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FOR HOLY NAME SHALL ALWAYS BE
United States
เข้าร่วมเมื่อ 9 พ.ค. 2024
FOR HOLY NAME SHALL ALWAYS BE is the tag line at the end of the Cadets corps song. The phrase itself, "For Holy Name Shall Always Be," was a pledge by the younger kids in the Holy Name Cadets in 1941 to their older brothers, family members and friends who were drafted into the second world war, to symbolize that the corps would still be around upon their return. That phrase is just as important now than ever before with the corps dissolving in 2024. It is now up to the Cadets alumni, volunteers, staff and supporters to ensure the corps' history, legacy and stories are preserved for future posterity.
The Garfield Cadets Three-peat: Part 3: 1985 DCI World Champions - Official Trailer
Join this panel of alumni and staff from the 1985 Garfield Cadets as they share stories from their third consecutive DCI Word Championship title.
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The Garfield Cadets Three-peat: Part 2 1984 DCI World Champions
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Experience the 1984 DCI World Champion Garfield Cadets season as alumni discuss and share their memories from 40 years ago. Hosted by Eric Deki, and joined by panelists from the percussion, guard, and staff - these alumni composed of several Cadets Hall of Fame members and DCI Hall of Fame honorees reminisce about arguably the greatest performance in drum corps history. From bus breakdowns, to ...
The Garfield Cadets Three-peat: Michael Klesch spotlighting Barbara Maroney Teaser
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Very few soloists have left a lasting impression on a DCI performance. Garfield Cadets Mellophone soloist, Barbara Maroney (1981 - 1984) begins the 1984 West Side Story program with a solo from "Maria," coupled with an additional solo later in the show that ends with a mesmerizing graceful high note from "I have a love." The show overall is arguably the greatest show in drum corps history, but ...
The Garfield Cadets Three-peat: Part 2: 1984 DCI World Champions - Official Trailer
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Join this panel of alumni and staff from the 1984 Garfield Cadets as they share stories from arguably the greatest show in Drum Corps history.
The Garfield Cadets Three-peat: Part 1 1983 DCI World Champions
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Experience the 1983 DCI World Champion Garfield Cadets season as 13 alumni discuss and share their memories from over 40 years ago. Hosted by Eric Deki, and joined by panelists from the percussion, guard, and staff - these alumni composed of several Cadets Hall of Fame members and DCI Hall of Fame honorees reminisce about the years leading up to 1983 (including the Garfield Cadets Plebes and ki...
The Garfield Cadets Three-peat: Official Trailer
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Throughout the 1970s and early 80s, no east coast Drum Corps had won the DCI World Championship title, until the 1983 Garfield Cadets. That win began a run of three consecutive championship titles in a row. Learn more about their run of success through stories as told by Cadets alumni and staff during the three-peat years.
So happy to hear the Whitewater story from Tom. I was a rookie in SCV and I’d never seen Cadets before so I ran inside to watch. The fall happened right in front of me. I was so green to everything I was just flabbergasted. We heard there were broken ankles. Thankful to know there weren’t. Garfield 84 is the greatest show in DCI history and I will die on that hill!!
In 1985, I was on the road as a musician. However, on a Sunday, I took a very long drive with another member of the band, and we went to a contest. I believe the night before, the Cadets had lost to Madison, who was very good that year. At this contest, Madison was strong, blew the place apart, and handily won the show. When the Cadets performed, Gene (the band member) who was not a "drum corps person", turned to me and said, "the demand of that show was outrageous". Considering the demand, they were performing pretty well, though execution was still "hit or miss" at that point, and there was much to work on. I paused and turned to Gene..."It's a great show.........but they'll never pull it off". I was wrong. Also that season, nobody totally dominated....4 corps had a shot (BD, SCV, Madison, Cadets....all 4 were within 6 tenths at semifinals), Scores were "jumpy", but I think judges were pretty open-minded that season. We were actually gigging that night, but the band leader was kind enough to stagger our breaks so that I could see the Cadets performance in my hotel room, and I also got to see the announcement of the scores. The Cadets laid out a job that night, the show was wonderful, and the rest is history......
