S.M.Vilasini
S.M.Vilasini
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วีดีโอ

A rare composition in the raga Nalinakanthi, composeby E.S.Sankaranarayana Iyer
มุมมอง 1503 หลายเดือนก่อน
A rare composition in the raga Nalinakanthi, composeby E.S.Sankaranarayana Iyer
S.M.Vilasini - Concert for Sankaranethralaya USA
มุมมอง 1863 ปีที่แล้ว
S.M.Vilasini - Vocal Murali Varadarajan - Kanjira
S.M.Vilasini, Concert for Paravur Dakshina Mookambika Saraswathi Mandapam
มุมมอง 2123 ปีที่แล้ว
S.M.Vilasini, Concert for Paravur Dakshina Mookambika Saraswathi Mandapam
S.M.Vilasini - Concert for Nada - from creators of Nama 2020, Jan 10th 2021
มุมมอง 1.3K4 ปีที่แล้ว
Accompaniest by Sri. Govind.C.Nair on Mridangam.
Velendi Naala Mayil Meedu, Sarasangi- S.M.Vilasini
มุมมอง 2514 ปีที่แล้ว
A beautiful composition by Smt. Ambujam Krishna, given a musical structure by late Sri. K.R. Kedarnathan in the raga Sarasangi. Thanks to Smt. Baby Sreeram akka to have shared this bewitching composition with everyone.
Akilandeshwari - Jujavanthi - Sri Muthuswami Dikshitar
มุมมอง 2784 ปีที่แล้ว
Akilandeshwari - Jujavanthi - Sri Muthuswami Dikshitar
Durga Suktam by S.M.Vilasini
มุมมอง 10K4 ปีที่แล้ว
Durga Suktam by S.M.Vilasini
Graha Bedam - an insight into derivation of Ragas from a base raga.
มุมมอง 4.5K4 ปีที่แล้ว
In this part of Know your Carnatic Music Series, we look into how the Ragas have been derived from a base raga/scale using the Modal Shift of Tonic or Graha Bedam.
Know your Carnatic Music - an Introduction
มุมมอง 2784 ปีที่แล้ว
This is an introductory video to the Know your Carnatic Music Series. The important aspects that form the very foundation of Carnatic Music has been discussed here.
Ulaga Vaanile milirndida seyya
มุมมอง 1454 ปีที่แล้ว
Ulaga Vaanile milirndida seyya
Isaiyum Bharatamum Series - "Mayoori"
มุมมอง 1534 ปีที่แล้ว
Isaiyum Bharatamum Series by S.M.Vilasini and Soundarya Venkat. "Mayoori" - Virutham on lord Muruga followed by Khamas thillana of Sri Lagudi G. Jayaraman.
Sharavanabhava Guruguham, shlokam, Revagupti Raga
มุมมอง 2284 ปีที่แล้ว
Shadananam Shola followed by Sharavanabhava Guruguham in the raga Revagupti. Composed by Sri Muthuswami Dikshitar
S.M.Vilasini, Ennai Kaividalaguma - Varamu - Smt.Ambujam Krishna
มุมมอง 2934 ปีที่แล้ว
S.M.Vilasini, Ennai Kaividalaguma - Varamu - Smt.Ambujam Krishna
Janata Curfew Online Festival
มุมมอง 1124 ปีที่แล้ว
Janata Curfew Online Festival
Shiva Panchakshara Stotram
มุมมอง 2184 ปีที่แล้ว
Shiva Panchakshara Stotram
S.M.Vilasini - Manadil Urudi Vendum in the Raga Desh.
มุมมอง 1515 ปีที่แล้ว
S.M.Vilasini - Manadil Urudi Vendum in the Raga Desh.
Emi Jesithe - Thodi - S.M.Vilasini
มุมมอง 1427 ปีที่แล้ว
Emi Jesithe - Thodi - S.M.Vilasini
S.M.Vilasini, Kaa Vaa Vaa - Varali, Kanda Sashti
มุมมอง 1.2K7 ปีที่แล้ว
S.M.Vilasini, Kaa Vaa Vaa - Varali, Kanda Sashti
S.M.Vilasini - Bhavayami Gopalabalam
มุมมอง 8077 ปีที่แล้ว
S.M.Vilasini - Bhavayami Gopalabalam
S.M.Vilasini - The origin of Saptaswara from Sama Veda & 'Naadha tanumanisham'
มุมมอง 1.4K7 ปีที่แล้ว
S.M.Vilasini - The origin of Saptaswara from Sama Veda & 'Naadha tanumanisham'
Kaanamal Veenile - Neelambari - S.M.Vilasini
มุมมอง 5538 ปีที่แล้ว
Kaanamal Veenile - Neelambari - S.M.Vilasini
Ganamoorthe - Ganamoorthi Ragam - S.M.Vilasini
มุมมอง 2598 ปีที่แล้ว
Ganamoorthe - Ganamoorthi Ragam - S.M.Vilasini
Maa ramanan - Hindolam - S.M.Vilasini
มุมมอง 5618 ปีที่แล้ว
Maa ramanan - Hindolam - S.M.Vilasini

ความคิดเห็น

  • @bhargavvenkat123
    @bhargavvenkat123 19 วันที่ผ่านมา

    Wonderful explanation!

