kramrederts
kramrederts
  • 8
  • 34 803
Sarah Palin Preaches Truth in Iowa
Another video montage of Sarah Palin at her September speech in Iowa with original music by Mark Streder and vocals by Rachel Peterson.
มุมมอง: 150

วีดีโอ

Sarah Palin Montage - Indianola, Iowa, September 3, 2011Sarah Palin Montage - Indianola, Iowa, September 3, 2011
Sarah Palin Montage - Indianola, Iowa, September 3, 2011
มุมมอง 24013 ปีที่แล้ว
A montage of video clips from the Sarah Palin speech on September 11, 2011 in Indianola, Iowa. Original music written and performed by Mark Streder, vocals by Rachel Peterson.
Real Men Move Pianos in TrafficReal Men Move Pianos in Traffic
Real Men Move Pianos in Traffic
มุมมอง 15215 ปีที่แล้ว
An old, beat up piano at school was to be put out to pasture, but these brave, sturdy Elmhurst College students decided to take it off our hands by rolling it down sidewalks and city streets six blocks away to their rented house.
Music Theory Class 1999Music Theory Class 1999
Music Theory Class 1999
มุมมอง 22315 ปีที่แล้ว
A delightful rendition of an old favorite performed by the freshman class of 1999.
We All Make Our Choices - Theory Class 2008We All Make Our Choices - Theory Class 2008
We All Make Our Choices - Theory Class 2008
มุมมอง 9316 ปีที่แล้ว
We All Make Our Choices - Music Theory Class 2008. Music by Jon Filkins, words by class committee.
Morris Jennings Discusses Muddy Waters Electric MudMorris Jennings Discusses Muddy Waters Electric Mud
Morris Jennings Discusses Muddy Waters Electric Mud
มุมมอง 9K17 ปีที่แล้ว
Drummer Morris Jennings discusses Muddy Waters Electric Mud with Ethnocologist Jeff Thomas.
Morris Jennings discusses Buddy RichMorris Jennings discusses Buddy Rich
Morris Jennings discusses Buddy Rich
มุมมอง 25K17 ปีที่แล้ว
Drummer Morris Jennings talks about his encounter with Buddy Rich. Part of a documentary about the life of drummer Morris Jennings. Interviewed by ethnomusicologist Jeff Thomas October, 2006. Produced by Mark Streder.
Theory Class 2007 - Come OnTheory Class 2007 - Come On
Theory Class 2007 - Come On
มุมมอง 15317 ปีที่แล้ว
Theory Class 2007 - Come On Music and Lyrics by Erik

ความคิดเห็น

  • @michelkriek2382
    @michelkriek2382 11 หลายเดือนก่อน

    Fantastic drummer, great timing and versatility. Thanks, Morris, for your musical heritage - your talents and achievements are still being enjoyed all around the world. Peace, love & light. 🕊❤️🌟

  • @bruzrkgro-malog2953
    @bruzrkgro-malog2953 ปีที่แล้ว

    I'm deep diving both Muddy and Howlin's electric albums. I love them, but I wish there was more discussions like this out there. Great interview!

  • @JRM---516
    @JRM---516 2 ปีที่แล้ว

    Morris Jennings is a fantastic drummer, and has a groove 'second to none!'

  • @rjagain62
    @rjagain62 2 ปีที่แล้ว

    I worked at Franks at that time. Our ears were glued to the wall. A memorable moment.

  • @HankFinkle11
    @HankFinkle11 3 ปีที่แล้ว

    This seems like a realistic story. It’s sort of like teaching a tennis player how to play racquetball. Similar but totally different. Eddie Van Halen would have struggled with George Harrison guitar parts.

  • @mossmonaco9061
    @mossmonaco9061 4 ปีที่แล้ว

    Mo is a legend - heard him on so many tracks before putting his name to them.

  • @firstbornson5514
    @firstbornson5514 4 ปีที่แล้ว

    So this is the guy who showed Buddy Rich some "basic simple beats" I dare anyone to tell me that with a straight face....

