- 2
- 99 780
Pierre-Antoine Tremblay
Spain
เข้าร่วมเมื่อ 17 ม.ค. 2016
www.ensembledialoghi.com
Ensemble Dialoghi - Beethoven Quintet for Piano and Winds, Op. 16 (II)
Ludwig van Beethoven (1770-1827)
Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E flat major, Op. 16 (Berlin, 1796)
II. Andante cantabile
Ensemble Dialoghi:
Cristina Esclapez, Fortepiano
Josep Domènech, Oboe
Lorenzo Coppola, Clarinet
Pierre-Antoine Tremblay, Natural Horn
Javier Zafra, Bassoon
Recorded live at the Sala Lluís Domènech i Montaner of the Recinte Modernista de Sant Pau in Barcelona (Spain), on November 7th, 2015, as part of the Dialogues with Music concert cycle.
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Joan-Albert Serra, general coordinator
European Music Cooperative - www.eumusic.coop
Paul Poletti, fortepiano maker (copy of Walter und Sohn, 1803)
Robert Jaumandreu, fortepiano tuner
Hugo Romano, sound engineer
Dídac Meya and Marc Valdés, cameras
Pierre-Antoine Tremblay, editing
Stefano Buonamici, photography
Special thanks to:
Miquel Ramos
Santi Barguñó
Venus Villa
Fabrizio Alcanfora
Recinte Modernista Sant Pau (Barcelona)
Cèntric Espai Cultural (El Prat de Llobregat)
Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E flat major, Op. 16 (Berlin, 1796)
II. Andante cantabile
Ensemble Dialoghi:
Cristina Esclapez, Fortepiano
Josep Domènech, Oboe
Lorenzo Coppola, Clarinet
Pierre-Antoine Tremblay, Natural Horn
Javier Zafra, Bassoon
Recorded live at the Sala Lluís Domènech i Montaner of the Recinte Modernista de Sant Pau in Barcelona (Spain), on November 7th, 2015, as part of the Dialogues with Music concert cycle.
-------------------------------------
Joan-Albert Serra, general coordinator
European Music Cooperative - www.eumusic.coop
Paul Poletti, fortepiano maker (copy of Walter und Sohn, 1803)
Robert Jaumandreu, fortepiano tuner
Hugo Romano, sound engineer
Dídac Meya and Marc Valdés, cameras
Pierre-Antoine Tremblay, editing
Stefano Buonamici, photography
Special thanks to:
Miquel Ramos
Santi Barguñó
Venus Villa
Fabrizio Alcanfora
Recinte Modernista Sant Pau (Barcelona)
Cèntric Espai Cultural (El Prat de Llobregat)
มุมมอง: 21 112
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Ensemble Dialoghi - Mozart Quintet for Piano and Winds, K. 452 (III)
มุมมอง 79K9 ปีที่แล้ว
Wolfgang Amadeus Mozart (1756-1791) Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E flat major, K. 452 (Vienna, 1784) III. Allegretto Ensemble Dialoghi: Cristina Esclapez, Fortepiano Josep Domènech, Oboe Lorenzo Coppola, Clarinet Pierre-Antoine Tremblay, Natural Horn Javier Zafra, Bassoon Recorded live at the Sala Lluís Domènech i Montaner of the Recinte Modernista de Sant Pau in Barc...
Gorgeous piece, and gorgeous performance. I remember playing in this in a friend's home with Bob Levin on fortepiano. At 4:09, I whacked the top C hard, then went up to the D, and it squawked horribly, and we all fell about with hilarious laughter and had to calm down before we could get going again! Happy days. (Don't know where that top D has gone to in this recording, mind you!).
Absolument génial
great performance, ignorant cameraman, never showing who i actually playing...
la magie
GLORIOUS!! 🥰
Very nice
Bravissimo!!!
Espetacular, agora podemos entender o que Beethoven quiz dizer, A sonoridade velada e miúdo doce a afinação mais baixa , o Forte piano que começava a se aperfeiçoar . A espetacular trompa natural que produz os semi tons com emissão sonora e abafamento . Grande, enorme prazer em ouvir . e entender . Que grande prazer e alegria.
