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Shalom Aleichem / Separation of Soul & Body / Alchemy
0:10 "Shalom Aleichem" melody by Rabbi Israel Goldfarb (1879-1956)
1:58 "Separation of Soul and Body" by Turlough O'Carolan (1670-1738)
3:22 "Alchemy" by Tal Arbel
Sarah Groser, bass viol
Yonit Kosovske, harpsichord
Vlad Smishkewych, hurdy-gurdy
"Alchemy" was composed by Tal Arbel in 2022 for Yonit Kosovske. This performance was a world premiere, which took place at the 2023 Galway Early Music Festival in the Mick Lally Theatre as part of a concert titled "Body and Soul" featuring Caitríona O'Mahony (Baroque violin), Sarah Groser (viola da gamba), and Yonit Kosovske (harpsichord) in a programme comprised of contemporary works by living composers.
"Alchemy" - a name that represents the merging of the two melodies in this piece: "Separation of Soul and Body" and "Shalom Aleichem" (Peace be upon you). "Separation of Soul and Body" is a tune by the Irish composer and harper Turlough O'Carolan and is found in Neal’s Celebrated Irish Tunes, Dublin (1724). "Shalom Aleichem" is a Jewish song (in Hebrew) about angels and is traditionally sung on the sabbath eve (Friday night). While the melody originated just over 100 years ago by Israel Goldfarb (published in The Jewish Songster of 1918), the Hebrew poem was written by the mystics (kabbalists) in Safed around the late 16th or early 17th century. The two melodies are cited fully in the middle of the piece, but mostly they are intertwined together, presented in fragments that include elements of both. In our concert, we prefaced Arbel's "Alchemy" by first playing through the two tunes ("Shalom Aleichem" & "Separation of Soul and Body"), followed by our performance of her contemporary composition.
Special thanks to:
Tal Arbel
Galway Early Music Festival
Arts Council of Ireland
Galway City Council
Mick Lally Theatre
Maura Ó Cróinín
Mark Keane
Irish Early Music Network
Now and Then Media, Ltd.
Vlad Smishkewych: camera, audio recording, editing
Ilani Smishkewych Kosovske: 2nd camera
มุมมอง: 501