  • @genebrohan2401
    @genebrohan2401 4 ปีที่แล้ว

    by the 1970s rolled around buddy had been playing big band jazz for 50 years hardcore I can see buddy being stuck in some old habits cant blame him for it listen to the roar of 74 albums funky as can be

  • @blankowvsingt
    @blankowvsingt 5 ปีที่แล้ว

    Richtiger dummschwätzer

  • @teddyrondinelli7047
    @teddyrondinelli7047 5 ปีที่แล้ว

    Not everyone can feel the same. A great rock guitar player to a jazz to a blues all can be great but because you're great doesn't mean you're great at everything but let's make no mistake Buddy Rich was and will forever far surpass any drummer of any style he was a Million TImes far advanced at what he did as to what any other drummer could do of any style. Pure magic that will never be duplicated ....LONG LIVE BUDDY RICH WORLDS GREATEST DRUMMER THEN NOW AND FOREVER.

    • @jordanposnik6663
      @jordanposnik6663 2 ปีที่แล้ว

      He certainly couldn’t play rock better than John Bonham, and he couldn’t play blues better than Odie Payne or Clifton James, and he definitely couldn’t play funk better than Morris Jennings or Clyde Stubblefield.

    • @ceetee21
      @ceetee21 4 วันที่ผ่านมา

      @@jordanposnik6663 FACTS!!!!

  • @arame29
    @arame29 5 ปีที่แล้ว

    Woodys drummer who taught was Ed Soph

  • @arame29
    @arame29 5 ปีที่แล้ว

    What is meant by fifty-five?

  • @maxim_hue6089
    @maxim_hue6089 5 ปีที่แล้ว

    Sounds plausible. But how could Buddy play that straight beat 6 years earlier and not do the same thing 6 years later th-cam.com/video/A1RQzS_uwtY/w-d-xo.html

  • @dylangatenby9928
    @dylangatenby9928 5 ปีที่แล้ว

    So, from what I'm hearing, Buddy took a lesson from Morris. Thats cool.

  • @maxim_hue6089
    @maxim_hue6089 5 ปีที่แล้ว

    Buddy eventually learned to play it though th-cam.com/video/cKscgA8BYP8/w-d-xo.html

  • @johnnorris7289
    @johnnorris7289 6 ปีที่แล้ว

    I have one of the albums he's talking about. The drum sound and the playing was so totally un-Buddy that it's embarrassing to listen to. I fully believe that someone else was playing in the foreground along with Buddy playing well in the background. Later in his life Buddy got much better at rock and funk playing, but this '70's era disco trash was truly out of his comfort zone.

  • @themilkyway8480
    @themilkyway8480 6 ปีที่แล้ว

    Buddy was puffed up man ,unlikable personality to stay with. A super fast drummer in his solo there is scarcity of musicality , but his technic was unique.

  • @arame29
    @arame29 6 ปีที่แล้ว

    I'm not sure Speak No Evil sold And Buddy was playing rock way b4 1976

  • @bigswingface5847
    @bigswingface5847 6 ปีที่แล้ว

    Lying sack 'o crap.

    • @DoumSound
      @DoumSound 5 ปีที่แล้ว

      I guess you have no idea who Morris was. Only the drummer for Muddy Waters' album Electric Mud, Howlin' Wolf electric album, and Curtis Mayfield Superfly, just to name a few. He was known as "the clock" because he was so solid. You can be a technically amazing drummer and still have a hard time with a simple pocket, which I guess was Rich's issue. I know amazing jazz guitarists that can't play a simple reggae skank. Plus, I knew Morris personally, he was one of the most humble honest souls I ever met. You should do more research before making idiotic comments. Peace

    • @bigswingface5847
      @bigswingface5847 5 ปีที่แล้ว

      @@DoumSound Buddy and I were friends. Were you? Nothing of the kind ever happened. I don't need to research it, I heard it from The Man himself. We talked about it a few times. Buddy hated that album, but that is another story. Buddy didn't have to get shown how to play anything. This whole story is total, 100% BS. So, I guess the idiotic comment here is yours.

  • @chriscurtis8344
    @chriscurtis8344 6 ปีที่แล้ว

    Buddy was bored . Simple a swing era guy gets bored.

  • @tempo954
    @tempo954 6 ปีที่แล้ว

    Take your hat and glasses off you bullshiter!!

