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Manuel Casares - Piano
Spain
เข้าร่วมเมื่อ 10 มิ.ย. 2020
Hi! I'm Manuel Casares (Manu), a professional classical pianist from Spain. I regularly share piano-related content, piano performance tips, secrets behind famous pieces, and educational entertainment surrounding the world of classical piano.
I upload new videos every week. Subscribe so that you don't miss them!
I upload new videos every week. Subscribe so that you don't miss them!
How can PRO pianists play so LOUD? Their 3 Secrets
Link to TCHAIKOVSKY CONCERTO 1 (free, public domain):
ks15.imslp.org/files/imglnks/usimg/a/a7/IMSLP932412-PMLP2744-Tchaikovsky_PianoConcertoOp23_Jurgenson.pdf
In case you didn't know - you can download ANY classical score for free at IMSLP.org, as long as it is in the public domain. It's the world's biggest library of free sheet music for all instruments.
In this video, we learn 3 secrets that PRO pianists use when they need to play loud, effortlessly and without any risk of injury. You can apply those secrets to any piece of music you're playing.
Join the Discord to keep in touch!
discord.gg/KEG9Wt6GwW
Subscribe for more piano-related content!
0:00 Playing LOUD = More EMOTION
0:55 Posture Quick Check
1:44 Secret 1
3:17 Secret 2
4:31 Secret 3
5:47 Your Practice Plan
ks15.imslp.org/files/imglnks/usimg/a/a7/IMSLP932412-PMLP2744-Tchaikovsky_PianoConcertoOp23_Jurgenson.pdf
In case you didn't know - you can download ANY classical score for free at IMSLP.org, as long as it is in the public domain. It's the world's biggest library of free sheet music for all instruments.
In this video, we learn 3 secrets that PRO pianists use when they need to play loud, effortlessly and without any risk of injury. You can apply those secrets to any piece of music you're playing.
Join the Discord to keep in touch!
discord.gg/KEG9Wt6GwW
Subscribe for more piano-related content!
0:00 Playing LOUD = More EMOTION
0:55 Posture Quick Check
1:44 Secret 1
3:17 Secret 2
4:31 Secret 3
5:47 Your Practice Plan
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This 50-SECOND piece will make you a BETTER PIANIST
มุมมอง 20K14 วันที่ผ่านมา
Download the LEARNING GUIDE: tinyurl.com/26hwef24 Watch the COMPLETE PERFORMANCE: th-cam.com/video/N1lYALHenpg/w-d-xo.html In this video, we'll discover how a 50-second piece can make you improve as a pianist in five levels: technique, musicality, hand coordination, memory and mental strength. Bach - Prelude No. 15 in G Major - BWV 860 (from The Well-Tempered Clavier) SUBSCRIBE for more piano-r...
These 8 BARS teach you EVERYTHING about musicality
มุมมอง 42K28 วันที่ผ่านมา
In this video, we'll have a look at a famous piano solo from Rachmaninov's Cello Sonata, and we'll learn a lot of concepts that you can apply to any piano piece you're playing. Join the Discord to keep the convo! discord.gg/KEG9Wt6GwW SUBSCRIBE for more piano-related content! 0:00 What is MUSICALITY? 0:41 Musicality Quick Checks 2:51 Our amazing 8 measures 3.14 ALL ABOUT VOICING 4:55 Balancing ...
9 Piano Fixes EVERY PIANIST Must Know
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In this video, we explore many piano fixes that every seasoned pianist has encountered at least once, and we'll find out how to fix them without having to call the piano technician. Join my Discord to continue the talk! discord.gg/KEG9Wt6GwW 0:00 Why Fix your Own Piano 0:36 Quick Pre-Checks 1:44 Clicking Noises 2:12 Rattling Noises 2:46 Pedals Not Working 3:05 Pedal Regulation 3:40 Loose Keys (...
