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Xyriak
United States
เข้าร่วมเมื่อ 20 พ.ย. 2012
Uploading piano works
Sergei Lyapunov - Transcendental Étude Op. 11, No. 12 "In Memory of Franz Liszt" (Noack)
Performed by Florian Noack: th-cam.com/video/SbESUbEvBpc/w-d-xo.html
Sheet music: imslp.org/wiki/12_%C3%89tudes_d%27ex%C3%A9cution_transcendante,_Op.11_(Lyapunov,_Sergey)
"In Memory of Franz Liszt" is the 12th etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, a honorary continuation of Franz Liszt's 12 Transcendental Etudes. It was written in the key of E minor. This piece features Hungarian rhapsody-esque octave-type melodies. The piece starts off slowing as a rather funeral march, then ascends into a much more gradiose display of Lyapunov's virtuostic piano writing, which reflects that of Liszt's.
Wikipedia continuation:
The 12 Etudes d’exécution transcendante[1] (English: 12 Etudes of Transcendental Execution), Op.11, was a series of 12 etudes written from 1897 to 1905 by Sergei Lyapunov, and served as the posthumous continuation of Franz Liszt's uncompleted work Transcendental Études, having only the first 12 finished before his death in 1886. The work is also dedicated to Liszt, with the twelfth etude being named after the composer as well. Inspired by one of his three teachers during his time at Moscow Conservatory Karl Klindworth, a former student of Liszt, along with being heavily influenced and artistically guided by Mily Balakirev, the main ideologue of The Five, these Etudes use the full gamut of Nationalist techniques: From folk-songs and church bells, to Caucasian melodies and sumptuous melodicism.[2]
Sheet music: imslp.org/wiki/12_%C3%89tudes_d%27ex%C3%A9cution_transcendante,_Op.11_(Lyapunov,_Sergey)
"In Memory of Franz Liszt" is the 12th etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, a honorary continuation of Franz Liszt's 12 Transcendental Etudes. It was written in the key of E minor. This piece features Hungarian rhapsody-esque octave-type melodies. The piece starts off slowing as a rather funeral march, then ascends into a much more gradiose display of Lyapunov's virtuostic piano writing, which reflects that of Liszt's.
Wikipedia continuation:
The 12 Etudes d’exécution transcendante[1] (English: 12 Etudes of Transcendental Execution), Op.11, was a series of 12 etudes written from 1897 to 1905 by Sergei Lyapunov, and served as the posthumous continuation of Franz Liszt's uncompleted work Transcendental Études, having only the first 12 finished before his death in 1886. The work is also dedicated to Liszt, with the twelfth etude being named after the composer as well. Inspired by one of his three teachers during his time at Moscow Conservatory Karl Klindworth, a former student of Liszt, along with being heavily influenced and artistically guided by Mily Balakirev, the main ideologue of The Five, these Etudes use the full gamut of Nationalist techniques: From folk-songs and church bells, to Caucasian melodies and sumptuous melodicism.[2]
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Sergei Lyapunov - Transcendental Étude Op. 11, No. 10 "Lezghinka" (Noack)
มุมมอง 2.3K3 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/Z1HSy9RpaMY/w-d-xo.html Sheet music: imslp.org/wiki/12_Études_d'exécution_transcendante,_Op.11_(Lyapunov,_Sergey) "Lesghinka" is the 10th etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, a honorary continuation of Franz Liszt's 12 Transcendental Etudes. It was written in the key of B minor. This piece is based on folk dances of ...
Sergei Lyapunov - Transcendental Étude Op. 11, No. 5 "Summer Night" (Noack)
มุมมอง 1.8K3 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/009KGyt1k5Y/w-d-xo.html Sheet music: imslp.org/wiki/12_Études_d'exécution_transcendante,_Op.11_(Lyapunov,_Sergey) "Nuit d'été", translated to "Summer Night," is the 5th etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, a honorary continuation of Franz Liszt's 12 Transcedental Etudes. It was written in the key of E major. Wikipedi...
Sergei Lyapunov - Transcendental Étude Op. 11, No. 8 "Chant épique" (Noack)
มุมมอง 3.9K3 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/D3DUsUIfA2k/w-d-xo.html Sheet music: imslp.org/wiki/12_Études...) "Chant épique" is the 8th etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, a honorary continuation of Franz Liszt's 12 Transcedental Etudes. It was written in the key of F♯minor. This etude shows great influence of Balakirev's "Islamey" (see 8:07 for example). Wik...