  • @bcdrummer1962
    @bcdrummer1962 6 ปีที่แล้ว

    Man, I do not think Morris Jennings is bullshitting. Any great master would be open to learning a new style or way of playing. Notice that Mo is totally talking about getting Buddy to shift from a swing groove to a straight eight feel. That is exactly the kind of thing BR might want to have some discussion with a younger guy about. Now, if he was saying I taught Buddy to play a double paradiddle, you know that would be BS, but this story rings true and it should be a lesson to us all to be open to new sounds and grooves IMO.

  • @MikeJamesMedia
    @MikeJamesMedia 6 ปีที่แล้ว

    I know some of you think this is bullshit, but I for one, believe it's true. In 1976, I was doing well as a jazz drummer. (not bragging, just a big fish in my small local pond) When I went on the road, disco was becoming big, and I suddenly had to start playing those things. I found it totally disorienting, and had a very rough time with it for a while. Later, it became so easy I could do it my sleep, of course, but it wouldn't surprise me to learn that Buddy, or any other jazz-oriented drummer had a temporary problem doing it.

    • @fredmarcin2453
      @fredmarcin2453 6 ปีที่แล้ว

      Agreed, Mike! But just a short temporary problem.

    • @MikeJamesMedia
      @MikeJamesMedia 6 ปีที่แล้ว

      Right!

    • @genewilliams3532
      @genewilliams3532 5 ปีที่แล้ว

      Sorry, it strains credibility to the breaking point to suggest that one of the most accomplished drummers in history couldn't listen to a record and imitate it.

  • @finnlabel
    @finnlabel 6 ปีที่แล้ว

    😱

  • @kennybarnes2375
    @kennybarnes2375 6 ปีที่แล้ว

    It's one thing to be a fan of the great Buddy Rich, but Buddy wasn't the best drummer in the world when it came to all different styles and feels. Morris Jennings knows what he is talking about. Don't diss him just because you are a Buddy Rich fan.

    • @cloudview747
      @cloudview747 6 ปีที่แล้ว

      I am a huge Buddy Rich fan Kenny, but rest assured I agree with you 100% that Morris should not be dissed simply for that reason. Instead I will be objective by looking at one example to demonstrate that - to some extent at least - Morris is either remembering incorrectly or simply not telling the truth (about what took place prior to the Speak No Evil recording sessions in 1976). Starting at around 2:00 on this interview Morris discusses how Buddy was "not disciplined enough" to be able to keep the 8th notes on the hi hat straight while playing basic rock beats. Instead, Morris says, Buddy would quickly shift to a 55 55 shuffle on the hi hat. Very important: Morris states that Buddy "could not" keep the 8th notes straight. Okay Kenny let's take the first 3 minutes of the song Uncle Albert/Admiral Halsey on the 1972 album Stick It - which was 4 years prior. Granted Buddy embellishes with an occasional 5 stroke roll, double roll, paradiddle, etc between the hi hat and the snare; however, not once do I hear him shifting to a 55 55 shuffle on the hi hat. He demonstrates on this tune without question that he was entirely capable of maintaining straight 8ths on the hi hat for any period of time he wanted. Here's my best guess: Maybe Buddy was unable, as Morris says, to play the disco off-beats on the hi hat effectively at that point (1976), because he had never done so before. He would soon master the technique, but because it would take a little longer to do so, and because RCA was pressuring right then, perhaps that is the sole reason why Buddy asked Morris to go to the sessions in New York?

    • @ceetee21
      @ceetee21 4 วันที่ผ่านมา

      FACTS!!!

  • @Braglemaster123
    @Braglemaster123 6 ปีที่แล้ว

    Moe only played on the one song “ Chic on the side “

  • @Braglemaster123
    @Braglemaster123 6 ปีที่แล้ว

    This is not disparaging about Buddy, if you hear the song “ Chic on the side “ it’s terrible

  • @Braglemaster123
    @Braglemaster123 6 ปีที่แล้ว

    Buddy did an ensemble song with Moe on the drums called ‘ Chic on the side “ but it’s terrible. It’s so bad I can here Moe playing this song. I’m glad Buddy does not take credit for this simple “ Disco Song “. Why would he ????

  • @judgejury5276
    @judgejury5276 6 ปีที่แล้ว

    Jennings is talking NONSENSE he never even met Buddy Rich just trying to make himself sound bigger than what he's not he's lying Rich still is the Worlds No1. could do anything.