  • @RamanadhaReddy
    @RamanadhaReddy 4 หลายเดือนก่อน

    Helpful, thank you. Wish all the keys played were in the frame. :-/

  • @srinivasana4531
    @srinivasana4531 5 หลายเดือนก่อน

    Great. What a clarity.

  • @geethanjalibalaji5232
    @geethanjalibalaji5232 9 หลายเดือนก่อน

    What's the use of griha bedam ?

  • @sundararamans654
    @sundararamans654 ปีที่แล้ว

    If U would have demonstrated litle bit of the ragad with your key board, it will be more helpful.

  • @KULASEKHAR1
    @KULASEKHAR1 ปีที่แล้ว

    Awesome

  • @shakuntalasv898
    @shakuntalasv898 ปีที่แล้ว

    👌Madam.

  • @saijagreatworks3298
    @saijagreatworks3298 2 ปีที่แล้ว

    Such a valuable information on carnatic music! Thank you ma'am

  • @vasudevancv8470
    @vasudevancv8470 2 ปีที่แล้ว

    Nicely Presented. Your efforts are laudable. At the same time, It's quite difficult to grasp the nuances & complexities involved in the Carnatic Music Grammar unless we learn them formally from the scratch. At the same time, I must also tell that still, many of the average listeners are able to identify or Recognise the Raagaas when rendered in the form an AAlaabanaa OR as a Krithi quite easily when compared to trying to comprehend the Swaraas hidden in a Raagaa based on their listening experience observing the way a tune travels. Though I hv bn listening to this Music over the last 3 decades, I cannot decipher the Swaraa aggregates that constitute a Raagaa. That's where, I believe, God's Blessing is required to attain that Extraordinary Gnaanaa. (For instance, here, as U demonstrated the exercise of Graha Bedha of Karakarapriya, my obsolete mind @ best heard Sri Ranjani only here & there. Of course, that may be due to my inadequacy; just shared my experience.) Any way, your attempt to elaborate on the Thamizh PuNNs simultaneously is quite interesting. Keep it up pls. We will keep listening to U. All the Best.

  • @parthiparthiban503
    @parthiparthiban503 2 ปีที่แล้ว

    எளிதாக புரிந்து கொள்ள முடிகிறது... அருமை...நன்றி...

  • @srisriradhamadhavaschool9005
    @srisriradhamadhavaschool9005 2 ปีที่แล้ว

    very very nicely explained...thank u so much

  • @mookam8888
    @mookam8888 2 ปีที่แล้ว

    How to contact you mob no

  • @historytamizha5895
    @historytamizha5895 2 ปีที่แล้ว

    Great Mam

  • @harikadoodle
    @harikadoodle 2 ปีที่แล้ว

    Very nicely explained ma’am 🙏🏻✨ Thank you so much

  • @aparnakalvakolanu4356
    @aparnakalvakolanu4356 2 ปีที่แล้ว

    nice madam

  • @sridharsesham
    @sridharsesham 2 ปีที่แล้ว

    Wonderful presentation 👏🏻

  • @admusics27
    @admusics27 2 ปีที่แล้ว

    We r waiting upcoming classes

  • @MichiMallu
    @MichiMallu 2 ปีที่แล้ว

    Brilliant, Superb, Mesmerizing!!! Know most of these, but presented so mellifluous, great learning, Kudos to Carnatic music and Vilasini!!!

  • @rossiking7772
    @rossiking7772 2 ปีที่แล้ว

    18:14

  • @maheshchandran9760
    @maheshchandran9760 2 ปีที่แล้ว

    Great

  • @kohinoortanishq3968
    @kohinoortanishq3968 2 ปีที่แล้ว

    Thank you so much. Using the keyboard has made the explanation Even more clearer

  • @utube4u5496
    @utube4u5496 2 ปีที่แล้ว

    🙏🏻👍🏻🤝👏

  • @narayananvedantham
    @narayananvedantham 2 ปีที่แล้ว

    Insightful presentation

  • @suhasbn44
    @suhasbn44 3 ปีที่แล้ว

    Thank you for this video! It would be wonderful to see more such theory related videos because we tend to learn carnatic krithis without knowing the actual theory behind it!

  • @Anushasinger
    @Anushasinger 3 ปีที่แล้ว

    Wonderful explanation madam!! 👍🙏It really helped me understand the concept of Grahabedam

  • @thousandss1782
    @thousandss1782 3 ปีที่แล้ว

    please remove low contrast vedio

  • @abhignyadaripalli3269
    @abhignyadaripalli3269 3 ปีที่แล้ว

    Thank u😊

  • @veeraraghavuluarigela9022
    @veeraraghavuluarigela9022 3 ปีที่แล้ว

    Namaste,Madamji ,In Kharaharapriya(Dorian) Modal shift on D to D it gives new Scale in Western Music that is Locrian Scale or Locrian mode .The Scale is CD(Flat)E(Flat)F F(shrap )A(Flat))B(Flat)C.In indian music doesn't consider a Raga. This is only information, Thanks madamji .

