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Nice call out to The Cure with Fascination Street Studios.

Crazy that you the only one out there spreading knowledge . Bless you really !

That was really everything I needed to hear !! nice one !

Hello! Does it make any sense to write it in assembly? Will we have any increase in performance or will this task be too complex and difficult?I mean standard x64 architecture - a usual laptop (not DSP or MCU)

Legendary video that I’ve come back to for a refresher several times. Spoiled people whining about free education in these comments lol

Ok Janek ale jak to brzmi? Jakieś przykłady?

when i write (juce::AudioBuffer<float>&, juce::MidiBuffer&) it is not recognizing juce as identifier

Looking for information on how to make this work 1:1 on the Mac and also build AU or AUv3 without the errors. Thanks!

Thanks 👽

ΕΙΣΑΙ ΘΕΟΣ ΡΕ ΦΙΛΕ ΜΠΡΑΒΟ! ΖΗΤΤΩ Η KATOWICE!

Thanks 👽

thanks

Thanks brother.

If you want to make sure to compile using SIMD instructions specific for the HostCPU you can use llvm bindings for the language of your choice and then compile through llvm. Interesting vid!

Whoever is reading this comment, use some channels of 1D Perlin noise in place of a waveform. It has a nice ambient sound. Some variations can sound like wind.

Thompson Frank Jackson Mary Lee Susan

So it’s like the IIR Second Order All Pass Filters allows for more “customization”, right?

many dsp algorithms contain single sample feedback. can anything be done to vectorize these algorithms? It seems like the feedback complicates any attempt to use block processing to vectorize.

I really like questions about languages. I often overthink that.. rust vs cpp etc..

Nettie Lodge

If it take 34mn to a professional to make the most simple filter vst, how long does it take to a beginner to make a good looking EQ ? Spent the day trying to learn a bit about JUCE and plugin making, I'm surprised and frustrated to see how hard it is to make very very basic audio vst in 2024. In the end all the effort goes into coding and debugging instead of being creative. I understand better why there is 500 same EQs on the market. Sorry for the negativity, nice tutorial anyway

Negative time wooooooooo👻

Ward Villages

The website says: The Elite Master’s Program Advanced Signal Processing and Communications Engineering (ASC) is being discontinued. Admission is no longer possible. So you can't study it anymore??

Great tutorial :) I think you would like working in Jupyter notebook some more with this kind of workflow.

how do i build vst3? Can't find it in audio-plugin-template\build\plugin\AudioPlugin_artefacts\Debug\VST3\YourPluginName.vst3\Contents\x86_64-win

I really enjoyed this interview

17:02 -ish yeah I have been wondering whether there might be a merit to modelling voltage in a software synth. It might make the code easier to understand for people familiar with analog synths? I was considering getting into making analog synth hardware, and making a simulator which worked more like the real thing would be like a stepping stone to making the real thing.

Caveat: The model shouldn't be aware of the UI, but the Wavetable enum has Android string resource keys baked inside it, which implies that the UI is going to be an Android app. That method could possibly be an extension method over in the UI code instead... Now... at around 20:08 you mention that the slider position could be exposed. I kind of agree. And actually, if you do expose the slider position, the code becomes much, much simpler. :) Instead of using `LiveData` (Android-only API), I used `mutableStateOf` (cross-platform friendly). They appear to work quite similarly. But now I can define my frequency value using `derivedStateOf` and Compose will automagically keep track of when the value needs to be updated.

I'm going to attempt to follow this series but using Compose Desktop and corresponding bits and pieces for all the audio stuff. Likely LWJGL's OpenAL. - There's another option for that volume icon. 🔊🔈 - Rather than using `LocalConfiguration` (which is Android-specific), I am going with `BoxWithConstraints`, which is somewhat simpler anyway.

Hi ! i have a question, is this possible to put this filter only for a reverb ? like add this to reverbProcessor for example

Great interview - thank you both!

great interview!

I love all of Chow's plugins. Great interview. Thanks a lot.

It can be confusing to newcomers as this isn't what modern software instruments call wavetable synthesis, where you have a table of complete waveforms.

Matlab code is perfectly usable for free with GNU Octave, even though some functions are named slightly differently - AI can easily help with that

Well explained....cleared the concept in one go..!

Thanks to Juce for funding and also thanks to Speaker...........lovely perfect code for every audio processing worker.

I find this video is also a great vcpkg tutorial in general. Thank you!

My Grandma recommended me this video thank you it is really helpful ❤.

If possible improve your Keyboard Typing sound - too loud and too much bass.

im having such a hard time figuring out how to open audio host plugin :(

Great video, nice explamation

How's the market for audio programming? I mean salary wise and number of opportunities wise. Just came across your videos, and I am kind of mesmerized by the whole thing!

are there any uses for other form for convolution than FULL mode ?

Thank you for this video! very helpful

Supercollider doesn’t have single sample feedback, but the pattern system is awesome

Nice audio info 😊

one more time