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Triangle Boy
เข้าร่วมเมื่อ 3 ส.ค. 2016
I make music
Götterdämmerung Funeral Music - Timpani and Percussion Highlights
Timpani and Percussion parts from Wagner's funeral music from Gotterdammerung. Using a combination of the Saul Goodman and Friese/Lepak reductions of the timpani parts.
มุมมอง: 840
วีดีโอ
Bach - Allemande, from E minor lute suite
มุมมอง 462ปีที่แล้ว
The Allemande from Bach's E minor lute suite, played on Marimba. Recorded in the percussion dungeon at Temple University
Bach Sarabande from C Minor Lute Suite
มุมมอง 266ปีที่แล้ว
Performance of the Bach C minor Sarabande on vibraphone. Was reading through a few movements from the suite on marimba, and decided to see how this one would sound on vibes (I've taken a lot of the low notes up an octave to fit in the range of the instrument).
Daphnis & Chloe Percussion Highlights
มุมมอง 844ปีที่แล้ว
Fun percussion moments from Ravel's Daphnis & Chloe Suites 1 and 2. Recorded in the basement at Temple University.
Carmina Burana - Percussion Highlights
มุมมอง 11Kปีที่แล้ว
Percussion moments from throughout Orff's Carmina Burana. Recorded in the percussion studio at Temple University. 00:00 - Fortune Plango Vulnera 00:44 - Ecce Gratum 01:46 - Tanz 02:56 - Floret Silva 04:43 - Chramer, Gip Die Varwe Mir 05:59 - Reie 08:06 - Were diu Werlt Alle Min 08:54 - Estuans Interius 09:50 - Olim Lacus Colueram 10:57 - In Taberna Quando Sumus 13:51 - Circa Mea Pectora 14:33 -...
Rosenkavalier Suite - Percussion (& Timpani) Highlights
มุมมอง 921ปีที่แล้ว
A couple percussion moments from Strauss's Rosenkavalier Suite, including the tricky timpani excerpt. Recorded in the percussion dungeon at Temple University.
Scheherazade - Percussion Highlights
มุมมอง 11Kปีที่แล้ว
Most of the percussion parts from mvt. III and IV of Rimsky-Korsakov's Scheherazade. Recorded in the percussion dungeon at Temple University.
Capriccio Italien - Percussion Excerpts
มุมมอง 876ปีที่แล้ว
Percussion moments from Tchaikovsky's Capriccio Italien. The tambourine part isn't doubled in the score, but there's already enough players to double it in the section and it gives the triangle player something to do for the rest of the piece. Recorded in the Presser hall basement at Temple University.
Shostakovich 11 Percussion Highlights
มุมมอง 6Kปีที่แล้ว
Some of my favorite percussion moments from Shostakovich symphony no. 11. Recorded in the basement of Temple University, backing track from the WDR Symphony Orchestra.
Michael Daugherty - Raise the Roof, Garfield Symphony Orchestra.
มุมมอง 4305 ปีที่แล้ว
Performing Michael Daugherty's Raise the Roof with the Garfield Symphony Orchestra, featuring Milo Paperman as timpani soloist.
Muito bom trabalho e em particular, amo Carmina Burana É uma das minha obras preferidas sem dúvidas.
trad is for losers
Thanks for letting me know!
@@triangleboy5798 yep burton is sadly the only way to go mate you just have to consider the fact that the ONLY mallet player ever to do any shits on the vibraphone was Burton so yeah you must play burton better than he did because he only ever did stuff that he could play which wasn't bach you know. So don't take short cuts and learn the grip thank you
I’ll probably stick with the advice from players I know and respect and not from people who leave creepy comments about female percussionists on TH-cam, Thanks!
💯
hi, do you mind sharing what snare drum you were playing on in the softer segments? it looks like a pearl steel piccolo but modified with the triad strainer?
I believe you’re correct that it’s a pearl piccolo with a triad strainer, if I remember correctly all 3 snares were guitar string. It was one of the studio drums at Temple so I don’t have access to it anymore to confirm.
Nazi music....
Orff wasn’t a member of the Nazi party, and was deemed to not have held Nazi views by the US army after WWII. Personally as someone with both Jewish and German ancestry, I don’t think Orff simply living as a German citizen during the war is enough for me to morally condemn him and his music.
@@triangleboy5798 for EEUU: Grey nazi class B. For me: A guy who worked for nazis. Oposite to "degenerate art".
I really enjoy your videos
Thank you!
My favourite of the De Paul Percussionists is the Triangle Boy in the middle. After that there's a gap, but then I think 2nd best is the snare.
Personally I like the cymbal player, but honestly not a big fan of any of them.
Is it typical to add an extra glock note in the measure before C?
The note is added in some editions of the score and was played in the recording I was using for the backing. Ultimately up to the conductor/performer.
2:19 4. Mov.
what mallets are you using ?
I'm using the JG JP2's for the opening, and the JG NS2's once the second timpani part comes in. For the field drum I'm using the Vic Firth Ted Atkatz sticks, and a Dragonfly 1/2" aluminum triangle beater.
