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Michael Burritt
United States
เข้าร่วมเมื่อ 14 ส.ค. 2010
Having performed on four continents and nearly forty states, Michael Burritt is one of the world's leading percussion soloists. He is an in-demand educator, and frequently presents masterclasses at conventions, symposiums, and colleges around the world. An active composer, his works for marimba have become standard repertoire for the instrument and are frequently required repertoire on international competitions. Mr. Burritt is the Professor of Percussion and head of the percussion department at the Eastman School of Music in Rochester, NY.
This channel features the performances of Mr. Burritt and those of the Eastman Percussion Ensemble.
Cover art by Emory Hensley.
This channel features the performances of Mr. Burritt and those of the Eastman Percussion Ensemble.
Cover art by Emory Hensley.
Little One by Matt Curlee
Little One
Matt Curlee (2023)
(for Anu, for Mari and Elba)
After the kind of personal cataclysm that splits time in two, questions of inevitability can consume us; when we were small and carefree, did this already loom on the horizon? Could we have configured things in some way that would have bypassed this threshold, or was there no choice but to walk across it? The etiologies of disaster can be tiny, almost trivial - a brief electrical misfire, or the aberrant division of a cell - but the implications existential. That incongruity is both terrifying and beautiful, holding within it the paradox of simultaneous fragility and tenacity that is at the core of life.
A meditation on this paradox, Little One is based on the cyclic number 142857. Multiplying by a whole number less than the count of its digits (1-5) gives a product that is a permutation of the original digits: x2=285714, x3=428571, x4=571428, and so forth, which are encoded in both pitch and time dimensions of the piece. The pattern is interrupted - somewhat shockingly - when multiplying by the number of digits in the original number: 142857x6 = 999999.
This structure (which does repeat beyond 6, but requires some mathematical reduction to see) reminds me of how we ruminate on unknowable things - on the path that led us to the present moment, for instance, and the threads of both inevitability and tenuous chance that echo through it. We may endlessly rearrange the components but always come up with the same circumscribed results, most of which are permutations of one another (and a few unthinkably scary). But these limits can sometimes be superseded by transformations that extend into a previously unconsidered dimension. In the empty space after a catastrophe, a sliver of light may leak through from an unseen intersecting plane, and a new degree of freedom is found.
Performed by the Eastman Percussion Ensemble
Michael Burritt - Director
Brandon Berlanga
Ben Bleasing
Sean McWilliams
Michael Smith
Remy Thomas
Anders Wong
Kilbourn Hall - Eastman School of Music
Follow on Instagram at mattcurleemusic
On Spotify at spotify:artist:6Kf73958Q3AyzyMlSJm42r
Support on Bandcamp mattcurlee.bandcamp.com
Score and parts available for purchase at www.mattcurlee.com
Video and Audio by Continuous Motion Productions
www.cmotionproductions.com
Matt Curlee (2023)
(for Anu, for Mari and Elba)
After the kind of personal cataclysm that splits time in two, questions of inevitability can consume us; when we were small and carefree, did this already loom on the horizon? Could we have configured things in some way that would have bypassed this threshold, or was there no choice but to walk across it? The etiologies of disaster can be tiny, almost trivial - a brief electrical misfire, or the aberrant division of a cell - but the implications existential. That incongruity is both terrifying and beautiful, holding within it the paradox of simultaneous fragility and tenacity that is at the core of life.
A meditation on this paradox, Little One is based on the cyclic number 142857. Multiplying by a whole number less than the count of its digits (1-5) gives a product that is a permutation of the original digits: x2=285714, x3=428571, x4=571428, and so forth, which are encoded in both pitch and time dimensions of the piece. The pattern is interrupted - somewhat shockingly - when multiplying by the number of digits in the original number: 142857x6 = 999999.
This structure (which does repeat beyond 6, but requires some mathematical reduction to see) reminds me of how we ruminate on unknowable things - on the path that led us to the present moment, for instance, and the threads of both inevitability and tenuous chance that echo through it. We may endlessly rearrange the components but always come up with the same circumscribed results, most of which are permutations of one another (and a few unthinkably scary). But these limits can sometimes be superseded by transformations that extend into a previously unconsidered dimension. In the empty space after a catastrophe, a sliver of light may leak through from an unseen intersecting plane, and a new degree of freedom is found.