Those old pianos were quiet, need to bring them back.
Ah, it's so much better with historically accurate instruments!
The ambience is perfect for performing this piece
I watched Tv program from NHK japan, 2022,January which was in fact performed 2019 January, before the covid 19 came. Even the fact that Ensemble Daloghi is from Spain,I didn"t know. The performance is really splendid! Applausu!
Fantastic
👏🏽👏🏽👏🏽👏🏽👏🏽🌹🌹
Fantastic
👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽🌹🌹🌹
Scheiße ist das!
Sorry to hear this. Send us your email and I’ll get you your money back! ;)
This is a instrumentation where the period instruments make exceptionally much sense. The modern equivalents are too brittle in the case of the woodwinds, and the horn must always play muffled and piano because it is too loud.
why listen to modern instruments - i dont get it. The timbre and sound of these old instruments are more beatiful.
In these dark times, this is perhaps the most uplifting 7:45 minutes available to us!!! Absolutely breath taking Lorenzo and company - I thank you with all my heart for sharing this gift with us!! mil gracias!!!!!!! Laura
Marvelous. True chamber music. I feel inspired.
Straight Fire
Thank you. This is lovely.
Precioso!!!
Bravissimi COMPLIMENTI.
Meravigliosi
❤️❤️❤️. Extraordinary.
On 26 September 1784 M. began his famous Verzeichnuess aller meiner Werke following a near-death experience (renal-failure On 29/30 August through 4 September 1784-following a Streptococcal infection which he surviv’d only by the close-attention of his doctor and fellow-Mason Barsani) and his first entry (backdated from his composition date of March 1784) was this delightfully poignant Quintet in E-flat for Klavier & Winds which he claim’d in a letter to Leopold Mozart in April was one of his ‘best works’ in the genre-he compos’d very little that was not a technical masterpiece after that-starting his Catalogue may have had something to do with his coming so close to death back in Sept 1784
Wow
Outstanding playing. Especially beautiful balancing of the ensemble. I wonder if this is the performance that is on their Harmonia Mundi cd.
Thank you! This is not from the CD, this was the first time we played this repertoire as a group in Barcelona.
I saw ED this year in Tokyo at Hamarikyu Hall and they were fabulous! Lorenzo Coppola enjoys making music and this enthusiasm is passed on to the audience.
I love this version so much, could listen to it forever!
Очень красиво
Tebrik ediyorum. Kutlarım.
Fantastic performance, I love the Seraphinoff horn.
BRAVI !!!!!!!! GRANDE LORENZO, COLORI STUPENDI E NUANCES DA GRANDI EMOZIONI!!!!!!
GRANDE LORENZO, QUESTO MOZART VERAMENTE UN GEMMA RARA!!!! UN ENORME B R A V O DALLA CITTA' DI RIETI!!!!!!
Très belle interprétation ! Je préfère avec les instruments d’époque ça apporte plus d’authenticité
Merci beaucoup j’aimerais entendre les autres mouvements stp
l'unico dubbio sull'esistenza di Dio risiede nella musica di Wolfang Amadeus Mozart.....ottima interpretazione Bravi
Bravissimi, Lo mi aveva parlato di questo gruppo, pero proprio bello. JCF
What delight. Playful witty elegant and a cream pie in the face ala commedia just when called for. Thank you.
perfect and thanks !
So beautiful! I couldn't find a video of your performance of the first movement but I have a question you may be able to resolve with your knowledge of performance practice. In the opening bars of the first movement, some people make the 32nd pickups into Beats 1 and 3 into 64ths like on beats 2 and 4, saying that notation of the time wasn't able to allow for those notes to be written as 64ths, and the character is more consistent by unifying the little notes. We are playing it as written but I am curious to your thoughts on this! Much appreciated!
Dai fatecelo senti' tutto!
Eso no parece un piano sino un clave.
Gracias por informarme!
thanks for this wonderful treat.
Wonderful sound!!!
What a great joy to see the audience smiling. Amazing performance!
Capolavoro