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3:17 wicked bass solo

It cleans up the trashy highs really nice. Thanks for this.

I've used one since '89. Never fails. Had 3, gifted the first, the 2nd is in a basement on the German border of Holland and just got my third new. The noise has dropped with the newer models.

I have seen far worse 😊

The quick and dirty studio tour...

Hi I have 2 of these I want to sell One is parts Other one works. I havent stripped down the parts machine except for the fan which isnt that quiet but works so I put it in the workin Machine.. They are both HD24 NOT HD 24 PRO

What's Worse: the Band or the Videography?

This is exactly what I wanted to know - thanks!

What size t nuts did you use? And how big did you make the speaker holes? In the middle of my own build right mow

IT'S IN THE WAY. I shift the volume knob to where the tone knob is and get rid of the tone pot. I don't use it anyway. Did the same for my old Jackson and Ibanez RGA. Seriously annoying design. I plug the hole left behind with a flat rubber plug, can buy them online.

Great videos, just picked up one of these dirt cheap + that was a magic 2025 moment when you pan over to your WinXP rocking on a CRT!

It's quite strange that the JC-120 isn't true stereo. Roland made up for this by making the JC-40 and JC-22 true stereo, but then didn't include a stereo effects loop. I wish they would just release the head and speakers separately. I sold my JC to get a Tone Master Pro. It's got a JC-120 model and JC Chorus and Vibrato. I think coupling this with two FR cabs is now the best way to achieve the wide stereo JC sound that we're all seeking. Plus, you can also make it sound like a Twin Reverb at the tap of footswitch. I haven't been able to afford the FR cabs yet, but what I can get in my headphones is impressive. The Roland Chorus, Fender Tremolos and Spring Reverbs are genuinely detailed and authentic.

Thank you for completely clearing all this up

Can you discuss, in the same way, the bass version of this? What frequencies matter there?

Hi is there any recommended setting to get a warm hollow-body jazz tone?

Dude, nice! I’ve been investigating this process myself. Thanks for the tips!

Can the compressor be used to make a very smooth sound?

What if I want to do the reverse?

Cool, interesting album with the most unique naming of tracks. Keep it up!!

My 2009 (ish) model was noisy, too. Glad to see I wasn't alone. I miss it 😢

Someone stole the meter bridge for my old Mackie 24-8 years ago and I've never been able to find one for sale since. I wish they had a built in one. Oh well...

I just took the volume knob off and adjust with the metal piece underneath. It looks ghetto but it works. I still hate the placement since I tend to want to anchor my pinky right where that knob is.

I've always wanted ine of these

Can you use SSD drives instead of a mechanical hard drive?

You must be in Canada, i see the glue is French. Im in NZ and had no luck with any over the shelf glues. Always peels. Took one cab to the recover guys and he laughed and showed me what they use. I cant even buy that stuff just in case i sniff it on the bus going home.😢

awesome!!

I also own one, early 80's and created a stereo balanced XLR line out on it to connect to the band's PA mixer. The end stage is a true, fairly flat stereo (2 channel) amplifier. The part that makes it mono is the noisy mono pre-amp, having it's inputs at the front. The famous built-in chorus and vibrato effects in the pre-stage however have an internal stereo output connected to the end stage that creates the famous broad and rich stereo chorus that made this amp a succes. The solid state 2x60W end stage and superb Roland speakers are a great combo to produce a powerful and rich, noise-free sound. So what I do, running the beast as a keyboard amp, I use the 2 main in's at the back as stereo input. (not the line in which is mono). Then the pre-amp is bypassed by the built-in switch at the main-in connectors and the noise is gone. That however causes the front inputs being blocked as soon as you plug in to the main in inpus. This also opens opportunity for guitarists. You could use a high-end stereo pre-amp as a top and run that into the JC-120 main inputs, having all the modern facilities like (stereo) effect send-return etc. I'm not sure if the same scenario is to be used on modern JC-120's

Have you ever used a Boss CE-5 CHORUS ENSEMBLE Pedal to augment the Built-In Amp Chorus on two JC-120s? What did you think??????

Have you ever used a Boss CE-5 CHORUS ENSEMBLE Pedal to treat a Boss GE-7 EQUALIZER?