STOP playing these pieces if you're self-taught
มุมมอง 52Kหลายเดือนก่อน
In this video, we explore why some famous Classical piano pieces are out of bounds for many self-taught or beginner pianists. If you are one of them, please watch and don't get hurt! Join my Discord server: discord.gg/KEG9Wt6GwW 0:00 Why you shouldn't learn these pieces 0:26 Polyrhythms are frustrating 1:10 A common way to hurt your LEFT hand 2:24 The most frustrating beginning ever 3:29 How no...
The SECRETS behind the 5 most EPIC piano cadenzas
มุมมอง 44K2 หลายเดือนก่อน
In this video, we discover the secrets behind five of the most EPIC piano cadenzas ever. Don't miss the final one because it's mind-blowing. Join my Discord server: discord.gg/KEG9Wt6GwW 0:00 Why Piano Cadenzas are Epic 0:34 Cadenza #1 4:20 Cadenza #2 6:27 Cadenza #3 8:59 Cadenza #4 10:52 Mind-Blowing Cadenza #5
How do PRO pianists play so FAST? Their 3 Secrets
มุมมอง 83K2 หลายเดือนก่อน
In this video, we discover three secrets, or "tricks", that many professional pianists use whenever they need to play fast. Subscribe if you've learned something new today! Join my Discord server: discord.gg/KEG9Wt6GwW 0:00 How Pro Pianists Play Fast 0:45 Quick Checks 2:10 Secret #1 2:52 Secret #2 3:36 Secret #3 (The Game-Changer) 4:29 The Final Demonstration
Grieg Piano Concerto - Cadenza (Full Recording)
มุมมอง 10K2 ปีที่แล้ว
And that's how to wrap up an intense week of work on this masterpiece. Ready to move on to the next with me? Subscribe! :) FOLLOW MY STREAM: www.twitch.tv/piano_subito E-mail address (for questions, lessons etc.): manuel_981@hotmail.com Subscribe for more piano-related content and stream highlights :)
I love your videos. I like how you explained this tricky topic 😁
Amazing video!!! Thank you for the precious lesson
This is excellent. Many thanks.
This
Brilliant video! Since you mentioned the Rach prelude... How would you practice the cadenza?I'm struggling getting it clear and loud😢
Come to Discord! (Link in description). I can probably give you a hand over there 👍
1:35 Silly thing is that my middle name is Emperatriz 😅😅😅😅😅so I won’t forget your advice! Thank you 😊 ❤❤❤❤❤
1:28 Sit back like an Emperor on your throne, overseeing your whole empire! Excellent!! Great advice!!,😊😊😊😊❤❤❤❤
🤴👸💪
Another brilliant, educational video. Thank you so much! 🙏
My piano teacher told me yesterday during my piano course that I don't play loud enough! I have this bad vision that when a part of a piece needs to be played Piano I have to sound softer...lol! But it's a bad vision that I have to change in my mind. I will because I will work on that and I will change my mind about that wrong thinking. Thank you for this video, it will help me to understand even more this technic.
Valuable free tips that you wouldn't get with an expensive teacher. Thank you for this help bro.
Have you ever used any of these secrets? ⬇⬇
Hi, Manuel. I asked my piano professor if I can learn this piece this spring instead of Albeniz's El Puerto. She's agreeable. I'm not able to download the Learning Guide. All kinds of red flags come up--security risks, malware, etc. Is there another PDF link for this?
That's odd... can you reply to the confirmation email, please? I'll take care of that immediately.
#1 keep hands closed #2 play near the edges #3 breathe slowly From comments: #4 keep fingers close to keys #5 practice very slowly until passages gets into your brain #6 memorize your music so you don't need to look at it #7 memorize blocks of music instead of each note Etc
Oh man I love those kind of weirdly but very carefully complicated ideas, I don't think I've heard it before (at least not in a very conscious way). Loved how you delicately added in the "ingredients" one at a time 👨🍳👌I will most likely never be able to play such a piece with that level of finesse. But that will never affect my love for practicing this beautiful instrument (nor my addiction for hot peppers 🤤🌶)
I think I had an epileptic seizure listening to the Rach 3 cadenza….
One of the best finales written in piano history, superb artistry!