    • @Vilzbuzz
      @Vilzbuzz 3 ปีที่แล้ว

      Yes sir...we have a system called 72 melakartha scheme. It is designed in a particular scientific way. The scale that you are saying is not possible in that scheme and hence is not considered a raga. Western music is more about scales and this scale is very much present in that system of music.

    • @Vilzbuzz
      @Vilzbuzz 3 ปีที่แล้ว

      Thank you very much for this interesting info :)

    • @veeraraghavuluarigela9022
      @veeraraghavuluarigela9022 9 หลายเดือนก่อน

      Namaste Madamji,Thank you Madamji, I have lot of information about Grahbeda of all Raags whether it is Audav,Shadav,Sampurna and vis versa.For example The Model shifting of Hansanandini is fromed Pentatonic Blues which exist in western Music,The following Scales are come(1)Major Pentatonic Blue(2)Minor Pentatonic Blue(3)Scchotish Pentatonic Blue(4)Minor Pentatonic#5Blue(5)Suspended Pentatonic Blue.This is only information Madamji.

  • @prash9999
    @prash9999 3 ปีที่แล้ว

    Thank you for sharing this useful info 🙏superb 👌👍🙏🙏

  • @jaganathans1558
    @jaganathans1558 3 ปีที่แล้ว

    Thank you so much mam. Best of luck. 👍🙏

  • @pallavisreetambraparni6995
    @pallavisreetambraparni6995 3 ปีที่แล้ว

    Thank you very much. i was looking for explanation on grahabedam and now i have got it. thank u very much.

  • @pallavisreetambraparni6995
    @pallavisreetambraparni6995 3 ปีที่แล้ว

    Very useful

  • @sun4ash
    @sun4ash 3 ปีที่แล้ว

    Very nicely explained. Thank you 🙏👍👌💝

  • @Lathabiju7875
    @Lathabiju7875 3 ปีที่แล้ว

    Thank you very much madam😊🙏

  • @jayashreehg
    @jayashreehg 3 ปีที่แล้ว

    Thank you so much for this wonderful information.

  • @divinesreeram
    @divinesreeram 3 ปีที่แล้ว

    I have learnt new concept of graha bedam... Thank you very much for this wonderful video... If you use Harmonium instead of keyboard it will be even more closer to grasp the derived ragas..🙏

    • @Vilzbuzz
      @Vilzbuzz 3 ปีที่แล้ว

      Totally agree with u. Harmonium is closer to the voice. I don't have one..so had to make do with keyboard

    • @vbvpai6870
      @vbvpai6870 3 ปีที่แล้ว

      I totally agree with you on learning of this new concept so clearly.. Thank you very much madam... No issues on use of keyboard... Great work!! This serves everyone who wants to learn the concept which is otherwise rarely explained so well

  • @raoravip
    @raoravip 3 ปีที่แล้ว

    Nicely rendered. Morning I have heard your Durga suktam. Nicely rendered.

  • @jetendrajithu1662
    @jetendrajithu1662 3 ปีที่แล้ว

    nice , will you try siva tandav stotram and maha kalabhairava ashtakam

  • @mrk.reddy.5197
    @mrk.reddy.5197 3 ปีที่แล้ว

    🌺🍒🙏 Om Namo Maatee Durga Deviye Namaha ! Rokshamaam ! thaayee !

    • @Vilzbuzz
      @Vilzbuzz 3 ปีที่แล้ว

      Thank you very much.

  • @anithavenu2024
    @anithavenu2024 3 ปีที่แล้ว

    🙏🙏🙏🙏

  • @akashk961
    @akashk961 3 ปีที่แล้ว

    ❤️

  • @ManojKumararch
    @ManojKumararch 3 ปีที่แล้ว

    Bringing down Karaharapriya by one scale also gives Shankarabharanam...

  • @rajeshpatil108
    @rajeshpatil108 3 ปีที่แล้ว

    Its also beautiful krishana bhajan

  • @rajeshpatil108
    @rajeshpatil108 3 ปีที่แล้ว

    Beautiful, suktam

  • @rajeshpatil108
    @rajeshpatil108 3 ปีที่แล้ว

    Today its very important knowleg to know our next genration, its valuable source coming from guruparmpara

  • @rajeshpatil108
    @rajeshpatil108 3 ปีที่แล้ว

    Very very beautiful madam its all gods kripa

  • @rajeshpatil108
    @rajeshpatil108 3 ปีที่แล้ว

    Sangit devte sarswati, beautiful

  • @rajeshpatil108
    @rajeshpatil108 3 ปีที่แล้ว

    sunder, aap jo classicalindian music gaarahe ho aur sikha rahe ho it is very important today b, coz, its a traditional vedas dhyan keep it up all the best

  • @deepthiach
    @deepthiach 3 ปีที่แล้ว

    So beautiful! I wonder why you have such few views!

  • @karthikkeys555
    @karthikkeys555 3 ปีที่แล้ว

    Excellent