    • @mossyvinylclubhouse7835
      @mossyvinylclubhouse7835 6 ปีที่แล้ว

      www.discogs.com/Buddy-Rich-And-The-Big-Band-Machine-Speak-No-Evil/release/1805948

    • @DoumSound
      @DoumSound 5 ปีที่แล้ว

      I guess you have no idea who Morris was. Only the drummer for Muddy Waters' album Electric Mud, Howlin' Wolf electric album, and Curtis Mayfield Superfly, just to name a few. He was known as "the clock" because he was so solid. You can be a technically amazing drummer and still have a hard time with a simple pocket, which I guess was Rich's issue. I know amazing jazz guitarists that can't play a simple reggae skank. Plus, I knew Morris personally, he was one of the most humble honest souls I ever met. You should do more research before making idiotic comments. Peace

    • @bigswingface5847
      @bigswingface5847 5 ปีที่แล้ว

      @@DoumSound You're here, too, Mr. Cut and Paste?

  • @chrispictures1
    @chrispictures1 6 ปีที่แล้ว

    This is crap, i dont believe one word, ..l,m wondering if you tried to play like BR.

    • @mossyvinylclubhouse7835
      @mossyvinylclubhouse7835 6 ปีที่แล้ว

      www.discogs.com/Buddy-Rich-And-The-Big-Band-Machine-Speak-No-Evil/release/1805948

  • @jamessholtz6016
    @jamessholtz6016 6 ปีที่แล้ว

    I don't believe a word of this.

  • @NathanThePrezPretlow
    @NathanThePrezPretlow 6 ปีที่แล้ว

    I believe it as great as Buddy Rich was he was a big band drummer.Not the modern complementary drummer.Not saying that Buddy couldn't learn it but it's not easy to change something that you been doing since the big band era.But I would 've luv to see Buddy play drums behind rock groups of the time like Cream or the Jimi HendrIx...LOL

  • @lastrada52
    @lastrada52 6 ปีที่แล้ว

    I met Buddy years ago (worked a jazz festival) & one thing is certain: if Buddy was in the mood to "play you" he would do it in a manner where you wouldn't even suspect he was. I think he could play anything -- understood everything -- and he played this professional drummer. Entertained his ego so to speak. It was one of the old school approaches. Play stupid...seriously. Keep it going as long as you can. Buddy did it on The Johnny Carson Show. Buddy didn't care for certain music (hated country) & he probably just wanted to take someone on an ego trip. Morris Jennings went along. Now Morris is good -- but this is Buddy Rich mentality here & I suspect Buddy liked Morris. What did Morris say at the end? "Eventually he (Buddy Rich) played rock and roll...real good." Gee, I wonder why Morris? Buddy was a sarcastic, obnoxious bastard but -- he usually knew what was going on better than everyone around him. Most great & talented drummers today with mountains of drums & cymbals still can't play with the finesse, speed, & cleanliness that Rich possessed on a small kit. I played jazz for years but when I had to play rock I found myself "unintentionally" throwing in rolls & fancy stuff & the rock musicians would grimace. Maybe they couldn't follow it, too intricate, too flashy. Or maybe they just preferred the steady hammer that was basically monotonous. Keith Moon & John Bonham threw in jazzy things, The Young Rascals' Dino Danelli did, Procol Harum's BJ Wilson even held his sticks in jazz fashion. Danny Seraphine of Chicago....well, Chicago wasn't a rock band. Buddy Rich once complimented Danny's performance. I would say Buddy's problem with rock drums was that Rich wanted to let loose. One rock drummer who was jazz-influenced & managed to navigate that territory was Mike Giles (the original King Crimson) -- check the original 1968 version of "21st Century Schizoid Man." More jazz on that track than rock & years before Neil Peart, Phil Collins & all the other prog drummers. Morris' interview was interesting -- I enjoyed it.

  • @mikew4646
    @mikew4646 6 ปีที่แล้ว

    What a crock of nonsense.