These are great. When is part 3?
Thank you for your feedback. Part 3 will be released within the next few weeks (early-mid November).
A little drum score analysis from 1983. Total drums (Field Percussion plus GE Percussion) 1st BD: 28.5, 2nd Phantom: 27.4, 3rd-tie Cadets 27.3, 3rd-tie Vanguard 27.3, 5th Bombers: 25.7, 6th Spirit 25.5, 7th Cadets were 4th in execution, 5th in exposure, 1st in excellence, and 1st in GE. It was an honor to be part of that percussion staff. I disagree that they were "not very good". Thom's parts were excellent, the drill was nuts, and the musicianship and effect were off the charts. More importantly, we reset the bar as to what a percussion section could achieve both musically and visually. They were very good and I was so proud for every one of them, as I am for every Cadet who ever wore the uniform.
"I'm not telling them anything, they are Cadets and they will do what they are supposed to do" - thank you Rich.
I love that quote, too!
@TomSmith - I think that I was the third of fourth person in the chain and that I'm the one that you fell over, because I remember one more person falling after me and then seeing Rich jump over that person to break the chain. I also remember that you landed on the bell of someone's horn because your were in pain after we got off the field.
I became a Garfield ADDICT in 1984 and have never swayed. Thank you for these behind the scenes commentaries. ❤
Thank you so much for the history of the Garfield Cadets I was fortunate to compete against them in 1960 and 1961, Garfield was one of the greatest drum and bugle Corps in the history of the activity it's unfortunate but I believe in my opinion DCI is can't responsible for the demise of what was one of the greatest activities in North America. They priced themselves out of business
I played, snare drum, with the Floyd Bennett golden eagles in 1960 and 1961. We were invited to the Garfield Invitational competition, it was our second contest appearance and we came in second to last beating St Lucy's Cadets. It was an honor just to be invited over many other choices they had our brass quartet that very same year prior to the start of the Season beat the, St Kevin's Emerald Knights brass quartet who just won the National Championship we beat them by 10 with our brass quartet . Just a little background information. It was an honor for me to compete against the Garfield Cadets, in 1960 and 1961, we also competed against the golden knights, Saint Kevin's and many other top known and drum and bugle Corps in the country at that time the best we did was, fourth place, have Point behind Garfield, first place I believe with the golden knights we were two and a half points behind them, and St Kevin's came in second behind us five points was Saint Rocco's Cadets, from Brooklyn. I had to leave the golden eagles due to work right hand and arm injury at the end of the 1961 season. However in, in 1964 I joined a Long Island sunrises from 64 through 1968. I had to play symbols, we where will recognized in the activity, as a photograph of us in volume two of the drum corps world history book, in the sunrise section. Moe Knox, came up with the nickname, dynamic duo, we would imitated but never duplicated comment for at least 5 years of the course try to emulate what we did. In 1968 we won the state and National championship, and we also led the Macy Day Parade in 1968, and we were right after our Color Guard we were in front of, our Drum Corps. It was a great honor to have all that recognition ❤❤❤❤❤❤❤
How lucky was I to be part of something so special and amazing - These three years set up the two I was part of 89-90
During my season, I begged and borrowed Discmans to listen to Garfield '84 on the bus. The control and sensitivity of the hornline was indeed amazing, but when they let loose, what a full-throated roar! Though I've only experienced it digitally, it has an immediacy that leaps through the medium and makes it viscerally present even listening forty years later. Thanks to all of you!
Thanks for doing this! I marched with you in 1989-1990 and aged out in 1991.
Thanks Jeff! I remember you, crazy we marched together 35 years ago! Where has the time gone, hope you are doing well!
Wow, incredible stories and documentation. Thanks Eric for putting this together and thank you to all of the people who ever contributed to the legacy of The Cadets!
