วีดีโอ

How hot romantic feeling on these cold days in Taiwan❤

Great job! 🎉

Bellisimo Galardón 😊❤

Beautiful. Thankyou. Hope you do Corelli one day too..... :) (my all time favourite!)

💯👍🔥❤️💯👍🔥❤️

Danke für die Videos. Sie waren sehr interessant!!! Ich hoffe Sie machen mehr davon in der Zukunft. Grüsse aus Griechenland. ))))

Lovely colourful performance! Thank you so much!

Non mi lsekfjwrr 2 hire mmdie kreoi

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This so beautiful. I have downloaded your album to listen to it all 🧡🧡🧡

thank you so much , nowadays there is a few baroque violin lessons we beginners find to learn ,so your videos are really helpful and enjoyable to learn , thank you so much

Wie wunder,wunderschön. Welche ein Klang und Tiefe des Gefühls. Was für phantastische Verzierungen!!!!!!

00:39

Sublime

Do Bach violin harpsichord sonata in e major mov 3, please please please... 🙏🏻🙏🏻🙏🏻

I have just listened to this piece to see what sort of a treat I am in for on 12/11/23 at the Melbourne Recital centre, having today bought a ticket to Poet of the Violins at which Leila will be playing along with the Australian Brandenburg Orchestra. I am so looking forward to hearing a whole programme of such beautiful music. Happy happy.

Why is she wearing a swimming hat?

Nothing beats Bach

Players of Hardanger Fiddle, please note!

Outstanding instruction. Thank you.

Une belle tradition mise à jour. Super clean, super beau.

Great advices. I have been playing Baroque instruments for the last 3 years but feel very uncomfortable with out the shoulder rest. So I put one and slightly moved my chin over the tail piece. I feel much better and can be more expressive and relaxed on my left hand. Is this good or should I try again to do in the way you show here?

Sublime!!

Hauntingly beautiful!

Great tonality but was it necessary to improvise on Bach.

Are these LeClair pieces on the Farina CD,?

Good luck with that

❤️💕💕

♥

Very good interpretation 👍👍

Straordinaria Leila: energia, vitalità, intelligenza! Bravissima.

Stupenda !!!! Ti adoro

Thanks Leila....love what you've done here. Thankyou. I am converting My modern violin into my new "Baroque" violin as much as i can!! Know very little about playing in this style but always loved the music. You are currently my official baroque teacher!!😅🤣 Andrew (Sydney Australia)

Wonderfull! To my ear, missing link between 'passagisti' and i.e. Mateis.

Muito bom! Parabéns

Excelente vídeo didático, parabéns pelo trabalho!!!

Excellent advice also for those who play the modern violin. Now I understand that vibrato does not always have to be marked to perform a song. Even a little is enough

what a wonderful combination! video music dance violin! what solo violin piece is at the beginning?

Liebe Frau Schayegh, wissen Sie möglicherweise, wie man diese Art Verzierung nennt, die der Solist hier bei 2:19 auf dem g verwendet? th-cam.com/video/0FP9N2SbWn4/w-d-xo.html Ist im Grunde fast ein Tremolo, nur dass der Ton immer wieder ganz kurz von oben angespielt wird. Höre diesen schönen Effekt immer wieder mal in barocken Stücken und frage mich schon lange, ob das eine Bezeichnung hat. Herzliche Grüße!

...sehr schön: sehr schlicht, sehr innig und sehr berührend! Danke (...höre ich ich da Vögel draußen nach dem letzten Ton?)

very informative and practical! thank you!

Thank you for your great tutorials! Looking forward to the next update! As you know vibrato in the 17 and 18th century were ‘preferences’ . E.g. some players were known for adding a lot of vibrato, like being the soprano diva in the opera. So like a voice really. Even Wolfgang Mozart loved the vibrato…. But Mozart sr. didn’t!! So I don’t take Leopolds vibrato instructions too seriously! I try to add ‘natural’ vibrato where needed, in combination with non vibrato. Meaning often: the faster the piece, the faster and intense the vibrato. If a note at the end of a phrase resolves or not also influences the kind of vibrato…

I’ve been pointed to this recording a couple of days ago by a friend and it opened up a new space for me - while being a big friend of romantic symphonies, the chamber music of this era has never really spoken to me. But I was instantly and profoundly caught by this recording. When I heard it for the first time, I thought this was three dimensional music. In my own words I thought of never having heard such glissandi into the right pitch of the note that opened up space just as did the delaying of notes, as good comping in jazz does. And now I hear you talk about Portamento and rubato. This makes perfectly sense. I find this approach a most profound and thrilling innovation that makes the music breathing . It’s for the first time I discover the revolutionary harmonic progressions Brahms composed, which I knew well in his symphonic work, but which I didn’t hear in the chamber music as the latter appeared so linearly played. The interplay of violin and piano here is stellar, the way you’re passing the notes from violin to piano and back again is made even 3-dimensionally perceivable by the careful recording technique, which lets the tones of the violin float in space from left to centre and the piano from the center to the right side. It’s great to hear a deep violin tone far left and the the portamento slide into the center of space where it goes from the deeper piano tones the scale up to the right side. And the there is this delicate aspirating soft violin sound…. Thank you for such an elating masterpiece.

A fascinating history of the early Baroque Violin player's and the stance employed by the player's solely dependant upon the time and the piece being played. It does explain the posture of many of the figures in older paintings I've seen over the years. Thank you.

Fantastisch, Leila!!!!!!!!!!!!!!!

Amazing!! Thank you from Japan ;)