  • @kennethtams8406
    @kennethtams8406 6 ปีที่แล้ว

    Unawares, Buddy's old "One Trick Pony Roll" Albums were not selling. Soul Music carried the day in the new Superfly Era, where public demand was geared toward pocket rhythm patterns, married to beautiful melodic and harmonic content. My Man Morris was integral to the development of this Soul Music , that only comes from; The Soul. Love Always Brother. Your most grateful Student, Kenny Tams

  • @waltgdrums1
    @waltgdrums1 7 ปีที่แล้ว

    I think this BS is related to the speak no evil record

    • @arame29
      @arame29 4 ปีที่แล้ว

      Down beat mag called it Play No Shit

  • @traps1
    @traps1 7 ปีที่แล้ว

    I have no idea why Morris would say something so insanely stupid and disrespectful about a musician of the caliber of Buddy Rich. What a sad sack he must of been

    • @DoumSound
      @DoumSound 5 ปีที่แล้ว

      traps1 I guess you have no idea who Morris was. Only the drummer for Muddy Waters' album Electric Mud, Howlin' Wolf electric album, and Curtis Mayfield Superfly, just to name a few. He was known as "the clock" because he was so solid. You can be a technically amazing drummer and still have a hard time with a simple pocket, which I guess was Rich's issue. I know amazing jazz guitarists that can't play a simple reggae skank. Plus, I knew Morris personally, he was one of the most humble honest souls I ever met. You should do more research before making idiotic comments. Peace

    • @bigswingface5847
      @bigswingface5847 5 ปีที่แล้ว

      @@DoumSound Again??? Good god, move on already.

  • @spercoco
    @spercoco 7 ปีที่แล้ว

    I'm not calling this guy a liar but this story makes no sense. What is the name of this album where Buddy is playing disco? Of course Buddy could play disco or any other kind f music but he never just played what people wanted to hear or he would have started playing rock music instead of forming a big band. He never wanted to do what everyone else was doing and in fact thought that most pop music sucked and wouldn't be caught dead playing it.

    • @arame29
      @arame29 7 ปีที่แล้ว

      Steve Percoco speak no evil

  • @sticktrik
    @sticktrik 7 ปีที่แล้ว

    I think this guy is a bullshitter!! I don't believe for a moment that with the ears & technical ability B.R. had, that he would have a hard time copying what another drummer played!!

  • @Avaloctus
    @Avaloctus 7 ปีที่แล้ว

    Does anyone know what he means at 2:50 when he says " no 55 55 " ? Is that term used for a certain time keeping style on the hi hat...or ? If anyone could help me with that, I'd be very gald.

    • @gervazejoseph9586
      @gervazejoseph9586 6 ปีที่แล้ว

      "55" or sometimes framed as "69" is the rhythm that many if not most jazz drummers play on the ride cymbal [the middling-sized cymbal mounted at the right side of the bass drum) or which is often played on the hi-hat when a piece calls for a more quiet timing, all of which when played sounds as if you were murmuring to yourself '55'~~~ or '69' ~~~ over and over again. It is a stable in jazz, first derived by the great jazz drummer Jo Jones, which innovation is in itself sheer genius, because it became the hallmark rhythm used among drummers worldwide -- and still is. In 4-4 or 2-4 time [the time signature], it is a series of dotted eighth- or sixteenth- or thirty-second notes ( depending upon how fast a piece is ].

  • @uwepetersen
    @uwepetersen 7 ปีที่แล้ว

    Saying 55 sounds like the jazz Ride Pattern

  • @dynasonic3185
    @dynasonic3185 8 ปีที่แล้ว

    So exactly which Buddy Rich Band album did Morris Jennings play on? I'm skeptical.

  • @daviddoyle4516
    @daviddoyle4516 8 ปีที่แล้ว

    I think Buddy could play anything I KNOW Buddy could play anything Even Indian raga music on the Tabla

    • @adityatyagi4009
      @adityatyagi4009 6 ปีที่แล้ว

      I'm a play tabla player and a drumset player and it is highly unlikely that BR could play the tabla without serious heavy duty practice. The whole structure of the art form and instrument is different and requires a completely different skillset.