Thanks Chase! Your comment means a lot to me! This has been a labor of love project for nearly the past year!
Barb was my first boss when I started teaching drum corps. Mr. Klesch is so right about the quality of human she is. I haven't seen seen her in a long, long, long time. I never have had the chance to properly thank her for giving me a shot and giving me as much responsibility as she did when I was still a young, unproven instructor. Knowing she had faith in me was all the motivation I needed back then. I hope our paths cross again someday. Thank you, Barb!
Love this comment! I was fortunate to have her as my horn line instructor with the Cadets in 1989, but as a rookie back then, it was sink or swim and I was drowning half the time - I was surviving day-to-day in fear of being cut so in hindsight, I didn't realize or take the time to soak in her great instruction, except her yelling at me in horn arc every day in regards to my posture, "Eric Deki, 15-45" .... lol. Agree with you, I hope our paths cross again someday, she was/is immensely gifted!
Thanks Eric for getting everyone together to recount their memories, 1984 was an exciting summer for the audience to experience The Garfield Cadets!
Thanks Nicole! 1984 Garfield was the year that got me hooked into the activity so it was a pleasure and honor of mine to conduct this interview.
YOU HAVE MY RING!! Heh...those of you from the corps who know me fully expected that.
anytime 1984 dci is mentioned, you are summoned
@@colinkelly1535 Heh....there was a facebook post about this show a while back that I hadn't seen because I was working....someone -- might've been Eric Sabach -- asked "Where's Sam?"
Hi Eric. Great show.
Kinda hope the beef stroganoff story is in this ep!
When are we going to be able to see Episodes 2 & 3?
Very soon, Part 2 will be available within the next 2 weeks. Part 3 later this Fall. Hope you’re enjoying the series so far!
In my heart, the very best. Love - always.
The Garfield Cadets forever changed my life. My years in the corps were filled with memories that will be with me to the last breath I take. When I watch drum corps, I mostly watch the Golden Years as my love of traditional drill and uniforms thrill me the most from that era. Garfield 1987 will always live in my heart as signature "Cadets." I dreamed of being a Garfield Cadet but knew it was just a crazy dream like being an astronaut. Then in 1988 my dream came true. Meeting George Zingali face to face was... priceless! Some stories can't be told, but they make me smile and make me laugh. George was the closest thing to Mozart I have ever known. Every year now, I miss my summer gym floor family. I hope to see many of you in heaven some day soon.
Thanks for sharing! I too miss my summer gym floor family. It's funny you mention about "some stories can't be told" ... I completely get it, a lot of additional stories were told in this discussion, but had to be left on the cutting room floor, lol .... too controversial in today's world.
As someone who was the right age to march during this era (desperately wanted to…never got the chance), videos like these are a bittersweet reminder of everything I missed. It’s nice to hear all the background stories of those shows that I found so awe-inspiring.
Thanks for your comment. Your feedback is the precise reason why I launched and created this series - to help remind Cadets alumni/Drum Corps community and share stories before they're long forgotten to the past.
Rick...didn't you almost march 84 BD anyway?? We could've marched together! Kathy...BD didn't worry about that, re the height duff...Preston Howard (La Fiesta Frenchie solo) is over 6 ft and was usually next to Lisa Glaeser, who was around 5' 3"!
RIP Cadets
I marched in the Blue Devils (81-85) and really enjoyed your 82 show (and the following years). This was a fantastic video to sit through. Great job putting it together and fun perspectives to see. At that time, regardless of the corps, we all had our struggles. But we all learned to work through the challenges and do the best we could. All of your experiences, we could say the same thing in the Blue Devils. Except, I'll throw out, our drumline had some serious drummers. But we had folks in the hornline who had to be told which button to push (not many, but we had them).
