Grant Originals
Grant Originals
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The Porsche Journey | Goldie
Just wrapped up an epic, 2,000-mile journey in a 1976 Porsche 911 through the Colorado and Wyoming mountains. This journey was more than just a road trip-it was about reconnecting with nature, writing the next chapter in the car's story, and experiencing autumn in the mountains in all its glory.
Here’s to many more miles, more memories, and more roads less traveled in one of the world's greatest cars -- brought to you by Grant Company.
For more information visit grantcompany.net or jpwerks.com.
@PorscheClubofAmerica
มุมมอง: 4 895

วีดีโอ

7-Year Anniversary | Grant Company
มุมมอง 849 หลายเดือนก่อน
Seven years ago today we created Grant Company and we have many more years to come. What stories can we tell for you? Contact us today.
The Porsche Journey Continues
มุมมอง 3.8K9 หลายเดือนก่อน
Originality, authenticity and oh, yeah, speed. We're proud to have had the opportunity to create this documentary about Daniel Journey as he continues his father's legacy at JP Werks in Kansas City, Mo. Daniel specializes in air-cooled, vintage Porsches and can handle the most in-depth projects.
Ronnie Williford | Sharing as Creative Expression
มุมมอง 161ปีที่แล้ว
Sit with artist Ronnie Williford in his studio and among Flordia's unique plein air experience as he shares lessons learned from a life devoted to his craft.
Bruton Trailers | Quality that stands the test of time
มุมมอง 458ปีที่แล้ว
Every business has a story. And we love nothing more than telling it. Take Bruton Trailers, for example. This West Texas-based company was started by Wilbert Bruton in 1954 because there wasn't a horse trailer on the market that met his standards. Today, they build a lot more than horse trailers, but the focus on quality and customer service remains. Our team had a chance to visit a few of thei...
The Alchemistress | The Art of Large Format Photography
มุมมอง 28Kปีที่แล้ว
Introducing a Grant Company Original: Step into the world of large-format photography with Lindsey Ross, a California-based wet-plate photographer who revives the 19th-century art form across the West. Grant Originals brings little-known stories to life - authentic stories that intrigue and inspire others to do.
Tracing America: Episode 1 - The Lawrence Massacre
มุมมอง 688ปีที่แล้ว
“Tracing America" is a new series featuring historian Cory Lesmeister as he travels the countryside, bringing important historical U.S. events to life in the modern-day places in which they occurred. This show offers fresh perspectives on what it means to celebrate our American history, and the lessons of the past. In this pilot episode: Why did a former school teacher who was known to associat...
Tracing America: The Lawrence Massacre (Coming Soon)
มุมมอง 448ปีที่แล้ว
Tracing America features historian Cory Lesmeister as he travels the countryside, bringing important historical U.S. events to life in the modern-day places in which they occurred. This show offers fresh perspectives on what it means to celebrate our American history, and the lessons of the past. In the inaugural 30-minute episode, viewers are transported to the 1860s, amidst the beginning of C...
Church Hill Activities and Tutoring - Urban Micro Farm
มุมมอง 55ปีที่แล้ว
In Richmond, VA, students at Church Hill Activities and Tutoring are learning entrepreneurship skills through an Urban Farm partnership with Babylon Micro-Farms and Dominion Energy.
The National Museum of Toys & Miniatures
มุมมอง 195ปีที่แล้ว
Whether you're a child or an adult, you can be educated, inspired, and delighted at T/m - where art meets history in Kansas City.
Curt Pate - True Steward
มุมมอง 3.2Kปีที่แล้ว
On a blue bird day in Montana, stockman Curt Pate shares some thoughts and philosophy on the ranching way of life.
McDonald Mules
มุมมอง 118ปีที่แล้ว
“The outside of a mule is good for the inside of a man.” Rancher Bill McDonald of Blacksburg, VA reflects on farming and livestock.
National Western Stock Show: Then and Now with Dan Green
มุมมอง 402ปีที่แล้ว
A look back - and forward - at Denver's historic National Western Stockyards and the National Western Stock Show.