วีดีโอ

Meditation 1 by Will Ayton (Sarah Groser, bass viol)
มุมมอง 469ปีที่แล้ว
"Meditation 1" by Will Ayton (Sarah Groser, bass viol) Performed in May 2023 in the Mick Lally Theatre at the Galway Early Music Festival on a concert titled "Body and Soul", curated by Yonit Kosovske. This performance featured Caitríona O'Mahony (Baroque violin), Sarah Groser (viola da gamba) and Yonit Kosovske (harpsichord) in a programme of contemporary works by living composers. ‘Meditation...
Limerick Early Music Festival: Michał Gondko, lute
มุมมอง 348ปีที่แล้ว
An excerpt from Michał Gondko's solo lute recital at the Limerick Early Music Festival in March 2023 POLONICA: Lute Music with Polish Connections (c 1600) Three pieces by Diomedes Cato (ca.1560-ca.1627/1628): Passamezzo (extended by Michał Gondko) Praeludium Galliarda Carla Esteban Vinseiro / Karu Veenbahn, video editing Simon Woods, videography
¡Fandango Ardiente!
มุมมอง 110ปีที่แล้ว
¡Fandango Ardiente! by Sheli Nan (arranged for two harpsichords by David Vine) Performed live in concert at the Limerick Early Music Festival 2023 @ the Belltable Yonit Kosovske & Rachel Factor, harpsichords Simon Woods, videography Carla Esteban Vinseiro / Karu Veenbahn, video editing limerickearlymusic.com
Harpsichord Duo: Rachel Factor & Yonit Kosovske
มุมมอง 207ปีที่แล้ว
Concert excerpts from Fantangled @ the Limerick Early Music Festival 2023
Libertango - arranged for 2 harpsichords
มุมมอง 305ปีที่แล้ว
Libertango by Astor Piazzolla (arranged for two harpsichords by Malachy Robinson) Performed live in concert at the Limerick Early Music Festival 2023 @ the Belltable Yonit Kosovske & Rachel Factor, harpsichords Vlad Smishkewych, percussion Simon Woods, videography Carla Esteban Vinseiro / Karu Veenbahn, video editing limerickearlymusic.com
Enrica Savigni, Romantic Guitar @millenniumsessions
มุมมอง 439ปีที่แล้ว
Enrica Savigni, Romantic Guitar @millenniumsessions
Limerick Early Music Festival 2023 | Trailer
มุมมอง 158ปีที่แล้ว
📆 24 - 26 March 📍 St. Mary's Cathedral and Belltable, Limerick 🎼 Festival programme - limerickearlymusic.com/ 🎟️ bit.ly/LEMF23tickets
Limerick Early Music Festival 2023 | DIALOGUES Concert
มุมมอง 117ปีที่แล้ว
What do harpsichord, contemporary music, and a Lesser Horseshoe bat all have in common? Watch the video to find out! 🦇 📆 26 March at 1pm 📍 Belltable 🎟️ Grab your ticket! ➡️ bit.ly/LEMF23tickets
Music & Photography - "Corrente" from the Partita in A minor for Solo Flute by Johann Sebastian Bach
มุมมอง 391ปีที่แล้ว
Teddie Hwang, baroque flute and photography Following her film of the "Allemande" from the Partita in A minor BWV1013, flutist Teddie Hwang presents the second movement "Corrente" along with her landscape photography. She also shares her thoughts about the piece, along with her concepts behind the imagery. Be sure to check out Teddie's film of the "Allemande" here @limerickearlymusic: th-cam.co...
Hurdy-Gurdy Concert&Course with Tobie Miller and Ariel Ninas | December 2022
มุมมอง 438ปีที่แล้ว
🎼𝗦𝗼𝗹𝗼 𝗛𝘂𝗿𝗱𝘆-𝗚𝘂𝗿𝗱𝘆 𝗖𝗼𝗻𝗰𝗲𝗿𝘁 𝗯𝘆 𝗧𝗼𝗯𝗶𝗲 𝗠𝗶𝗹𝗹𝗲𝗿⁣ With a special guest, Wolodymyr Smishkewych, Tenor ⁣ 📆 1 December, 7:30pm⁣ 📍 People's Museum of Limerick, Limerick⁣ 🎟️ 15€⁣ ⁣ 🎼𝗛𝘂𝗿𝗱𝘆-𝗚𝘂𝗿𝗱𝘆 W𝗲𝗲𝗸𝗲𝗻𝗱 𝗖𝗼𝘂𝗿𝘀𝗲⁣ H.I.P.S.T.E.R. is proud to present Ireland's first-ever hurdy-gurdy course, taught by a modern master of the instrument: Tobie Miller. For this special weekend, she is joined by luthier, hurdy-gurdy ...
Medieval Song Concert&Workshop by Jasmina Črnčič | November 2022