Sergei Lyapunov - Transcendental Étude Op. 11, No. 3 "The Bells" (Noack)
มุมมอง 3.8K6 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/iPVFp5iN2TQ/w-d-xo.html Sheet music: imslp.org/wiki/12_Études_d'exécution_transcendante,_Op.11_(Lyapunov,_Sergey) "Carillon" is the 3rd etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, a honorary continuation of Franz Liszt's 12 Transcedental Etudes. It was written in the key of B major. This etude was presumably inspired by Lis...
Sergei Lyapunov - Transcendental Étude Op. 11, No. 7 "Idylle" (Noack)
มุมมอง 1.3K7 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/xACuveASlWU/w-d-xo.html Sheet music: imslp.org/wiki/12_Études_d'exécution_transcendante,_Op.11_(Lyapunov,_Sergey) "Idylle" is the 7th etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, a honorary continuation of Franz Liszt's 12 Transcedental Etudes. It was written in the key of A major. Wikipedia continuation: The 12 Etudes d’exé...
Sergei Lyapunov - Transcendental Étude Op. 11, No. 9 "The Aeolian Harps" (Noack)
มุมมอง 3.2K7 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/3GTnifLO2JU/w-d-xo.html Sheet music: imslp.org/wiki/12_Études_d'exécution_transcendante,_Op.11_(Lyapunov,_Sergey) "Harpes éoliennes" is the 9th etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, a honorary continuation of Franz Liszt's 12 Transcedental Etudes. It translates to "The Aeolian Harps" and was written in the key of D ma...
Sergei Lyapunov - Transcendental Étude Op. 11, No. 6 "The Storm" (Noack)
มุมมอง 13K7 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/LYvPUM9JZvk/w-d-xo.html Sheet music: imslp.org/wiki/12_Études_d'exécution_transcendante,_Op.11_(Lyapunov,_Sergey) "Tempête" (translated to "The Storm" from French) is the 6th etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, Op. 11, a honorary continuation of Franz Liszt's 12 Transcendental Etudes, and was written in the key of C...
Sergei Lyapunov - 7 Preludes Op. 6 (Noack)
มุมมอง 3.5K7 หลายเดือนก่อน
Performed by Florian Noack (2016): Sheet music: imslp.org/wiki/7_Preludes,_Op.6_(Lyapunov,_Sergey) 0:00 - Allegro risoluto in B flat major 1:15 - Vivace in G♭major 2:58 - Lento in E♭minor 5:15 - Allegro giocoso in B major 6:22 - Allegro grazioso in A♭major 8:53 - Andantino mosso in F minor 10:30 - Animato assai in D♭major
Sergei Lyapunov - Reverie du Soir Op. 3 (Schechter)
มุมมอง 2.5K7 หลายเดือนก่อน
Performed by Dorothy Elliott Schechter (1993): th-cam.com/video/0_cHKW0vXSs/w-d-xo.html "Reverie du soir" is an early piece written by Sergei Lyapunov in 1880 (revised in 1903). It was written in the key in B minor, featuring a a simple structure and lyrical melody, which is later introduced underlying gliding right hand arpeggios.
Sergei Lyapunov - Transcendental Étude Op. 11, No. 1 "Berceuse" (Noack)
มุมมอง 8K7 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/q9Pg7a1t_mE/w-d-xo.html "Berceuse" is the 1st etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, Op. 11, a honorary continuation of Franz Liszt's 12 Transcendental Etudes, and was written in the key of F♯ major. Wikipedia continuation: The 12 Etudes d’exécution transcendante[1] (English: 12 Etudes of Transcendental Execution), Op....
Sergei Lyapunov - Transcendental Étude Op. 11, No. 4 "Térek" (Noack, Scherbakov)
มุมมอง 3.7K7 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/uVzWOns4eVU/w-d-xo.html Performed by Konstantin Scherbakov (1993): th-cam.com/video/DrJ7IYOocY0/w-d-xo.html Sheet music: imslp.org/wiki/12_Études_d'exécution_transcendante,_Op.11_(Lyapunov,_Sergey) Scherbakov's performance: 4:19 "Térek" is the 4th etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, Op. 11, a honorary continuation o...
Sergei Lyapunov - Transcendental Étude Op. 11, No. 2 "The Ghosts' Dance" (Noack)
มุมมอง 6K7 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/8v6V37-U4Ms/w-d-xo.html Sheet music: imslp.org/wiki/12_Études_d'exécution_transcendante,_Op.11_(Lyapunov,_Sergey) "Ronde des Fantômes" is the 2nd etude in the set of Sergei Lyapunov's 12 Transcendental Etudes, a honorary continuation of Franz Liszt's 12 Transcedental Etudes. It translates to "The ghosts' dance" and was written in the key of D♯...