    • @jojoremeny
      @jojoremeny 6 ปีที่แล้ว

      Aditya Tyagi I agree ,I studied Indian music with the great Indian composer from Calcutta , John Mayer who was the pioneer and invented Indian jazz fusion music in the 60s . I studied classical Indian tabla for a year and a half and even though I played drum kit in most styles including jazz,Latin ,funk etc... It was so difficult to play tabla even though I was practicing the tabla 2 hours a day .. Even just getting correct sound with your fingers can take weeks if not months I agree that Buddy rich could not play tabla . I think there is a recording of him playing with the world's best Indian tabla player Allah Rakka ? On an album? I think he is just jamming on kit ?

    • @kennethtams-ys5gq
      @kennethtams-ys5gq 5 หลายเดือนก่อน

      Just not in Locked Time.

  • @XlouietheflyX
    @XlouietheflyX 8 ปีที่แล้ว

    R.I.P. Moe Jennings

    • @arame29
      @arame29 4 ปีที่แล้ว

      When did he pass away?

  • @rudolphjeffery5374
    @rudolphjeffery5374 8 ปีที่แล้ว

    love you moe morris Jennings the gadtor for ever as long live Teddy drummer 4 life peace moe

  • @alwaysright222
    @alwaysright222 8 ปีที่แล้ว

    Morris is being kind. He knows those old blues guys had no clue what in the hell was going on. Marshall Chess Marshall Chess had no idea what he was doing, he just 'did' & hoped. And now he claims the blues is in his DNA? After Electric Mud? Open your eyes, interviewers!! He's nothing but the kid of Leonard who had no business being in the music business at all.

    • @Odin029
      @Odin029 7 ปีที่แล้ว

      At first you were right that the old blues guys had no idea what they were getting themselves into, but Muddy had a second session with 'Electric Mud' band that produced the album After the Rain. By that time Muddy had gotten comfortable enough with the psychedelic setup to bring his axe and play on a few songs.

    • @bruzrkgro-malog2953
      @bruzrkgro-malog2953 ปีที่แล้ว

      I love that Muddy gave it a second try. I wish Wolf did the same. I think Chess was a genius for getting this off the ground. It was his response to Cream, and I dig it. He took a risk and tried something new or different. This is exactly what is missing from today's "music."

  • @stevebullard685
    @stevebullard685 9 ปีที่แล้ว

    There is something to be said that sometimes it is harder to play or do something simple than it is to be more complex. Though it is kind of hard to believe that as gifted as Buddy was that he had a hard time playing basic rock beats. Most of the rock type stuff i've heard him play, he played the rhythm on the ride cymbal instead of the hi-hats. That made it more jazzy, which of course he liked better and was used to. He often used other drummers when there was a new chart or arrangement to work out. Amazing how he could hear some other drummer play a new chart as it was written and then step in and play it his way ( better ) and have it in memory forever.

  • @JFK1180
    @JFK1180 9 ปีที่แล้ว

    Are you telling me that buddy had go and get lessons in how to play some straight grooves? The man remembered entire scores because he was not big on sight reading. If he had heard disco or funk ONCE, he would have sat down and just played it. This story seems to be utter nonsense.

    • @spercoco
      @spercoco 7 ปีที่แล้ว

      It's more likely that Buddy didn't WANT to play that simplistic. I had a drum student once that was fascinated with odd time signatures and also Keith Moon was one of his favorite drummers and like Keith, my student always had to be filling in every bar. So Since he was going on to Berkley and wanted to eventually be a professional drummer I thought shit I better make sure this kid realizes that sometimes less is more so I had him play to some James Brown. He would pick up the beat in no time but then be adding stuff on top even though I made it very clear to just play the exact beat and nothing else. I was trying to get him to focus all his attention on the groove itself and forget about adding more notes but it was damn near impossible for this kid to do that. I finally realized you have to WANT to pay like that. You can't force someone to play what is not natural to them.

    • @tfronauer
      @tfronauer 4 ปีที่แล้ว

      Not taking away anything from his talents but laying down a danceable R&B groove just wasn't Buddy's strength. Listen to Buddy's versions of "Big Mama Cass" and "Soul Lady", two charts by Don Sebesky. He's struggling to make something of them the whole time. Then listen to Don's own versions of them which, arguably, are the way they are supposed to be played. The difference is startling.

  • @BuddyBoo123
    @BuddyBoo123 9 ปีที่แล้ว

    The Funk Master! No BS!

  • @BuddyBoo123
    @BuddyBoo123 9 ปีที่แล้ว

    The Funk Master