and Per Norgard. This is another revelation !

Jurek Walter brought me here.

Thanks so much for this

I truly appreciate the beautiful art paired with this. It aids so much to visualizing the simultaneous beauty and mourning.

Brilliant symphony. Pettersson was and still is one of the greatest composers.

Hej ! Waves and music here ^^ th-cam.com/channels/W_rJZ9woW7yH4uP3opNwEw.html

this reminds me a lot of the planet of the apes soundtrack in the 60s.

Thank you so much Michael for adding a wonderful third visual dimension!

Shattering! This is one of those times I wish I could read an orchestral score, to appreciate both the visual and aural architecture of the 9th. How appropriate that the final image is that of Andromeda, our neighbor, more than 2 million light years distant. The light we see today having left that island universe at a time when home sapiens was but a proto species. Pettersson allows for the mind's free range.

Truly glacial beauty

In these words that Mahler wrote himself I hear a man who loves life an nature and is desperate for true love but also hear a lot of sadness and gloom, hear a broken soul who lost hope, both seemingly relating to two of his symphonies, the happy nature loving part to his first, the Titan, the sad one full of gloom to the last movement of the ninth and they seem to be biographical , a sensitive soul who loves life and nature and who wants to be loved but painfully hurt by life and disloyalty.

ok, 12 minutes in, it starts to build toward something, i'm starting to groove it, but then it relents, if you're going to do this, then do it, go all the way......strikes me that it's got kind of a movie score vibe??? at 15 minutes starting to go again, had your chance to go again to explode, but no, grrrrr.... 16 minutes will you explode....ugh, no.....why won't you explode?.... 17 minutes, here we go again, will you do it? will you? no. ugh...........ok. I've changed my mind. Yes, I like it. Yes it's good. but it's not going to make it to my list of symphonies to admire because it doesn't give me the climax I need.....at 19 minutes, built up again, but i knew you wouldn't do it..... nope, no climax..... Interesting music, curious to listen to, rich, ...... I just wish he took this to the climax i expected

i came to this via david hurwitz;s list of most emotionally draining pieces. before then, I hadn't heard of Pettersson. So, this piece and style is new to me. My first impression is that it is odd. odd? I think of symphonies as grand orchestral pieces, and I recognize that what this means to others is up to interpretation, but this doesn't feel like a symphony to me. It doesn't feel grand? it feels melancholy. dissonant. sometimes percussive. it doesn't seem to be going anywhere??? ....... so i gotta go after just 10 minutes.... it was intriguing, a bit captivating with it's odd start, but not a symphony...

I was a double bassist at the University of Wisconsin Madison in 1986 when I was conducted by the great Catherine Comet with the U.W.-Madison Symphony Orchestra. I was only a Sophomore in college, but I understood the significance of this moment during rehearsals and concerts. A turning point in my life.

Holy Tempo!!!

16:22

Aeri.