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The Ohio State University Libraries
United States
เข้าร่วมเมื่อ 26 ส.ค. 2014
From late-night breakthroughs to marathon study sessions, thousands of "aha moments" begin at The Ohio State University Libraries. Our TH-cam channel provides opportunities for lifelong learning by sharing free webinars, short educational videos and more to spread knowledge to the Buckeye community and beyond.
Depicting Mexico and Modernism: Gordo by Gus Arriola
As the first retrospective on Gordo (1941-1985), this exhibit celebrates the dazzling artistry of Mexican-American cartoonist Gustavo ‘Gus’ Arriola (1917-2008).
Gordo was a long-running syndicated comic strip in 270 U.S. newspapers and the most visible ethnic comic strip of its time. With the inclusion of Spanish words, Gordo was meant to be the Mexican Li’l Abner. At the onset, the titular Gordo Salazar Lopez, the bean farmer, reflected Hollywood’s regrettable stereotype of the lazy Mexican. In 1959, Arriola changed Gordo’s profession to a tour guide driving Halley’s Comet, a Mexican ‘colectivo’ (bus), slowly transforming the character. Later, Arriola took his first trip to Mexico where he immersed himself in Mexican culture and modernist art, influencing how he would draw the strip.
Depicting Mexico and Modernism offers the opportunity to look at the visually stunning Gordo and see firsthand Arriola’s development as a modernist Mexican-American artist who used the comics page to celebrate and share his Mexican heritage with American readers.
Curated by Nhora Lucía Serrano, the exhibition consists of animation made by Bret Olsen, and works on loan from Mark Burstein, Jim Guida, Lalo Alcaraz, Hector D. Cantú, Carlos Castellanos, and from the collections of the Billy Ireland Cartoon Library & Museum at The Ohio State University.
Gordo was a long-running syndicated comic strip in 270 U.S. newspapers and the most visible ethnic comic strip of its time. With the inclusion of Spanish words, Gordo was meant to be the Mexican Li’l Abner. At the onset, the titular Gordo Salazar Lopez, the bean farmer, reflected Hollywood’s regrettable stereotype of the lazy Mexican. In 1959, Arriola changed Gordo’s profession to a tour guide driving Halley’s Comet, a Mexican ‘colectivo’ (bus), slowly transforming the character. Later, Arriola took his first trip to Mexico where he immersed himself in Mexican culture and modernist art, influencing how he would draw the strip.
Depicting Mexico and Modernism offers the opportunity to look at the visually stunning Gordo and see firsthand Arriola’s development as a modernist Mexican-American artist who used the comics page to celebrate and share his Mexican heritage with American readers.
Curated by Nhora Lucía Serrano, the exhibition consists of animation made by Bret Olsen, and works on loan from Mark Burstein, Jim Guida, Lalo Alcaraz, Hector D. Cantú, Carlos Castellanos, and from the collections of the Billy Ireland Cartoon Library & Museum at The Ohio State University.
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I am not a visual person, but growing up with Pogo drove my love of language; I feel his influence in my wordsmithing and love of word play.
Holy shit Bill Waterson is real
Awesome content, thank you so much, especially for all the guest commentary.i can't believe no one mentioned Albert 's habit of swallowing his friends, a lot of the strips were just nonsense after all.
Look as the Castro caricature if you look at the feet, those are hooves look at the other dogs in the comic strip their feet look completely different. I believe that Kelly was saying that Castro was a demon using the goat as a double entendre my guess is that underneath the hat there’s a set of horns
He did NOT draw with a brush @OhioStateLibraries He drew with the same non-photo blue "Col-Erase" pencil that every single animation artist uses to this very day. He Inked with a brush or a thick pen. I am an animation artist for many years, and it seems silly to me that academic scholars don't know these very basic, working-class professional things about commercial art.
I forget which cartoonist referred to Kelly's Fidel Castro as a dog; the ears might be confusing, but the hooved feet definitely belong to a goat. I have a CD of "Songs of the Pogo" I love, featuring Kelly himself bellowing out songs and orating some of his writings; the man was "drunk" on language, on the sound of words...one of the best half hours I've ever spent on TH-cam btw 😃
How rare and cool to hear Bill Watterson!
What software wold you recommend for creating Bayesian networks?
this is wonderful thank you
I kind of love the history of those drawn-to-new-technologies explorer stories of the 1920ies and 30ies
This was INCREDIBLY interesting, thank you! Our family has a family bible dating back to 1777 Colonial Virginia, and I'd like to have it examined/preserved, but some of the writings are faded/not clearly visible. What are the current techniques for recovering "lost" writings? We live in CA now, but would consider bringing it anywhere in the US to someone that would help, BC our family doesn't otherwise have the means to cover forensic level document recovery 🤣
l thing onlythe bedoon in kuwait they treated So racism.ather country they not have bedoon.
I was in a band in rhe late sixties that played Deck Us All With Boston Charlie. Nobody seemed to get the reference.
We’re the info on green land pass the ice wall
Hiding land. Why. /flat earth
I grew up reading pogo. It helped form my emerging political views in the early 1960's and my appreciation of satire.