Fabulous . Extremely informative and very beautifully demonstrated. I was ready imoressed by the breathing "secret". I will be using all 3 "secrets". Thank you Maestro
I absolutely LOVE playing Bach... but there are definitely super frustrating/hard pieces! (Part of why I love Bach is that I have small hands, and most of the time I can actually play his notes. Plus I really connect with his music both intellectually and emotionally. Of course, the Chopin Ballades are also amazing, but... my small hands don't always have fun.)
Manuel I just Bought this we your guide , very useful! But I have HUGE doubt about beats 5 ( 9 same) : you always suggest the same fingering scheme for botta beats: before struggling hard: NEVER a 4 finger? always same repeated scheme ? That s bcs i find different scheme on other edition and i want to be assolutamente sure that is the best solution..thanks
Grazie per il tuo acquisto! ❤️ I would use always 521 to keep the hand closed and compact, it helps articulate better. I don't like 421, not even for F#, because it forces your hand to open up too much. Closed hand = fast fingers 💪😁
Thanks! I'll go for 521! In fact being " legato" is not impossible though hard ...
Something I've always wondered: What does it feel like to play two voices at once, as in a lot of Bach's music? When practicing just one hand I find it somewhat easy to flow along with the melody because I can hear it internally with ease and my fingers just follow suit - but with two voices that's much harder. When you're playing two voices so fluidly are you hearing both voices consciously? At the same time? Only one or the other? Is it purely muscle memory?
I'll add this to the list! I've been working on the 2 part inventions for what feels like years at this point but I still don't feel like it's clicked into place yet for me. Maybe this will do the trick!
The score behind him, looks like Scarbo.
You have an AMAZING eye 😄
Well in my opinion this is sometimes true and sometimes isnt. For me I started with chopin's nocturne, then went down to a waltz, then learned la campanella, liszts liebestraum, listzs etudes(also transcendentals) and more. Most of these were just by watching rousseau, kassia, and basically any other famous piano youtubers, and I was able to learn the correct techniques by myself. I did get a beginner level piano lecture when i was super young but I forgot most about it. Basically, if youre a semi beginner who just knows only the basics, go for it. If youre a true beginner who have never touched a piano, learn the basics and follow what this guy said. My say, is that experience is KEY. Play it everyday, at least 30 minutes, and finish one song. Even if the road is bumpy, the end product gives you that sense of euphoria. And to avoid injuries, when you see new techniques, don't try to immediately focus on that. Give it time. Try to slowly understand what it does and incorporate it into your song that youre playing.
guys, as a self taught who played 4/5 of the pieces, i suggest sticking to simpler classical pieces like fur elise and Turkish march, pop songs or simple jazz
Excellent teaching and advice! As a veteran teacher, I am always looking for new ways to present valid techniques and strategies, and you do not disappoint! I like the Michaelangelo concept. For myself, I'm currently revisiting the Bach e minor Toccata, BWV 914, and I appreciate the reminder about eighths and sixteenths. I am so glad you're accessible to us all!!! Thank you!
I don't say that this invalidates your method of teaching this piece, but I notice that you (or whoever) play(s) the slurred eighth notes with staccato rather than legato. (Actually, I see that, at 0:28, these notes are slurred in the score, though played staccato and that at 11:15, the same notes are staccato in the score as well as in the performance. Bach's scores are of course often subjected to editorial speculation in this regard, as he often does not make his intentions clear.
Great question, I was waiting for it! The slurs don't appear in the manuscript, but I chose the Barenreiter edition (which has them) for my screenshots because it's the cleanest-looking. The same with the Harpsichord Concerto example - I took a small licence and used that one because of the amazing sound quality, but the E-D notes in bar 1 beat 2 are actually played legato (ornament on the E). In both cases it's an appoggiatura. I couldn't find any documentation on Baroque music performance that advises to play appoggiaturas legato, it's probably an unwritten rule, but I think it sounds quite good and creates homogeneity to play a consistent articulation. I do recognize I may be wrong, though. About minute 11.15 - Those notes will always be staccato on my hands (unless I discover it's a "mistake"). There is actually more to it, I like to play the first one just a hair longer and louder than the second (without being legato), but I left that out of this video for the sake of simplicity. In that case, it's not Barenreiter but a screenshot of my Learning Guide. Here's the manuscript. s9.imslp.org/files/imglnks/usimg/b/bd/IMSLP81783-PMLP05948-BWV_860.pdf (Interesting to see the top staff written in a clef with C on the first line!)