มุมมอง 2462 ปีที่แล้ว
🎼 𝗛𝗜𝗕𝗘𝗥𝗡𝗜𝗔 & 𝗚𝗘𝗥𝗠𝗔𝗡𝗜𝗔 ⁣ A concert of medieval Latin song and chant with links to Irish culture in Germanic Lands. Featuring songs about Irish voyagers who were instrumental in bringing Christianity to much of continental Europe during the 6th - 10th centuries.⁣ ⁣ 📆 24 December, 7:30pm 📍 Kilmurry Church Arts and Community Centre, Limerick⁣ 🎟️ 15€⁣ ⁣ 🎼 𝗠𝗘 𝗜𝗘𝗩𝗔𝗟 𝗦𝗢𝗡𝗚 W𝗼𝗿𝗸𝘀𝗵𝗼𝗽 ⁣ This 1-day, in-pe...
Rocking
มุมมอง 3682 ปีที่แล้ว
An interdisciplinary performance of early music and contemporary dance exploring lamentation, love and loss through Tarquinio Merula's sacred lullaby "Canzonetta spirituale sopra alla nanna" Yonit Kosovske, harpsichord & artistic direction Aisling Kenny, soprano Sarah Groser, viola da gamba Isabella Oberländer, dance & choreography Lucy Dawson, videography & editing Joe Ó Dubhghaill, sound reco...
Susanne, a cantata by Élisabeth-Claude Jacquet de la Guerre
มุมมอง 9642 ปีที่แล้ว
Susanna (also known as Susanna and the Elders) is a Second Temple story about a righteous Hebrew woman named Susanna who is wrongly accused of adultery by two dishonest, lecherous men who sexually harass and threaten her while she is bathing in her back garden. Sentenced to death for her supposed adultery, through cross examination of the two men, Daniel, drawing upon laws in the Torah about ju...
LEMF 2022 Festival Trailer
มุมมอง 2592 ปีที่แล้ว
The 2022 Limerick Early Music Festival is here! from 18-20 March 2022, join us for 6 concerts of music in the medieval heart of Limerick City, Ireland. more info at: bit.ly/LEMF01
The Judith Project
มุมมอง 5002 ปีที่แล้ว
The Judith Project
Capriccio Cromatico, Tarquinio Merula
มุมมอง 6922 ปีที่แล้ว
Capriccio Cromatico, Tarquinio Merula
Chaconne: Francesco Corbetta
มุมมอง 8192 ปีที่แล้ว
Chaconne: Francesco Corbetta
La Fresca Rosa (GEMF Concert Highlights)
มุมมอง 1952 ปีที่แล้ว
La Fresca Rosa (GEMF Concert Highlights)
Passacaglia in D minor (Johann Philipp Krieger)
มุมมอง 5233 ปีที่แล้ว
Passacaglia in D minor (Johann Philipp Krieger)
LEMF Pre-concert Lecture with Antonio Cascelli
มุมมอง 2813 ปีที่แล้ว
LEMF Pre-concert Lecture with Antonio Cascelli
LEMF "Shades, Shapes, and Shadows" with Teddie Hwang, Baroque flute and photography
มุมมอง 6973 ปีที่แล้ว
LEMF "Shades, Shapes, and Shadows" with Teddie Hwang, Baroque flute and photography
LEMF: WAVE~LINKS "Lines and Bridges" with Nina Falk, violinist & glass artist
มุมมอง 6123 ปีที่แล้ว
LEMF: WAVE~LINKS "Lines and Bridges" with Nina Falk, violinist & glass artist
LEMF: Grounded! The Passacaille in ‘Lockdown’ with Mary Collins and Steve Player
มุมมอง 1.5K3 ปีที่แล้ว
LEMF: Grounded! The Passacaille in ‘Lockdown’ with Mary Collins and Steve Player
LEMF Instrument Exhibit: Andrew Lawrence-King, Conductors & Conducting
มุมมอง 6173 ปีที่แล้ว
LEMF Instrument Exhibit: Andrew Lawrence-King, Conductors & Conducting
LEMF Instrument Exhibit: Benjamin Bagby, medieval harps
มุมมอง 9K3 ปีที่แล้ว
LEMF Instrument Exhibit: Benjamin Bagby, medieval harps
LEMF Instrument Exhibit: Andrew Lawrence-King, Medieval Bells
มุมมอง 2.2K3 ปีที่แล้ว
LEMF Instrument Exhibit: Andrew Lawrence-King, Medieval Bells
LEMF Instrument Exhibit: Andrew Lawrence-King, Regal Organ
มุมมอง 8K3 ปีที่แล้ว
LEMF Instrument Exhibit: Andrew Lawrence-King, Regal Organ
LEMF Performance: Rachel Factor, harpsichord
มุมมอง 8893 ปีที่แล้ว
LEMF Performance: Rachel Factor, harpsichord
LEMF Performance: Palisander
มุมมอง 30K3 ปีที่แล้ว
LEMF Performance: Palisander