Sergei Lyapunov - Barcarolle Op. 46 (Noack)
มุมมอง 5K7 หลายเดือนก่อน
Performed by Florian Noack (2016): th-cam.com/video/GUI-umKDI4s/w-d-xo.html Sheet music: imslp.org/wiki/Barcarolle,_Op.46_(Lyapunov,_Sergey) Sergei Mikhailovich Lyapunov (or Liapunov; Russian: Серге́й Миха́йлович Ляпуно́в (30 November 1859 - 8 November 1924) was a Russian composer, pianist and conductor. Lyapunov was born in Yaroslavl in 1859. After the death of his father, Mikhail Lyapunov, wh...
Sergei Lyapunov - Transcendental Étude Op. 11, No. 11 "Dance of the Sylphs" (Noack)
มุมมอง 2.9K7 หลายเดือนก่อน
Performed by Florian Noack (2021): th-cam.com/video/gOrFK0nIFU4/w-d-xo.html "Ronde des sylphes" was the 11th etude written in Sergei Lyapunov's set of 12 Transcendental Ttudes. It translates to "Dance of the sylphs" and was written in the key of G major. This piece was presumably inspired by Franz Liszt's "Feux Follets," which comes from his set of transcendental etudes of which this set was co...
Fanny Mendelssohn - Allegro molto in C minor (Schmidt)
มุมมอง 1.8K8 หลายเดือนก่อน
Fanny Mendelssohn - Allegro molto in C minor (Schmidt)
[Verified] Hydraulic Overdrive 100% [Update V3]
มุมมอง 1.3Kปีที่แล้ว
[Verified] Hydraulic Overdrive 100% [Update V3]
[4K] Terminal Rampancy (Extreme Demon) by Xyriak (Update, 12/23/2022) | Geometry Dash 2.1
มุมมอง 2.5Kปีที่แล้ว
[4K] Terminal Rampancy (Extreme Demon) by Xyriak (Update, 12/23/2022) | Geometry Dash 2.1
COUNTDOWN | By Xyriak (me) | Geometry Dash 2.1 | [Noclip] Viprin CC8 Entry
มุมมอง 4.4K7 ปีที่แล้ว
COUNTDOWN | By Xyriak (me) | Geometry Dash 2.1 | [Noclip] Viprin CC8 Entry
Geometry Dash - IMPOSSIBLE - Insane Clubstep - By IiEvianiI
มุมมอง 4628 ปีที่แล้ว
Geometry Dash - IMPOSSIBLE - Insane Clubstep - By IiEvianiI
경희대..왜 이런 난곡을..
I ❤ number 2
Is there an original video?
Sounds more like Liszt than Liszt himself lol, And Liszt is my favorite composer for piano, Lyapunov really payed one of the greatest homages in musuc history with this set.
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곡을 악보보기 개어렵게써놨네…
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이게 뭔데 ^^ㅣ바
5:12 Black Keys etude (10-5)
Lyapunov is 1 of my favorite non mainstream composers. I only "discovered" him a few years ago when I stumbled on a Sonata of his❤🎶
Noack is a fantastic pianist- I’d also recommend his live recording of the complete set from 2016. Thank you so much for all of these Lyapunov videos!
Terminal rampancy v0
Fucking Ada!
Very very good, I like Noack a lot. Also have you heard Louis Kentner’s Lyapunov? He made the first two complete recordings of the etudes I know of, in 1949 and 1972. Would highly recommend listening to them, as a pianist he’s super underrated!
Jolie étude, mais avec une structure et des idées trop lourdement inspirées de Feux Follets, dommage qu'il n'y ait pas de réel climax.
Lyapunov was a very good composer. The most this reminds me of Liszt is a Hungarian Rhapsody vibe and some virtuosic techniques
this piece contains quotations from nearly all 12 Liszt etudes.
The "hungarian rhapsody" vibe comes from Lyapunov referencing HR 1 (the beginning, at least)
Not gonna sugarcoat it- this sounds like ass. An excellent example of vacuous virtuosity. I’d even say performing this would be cringe
This is better than much of Liszt.