@@manuelcasarespiano Thanks! Great answer!
Manuel just found your channel and I'm glad I did. Really enjoyed this video. I love Bach but as you say I never liked playing his pieces when I had a teacher many years ago because unfortunately it is true, I like most humans wanted instant gratification, response and reward. Now that I am much older and long without a teacher, I am really wanting to get back to my Classical roots and am ready to tackle this great composer - thankfully with age, not wisdom appears but hubris and kudo rapidly dissipate lol! I shall be getting this copy as soon as I can. Can't wait to watch your other videos.
Excellent teaching Manuel. I hope your channel becomes very successful as your thoughts on teaching piano are brilliant.
Eccellente y super useful!! Bravo! Que viva siempre Espana y Italia
You provide some good tips here, but I think your fast tempo makes the piece sound silly or superficial.
How so?
@@marietteestabrook4098 Tempi were slower in Bach's time, so there's no need to hurry.
Rachmaninov ...... Rachmaninov ...... Rachmaninov ...... Rachmaninov ...... Rachmaninov ...... When did people stop regarding Radchmaninov as a 10th rate composer who should have stuck to playing?
Totally bad ass ! Thank you so much !
Should this piece be played fast? I hear that F1 racing piano is a 19th century development and may not have been the intent of Beethoven or Chopin.
Loved this!!! I'm 2 years into piano and have just bought The Well Tempered Clavier and started with Prelude in c Major. Now I know which one to go to next. New subscriber now. Thanks.
0:45 OK no offense, I am enjoying your videos Manuel, but right here when you're telling self-taught or beginner pianists that polyrhythms need to be on point, you show yourself playing the 3 against 4 slowly with uneven triplets!
Tremendous!
❤🧡💛💚💙💜
3 pillars?? You forget dynamics! And by the way, this is all old hat for jazz musicians.
Those repeated 16th-notes of the right hand in measures 13-16 are very hard to play evenly😢
Come to Discord if you need a hand! discord.gg/KEG9Wt6GwW
👌👍
2:18 lost tambourine right there
Looking forward to checking out the learning guide!
Manuel - I tried to place this message as a comment to your video with the life hack about temporary fix of “tuning” piano with toilet paper! It did work for me when I noticed on of keys on my Yamaha U3 is making long “meow” aftertone.)) Your life hack worked like a champ, so I could finish learning something I was working on before I could secure appointment with professional! Thank you for sharing it, Manuel! 🙏🙏🙏
You are an excellent teacher.
Nice tutorial! 7:00 why hating forearm rotation though? This movement is part of an exercise, it isn't really used like that in real playing, and if you know some ideas of Taubman approach then you'll see that correct forearm rotation helps with the problem discussed on 6:15, it helps to support the finger with the arm weight (when you do the forearm rotation correctly, but then you can say that whatever piano school you use to study piano technique, you have to apply the movements of that school correctly)
I used to play Bach on the piano. Fortunately I now have a harpsichord and the piano is gone. It would be nice if Mr Casares would not stop being smug and dismissive about the simple reality that many people DO have harpsichords and consequently play Bach on the harpsichord.
When the music teacher is tittering out the song you think why is this guy teaching music 😅
I'm struck by what a beautiful passage this is, and how usefully it illustrates these crucial and foundational concepts of what beauty in music actually means. I've strangely spent my life loving music but feeling afraid to try playing piano, maybe because notation frustrates my ADHD brain whereas I can learn popular guitar music by ear almost effortlessly. But ever since I saw the film "Seymour: An Introduction" I've been drawn into Piano TH-cam and your videos seem uniquely helpful. This is great stuff.