ความคิดเห็น

  • @holgerpokrandt4170
    @holgerpokrandt4170 หลายเดือนก่อน

    Daniel is the best! Great video and great car

  • @PBosco
    @PBosco หลายเดือนก่อน

    Are you aware that Vincent Van Gogh was shown photographs? He did not like them or photography in general. He said the photographs looked, "waxy". I suspect he was looking at wet-plate -- it was the time when wet plate was in practice. He probably wasn't a fan of the "hard" look of wet plate. George Tice showed my a trick to reduce camera shake when removing the lens cap. Hold the dark slide in front of the lens and then remove the cap, then lift the dark slide away from the lens and start your exposure. Reverse the process when placing the cap back on. It really works well. Remember, the image leads the process -- make images that work in concert with the process. Please don't call yourself an artist. That's a self-aggrandizing term. Let time decide that.

  • @SF_Native
    @SF_Native หลายเดือนก่อน

    Wow, this is beautifully shot and edited! Two things I love the most- Porsche and nature!

  • @toddatstone_city_outlaw8714
    @toddatstone_city_outlaw8714 หลายเดือนก่อน

    Beautiful drive...where was the location of the 4:15 time of the video?

    • @ericgrant2001
      @ericgrant2001 หลายเดือนก่อน

      Near Gateway, Colo.

  • @patkeen8668
    @patkeen8668 หลายเดือนก่อน

    What a delight for the senses. A battle between the visual and the sounds for what I enjoyed most. Now, if we could just bring in some of the smells from the garage, car cockpit or mountains.....

  • @jefflee9618
    @jefflee9618 หลายเดือนก่อน

    Amazing video. Any chance you can share the roads in the film? Always looking to do some drives

  • @garyleivers9194
    @garyleivers9194 2 หลายเดือนก่อน

    Great story and beautifully presented !!!

  • @russellinvest
    @russellinvest 2 หลายเดือนก่อน

    Great video and amazing story!!!!

  • @stephenabril7084
    @stephenabril7084 2 หลายเดือนก่อน

    Thank you for acknowledging Gods creation. 👍 Love these cars. Hope I can afford one someday.

  • @dustinsteller
    @dustinsteller 2 หลายเดือนก่อน

    Love this so much! My dad owned “Goldie” for decades before selling her to you. I have many, many fond memories of her. Heck, I even learned to drive manual on her in the mid-90’s! It’s beautiful to see her purr & rumble again. Fantastic video.

    • @ericgrant2001
      @ericgrant2001 2 หลายเดือนก่อน

      Thanks, Dustin! Great hearing from you!

  • @lagorojo
    @lagorojo 2 หลายเดือนก่อน

    "theological art", what a strong definition that is...

  • @johnmorrison27
    @johnmorrison27 2 หลายเดือนก่อน

    That was fantastic, thanks for making it 👍

  • @chuckschroeder1078
    @chuckschroeder1078 2 หลายเดือนก่อน

    This is a terrific work of art on many levels! Being "in the moment" is the purpose to which we are called as God's creatures, and this expression of that special experience is priceless.

  • @CapitulationTrader
    @CapitulationTrader 2 หลายเดือนก่อน

    Fantastic video. Daniel is worth his weight in gold. Sure, pun. But it’s true. Quality Porsche mechanics are the reason many, maybe most, of us get a chance to experience these 30, 40, 50 years later. Thanks Daniel!

  • @Vampirebear13
    @Vampirebear13 2 หลายเดือนก่อน

    Great car & great video !!! <<Mark in Ohio>>

  • @CarrotLumberjack
    @CarrotLumberjack 3 หลายเดือนก่อน

    Does anybody know where I can find the whole series of photos that she referred to as "prisoners"? Those particular ones that were shown are super nice.

  • @Households1234
    @Households1234 4 หลายเดือนก่อน

    Way too much artsy, wandering, useless footage . Would be much better to show more of the work and less nonsense and silly boring shots.

  • @CapitulationTrader
    @CapitulationTrader 6 หลายเดือนก่อน

    Daniel is the hero we (classic Porsche community) all need. Talented and committed professional with this passion is worth his weight in (whatever you value highly). Only regret is I don’t live close enough to be in your community. Cheers

  • @Autorange888
    @Autorange888 6 หลายเดือนก่อน

    Photography was the new art of the 19th century. But it is erroneous to believe the was used as proof of reality. There are different levels of reality and artistic syntax. For example, Oscar Rejlander and Henry Peach Robinson made combination photographs, and later there was Pictoralism, a movement using diffraction, rough papers and soft focus lenses, which made the photos resemble impressionist paintings.