Have you ever used a Boss CP-1X COMPRESSOR Pedal to control a Boss TE-2 TERA ECHO?

Have you ever used a Boss CP-1X COMPRESSOR Pedal to treat a Boss DD-8 DIGITAL DELAY?

Have you ever used a Boss CP-1X COMPRESSOR Pedal to treat a Boss CE-5 CHORUS ENSEMBLE?

Have you ever played a Boss RV-6 REVERB or Boss CP-1X COMPRESSOR Pedal? What did you think??????

Have you ever used a Boss DD-8 DIGITAL DELAY Pedal? What did you think??????

Have you ever used a Boss CP-1X COMPRESSOR Pedal? What did you think??????

Have you ever used a Boss RV-6 REVERB Pedal? What did you think??????

I've had (and used) the Mackie HDR24/96, the HD24, ProTools HD (and native), NUMEROUS computer audio interfaces (Steinberg, Focusrite, RME, Digi design, etc.) and even a RADAR system, and the MOST RELIABLE digital recording method REMAINS the HD24. Yeah, it's a pain that it requires PATA/IDE drives -- (there are SATA caddies out there, but they're not as reliable) -- that it doesn't have the lowest throughput latency, that there's only one level of undo, and that it doesn't do .wav/.aiff natively, but it ALWAYS WORKS! Also, ANY two tracks are sample-accurate to one another (so you never have phase issues with stereo pairs) and it's got decent metering (albeit a bit small) and discrete analog I/O to boot. No matter WHAT I'm tracking to (even analog tape) I will ALWAYS run the Alesis in parallel as backup; it's just a great security blanket.

I hit upon this pedal by accident, I had used a DS1 and it was OK but not great, I tried Mega Distortion that had way more gain than the DS1 but the sound was not what I was after. The metal zone was the same, too thin then the ML2 came up on marketplace for $50 and I thought well, if its no good I can sell it and get my money back but was blown away, it had a real rich distortion that was what i was looking for. I use this thing for rock solos and have even paired it with a Dimension C and a bit of delay for a classic 80s sound. Great pedal.

I love this thing. It’s kind of a one-trick pony, but that’s quite a trick. I rarely use it on guitar, though, but mainly on synths.

Have you ever used a Boss TE-2 TERA ECHO Pedal? What did you think??????

Wow ! This is amazing work ! I would love to hear them side by side ?

I am a SG player, and I absolutely hate the way Fender put the knobs on the guitar.

Have you ever used a Boss CE-5 CHORUS ENSEMBLE Pedal to treat a Boss AW-3 DYNAMIC WAH?

Do you by chance know what would happen if you ran two amp simulation pedals through one amp but through separate inputs? E.g. Guitar split to a UAFX enigmatic and a UAFX Dream each going to a different input on one Jazz Chorus amp. Would you have two amp different sounds on each speaker?

Have you ever used the Built-In Amp Distortion on a JC-120? What did you think??????

Make sure you have a fire extinguisher near by 😂

Great video! Can't believe it only has 600 views! You are a great narrator.

The solution is to get rid of the second tone knob, and move the other two down one... so master vol + master tone. Fill the unused top hole with a hole plug from any hardware store, or get a custom pickguard from warmoth for $30. The slide switch I actually think is ok, but I changed the 5-way on my Strat to a 3-way, which is less finicky and easy to accidentally change. I don't like positions 2 and 4.

Nice video. I own one of these that I bought brand new many years ago. I have the XR version which has the higher bit rate AD/DA convertors. * Anyway, I have been considering using my HR24 XR as an interface by using the Optical ADAT Input and Output connections (on the back of the machine), to interface with a RME Digiface USB 66-Channel ADAT to USB Optical Audio Interface, then sending the signal to my DAW (via USB) so that I can have 24 analog TRS in and 24 TRS outs to my Analog mixer. * The question would be are those ADAT Optical connectors on the back of the HR24 active all the time even when not actually recording or playing back audio. This makes me a little nervous that I would get stuck buying the RME unit and not being able to use it wasting $629. I am still considering trying it. If I can find the Alesis USA Home office phone again, I may call and ask them. Thanks. Phil Jersey Shore Area

How would this work in the effects loop?