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This effect rack is only for Ableton users. Ableton is both windows and Mac compatible.

@@VentureNW I think you need studio to do that but I'm not certain

@@VentureNW I can always do a one-on-one to help you

@@VentureNW let me know if you want to set one up

@@Mr_Audio Thank you. Crossing fingers for Black Friday. haha

I'm guessing someone somewhere told you this information. This will not cause any issues. Let's get that out of the way first. 24-Bit audio and 32-bit audio is a different way of storing information that is all Most consumer interfaces support 24-bit audio going in and 32-Bit audio going out However, there are some interfaces that do support 32-bit audio going in But most of these are field recorders and this is so that if you record too loud of a sound in the field, you can reduce the clip gain to get that peak back so you're not going over 0dbfs when you export. And this can be done in your daw after the fact Most interfaces people use for recording vocals, guitar, drums and other sounds don't support higher than 24-bit going in However, they do support 32-bit on the output This will not cause any issues between your daw and your computer system because it supports 24-bit going in and 32-bit going out. See 32-bit audio has existed for quite some time now. If you want to know the science behind it, 24-bit audio is stored using binary code 32-Bit audio is stored using scientific notation and all that means is you can fit a lot more information in the same amount of space as 24-bit audio I'm guessing I should probably do another video using audio examples to better explain my point

Here's a link to the interface that I have if you scroll down aways. You'll see what I'm talking about. You'll see that it has 32-bit conversion, no compromise in monitoring. Although it only records 24-bit audio in it allows for 32-bit going out. And this interface only cost $500. solidstatelogic.com/products/ssl-12

@Mr_Audio i have that same one

@@soundsfromYYBY then your interface is capable of this as well. If you look at that link I sent you scroll about halfway down. You'll see that it supports 32-bit output Once in your daw, you can process in 32-bit on any interface. What you hear will probably be 24-bit if you're interface is not support 32-bit output but you'll still have all the benefits of 32-bit

You have to put melodyne on each track that you wanted on. I usually put it at the beginning of the chain. Then I like to transfer all of them in at once. You can click the transfer button. At the top for this. However, you can activate all of the transfer buttons at the same time. There will be a little red record button off to the side where all the tracks appear. You can click the record button on the top track in melodyne and then hold shift and click the record button on the bottom track. This basically selects all of them to be recorded. Then you just play your vocals through all the way through and then they are imported into melodyne You're kind of like recording them in Certain daws have ARA support Mine which is Ableton does not so I have to do this every time

Maybe a one-on-one would help you. We can set up a zoom call sometime tomorrow if that works for you?

You kind of have to record it in. There's a transfer button up top Click that and then play the vocals sample through Then it will appear melodyne. Then the video will make a bit more sense

You can use the standalone option but I prefer to use it as a plugin

This video basically just gets you familiar with all the tools in melodyne. At least the basic ones. What do you seem to be struggling with? Maybe I can help.

@@Mr_Audio The BEST And MOST Comprehensive Beginner's Guide?

You'd need Ableton

@@Mr_Audio Damn

However, I am working on developing these into actual plugins that work with all daws

I'm pretty sure the future is only available in izotopes ozone and Fab filters pro L2 If you don't have those, you probably don't know anything to worry about I don't think you can disable the future, just turn it down to zero

The more consistent pleasing sound which I forgot to mention is dither I have a couple of long form videos that explained dither and show what it sounds like But this video is very old I'm much better at making videos now

@@rmndnb You could try boosting some low mids on the bass Sometimes I'll keep the kick and the bass the same note, make sure they're in phase with each other So they're not canceling each other out in any point And then resample that one note together, put it in a sampler And play it like an 808 in a sampler Sometimes I also find that that works as well. It depends on what kind of music you're creating If you don't mind me asking, what kind of music do you normally create

@@Mr_Audio Thanks for the answer. I make drum and bass so getting this part right is key! But learning everytime. Also I mostly put the bass slightly after the kick plays to give it even more space.

It's definitely also a good method but it might make your low end feel a bit loose at times but sometimes that's enjoyable though. That is something that is done in a lot of reggae tracks. You should definitely try ring mod sidechain I forgot to list the links for the plugins in the description but I will list them tonight sometime. But method number five that I mentioned works very well for that genre too. There are a few videos on TH-cam explaining how to do it. I would just type in ring mod sidechain in the search bar and you'll see a few videos, they're short and sweet but very informative. I'll probably go more in depth with ring mod sidechain in the future.

@@Mr_Audio appreciate it bro! I haven't looked into ring mod sidechain yet so I will do.

If your Ableton is up to date it should

Even though it did not have that much room in the recording, I still would not have used it had I not taken some of the room away. And the room, you can really only hear it on a few notes. But those are the notes that I was singing the loudest. So of course the room reflections would definitely be noticeable with compression at least on those parts.

