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Thank you. A whole lot of creativity over there on your channel as well.

Sir, I'm flattered

Thanks for stopping by

Thanks for the kind words. I'm glad you like what you saw/heard and yes, I've released an EP a year ago: ditto.fm/discotech or on Bancamp: paulfisko.bandcamp.com/album/discot-ch

Thanks. Appreciated!

I'm currently using a Keystep Pro via Midi. Had to add a Modypoly midi extension to the Mono/Poly for that but the Keystep (Pro) has cv out as well so that would work as the Mono/Poly has cv in. Beatstep (Pro) should offer cv out as well. Hope this helps.

The most interesting Monopoly video on YT

Thanks! I keep getting back to jamming on this idea exactly because of said reasons.

Sounds very relatable : D. Thx

@@paulfisko I'd just ordered a 2600 from sweetwater this week, waiting for it to arrive. A bit nervous and intimidated since it's my first synth with wires. :) Was trolling around youtube looking for videos of it in use, stumbled on this video. Damn, dude, you got game. Love how you get in to it, too, that energy level was pumping. I also got a NeutronMod and a Crave, figured would be a good start to learn how to mess with modulars. Anyway, keep making these, enjoyed it!

Tack så mycket : )

Thanks, it's called "Italone"

Von nix kommt nix!

Hey there, thanks for stopping by. I own the plugin as well and it has two big advantages over the real thing: you neither need the square meters nor the € for owning it ; ). In the end it all comes down to what you primarily intend to do musically, produce or jam/play live. Jamming with a plugin is just not my thing but for production purposes it's much more handy to have (saved) presets and automation in your DAW, of course.

Thx!

Always a / the good sign : D

Thanks a lot for the kind words. Appreciated.

Hey there, thanks for watching. Glad you found this worthwile. The knob you're referring to is the bypass of the Electrix Filter Factory (analog filter) which I activate at that point. The audio signal then still gets processed by the Kaoss Pads (Quad & 3+) and the MX-1. You're actually not "way off" on your assumption as I play a lot with different filters in this jam! Hope this helps.

Thanks Cristhian

I will! Thanks for watching

Thanks! Glad you like it.

Muchas gracias!

Cheers!

Thanks man. I might turn it into a track one day. Will let you know if that's the case.

Thank you, Cucu (probably falsely assuming that's your real name)

Cheers!

Hope you'll have a lot of cross-modulated fun with it!

"Too many synths" : a sentiment to be ignored. ;)

@@riquester1971 I do ignore it. Unfortunately my cramped attic studio doesn’t.

And for the cooldown 4:33 by John Cage

Cheers!

All of them combined form a time machine, allowing me to travel back in time to the good old "carefree" 80s! ; )

Well, interesting questions! Made me experiment more with those modulation options through cv. That Ghost Culture-track could've been created with the pretty cool tubbutec midi retrofit which adds a sample/hold-function to the MG1-options. The filter could also have been modulated via the fcM IN via an external source. This sounds very much like S/H-modulated indeed. The track by Daniel Avery reminds me of something I sometimes do with the keystep which is increasing and decreasing the speed/divide of the arpeggiator while it's running. It doesn't sound like a simple gate-out ->VCF fcM IN, because you can hear how the filter is opening up when the notes are triggered. So, not sure about that one. What are your thoughts on the Behringer version?

@@paulfisko thanks so much for getting back to me. Yes! I do think it has something to do with the tubbutec mod because it sounds like it could be random note assignment in poly mode but you can't send polyphonic data over CV.... so it's gotta be the tubbutec. I'm going to get one, although it means sacrificing that 'cycle through VCOs' arp mode. re: Behringer Monopoly, I undoubtedly have some bias but it doesn't sound like their best clone. I've owned a few behringer products and they are hit and miss. The ms101 sounds really good, the rd-8 is has many bugs... they are affordable and I learnt a lot from the Moog clone (my first proper subtractive analog i guess) but i will be supporting original manufacturers from now on

@@drthorpe8602 I've got the Tubbutec as well. It doesn't mean any sacrifices as far as I know : ). So keep cycling through those VCO's, and now finally in sync with the rest : D

Thank u

Cheers man & thanks for watching.

I can highly recommend the Deepmind12 (I own the D/desktop-version). Wouldn't want to miss it in my setup. It might not be as playful/hands-on as the Minilogue or the Mono/Poly but offers an awful lot of pretty awesome sound possibilities. Two combine all the voices in unison-mode to a synth-bass is great as is having a broad 12-voice-layered pad. Unfortunately the volume potentiometer started getting a little dust-noisy pretty soon but to me that's just a reminder to keep the gear as dust-free as possible.