ความคิดเห็น

  • @violethare
    @violethare 14 วันที่ผ่านมา

    This is so sick dude, all of these people are amazing

  • @dulcianplayer
    @dulcianplayer 17 วันที่ผ่านมา

    Why are lots of the pipes in the treble missing?

  • @Fernwald84
    @Fernwald84 17 วันที่ผ่านมา

    Thank you for an excellent exposition of this class of instruments.

  • @Fernwald84
    @Fernwald84 19 วันที่ผ่านมา

    Fascinating. I didn't expect so many types of articulations, even some spiccato. Beautifully played.

  • @Fernwald84
    @Fernwald84 19 วันที่ผ่านมา

    Wonderfully informative and well-presented!

  • @Fernwald84
    @Fernwald84 20 วันที่ผ่านมา

    Nice description of the Renaissance guitar and a lyrical, sensitive performance of Beati Quorum. Regarding the Ukulele, the baritone member of this family is tuned just like the Renaissance guitar: DGBE, corresponding to the four upper strings of the modern guitar. With this instrument you can play any of the Renaissance guitar literature with little scordatura needed. The publication "Guitar Music of the 16th Century" by Keith Calmes contains a whole library of pieces--almost 300 pages worth! It also has the piece, Beati Quorum, which you played so well. All the music is printed in standard music notation.

  • @eloise.guitarandvoice
    @eloise.guitarandvoice หลายเดือนก่อน

    Wow beautiful

  • @crysvicious
    @crysvicious 2 หลายเดือนก่อน

    This slaps it's a bop... rock on ❤

  • @MacKenziePoet
    @MacKenziePoet 2 หลายเดือนก่อน

    But don't you have to have exceptional, athletic lungs even to think of playing such an instrument? How many people were actually able to play this flute during the Renaissance? Probably not very many...

  • @katrineroberts4084
    @katrineroberts4084 2 หลายเดือนก่อน

    The recorder was the flute of the 17 and the 18th century. Imagine playing these entries by memory. It's not the only arrangement of the Bach. RED Priest do it too. Wonderful ensemble playing.

  • @alanknights2779
    @alanknights2779 3 หลายเดือนก่อน

    The viola was invented first, violin wasn't invented until 1564. Viola is the Italian word for viol? Violino is the Italian for little viola. Nowadays viola players are ridiculed unfairly as they are very musical and skilled players.

  • @lonnieke
    @lonnieke 3 หลายเดือนก่อน

    beautiful sound

  • @lonnieke
    @lonnieke 3 หลายเดือนก่อน

    I wish I could buy one but I'm poor :)

  • @JonasViatte
    @JonasViatte 3 หลายเดือนก่อน

    I now know what a 12th century camera zoom sounded like. I’m kidding. Very beautiful video, thank you! 🙏

  • @harrybarrow6222
    @harrybarrow6222 3 หลายเดือนก่อน

    The algorithm led me here, and I am delighted it did so.

  • @CassandraSciortinoMargareta
    @CassandraSciortinoMargareta 3 หลายเดือนก่อน

    wonderful

  • @victotronics
    @victotronics 4 หลายเดือนก่อน

    Lovely playing. Who says you need vibrato? Or keys.

  • @lostisleminstrel
    @lostisleminstrel 4 หลายเดือนก่อน

    The articulation is so wonderful. Intonation is superb. Love your arrangements and the size of the groups memory chips. Wonderfully done songs.

  • @JuliaCCCP
    @JuliaCCCP 4 หลายเดือนก่อน

    It might have some advantages over the modern pedal harp 👀

  • @stavrosk.2868
    @stavrosk.2868 4 หลายเดือนก่อน

    Endlessly inspiring. You say it ALL , with one note.

  • @halltrain1162
    @halltrain1162 5 หลายเดือนก่อน

    An organ is made of a bunch of recorders. And some gemshorns. There is a gemshorn stop on historic organs.

  • @neilmcdonough5348
    @neilmcdonough5348 5 หลายเดือนก่อน

    This rocks

  • @mantistoboggan2676
    @mantistoboggan2676 5 หลายเดือนก่อน

    Medieval / Renaissance traverso are definitely on my short list of instruments i would love to have

  • @gravicembalo74
    @gravicembalo74 6 หลายเดือนก่อน

    Thank you so much Maestro Lawrence ❤

  • @menoftheclothKTOG
    @menoftheclothKTOG 6 หลายเดือนก่อน

    Is this the flute that became the irish wooden flute?

    • @MsAraAra
      @MsAraAra 4 หลายเดือนก่อน

      Не совсем. Ирландская флейта происходит от до-Бёмовских английских флейт 19 века. Это конические флейты с довольно крупными игровыми отверстиями. Ренессансные флейты - цилиндрические, с маленькими игровыми отверстиями, с относительно толстыми стенками. Их звук более тихий и мягкий, чем у более поздних флейт.