And plus if you check out the rest of the comments, most everybody found this trick useful. I hope you do too as well my friend!

Is there a vocal you're trying to save with significantly more room reflections than the one that I'm showing in the video?

Dude I'm going to be making this into a plug-in soon so don't worry it's going to be way better

@@Mr_Audio 🫡🇦🇺

Hey friend, thanks for the engaging comment. I was fairly new to making videos at this time. I'm still fairly new. If you were looking for something specific that wasn't covered in the video I'd be happy to schedule a zoom meeting with you to discuss it.

@Mr_Audio I think I was looking for something simpler. You have obviously worked with the product, but sometimes when doing videos, we forget to plan out what we are going to say a little bit. I didn't mean to be so hard on you. I reread what I typed and I thought "damn, I was kind of hard on the guy".

Good question I actually made a video on this, but I'll give a simple explanation here. Plugins have aliasing filters. Some may start to slope into the audible range when using 44.1k That's the only reason However, when you downsample you can create a lot of ISP's. There are always trade-offs

Wow! I really didn't expect the creators to comment on my video. Thank you for supporting what I said in the video. And I totally agree that if your room is well treated software can add that little touch to it. But that's just it. If you're going to use the software, your room should be well treated. It's meant to be the icing on the cake, not the cake. Anyway, I thought it was really cool that you guys commented. Thank you for supporting my small channel.

I was new to making videos when I made this. I'm still fairly new. I'm just figuring it out. If you need help with something specifically, I'm happy to answer any questions you might have.

@@Mr_Audio Thanks for taking my comments in the spirit in which they were intended :) Yes, we're all learning all the time. Having a properly structured video leads to more structured input into the brains of those watching. Same as when i give a 1-hour lecture to a lecture theatre with 550 students. I need to GET their attention, KEEP it, then SPARK their inquisitiveness, EXPLAIN stuff very logically and in order, clarifying any tricky concepts along the way. I'm sure you already know this, but knowing and doing it are two different things :) Keep at it - you obviously know your subject matter really well. It's just a case of practicing how to structure it, lay the video out (not a full shooting script but at least a series of topic headers) etc. And try to stop saying "I'm going to be covering this/explaining this/ etc in a few minutes". Maybe once, if you have to, but not as often as you do it in this video. Keep on learning :)

My channel is growing. People will see. Thank you for your support friend.

Yeah melodyne is very powerful!

Thank you. I hope they send me something. Would definitely love to try it out with ARA support Would speed things up for sure

I probably have an EQ or something on it. I would have to open that video project to see what that was that was causing that. But I can send you the preset if you want.

Also, this video is pretty old. I should probably do an updated version.

Glad I could help

It's guitar open but I made it sound way different. I think I could make it available to you guys if you'd like it by the end of the week

I'm sorry TH-cam just doesn't seem to like me quite yet!

I will try to make one if @cubase sends me a license...

​@Mr_Audio ill email this to someone.

Thank you. I always love an opportunity to learn a new daw.

@@Mr_Audio Wonderful. I've emailed the lead product specialist at Steinberg/Yamaha.

Thanks for the engagement friend

There must be something wrong with your system I just rewatched it and I don't hear what you are talking about.

@@Mr_Audio nope you can hear it especially on the mix of the vocals the right side is approx 70% louder next to 30% of left only.

I downloaded the video from TH-cam cuz I thought you might be on to something. But the audio is mono. Because there is a time when I had an ear infection in my left ear. Which caused me to lose my hearing a bit in that ear about 70%. It was quite significant. And it stayed that way for about 3 months. I had to create an effect rack with a left and right channel so I could balance my audio for how my hearing was. Basically you put it in mono and mess with the left and right until it sounds like it's in the middle. It's a trick old school engineers used to use who had partial hearing loss in one ear. I made this video around that time so naturally, I thought that this could be true. I will probably do a video on hearing loss. Anyway if what you say is true that you're hearing 70% less on one side, you may have partial hearing loss.

Actually with Ableton you record your audio into melodyne and then melodyne plays the audio from there What I like to do is once I've tune and timeline everything inside of melodyne I'll freeze the track, duplicate it, mute the original, then minimize it so I have a backup. You know if I like want to go back and change it later. This way I can commit to the audio but I always have the option to go back. And then I flatten the duplicate track. Then your track has all the melodyne baked in.

I'm going to make some of these racks into actual plug-ins. With extremely low latency I've got a plan. It's going to be awesome. There's going to be free plugins as well!!!

You need to update Ableton. It should work if you're on the latest version of 11

It will not work on Ableton 10