  • @tonnyblake21
    @tonnyblake21 6 หลายเดือนก่อน

    As a large format user myself consider collodion to be most tiresome, boring and pointless activity (hobby for the sake of hobby), because in the time of one midiocre shot you can do tons of masterpieces on 8x10, 11x14 etc. Still your passion makes life go beyond.

    • @spiff73
      @spiff73 6 หลายเดือนก่อน

      don't you think medium format/35mm/digital camera users would say the same thing to 8x10 photographer?

  • @TeddyCavachon
    @TeddyCavachon 7 หลายเดือนก่อน

    Amazing work and passion for the craft aspect which is absent today in photography. I can relate to the size of the camera and wet plate process. At Knox College in 1971 the library had a collection of glass plates, some as large as 11 x 14 and hired me to make contact prints of them. Many of them were of steam locomotives and I was blown away by the detail and tonal ranges they had. I taught myself the Zone System by reading Adams books and the quality of the prints I was able to make helped me get an apprentice job with a renowned photographer and then a job in the Photomechanical Lab at National Geographic from 1974-77 where I operated a Lanston Monotype process camera which had a 40” x 48” film back. I learned to make halftones and color separation on litho film with contact screens and created my own exposure computer to calculate the three different exposures needed to shift the mid-tone and change the contrast of the reproduction like we can in digital using the middle slider in Levels. There’s no middle slider like that on B&W film why dodging and burning after capturing a full range of detail is necessary. To make the largest size wall maps we turned it into a giant enlarger putting the 52” wide roll film on the copy board and the halftone positive for the six colors used on the map on a sheet of plate glass where the film would normally go, using a carbon arc lamp with a motorized dodger as the light source. We developed the litho film up to 40” wide machine processor but the 52” x 72” sheets used for the largest maps were processed large stainless steel sinks by rolling and unrolling it, running from one side of the sink to the other. My favorite project while working there was reproducing original Edwin Curtis sepia photos of Native Americas from the NGS archives as CYM tritones using contact screens and litho film to duplicate the Sepia tone and resolution of the sepia originals for the NGS “Indians” book published around 1975. The proofing system I used for the maps required coating a 30” x 40” sheet of white mylar with a liquid diazo emulsion one color at a time from gallon jugs onto a spinning plate coater similar to coating photographic plates. It was an acquired skill that had to be repeated six times for each map proof-screw up one color and you started over, which I did more than once. Thankfully it was replaced with a DuPont Cromlin dry powder proofing system I became the operator of learning CIE-xyz color science from the guy at DuPont who invented and developed it. National Geographic was an amazing place to work but one had to wait twenty years for someone to grow old and retire to get promoted so I moved on into printing management where in 1980s while working as production manager at a magazine printer I had the opportunity to work with a dozen of Ansel Adams prints reproducing them as dual-black duotones using techniques I’d mastered at NGS, the job I got because I mastered the technical aspects of his Zone System-finding subjects which were as compelling as his? Not so much. 😂

  • @davidepperson2376
    @davidepperson2376 7 หลายเดือนก่อน

    Wow, fantastic video. Film really. Great storytelling, and you capture well the bug that infects a few of us…

  • @andyvan5692
    @andyvan5692 7 หลายเดือนก่อน

    nice work, Lindsey, a great and refreshing change from Nick Carver and other ULF\LF photographers interpretation of this location; esp. the contrast of the plates.

  • @chojny23
    @chojny23 7 หลายเดือนก่อน

    This is so true! If you want to change anything at your Porsche, buy another car. Stock cars are so pure and great!

  • @ronniewilliford3449
    @ronniewilliford3449 9 หลายเดือนก่อน

    Congratz, guys. Seven and counting.

  • @dailydriven991
    @dailydriven991 9 หลายเดือนก่อน

    This was brilliant. I just bought my first Porsche. My dream 911. While I’ve always modified cars, for some reason I find myself wanting to keep this as original as possible. There will be slight upgrades here and there for durability or CarPlay (lol) but mostly they’ve built a perfect machine that I want to keep running forever. Great film.

    • @kevinbodman1011
      @kevinbodman1011 8 หลายเดือนก่อน

      You should check out Bid nerds

  • @KARINALLIESAS
    @KARINALLIESAS 10 หลายเดือนก่อน

    I absolutely love his humbleness and true love of animals. I attended a clinic of his in norco calif probably 20 years ago with my sister. Love him. ❤❤❤❤❤

  • @toddwinter1047
    @toddwinter1047 11 หลายเดือนก่อน

    Wow!

