- 105
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ICA Philadelphia
เข้าร่วมเมื่อ 27 ก.ย. 2011
JJJJJerome Ellis on Long Take
Please note: This documentation is from the virtual performance on Wednesday, June 28th at 6PM. This hybrid performance originally was scheduled for Saturday, June 24th.
Artist and proud stutterer, JJJJJerome Ellis, offers an improvised movement and musical piece in response to Carolyn Lazard: Long Take. The performance is an offering of gratitude to Carolyn for their work considering the aesthetic and material dimensions of dependency, care, and access.
This performance is presented in collaboration with I wanna be with you everywhere, a collective formed by Arika, Amalle Dublon, Jerron Herman, Carolyn Lazard, Park McArthur, Alice Sheppard and Constantina Zavitsanos. The organizers write: “I wanna be with you everywhere is a gathering of, by, and for disabled artists and writers and anyone who wants to get with us for a series of crip meet-ups, performances, readings and other social spaces of surplus, abundance and joy. It refuses policies of individuation and inclusion in favor of (and in the flavor of) whatever disability aesthetics has in bodymind. We won’t know what this is ‘til it shows us, but we do know that disability communities don’t only make art about disability. 😉 (winky face emoticon).
We’re operating from the point of view of access intimacy. Access isn’t an individual’s need, but a common capacity shared between us all.”
Please note that reviewed subtitles have been added to TH-cam.
About the artist
JJJJJerome Ellis is an animal, artist, and proud stutterer. Through music, literature, performance, video, and photography he researches relationships among blackness, disabled speech, divinity, nature, sound, and time. Born in 1989 to Jamaican and Grenadian immigrants, he lives in Norfolk, Virginia, USA. jjjjjerome.com
Support
Programming at ICA is made possible in part by the Emily and Jerry Spiegel Fund to Support Contemporary Culture and Visual Arts and the Lise Spiegel Wilks and Jeffrey Wilks Family Foundation. Public and Student Engagement at ICA is supported by the Bernstein Public Engagement Fund, Suzanne Weiss Doft & Jacob W. Doft, Hilarie L. & Mitchell Morgan, and by Dana McDonald Strong & Mark W. Strong.
00:00 Intro
02:37 Performance
Artist and proud stutterer, JJJJJerome Ellis, offers an improvised movement and musical piece in response to Carolyn Lazard: Long Take. The performance is an offering of gratitude to Carolyn for their work considering the aesthetic and material dimensions of dependency, care, and access.
This performance is presented in collaboration with I wanna be with you everywhere, a collective formed by Arika, Amalle Dublon, Jerron Herman, Carolyn Lazard, Park McArthur, Alice Sheppard and Constantina Zavitsanos. The organizers write: “I wanna be with you everywhere is a gathering of, by, and for disabled artists and writers and anyone who wants to get with us for a series of crip meet-ups, performances, readings and other social spaces of surplus, abundance and joy. It refuses policies of individuation and inclusion in favor of (and in the flavor of) whatever disability aesthetics has in bodymind. We won’t know what this is ‘til it shows us, but we do know that disability communities don’t only make art about disability. 😉 (winky face emoticon).
We’re operating from the point of view of access intimacy. Access isn’t an individual’s need, but a common capacity shared between us all.”
Please note that reviewed subtitles have been added to TH-cam.
About the artist
JJJJJerome Ellis is an animal, artist, and proud stutterer. Through music, literature, performance, video, and photography he researches relationships among blackness, disabled speech, divinity, nature, sound, and time. Born in 1989 to Jamaican and Grenadian immigrants, he lives in Norfolk, Virginia, USA. jjjjjerome.com
Support
Programming at ICA is made possible in part by the Emily and Jerry Spiegel Fund to Support Contemporary Culture and Visual Arts and the Lise Spiegel Wilks and Jeffrey Wilks Family Foundation. Public and Student Engagement at ICA is supported by the Bernstein Public Engagement Fund, Suzanne Weiss Doft & Jacob W. Doft, Hilarie L. & Mitchell Morgan, and by Dana McDonald Strong & Mark W. Strong.
00:00 Intro
02:37 Performance
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Bless your hearts.
This should have millions of views.
Were you at the Museum of Mormon Underwear in Sat Lake?
"sometimes illegibility is enough" -Meg Onli
Magnificent
𝐩яⓞ𝓂𝓞Ş𝐦 😏
🤦 ρɾσɱσʂɱ
love it!!
right on my friend..have been enjoying listening to you guys on band camp..
!!!!!!!!
Great discussion!
What film is that last shot from? Thanks!
I have not watched YET! I studied this before the internet was a thing. With the internet I was able to find so much more of the pre bombing period of these folks vs those who control from the barrel of a gun. Now I can not find what was once openly posted. The truth is in the court house and what they are still hiding to this day. The Lord knows the truth and no one will escape his wrath for harming the wee little children.
48:38 "you're gonna see what happens when you look at something like Nothing but the Blood intensively--and then you try to make something with it, that's not a disavowal or fetishization of what it is but a kinda complex engagement with how it's bound up with black creativity"
can't quite remember but there were a few other parts like with the film stock question where he phrases this again: don't ask what film stock I used ask me why I did what I did. And in that instance too, like with the above quote, any kind of straight replication (which would probably miss the point i.e. disavow or fetishize) is *already* off the table--cause the film stock is discontinued !
My fav thing about APEX is how he's described it as both re-interpreting and transforming how his journals worked *AND* at the same time, pre-figuring a big million dollar movie, a movie which we can only imagine through this same kind of complex engagement he's talking about. To imagine the movie you have to imagine how it would understand and translate how APEX works across all the different constraints each has / would have. These are all questions of social organization as much as like pure aesthetics or whatever
‘The End of the Ballet’ is my favorite from this collection. Sadness, melancholic, the indication of a forever goodbye…it’s all there. He feels each note. I feel it too.
🖤🖤🖤
The pollock commentary is gold😭
Yep
WOWEEEEE ❤️💎...👏🏾🙏🏾🤞🏾✊🏾💪🏾
YEAAAAAASSSSSSS❤️💎...👏🏾🙏🏾✊🏾👌🏾💪🏾🤞🏾
Thanks for the remaster
this man was a God amongst men.
Long live John Africa!!!!
Funny I looked up my own name and it's not me . I was sick of it anyway . I think I'll call my self the dude formally known as J Moran
You GO Ulysses!!!
thanks ladies for your hard work that allows us to experience thus artist's work. Good job! :)
Enjoyed hearing about your journey and you process. Keep On!
Fascinating conversation, and great insight into Taji's work, and passion. Thank you
Maa'shaa Allah... so you play several instruments as well?
TR7
brilliant, Taji. 🤲🏾☀️✨
Love this..yes the community is essentiall in Islamic life.
Great talk. Interesting and exciting work. Love it!
Great talk. Interesting and exciting work. Love it!
Brother Taji is the “contessour” | He’s the best kept secret, humble and a classic OL Head , young boul | Alhamdulillah rabil alameen. You all were great … #StayFocused
Nice!
Nice work!
21:33 where's the video link ?
EL Meastro * R.I.P. The Greatest: Greg Tate May The Ancestors Keep You !
Gone too soon. Tate's incisive criticism will be missed.
RIP legend
11:32
Life in the Park in the house
Unreal...
Salute Professor I will never forget the lessons.
bellissimo.
This story touch my heart
RIP Consuewella