@@triangleboy5798 thanks so much!
You are a bit of bit.
Not sure what this means, but so true!
@@triangleboy5798 ... of the beat :)
I played carmina burana my senior year 10 years ago, and because of how many percussionists we had, I played the piano, and played the chimes during the 13th and 14th movement. It was so much fun, just wish I was 1st chair percussion on timpani. I was 2nd chair though I believe
👏
I love 4 measure rest! Best highlight
My favorite moment in the piece
YEAH, MILO!
I want to watch the Ⅳ!
Don't you have tam-tam and suspended cymbal?
I also love the version for two pianos and percussion. I wish that was performed more often.
I started getting private lessons on very basic percussions after watching this video. Thanks for such nice video!
Why are you using two tambourines?
There’s two players available, since you need both for the triangle+glockenspiel parts earlier, and it helps add extra volume for all of the FFF rolls etc. Not mandatory but it’s how we’ve done it when I’ve played the piece.
@@triangleboy5798, got it. Thanks for the reply!
The time signatures got me like 😵💫
Yeah, when I played Carmina Burana it was the most difficult thing to manage, on some parts I went more of feeling for when my entry was because I couldn't count the rest properly. Particularly movement 18 because of all the weird time signatures in that one.
Other than the tanz it’s pretty easy to follow the conductor (at least compared to Stravinsky etc.). For some of the 6/2 or 8/2 bars I’d end up writing which beat I entered on the first time I played the piece, but the entrances make sense once you know the tunes (and you usually get 2 or 3 shots at each w/ the repeats if you miss it the first time)
My mother was a music teacher in the Orff Schulwerk tradition--I am *extremely* well-acquainted with his love of, and demanding requirements of, percussion instruments. Felt like I was constantly surrounded by all sort of percussion instruments as a kid. Glad to see the Burana percussion parts live up to that.
Amazing!
bravo!
I am percussionist in Neojiba Orchestra and student in class by orchestral percussion of Federal University of Bahia! My teatcher is Aquim Sacramento and Jorge Sacramento
What you name?
Great work. Great video skills. Excellent
One of the biggest percussion parts of common classical pieces (not counting Varese). I would loved to have seen the wind machine.
You've done a great job. Thank you for showing that! You forgot the bells.
Thank you! If I had access to appropriate bells I would’ve recorded the end of the 4th movement. Playing it on tubular chimes just doesn’t have the same effect.
Intresting seeing someone using so much right hand. I was taught that you should be alternating hands as much as possible, but I know that it ultimately depends on the percussionist. Still Interesting to see, and great work with the parts.
Alternating is a good heuristic when beginning percussion, with orchestral playing it’s common to play as much as possible with one hand as it minimizes issues with hand-to-hand evenness
@@triangleboy5798at 5:06 it seemed to me you were more rhythmically inconsistent than you would have been if you alternated hands.
@@Histgyphin my own practice I’ve found myself much more rhythmically consistent when using one hand instead of two. I think the rhythmic inconsistencies you’re hearing are a product of me trying to live-adjust with the recording and not quite catching the tempo. I usually won’t catch small inconsistencies like this until I start editing videos, at which point I have to decide if it’s bad enough that I need to re-record the section or not.
Sounds great! Though I do have a problem with the syncing…
Are you familiar with Santa Clara Vanguard's 2004 show "Scheherazade"? If not, you should check it out! It's a fantastic rendition of this piece, and arguably one of the most musical percussion arrangements in drum corps history.
U MISSED THE TAMTAM
Sometimes I just wish that conductors dealt with percussion with a little more dignity and respect.
Agreed!
My respects Bro, excellent job
👍
Super cool content, bring it on!
You deserve more subscribers bro. This is awesome!
Thank you! Glad you enjoyed
С ксилофоном надо получше репетировать Вам.
Да ему вообще надо получше репетировать,и понять,что такое звукоизвлечение на ударных инструментах
@@НиколайЕгоров-т6о я не очень разбираюсь в ударных.
very good work man! 🤛
Wow. SO awesome. Thank you!
11th is so epic, soooo epic, i don't know why people can't consider it as the best Shostakovich symphony.
My favourite is 13th
Probably because of 1st, 8th, 15th...) I too love 11😊 First part, however, more than any other.
i love it, but my favorite is the 15th
Great channel! Thanks!
These sorts of videos are so great to watch! (also you get to show off your talent)
Wow, that was truly fun to watch! These percussion parts bring a lot of life to the music. The audio mixing levels of each part and visual split screens are a perfect showcasing of your ability.
Thank you very much!
Wow! Good job! 👏
This is fantastic. Thanks, Triangle Boy!!👍
Which triangle is that one?
It’s a classic Alan Abel symphonic triangle. Mine’s over a decade old at this point so it sounds a little different than the newer ones.
@@triangleboy5798 Thank u so much!
Incredibly fun and amazing editing. Great performance!
Thank you! It was fun to put together.
You must be the Fairy of Scheherazade! I was blown away by the wonderful performance!✨