    • @menoftheclothKTOG
      @menoftheclothKTOG 4 หลายเดือนก่อน

      @@MsAraAra I can't read that language. Could you say type it in English? I am interested in seeing your answer.

    • @MsAraAra
      @MsAraAra 4 หลายเดือนก่อน

      @@menoftheclothKTOG Oh, I'm sorry. Irish flute is descended from 19th century pre-Boehm English flutes. These are conical flutes with large playing holes. They had 2 to 8 keys, but irish folk musicians removed them. There were many varieties of such flutes, but now this variety is reduced to a few main types of Irish flutes (like _Pratten_ and _Rudall_and_Rose_) Renaissance flutes are cylindrical, with small playing holes and small embouchure, and relatively thick walls. Their sound is quieter and softer than that of 19th century flutes. However, we must remember that the timbre of the flute always depends very much on the individual technique of the flutist. You can play softly and gently on the Irish flute, although it is not in the tradition of Irish folk music. However, you are unlikely to get a powerful and resonant "Irish" sound on a Renaissance flute.

    • @menoftheclothKTOG
      @menoftheclothKTOG 4 หลายเดือนก่อน

      @@MsAraAra Wow! If you only knew how long I have wondered about this and never have heard an answer. Thank you so much.

  • @JoseRodriguezArenas
    @JoseRodriguezArenas 6 หลายเดือนก่อน

    Estupenda interpretacion❤

  • @lostisleminstrel
    @lostisleminstrel 7 หลายเดือนก่อน

    Fantastic, all without music stands. Wonderful.

  • @julioeduardogonzalezmendoza
    @julioeduardogonzalezmendoza 7 หลายเดือนก่อน

    bravooo!

  • @polisticaluz4751
    @polisticaluz4751 7 หลายเดือนก่อน

    eXtraordina😃ry!

  • @rkosovske6203
    @rkosovske6203 8 หลายเดือนก่อน

    This is so wonderful!

  • @BSIII
    @BSIII 8 หลายเดือนก่อน

    That harp sounds absolutely amazing

  • @StewKelly
    @StewKelly 8 หลายเดือนก่อน

    Beautiful. The much aligned recorder really shines in this wonderful performance.

  • @buixote
    @buixote 8 หลายเดือนก่อน

    !!!

  • @ycsham06
    @ycsham06 8 หลายเดือนก่อน

    Thank you

  • @ttb101377
    @ttb101377 9 หลายเดือนก่อน

    THANK YOU,I THANK GOD FOR YOU...THAT PLAYING...SIMPLY DIVINE

  • @JavierMartinez-fl5uh
    @JavierMartinez-fl5uh 9 หลายเดือนก่อน

    Magnifique Maestras quel travail. Impressionnant !

  • @danielcalegari
    @danielcalegari 9 หลายเดือนก่อน

    beautiful, but why so fast?

    • @billmilligan7272
      @billmilligan7272 3 หลายเดือนก่อน

      Why not? It's awesome!

    • @SempreGumby
      @SempreGumby 24 วันที่ผ่านมา

      Because ... They Can!

  • @klippdachs
    @klippdachs 9 หลายเดือนก่อน

    Brilliant! Thanks for sharing.

  • @duffypoindexter8684
    @duffypoindexter8684 9 หลายเดือนก่อน

    I have little interest in the modern flute, but this is heaven. Thank you for this wonderful introduction to the instrument!

  • @jimbo2629
    @jimbo2629 9 หลายเดือนก่อน

    I wish someone would tell me how to thickness a soundboard. I liked your video. My son has painted my instruments. He has the talent. I have a 1720 Dulcken and am making an Italian virginal.

    • @limerickearlymusic
      @limerickearlymusic 7 หลายเดือนก่อน

      There are sources in various books (Hubbard's Three Centuries fo Harpsichord Making, Ford's Making Msical Instruments), but a great deal of online resources. An intersting one is the online-documented story of a self-taught builder in www.harpsichordproject.com/. He sells an EBook of the process, and there are various videos. Here's the soundbaord section from the adventure when it was still n the NCwoodworker forum: ncwoodworker.net/forums/index.php?threads/harpsichord-project-part-14-building-the-soundboard.19183/ Plus photos from another fellow's process: npcarey.wordpress.com/2019/06/22/the-soundboard/ Best of luck to you!

