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Thanks very much for watching! Really glad you enjoyed it!

Thanks very much for watching! Glad you like it.

Really glad you like it! Thanks for watching!

@@vermonagear Thank you! The PerFourMer is such a beauty!

@@JayHosking Thanks, Jay! She’s doing much better now so all good. Really appreciate you listening and sending positive vibes.

Thanks so much for listening (and for the kind words)!

Thanks very much, Jay!

Hey my friend! Thanks very much for watching! Really glad you liked it. Hope you're keeping really well.

Thanks for watching! Yeah, I’d be interested to know how they achieved the tweak to bass presence. As you say, it definitely could be some EQ or saturation or something, rather than a change to the oscillators themselves (which sound identical to my ears at higher frequencies). And I agree it’s generally hard to make deep bass tones with the A4. I find that I get the best results setting the second filter in high pass mode with a good bit of resonance and cutoff somewhere around the 80-200hz range.

Haha. Totally! It’s uncomfortably crammed up against the power supply. 😬

Thanks so much!

I do miss the smaller overall size of the MK1s. It would’ve been nice to keep everything uniform across the range. But I actually really like the slightly angled interface of the MK2s. Makes it easier to use them sitting down.

Sounds like the filter was just a little more open at the start of an envelope.

Thanks very much!

Thanks very much for watching! Yeah, the Swarm and DFAM pair really nicely - sort of a limited/very techno-focused sound palette, but super fun nonetheless.

Oh, that’s a shame! I didn’t know they were discontinued. Yeah, I would definitely recommend looking for second-hand unit, particularly if you’re into hard(ish) techno. It’s a super fun and engaging module. I can easily just jam on it for an hour without getting bored. Thanks for watching!

@@medardfischer hopefully one day I’ll find one! They look super fun!

Thanks very much for watching! Glad you liked it!

​@@medardfischer just out of virtuosity, have you run into issues using the M32 assignable output into the TR-06 trigger in? My M32 sends out a pulse 4 times faster than the sequencers tempo for some reason. Even if the assignable output is set to clock divide /4.

@@MrHihowryou Hi there - Thanks for watching! I've not noticed that, actually, but come to think of it, I'm not sure I've ever used the M32 to send clock to anything other than other Moog semi-modular units. I typically do the reverse, using other stuff (in this case the TR-06) to trigger the Moog units. I'll have to give it a try and see if I experience the same issue.

Yes. The SH-01A has a trigger input that advances the sequence by a step and sets the clock for the arp. The TR-06 has five trigger outs (BD, SD, LT, HT, AC) so you can use any of those to advance the SH-01A sequence/clock. Can result in some very interesting syncopation.

Thanks so much! I'm really glad you like it. And yup, it's here: medardfischer.bandcamp.com/music Thanks again!

That’s a big compliment! Thanks very much. Really glad you like it!

Thanks so much! Yeah, it was a super beautiful day. Very inspiring!

Place called Crackenback in the Snowy Mountains in Aus. We rent a place there for a week or two every winter.

@@medardfischer Pronounced "crickinbick".

Yep, they're both terrific. Super capable machines!

@@medardfischer yeap tho my heart beats jomox. If ya want your sound to sound like a modular and crazy. Elektron is the way. Very deep machines forget manuals theres no way out ahaha. I love elektron up until mk2 silver. After they become bit generic. More computerized froendly, and tard Cheaprized:p hope they bounce back to their monomachine philosophy roots someday

how do you like your alphabase :) @@raven-jz6cv

Thanks very much! Really glad you like it!

I had both and the mk1 sounds rougher, rawer. You can describe it poorly and if you compare the individual parts such as the oscilator etc., it is not noticeable. I never liked sound samples from the mk2, but almost all of them from the mk1.

Interesting! I didn’t notice that difference, but to be fair I wasn’t really looking for punchiness (eg, for percussion) so definitely could be the case.

Thanks so much!

Thanks so much! Really glad you liked it!

Thanks very much!

Glad it was useful! Thanks for watching. Yes, I noticed that as well, although the difference is pretty slight. The real differences for me are in the form factor/ergonomics, and of course the overdrive.

It is the same.

Thanks very much for watching, and for the kind words! I'm really glad you like it!

Feel free to come for one of my rides: th-cam.com/video/mL2_EFADwDE/w-d-xo.html

Thanks so much for watching, and for the kind words! I’m really glad you enjoyed it.

Thanks very much for watching! It was a fun setup for sure. I really love the Reface CP so was happy to find a way to use it in a live setting. And I was just thinking today how much I enjoy the TD-3. I need to spend some more time with that one!

Thanks so much! Really glad you liked it (both times)!

Thanks so much! Really glad you like it. Yeah, I must admit that when the boutiques were first announced I was a bit hesitant on them, but I’ve come to really love them (particularly these three). The fact that each of them includes an onboard sequencer and the generous number of trigger outs on the TR-06 makes it super fun to jam with them like this. What I really want now is a boutique style multi effects unit with a few independent channels of input/output (like a mini patchbay). That would basically complete the set for me.

Thanks so much for listening/watching, and for the kind words! I really appreciate your support.

Thanks so much for watching and for the kind words! Hope a PerFourMer will find its way to your studio soon! Or even better - maybe they’re preparing for a MKIII. 🤞🤞

Thanks so much!

Thanks very much for watching! Yep, I completely agree that this demo shows just how good the MKI holds up against the MKII. The biggest improvement for me was actually the ergonomics and the connectivity. In my view, if folks are happy with the feel of the MKI and wouldn’t frequently make use of the individual outputs or separated CV outs, there’s really not much reason to upgrade given the price differentials.

So since there's no seperate outputs there's no way of running a side chain from one voice to another? e.g. One voice is a kick drum and another is a synth, you can't duck the synth every time the kick hits with the MK1?

@@TapepusherYou don’t necessarily need to duck a sound with a kick triggering a device. You can do the same thing with a simple lfo which the A4 has 2 per voice.

Thanks for watching! Yep, you are correct. I tried to show both sides of the circuit in the comparison. It’s nice that they included the original circuit in the MKII. It has a very unique sound (if a bit unconventional for an overdrive).

@@medardfischer yeah anyway nice presentation, they are both great machines every one with some prons and cons .. ok, more pros than cons to be honest 🤣

Thanks very much! Glad you liked it!

Thanks very much for watching (and the kind words)! Yeah, the Perfourmer has a beautiful character for sure. One of my definite favs.