Performed by the Eastman Percussion Ensemble
Michael Burritt - Director
Brandon Berlanga
Ben Bleasing
Sean McWilliams
Michael Smith
Remy Thomas
Anders Wong
Kilbourn Hall - Eastman School of Music
Follow on Instagram at mattcurleemusic
On Spotify at spotify:artist:6Kf73958Q3AyzyMlSJm42r
Support on Bandcamp mattcurlee.bandcamp.com
Score and parts available for purchase at www.mattcurlee.com
Video and Audio by Continuous Motion Productions
www.cmotionproductions.com
มุมมอง: 1 368
วีดีโอ
Caritas - 2 Solemn by Michael Burritt
มุมมอง 2.6K7 หลายเดือนก่อน
Caritas (1991) means love in Latin and is dedicated to my daughters Jennifer and Kelsey. Kelsey was just born and Jennifer was 3 at the time. I was inspired to express, through my music, the profound love a parent feels for their children. Caritas was written more than 30 years ago in my early years of composing. I am continually amazed at the many people from around the world who perform and e...
Caritas - 3 Majestic by Michael Burritt
มุมมอง 6K7 หลายเดือนก่อน
Caritas (1991) means love in Latin and is dedicated to my daughters Jennifer and Kelsey. Kelsey was just born and Jennifer was 3 at the time. I was inspired to express, through my music, the profound love a parent feels for their children. Caritas was written more than 30 years ago in my early years of composing. I am continually amazed at the many people from around the world who perform and e...
Caritas - 1 Mystic by Michael Burritt
มุมมอง 4K7 หลายเดือนก่อน
Caritas (1991) means love in Latin and is dedicated to my daughters Jennifer and Kelsey. Kelsey was just born and Jennifer was 3 at the time. I was inspired to express, through my music, the profound love a parent feels for their children. Caritas was written more than 30 years ago in my early years of composing. I am continually amazed at the many people from around the world who perform and e...
Blue Soul by Michael Burritt
มุมมอง 18Kปีที่แล้ว
Blue Soul by Michael Burritt Blue Soul (2022) is the most recent work in my series of “blue” pieces. It was commissioned by Edition Svitzer in collaboration with Daniel Berg, The Royal College of Music in Stockholm, Sweden and the Academy of Music and Drama in Gothenburg, Sweden. The Quintet features 2 vibraphones and 2 marimbas with rhythmic and timbrel reinforcement in the 5th part, primarily...
Passage to an Uncharted World by Austin Keck
มุมมอง 39Kปีที่แล้ว
Passage to an Uncharted World by Austin Keck Passage to an Uncharted World is a work for six percussionists and piano. As the title suggests, the piece is about an exploration and journey into a world unexplored and never before seen. While this imagery serves as the narrative for the piece, the very simple idea presented in the opening is constantly manipulated and shaped into something new. E...
Arabesco Infinito by Alejandro Viñao
มุมมอง 2.1Kปีที่แล้ว
Arabesco Infinito, by Alejandro Viñao Performed by Emma Gierszal and Justin Lamb At the Eastman School of Music's Hatch Hall Composer Notes: I first thought of writing an 'arabesque' for marimba and vibraphone as I was hearing my son Matteo practice Debussy's second arabesque at the piano. Shortly afterwards I considered Debussy's piece in the context of ideas about repetition derived from clas...
Pavane for a Dead Princess by Maurice Ravel - Arr. Andrew Bockman
มุมมอง 4.6Kปีที่แล้ว
Pavane pour une infante défunte by Maurice Ravel Arranged by Andrew Bockman Maurice Ravel’s Pavane pour une infante défunte has always held a particularly special place in my listening over the years. Ravel’s music is infinitely colorful and dynamic, making it well suited for arrangement and adaptation (as evidenced by the composer’s many brilliant orchestrations of his and others work througho...
Something's Hiding in the Light - Matt Curlee
มุมมอง 4.3K2 ปีที่แล้ว
Something’s Hiding in the Light (2021) Matt Curlee In memory of Chick Corea (1941-2021) Although I could have learned this lesson as a younger musician had I been paying attention, it was my discovery 20-odd years ago (and subsequent heavy rotation on the car stereo) of Chick Corea and Gary Burton’s duo records which truly brought home to me this notion: that the magic happens not only in the t...