  • @tdawg719
    @tdawg719 11 หลายเดือนก่อน

    I love the whole scoping out compositions while in the parking lot. like you haven't even gone into the park yet and you're ready to start shooting. thats relatable. thats pure excitement.

  • @argentum_on_glass
    @argentum_on_glass 11 หลายเดือนก่อน

    I love to watch how you work Lindsey . and yes the last image is a beauty. I miss the pinky though... 🤟

  • @DigiBentoBox
    @DigiBentoBox 11 หลายเดือนก่อน

    Such an incredible mini-doc! This was very inspiring-- her passion and vision and acknowledgement of the performative aspect of the art, in addition to her "why" and the origin story of her project-- all of it just makes me want to go out and take pictures. But not on wet plate lol. That looks rather intense, and that mega-XL-format is mind blowing lol

  • @frankanda2049
    @frankanda2049 11 หลายเดือนก่อน

    Love your work!😉

  • @sokoloveugene6216
    @sokoloveugene6216 11 หลายเดือนก่อน

    what ISO this plate?

    • @philipblom9072
      @philipblom9072 11 หลายเดือนก่อน

      Wet plate collodion usually ranges from 0,5 to 5

  • @PeterJehle100
    @PeterJehle100 11 หลายเดือนก่อน

    Just simply stunning.

  • @ChadWilson
    @ChadWilson ปีที่แล้ว

    And I thought sending my rolls of film off to a developer required patients. Fantastic video!

  • @SlavaVeres
    @SlavaVeres ปีที่แล้ว

    Oh my goodness! ❤ This is so amazing! I admire artists like this! Awesome photographs! Great short documentary!!! 👍

  • @thallesgleite
    @thallesgleite ปีที่แล้ว

    It's my dream to work like this, will you hire me?

  • @mhaustria
    @mhaustria ปีที่แล้ว

    wonderful photographer and fantastic work!!!

  • @Nat.ImagesLarge.F.Photographer
    @Nat.ImagesLarge.F.Photographer ปีที่แล้ว

    Fantastic,true photograph, great process and keep up your stunning work, love Large and Ultra Large Format Photography!!!!!

  • @onnoweb
    @onnoweb ปีที่แล้ว

    Love her work.

  • @tsilmanav
    @tsilmanav ปีที่แล้ว

    I think for me, there are two amazing (well there are many, but I'll mention two) things about this. The sort of concentration and zen state you need to get into to not mess anything up, and then because this is so large format, like super-duper large format, that this has no megapixel equivalent. Because of the process and the size this can only be reproduced by this camera and development, and probably the person mixing the chemicals. Its not "I used this camera and lens", "or this film". She makes the film and can nearly climb inside the camera. It reenforces the art of her photography from the very beginning to the final product, and anyone who does wet-film. They are like photography Chef's, lots of people follow recipes, but everyone makes the entre' just a little different. Just amazing.

  • @RideProductionsNZ
    @RideProductionsNZ ปีที่แล้ว

    Wow, beautiful, thanks for sharing. I love the anticipation of waiting for the result of the print and seeing it at the end. Much like the anticipation in the darkroom. I can still remember the image appearing in the developing tray from the first print I ever did! This film took my right back there.

  • @robertkerner4833
    @robertkerner4833 ปีที่แล้ว

    Outstanding. A different level of commitment when you need a truck to haul your kit and need to dress like a hazmat technician. Beautiful work.

  • @Metkin
    @Metkin ปีที่แล้ว

    very inspiring!!! excellent work

  • @thomasstanley5227
    @thomasstanley5227 ปีที่แล้ว

    Impressive composition and final image. Very nice work.

  • @chrisbeattie5688
    @chrisbeattie5688 ปีที่แล้ว

    What gorgeous work, both in camera and off. Large format wet plate is a labor of love, the performance is often as important as the lasting image. Well done.

  • @RandyMoe
    @RandyMoe ปีที่แล้ว

    Wow!

  • @JamesBarton1
    @JamesBarton1 ปีที่แล้ว

    Such beautiful work! Both with this mini doc and Lindsey‘s plates.

  • @MattatHiddenLight
    @MattatHiddenLight ปีที่แล้ว

    Want to do a print collab?

  • @chriscard6544
    @chriscard6544 ปีที่แล้ว

    where is the full movie ?