Those were the days of exploration, whilst today, we are not allowed anywhere near the North or so-called South Pole. What are they hiding and why?
I can't imagine John Glenn being a member of today's Democrat party.
Hearing that this collection came from Selby Kelly gives me hope that someday we might see proper collections of the post-Walt Kelly Pogo strips, of which there were a significant number. I know that Don Morgan worked on the strip in some capacity after Walt fell ill. Then Selby began to draw the strip on Christmas 1973 with scripts by son Stephen Kelly and continued doing so through July 1975, when the shrinking size of the comics in newspapers made them decide it wasn't worth the effort. Then, following a nearly 15 year gap, the strip returned as "Walt Kelly's Pogo" in January 1989. It was written by Larry Doyle and drawn by Neal Sternecky through March 1992, after which Kelly's son Peter and daughter Carolyn took over producing it until October 1993 -- and that was when Pogo Possum left the pages of the nation's newspapers for good. That adds up to over six-and-a-half years' worth of strips (!) and while it's generally accepted that none of the above-mentioned teams produced material that was fully up to the quality of Walt Kelly in his prime, on the other hand, none of them churned out wretched dreck just to make a paycheck either -- and none of their work has been reprinted in any significant form, so it's all definitely worth a second look!
Many thanks. all the best.
The same to you, and thanks for the research over the years.
Very cool! Thank you
I enjoyed every second of this presentation. Thank you so much for doing these. Pogo, along with Peanuts and Calvin and Hobbes are three of my mom’s favorite strips, so this was a real treat, and I was sure to send this video to her!
Is that Nancy or Mafalda (Argentina) vid bombing this? 😂
Thanks
We have met the enemy and he is us!
.......and Hidezo Kondo the illustrator in past of Japan
Hi Jenni Robb😉, 🌻
Please, your search and insight in Omiya the Best Cartoon of Nippon in the past.......,1990>.....
👍✨🌸
No reason to have a mask for voiceovers. It was hard to understand. Germs cannot spread through the internet
I thought her original name was Rosina D Pello! Aka as Rose Le Rose.
27:05
My grandma must've bought Biz, 'cause my uncle had that Albert Alligator and it's mine now!
Thank you for this insight into the Pogo World. I love learning how cartoonists work and see other cartoonists. As a writer, I love Pogo because of Kelly's use of language and humor. I admire his ability to write in a dialect that belongs to Pogo and his friends. I follow many of the guest cartoonists, too. I wish I could see this exhibit in person.
Having just watched The Right Stuff I found this link. More viewers need to trend this way...
Awesome detailed presentation - thank you!
When I was a boy (I was born in 1957), since kindergarten wasn't a requirement in those days and in rural Georgia there wasn't a lot of emphasis on pre-school academic skills, I didn't learn to read till first grade. My mama would read my favorite comic strips to me from the Sunday funnies, and Pogo was one of my favorites. The first time I realized I could actually read, I had spread the Sunday funnies out on the living room floor one morning, and the first strip I looked for was Pogo. I found it, and then I realized that I was reading it! By myself! I was almost afraid to tell my mama, because I figured that would end our Sunday mornings on the couch with the funnies, but I was too excited not to tell her. I'm glad to say, it didn't end our special Sunday morning time. We just changed roles, and I read the funnies to her, and I've been reading ever since. In a way you could say...Pogo started it all. I'm glad that Walt Kelly's work is being preserved and honored. Thank you for this video!
Great exhibit. I didn't see Pluto but lots of great dogs.
Excellent interview. I loved the Supremes and still do. Mary Wilson is one classy lady.
I’m from a stateless family from Kuwait and the government forced my family to change their last names and they forced my ex wife to bring her citizenship of Iran even though she was born in Kuwait her brothers and sisters are Kuwaitis by their dad side. I was tortured for protesting our rights by National guards rubber bullets tear gas and was under prosecution from the Kuwaiti government. I ended up fleeing from Kuwait for torture.
i'm sorry for all those troubles.
Thanks so much for this. Pogo has held a central place in my life since my early teens. I was following it in the Bangkok Post when WK died while I was in the army. I appreciated Lucy Caswell's foreword to the latest edition of The Complete Pogo. This series is up to 1963-64 now. Although it is getting pricey, it is absolutely not to be missed at any price. Again thanks, WK and Pogo cannot be commemorated enough!
Mary Wilson was a wonderful woman, and she was still gorgeous in her late seventies! She did aged well. I did not know about her, as much as I know about Diana Ross, until lately! I have learn to love Mary's sultry singing voice and now I love listening to her, to her voice, to her talk shows and to her songs! And I am in awe about her accomplishments, her achievements , her legacy and the Supremes' legacy that she had left behind! To tell the truth, I have always loved Miss Ross: and now actually I love Mary Wilson, probably even more! Well, one never stops learning! Next I will have to do more research about Florence, I still don't know anything about her! 🤔🙏🤗👍🏻
Thanks so much for this wonderful, well-done video! I'm inspired to spend much more time with Walt Kelly's Pogo.
Excellent content
Thank you!
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Awesome, thank you. 😊👍
That was fascinating! Thank you for the tour