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Actually, for this mix, the main vocal track wasn’t sent to a lead bus. All the plugins were applied directly on the main vocal track. Here’s the full breakdown: m.th-cam.com/video/hoPJzDOs3DA/w-d-xo.html

Thanks! That’s actually a mix I did a while back, here’s the breakdown m.th-cam.com/video/hoPJzDOs3DA/w-d-xo.html

Hey! Sorry for the late response. Please send an email to moridersmusic@gmail.com with a track you'd like me to mix, and I'll take a look at it. Depending on the song, I might even make a video of the mixing process.

Relay helps your izotope plugins communicate with each other, making your workflow smoother. It’s especially useful for handling masking and can carve out space in your beat for vocals. You add relay on your instrumental beat and it will communicate with nectar to carve out space for the vocals. But it can actually do more then simply that. Even if you don't have Relay, Nectar can still do a lot for your vocals, but Relay adds that extra level of integration.

No it’s Logic Pro

Yes, I can! I'll release a new video soon, showcasing before and after comparisons for each plugin, using stock plugins. I'll go more in-depth into the process. Thanks for watching!

When gain staging to 0dBVU using a VU meter, use pre-fader metering to get an accurate reading. Keep your faders at unity gain (0 dB) while setting the initial levels. This ensures your signal remains clean and balanced. Hope this helps!

@@Moridersmusic Thank you

You should aim for 0 VU on the VU meter to ensure a well-balanced mix, particularly for your instrumental tracks. However, on your master bus, it's important to keep your peaks between -6 dBFS and -3 dBFS before mastering to ensure enough headroom and avoid clipping. Hope this helps! Thanks for watching.

@@Moridersmusic last night I had the VU meter set at -15 and had my vocals kissing 0 on the VU meter and they were way too loud. I think the recording levels were too high though. I used clip gain to get the vu meter to kiss 0

Thank you for the request. I’ll take note of that 😎

Thanks for watching!

Yes, I'd be interested if the song meets the channel's standards. I actually need to review a mastering plugin, so this could be a great opportunity. However, for me to master this song effectively, it needs to be well-mixed and of high enough quality to be featured on my channel.

Oui 😎

Yes that’s all on the stereo out track, thanks for watching!

@@Moridersmusic no thank you don’t listen to those ungrateful complainers you help a lot!

@@MoridersmusicI used the your other video where u teach to make the vocal sound good on the audio track I put all the things you said to put but do I put this in the stereo out 2?

It really depends on the specific effect you're aiming for with the doubles. In this video, I applied the same vocal chain settings to the vocal stacks because I wanted a uniform sound across the main vocal and the doubles. The only variations I made were in the volume and panning to achieve the layered stacking effect. I hope that clarifies things. Thanks for watching!

​@@Moridersmusic hey my boy, what gates song is this? I've been trying to find it since I heard your mix.. appreciate ya!!

Glad it helped! Thanks for watching!!

Thanks for watching!

To download the template, simply click on the three dots located at the top right corner of the video. Then, select 'Description' from the menu. You'll find the download link for the template there. I appreciate your support and hope you find the template helpful! Thanks for watching

To use 'Fresh Air' and 'Wider', you'll first need to download them from their official websites they are both free. For the other plugins featured in the video, you can find them built into Logic Pro X. Just open a track in Logic, click on the 'Audio FX' slot, and you'll see a list of plugins where you can select the ones I showed. Hope this helps, thanks for watching!

Im glad it helped, thanks for watching!

I got the stems from an internship I did in a studio, thanks for watching!

Absolutely, I can make a template for Badland iOS. Thanks for the suggestion and for watching!

@@Moridersmusichave you finished yet ?

The link for the template is in the description. Thanks for watching!!!

Yes, the tutorial primarily uses stock plugins, along with two additional free plugins that are accessible to everyone. This ensures that the techniques shown can be easily replicated. Thanks for watching!

Thanks for your comment! You're absolutely right about the importance of preserving good low frequencies in a mix. The intention behind cutting below 20-30 Hz is that these frequencies are generally below the threshold of human hearing and can contribute to unnecessary muddiness or take up headroom in the mix. By applying a high-pass filter in this range, we can clean up the lowest end without affecting the audible bass frequencies that add fullness and warmth. Thanks for your feedback and for watching!

😂😂

Tu peux mettre le VU-meter sur le master en t'assurant de mettre le beat en solo, ou sinon le VU-meter directement sur le beat. Ça va servir à ce que le beat ne clippe pas, et d'éviter la distorsion que tu vas introduire lors du mastering. Une fois le tout bien équilibré, tu peux procéder au mastering. Mais quand tu vas être rendu au mastering, ne te fie pas au 0, cela concerne seulement la phase précédant le mastering. ( clip gain ) thanks for watching! 😎

Actually all these plugins are added directly on the Master stereo bus, thanks for watching!

The settings on the back of my Shure SM7B are all flat. I haven't adjusted the line in, I prefer not to touch the mic EQ and do everything during mixing. Regarding the boomy sound in the tutorials when I'm speaking into the mic, there's no processing - it's all directly from the interface. Thanks for watching!