Her Alchemy by John Psathas
มุมมอง 12K2 ปีที่แล้ว
Her Alchemy from Koolish Zein (2019) Ionnis (John) Psathas For solo percussion, percussion quartet, and digital audio for Michael Burritt Performed by the Eastman Percussion Ensemble Andrew Bockman Emma Gierszal Justin Lamb YoungKyoung Lee Michael Burritt - soloist Video/Audio: HumLux Media www.humlux.co/ humluxmedia Program Note: “Mu zein!” The Preacher said, waving his right ha...
The Relative Merits by Miles Kim
มุมมอง 2.2K2 ปีที่แล้ว
“The Relative Merits” was written as a tribute to the incredible talent and resolve of my colleagues and mentors during a desperate hour for the music industry. The piece is dedicated to my professor, Michael Burritt, whose compositions are as thoughtful as they are fun to listen to. The piece was written for my four classmates, David Dong, Andrew Lauler, Elise Liu, and Tristan Swihart, whose l...
Rain Tree by Toru Takemitsu performed by the Eastman Percussion Ensemble
มุมมอง 6K3 ปีที่แล้ว
Rain Tree by Toru Takemitsu Performed by the Eastman Percussion Ensemble Elise Liu - Vibraphone and Crotales Chris Amick - Marimba and Crotales Will Newton - Marimba and Crotales Video/Audio by Chris Amick and Justin Lamb
Michael Burritt on Performance Anxiety
มุมมอง 2.8K3 ปีที่แล้ว
Michael Burritt addresses the issue of performance anxiety by sharing ways he tries to help his students address and overcome this common struggle.
Trimetrical Hub by John Psathas performed by Michael Burritt
มุมมอง 19K4 ปีที่แล้ว
Trimetrical Hub (solo version) by John Psathas performed by Michael Burritt Audio/Video recording & editing by: Michael Sherman of Mobile Audio Productionswww.mobile-audio-productions.com Additional Production by YoungKyoung Lee Hatch Recital Hall, Eastman School of Music, Rochester NY Trimetrical Hub is the 3rd movement from Koolish Zein (2020), Concerto for solo percussion (marimba and vibrap...
Michael Burritt - Marimba Basics - Double Vertical Strokes
มุมมอง 13K4 ปีที่แล้ว
Michael Burritt presents his unique approach to teaching 4 mallet marimba technique focusing on the Stevens Grip and double vertical strokes. The class uses musical examples from the repertoire and fundamental exercises.
Snare Drum Fundamentals - Michael Burritt
มุมมอง 19K4 ปีที่แล้ว
Snare Drum Fundamentals - Michael Burritt
The Endings of Things From A Distance by Matt Curlee performed by Michael Burritt
มุมมอง 12K5 ปีที่แล้ว
The Endings of Things From A Distance by Matt Curlee performed by Michael Burritt
Sweet Dreams and Time Machines by Michael Burritt
มุมมอง 69K5 ปีที่แล้ว
Sweet Dreams and Time Machines by Michael Burritt
The Fragile Corridor by Michael Burritt
มุมมอง 33K5 ปีที่แล้ว
The Fragile Corridor by Michael Burritt
Tambourines by Rupert Kettle Performed by Michael Burritt
มุมมอง 2.2K5 ปีที่แล้ว
Tambourines by Rupert Kettle Performed by Michael Burritt
Pseudovector by Matt Curlee - Drum Set Cadenza by Michael Burritt
มุมมอง 4.7K6 ปีที่แล้ว
Pseudovector by Matt Curlee - Drum Set Cadenza by Michael Burritt
Eastman Percussion Ensemble - Bob Becker Bye Bye Medley - Stella Perlic soloist
มุมมอง 18K7 ปีที่แล้ว
Eastman Percussion Ensemble - Bob Becker Bye Bye Medley - Stella Perlic soloist
Estudios de Frontera by Alejandro Viñao - Eastman Percussion Ensemble
มุมมอง 6K8 ปีที่แล้ว
Estudios de Frontera by Alejandro Viñao - Eastman Percussion Ensemble