Regarding the Whitewater incident and the Blue Devils. That did happen. It was so out of character for us. From our side --- what happened was (not making any excuses). Our horn line is warming up. Garfield comes walking by to go on to prelims and one of our staff members says "go let them know you're here". That was it. We had never done that before, or after, during my tenure with the Blue Devils. It was tacky, uncalled for, and should have never happened. Now -- having said that. Our staff knew what Garfield was doing was special. So much so that the Blue Devils changed tour such that we went to Rockford to watch Garfield perform in Phantom's home show. During my 5 years in the Blue Devils, that was the only time we ever went to a show as a spectator. And it was awesome to see as a spectator!!! We got to see Garfield, Bridgemen, Phantom, Spirit, and other corps. We had seats, didn't have to sneak in, didn't have people saying "that's my seat". We all had a great time enjoying drum corps at its finest and not competing. And Garfield was great to see!!
Hi all. Thanks for taking me down Memory Lane. I just wanted to add some extra thoughts on some of the topics discussed. The "Death Camp" between first and second tour was at Tallman State Park in Rockland Co. and near the Dominican Center where most of the "Out of Town" kids stayed. Why we were late to Key to the Sea: In 82 we performed at the US Open in Marion, OH which was held in a Baseball stadium. The staff pulled the tarp over the infield before we performed and the owner of the stadium was not very pleased with us. In 83 the US Open Prelims was in a different stadium than the baseball stadium for finals which we were banned from. To make up the prize money we were losing Hoppi decided to have us go up to Key to the Sea show. The equipment truck ran out of gas and I remember that only Tony Rickie had his horn. Most of the fans had already left and only Spirit and a few others were actually in the stadium for Prelims. After finals that night after leaving the field we marched over to Spirits busses and played our show for them. A few shows later we got to play "Georgia on my mind" together with Spirits hornline. Thanks again for the memories. FHNSAB. Bob Mayer Euphonium 82 - 83.
Wow! What a wonderful behind-the-scenes look at the 1983 Cadets! I’ve been a Cadets “Super Fan“ since 1982 and had the privilege of volunteering at the office after the move to Erie. Being around so much rich drum corps history and volunteering for the corps I’ve loved since high school is something that I will always cherish.
I would love to see some of the younger alumni that are still marching included in the series!
So sorry I missed the Zoom! Can't wait to see the entire presentation.
Phenomenal Eric! Can’t wait to see the whole episode. Thank you for producing this labor of love FHNSAB ♥️💛🤍
Just a few weeks ago, I went into an old briefcase looking for something specific. However, in the back pocket were 2 cassette tapes from judges circa 1981 (I know some of you are saying....this is about 1983-85....but give me a second). I played them for kicks on the stereo. When the second one finished, I was in the other room for awhile (I forgot to go back and hit stop), suddenly I hear music.....a recording that I forgot that I had made.......it was at rehearsal from I believe in January of 1982. We (the pit) had just started working on Rocky Point Holiday, and I wanted to see if some things were going to work.....we learned close to half of it, but it was a total mess, even at a tempo quite slow....lol.....and I did change some things..........but even then, I could tell that it was going to work........we didn't even have "the instruments" yet.....I "borrowed" a few from the band room from the school we were rehearsing at, as well as some concert timpani......they had 3 fairly bad pedal timpani, and then poor Michael had 2 marching crank timpani of ours to try to get through things. That "Rocky Point Song" worked out pretty well, though....so much so that we did it again....and I only added a few additional things to match the brass changes in 1983. The first time I saw the Z pull from the top of the truck at Mahwah, I almost fell off of it. Quick forward to 1984, I was a consultant, but pretty much did nothing. I show up In Georgia, watch a run-through, and some of the percussion staff comes up to me and asks, "what do you think.....any suggestions?" My reply was, "I've got nothin'.....it's wonderful.....it's perfect"............In 1985, I was on the road as a musician, and no longer involved. I did get to a Sunday show at mid-season.....I said to the drummer of my band, "it's a great show..........but they'll never pull it off"............I WAS WRONG!!!
FHNSAB❤
For Holy Name Shall Always Be.........if not on the field, ALWAYS in our hearts......A L W A Y S ❤🥁🎵🥁🎶