  • @caiopontual6911
    @caiopontual6911 9 หลายเดือนก่อน

    Grande performance.

  • @charlottesmom
    @charlottesmom 10 หลายเดือนก่อน

    So wonderful!! ❤

  • @A3Kr0n
    @A3Kr0n 10 หลายเดือนก่อน

    TH-cam = Censorship!

  • @KingfisherTalkingPictures
    @KingfisherTalkingPictures 10 หลายเดือนก่อน

    That’s actually pretty metal. I bet it could shred!

    • @limerickearlymusic
      @limerickearlymusic 7 หลายเดือนก่อน

      Indeed it can! 🤘🤘🤘Thanks so much

  • @rafaelmartinezlago8965
    @rafaelmartinezlago8965 10 หลายเดือนก่อน

    Bravo

  • @rja1165
    @rja1165 10 หลายเดือนก่อน

    Excellent !

  • @stavrosk.2868
    @stavrosk.2868 11 หลายเดือนก่อน

    Renaissance flute sounds pure and true unlike the somewhat muddled woolly baroque traverso.

  • @moseskfrost
    @moseskfrost 11 หลายเดือนก่อน

    Beautiful. -What is the intro piece called?- Where find I this specific recording in full?

    • @moseskfrost
      @moseskfrost 11 หลายเดือนก่อน

      Chaconne in D-minor, by Louis Couperin.

  • @caiog3
    @caiog3 11 หลายเดือนก่อน

    Hello my dear. It's possible to play the continuo part with a Spanish baroque harp? Thank you.

    • @limerickearlymusic
      @limerickearlymusic 7 หลายเดือนก่อน

      Yes, definitely! Spanish continuo treatises specify harp and organ as options, cf. José de Torres' 'Reglas generals de acompañar...': www.bne.es/es/colecciones/partituras/tratados-musicales/reglas-generales-acompanar-organo-clavicordio-harpa

  • @colinbooth2421
    @colinbooth2421 11 หลายเดือนก่อน

    OTTAVINO I get so many enquiries about this instrument, that I’m offering this information sheet. I hope that this answers your queries! Q. Can you sell me one? A. Sorry - I no longer make instruments. I made eight of them, but sold them all, keeping one back for myself. I have put you on the list of enquirers. I have tried to get another craftsperson to make them to my design, but so far, with no success. All my ottavinos sold for around £5,000. Q. Do you know where I could buy one? A. Sorry - no. Q. Do you have plans which I could use? A. No. You can buy plans of the original 17thC instrument from which I worked, from Marc Vogel, Jestetten, Germany. But my design made some changes. Q. How does it work? A. Just like a normal spinet, but much smaller, since it is pitched an octave higher. The action is a conventional one, using historical, simple jacks and plectra. Q. Does it have dampers? A. Only in the bass. The original has no dampers at all. Q. What wood is your instrument made of? A. Cedar of Lebanon, with a Spruce soundboard. The rose is made and sold by Marc Vogel. The keyboard is topped with Boxwood, with Ebony sharps. History: The ottavino seems to have been very common in Italy, in the 17th and 18th centuries. Although it works beautifully as a solo instrument, Dr. Burney, writing about his European tour towards the end of the 18th century, mentions that the Italians used it more commonly than most other types of harpsichord or spinet, mostly for accompanying the voice.

    • @francoisbruel9163
      @francoisbruel9163 7 หลายเดือนก่อน

      Thanks for the info! Some ottavinos (ottavini?) have the register along the back of the soundboard, allowing for slightly longer key levers. Here the balance point is really close to the back of the key pallets! not a problem though, as the historic way of playing doesn't involve advancing deep into the keyboard. I wonder if any has been made not with a "see-saw" system but with a hinge at the end of the key lever (which could in that case be longer, up to the back of the instrument) . The jack would then go down, not up. Of course the key would need a spring to come up. Some positive organ keyboards are made that way, if the chest is under the keyboard…