Given the fact that Lyapunov wrote his etude more than half a century after Liszt had written the final version of his set of 12 etudes, literally as an hommage to Liszt by whom Lyapunov was inspired his entire life, I really don't know what that is even supposed to mean. Having said that, this is of course a wonderful etude, and I'm pretty sure Liszt would have loved it!
You need to listen to more Liszt my friend :)
So, who is going to make the 3 left hand transcriptions for this?
W
This just helps remind you why great composers were great. Clearly this dude wrote well but like not even close to the same level as Liszt.
I would agree with you to some extent. Lyapunov is really a hit or miss composer, which goes for Liszt as well. It sets them apart from the greatest like Chopin and Scriabin.
". . . which goes for Liszt as well" ??? And then going on as far as ranking Scriabin with Chopin? That is insane. In terms of sheer poetry on the piano Liszt was at the very least the equal of Chopin, if not surpassing.
@@peterchan6082 Have you listened to Scriabin’s music? The first half of his output is perhaps better than most of Chopin’s compositions for the piano. And Liszt is much greater than Chopin. Chopin is still one of the top 5 greatest composers of all time imo.
@@Xyriak Although some Liszt pieces are quite mediocre, he belongs in the same tier as Chopin and Scriabin for piano works.
What constitutes the same level as Liszt? I think you just don't like Lyapunov's works as much as Liszt's, which is fine.
❤
8:48
This is so good!! I saw people talking about Lyapunov a lot but never actually listened to him before, hope to listen to more from him
Wow, this sounds insanely good
Sounds amazing
noack shows new possibility of interpretation of lyapunov pieces, these set are so unique and valuable thanks for upload score videos
What do you think of Hough's recording of Rondes des sylphes?
I think it's alright. However, I think that it is rather dry and lacks the clarity and power of Noack's and even Scherbakov's interpretations.
@@Xyriak I feel the opposite
So which one of you is correct then?
This really reminds me of Islamey
As it should! Lyapunov was not only a close friend of Balakirev, the man who composed Islamey, but they both often wrote pieces inspired by traditional folk songs from the Caucasus region in southern Russia. Both were commissioned to gather folk songs from that region, so you can clearly see where the influence came from.
Absolutely correct 🤓👍🏾 Every bit as hard too!! Lol 🎹🖐🏾😆🤚🏾🎹🎹
0:48 2:24
0:33 1:15 2:30 2:47 3:28 4:09
This is a beautiful piece 😭 A) why have I never heard it? B) why have I never heard of Lyapunov????
C) why does this only have 300 views???????
Do you know how long I didn’t listen to something this much of epicness in it???????
класс
didn’t see this until now, it’s been so long i hope you’ve been well man
woah this is defo something underrated i found accidentally
Geometry Dash into Lyapunov posting is giving me whiplash lol, Poland moment indeed.
1:16 Worlds least difficult 4-5 fingering left hand so comfortable lmao E#4-1 G#3-2 B3-4 A#3-5 E#3-3 A#4-2 F#4-1 What hell
Big respect for whomever can pull this passage off so well. It completely disregards any hand comfortability
@@Xyriak I've started this piece today, going to practice on a grand tomorrow. That whole page is gonna take half a day to get smooth, and many months to be seamless like Florian lol
@@none5020 Good luck brother. Having quickly played through most of these etudes, I can say that this is likely the hardest one (if not tied with no 9 or 11), but sounds super satisfying when it's pulled off!
1:08
Qu'étrange pièce, j'aimais les transitions entre motives. Bravo !
Im Gegensatz zu Liszts Etüden steht mir hier das Verhältnis von Übe-Aufwand und musikalischer Qualität nicht im Verhältnis. Es ist ein nettes, effektvolles Salonstück, mehr nicht. Dafür aber zu virtuos, um die Mühe zu lohnen. 🙂
4:08 7:45 8:07
Rather intriguing textures but unfortunately it's hampered by uninspired melodic writing. It gives one a greater appreciation for melodists like Scriabin and Chopin.
リストの超絶技巧練習曲へのオマージュだとは知っているが、その中でも、この曲は雪かき(chasse neige)へのオマージュでもあるだろう😊☃️❄️❄️❄️🎹✨✨👍
壮大で且つ、光や柔らかさにも溢れた素晴らしい作品！！ 似た曲ではドホナーニの六つの演奏会用練習曲第四番とはまた違う視点😊 あとラフマニノフは前奏曲や音の絵に様々な鐘を描いた。😊
Impressive. Thanks for posting.
sick
Hands down the most epic etude in this set. The sheet music looks pretty wild as well, with the 3-4 staves and all.
1:27