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Sourceless Waters: The Whip & The Knife (Busan Biennale 2024)
Sourceless Waters: The Whip & The Knife (2024), Nguyễn Phương Linh & Trương Quế Chi; whip, knife, fabric, wooden platform, motors, lighting & curtain system, dimension variable.
Comissioned work for Busan Biennale 2024
Curators: Veray Mey & Philippe Pirotte
Special thanks to: Nguyễn Mạnh Đức, Đỗ Thanh Lãng, Nguyễn Hoàng Thiên Ngân, Phạm Nhật Chinh, The Ambino Company.
Technical team: Dương Văn Tuân, Nguyễn Tất Đạt, Đàm Quang Huy & Vũ Hồng Nĩnh.
[Busan Museum of Contemporary Art 2F]
Sourceless Waters: The Whip & The Knife (2024) is an installation made in collaboration. In Nguyễn Phương Linh’s The Whip the mechanical arm lashes with the slow inevitable continuity of inhalation and exhalation. The shadow created by the whip falling onto the fabric heightens the tension and drama of this kinetic installation. At the whip’s height the light in the space is at its brightest, gradually returning to darkness as it descends. Situated under a constant, intense white light a clinical atmosphere is suggested. In Trương Quế Chi's The Knife, a hand-forged knife free-falls onto a wooden counter made from the beams of an old architectural style house in Northern Vietnam, before being retracted to the ceiling. These two works may be entered separately, but share space divided by a light-blocking curtain, which periodically closes during this sequence of motion. The Whip and The Knife move in mirroring tandem through a shared rhythm. The leather whip is soft and soaring; while the knife tip is hard, pointed and plummets. Both operate on automated mechanisms exerting gravitational and centrifugal forces on surfaces using materials contrasting in forms and pliancy. Constant repetition of The Whip's and The Knife's movements in an almost unchanging environment, together with the minuscule, barely noticeable impacts of such movements, invite contemplations on violence as well as resilience, collision and circulation, weight and weightlessness, birth and decay. Each work has its own space which is then conjoined in a flood of red light. This recurring interconnectedness brings to mind the circulatory constriction and dilation of the organs in the body.
มุมมอง: 3

วีดีโอ

Sourceless Waters: The Whip & The Knife
มุมมอง 512 ชั่วโมงที่ผ่านมา
Sourceless Waters: The Whip & The Knife (2024), Nguyễn Phương Linh & Trương Quế Chi; whip, knife, fabric, wooden platform, motors, lighting & curtain system, dimension variable. Comissioned work for Busan Biennale 2024 Curators: Veray Mey & Philippe Pirotte Special thanks to: Nguyễn Mạnh Đức, Đỗ Thanh Lãng, Nguyễn Hoàng Thiên Ngân, Phạm Nhật Chinh, The Ambino Company. Technical team: Dương Văn ...
Thư 0. Nyon. Lac Léman. 06. 2022
มุมมอง 792 ปีที่แล้ว
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มุมมอง 1543 ปีที่แล้ว
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Life And Its Double (excerpt)
มุมมอง 1173 ปีที่แล้ว
Three middle-aged men are drinking. They speak not a word. A young woman approaches. She pours some wine, for them, then for herself. She raises her glass: “Let’s drink until we die!” A young man, fishing. Two women measuring their legs. A living plant. Laundry being aired. A karaoke song. The map of an industrial warehouse. Two people walking. Just like that, just like that. Laying down. Body ...
EYES WITHOUT A FACE - An exhibition by Nguyễn Phương Linh & Trương Quế Chi
มุมมอง 963 ปีที่แล้ว
EYES WITHOUT A FACE An exhibition by Nguyễn Phương Linh & Trương Quế Chi with Đạt Nguyễn, Hiroyuki Hattori & Hiroyuki Ura 12 March - 20 April 2021 LOCATIONS Manzi Exhibition Space, 02 ngõ Hàng Bún The Japan Foundation Center for Cultural Exchange in Vietnam, 27 Quang Trung // NHỮNG MẮT KHÔNG MẶT một triển lãm của Nguyễn Phương Linh và Trương Quế Chi, cùng Đạt Nguyễn, Hiroyuki Hattori & Hiroyuki...
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มุมมอง 9729 ปีที่แล้ว
After making “Here…or There?” (2010), and “Homostratus” (2013) with the third feature fiction film “ON THE ENDLESS ROAD” in 2015, Siu Pham and Jean-Luc Mello once again hit the road with their ageless passion for a cinematic journey to the death in searching for the paradise of youth on the highlands of northern Vietnam.
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มุมมอง 3810 ปีที่แล้ว
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ความคิดเห็น

  • @hung6776
    @hung6776 10 ปีที่แล้ว

    triển lãm của em à? ở đâu thế?