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@@ShanygneKing mp3 is an audio file. This is for video.

@@blackbugmedia yikes I meant mp4 😅 is it that 264 (mov) is higher quality?

@@ShanygneKing mp4 is a file format. H.264 is an encoding codec.

@@blackbugmedia okay got it thanks !

I’m not sure, it’s been years since I’ve done this. But my guess is, select all the stuff in the queue, and then click on one of the underlined hyperlinks that tells you the destination, then choose the destination. I could be wrong. I forgot where I set the destination. It might be a step when you create the preset.

Same thing happens for me - I have to do one at a time which takes forever. It's pretty unforgiveable that a basic thing like this is not doable

I agree. Once it’s on, it feels more secure. Very subtle difference from the EF caps, but I can definitely feel it when I twist it.

I had no idea. Buying that immediately.

I agree. This is just for those times when you thought you can get away without a sandbag, but you were wrong.

Yes. I do know about the arms in the legs. I only did that to fit it on the table while demonstrating.

This video was made before the firmware update

It is SUPER annoying when I’m shooting events especially in the dark. I cannot see the red dot to line up. I figured out a technique based on the location of the electronic contacts. I can guess where the dot is. But it took me a lot of practice.

No.

No, even if you could mount it and it worked it could be used only for macro work as it would be like having a 24 mm extension tube.

I don’t know.

From what I can remember, you need the Encoding Preset to make an Ingest Preset, and you need the Ingest Preset to complete the export process. It won’t let you select the encoding preset at the export stage. The blue underlined text in the queue window can only be Ingest Preset. What I’m doing here is I’m selecting the color space transform LUT (CST) as a color grading LUT (instead of BLUE SL, etc), which is kind of cheating. I really think Adobe should make this process easier. I wish I can just select a CST LUT straight from the Ingest Setting window.

@@blackbugmedia Thanks. I tried it just now in 24.1 on mac and it didn’t work, unfortunately…. Even with the workaround for the bug, when i tried to load the official Panasonic V-Log to Rec709 LUT, it didn’t load it. It just defaulted to the first installed LUT on the standard list.

@@Sunporchmedia I think Adobe patched this loop hole, because it didn’t work for me after a few updates of the media encoder. BUT, if you have Panny S5II, you can “bake in” the LUT in camera. It’s basically doing this process in-camera. I don’t know about other Panny models tho.

@@blackbugmedia Unfortunately, my use-case is exactly as you describe in your original video. I shot in log, I want to include a folder of transcoded clips that include the technical LUT so the client can review without freaking out over the washed-out Log look. Also, my camera is the EVA-1, which produces files that Quicktime can't display directly, so the transcode is also for that purpose.

@@Sunporchmedia I see. I’ll see if I can figure out another way. If I do, I’ll post another video here.

I don’t know, but I’ll reply back here in about two years.

@@blackbugmedia What about after 6 months haha

@@Bertu_XYZ I used it maybe 6 times so far. It’s holding up just fine.

IBiS had to be ON in order to turn on Digital IS. However you can have Digital IS off and IBIS on. In other words. iBIS is prerequisite to Digital IS. But Digital IS is not prerequisite to IBIS.

Ive noticed something after firmware on R6ii that if you have a image stabilized lens on (for example 15-35 2.8) I see there is the option to turn digital and enhanced digital on but ibis off with the lens IS switch since there both off or both on and flipping the switch turns off lens IS AND IBIS. Does it also work this way on your camera? This is not the case when using a non stabilized lens like the 16mm as there is no switch on the lens and the menu doesnt allow it. A canon rep told me this is the way to beat the ibis wobble but i didnt think it was real until i tried it but im not sure it really is working lol this is how i got here i was searching for videos with all the stability options but i dont think anyone notices that the menu changes when you put on IS or NON IS lenses its really weird@@blackbugmedia

@@frostgodx yes. That is correct. An RF lens with IS will always pair with in-body IS. By the way, people on TH-cam are trying to find a solution to this “problem”, but to me it’s not a problem. I just made this video to see how it looks. If you’re gonna walk around and vlog, this isn’t the best camera for the task. But if you already use this camera professionally and don’t want to get another camera, “Digital IS on” is good enough for me.

@@blackbugmedia very true. I think it’s strange I didn’t find a single person doing the lens and ibis off but digital enhanced on in over 100 videos. Clearly it’s cropped and looks worse subjectively but you’d think someone would have shown this combo somewhere. I fully agree with your statement on the matter and appreciate the quick replies. Cheers!

@@frostgodx th-cam.com/video/0bbCdE_grUg/w-d-xo.htmlsi=m_adIOPUDCFGMj_6 You’ll see this same lens with Digital IS enhanced on. This was a selfie stick review.

Yes, it does now.

@@blackbugmedia That's great news! Such a simple thing, but very necessary. I hate they did not include it on the original R6.

I’m using Canon EF 24-70. This lens doesn’t have lens IS anyway. The RF version does.

@@blackbugmedia I'm not sure if my ibis does not work because I'm using the sigma 24-70mm instead of the Canon one or if it is because I'm using the Meike EF to RF adapter instead of the Canon one.

@@AndresArosemena My guess is it’s because of the lens. Not the adapter. Adapter is a simple device to copy, lens is not.

@@blackbugmedia oh, yeah it may be the lens. I hate that because one of the reasons I decided to upgrade from the 80d to the R6 was having IBIS.

It’s probably not the same HDR you’re talking about. You’re talking about HDR PQ. Which is a different gamut altogether.

@@blackbugmedia oh yeah you're right, I will look at the me u again to search for the hdr option you are talking about

Just match the camera setting to the LUT you choose

By the way, on R6 (MK1) Clog-3 is very noisy especially in low light, high ISO situations. I would only use Clog3 in daytime outdoors. I suggest using Clog 1 indoors and at night outdoors. It’s a sensor issue. R6 MK2 doesn’t have this issue I noticed. (I have the MK2 now)

@@blackbugmedia Thanks for this suggestion! I have done some shoots with clog3 in iso 800 but indoors or in shadowed areas and it always look super noisy compared to using the other canon profiles event at 3200 or 6400 iso. You are the first person I read that says it may be a sensor issue. I need to do some tests using clog1 to see if I get better results (a lot of people say never to use clog1 when having clog3 available because clog1 has way less dynamic range)

@@AndresArosemena When the scene has less exposure latitude such as at night or indoors, you don’t need a lot of dynamic range from the camera. C-log 1 is just fine for low light situations. The reason I say it’s a sensor issue is because it seems like R6 MK 1 wasn’t capable of handling C-Log 3 curve, but they included it anyway to appease the customers. it’s kinda like when they added CLog to 5Dmk4 after people complaining. That was a terrible idea. Any 8-bit video cannot handle log curves. The sensor and the log curve has to work together, and I think R6 is slightly pushing its own limit. However, you should try over exposing and push the shadow down when grading. I cannot tell you by how many stops because it varies depending on the scene.

@@blackbugmedia thanks for the explanation.

It is not solved

Yes. But small rig charger is slower. I personally don’t mix brands like that tho. I just don’t trust them. Do it at your own risk.

Downtown LA 입니다.

Green means it can shoot faster than black. But your battery has to be more than 50% or something. (I’m not sure about the %).